cult film freak: nancy loomis

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Written by James M. Tate / 11/09/2020 / No comments / adrienne barbeau , eighties , george buck flower , ghost ship , horror , james canning , jamie lee curtis , janet leigh , john carpenter , john houseman , nancy loomis , thriller , tom atkins

JOHN CARPENTER'S UNDERRATED GHOST STORY OF 'THE FOG'

<p></p><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggfXz07UIJefJREII7VP4_Vfc3pWKPjHLC768VmpzyAmTyB8JJiIQGPFwiT9zjoC-mMo9QV57Om7yM8Sve4xGHMV2IbfCLKEKOlniTrTUfv5FoCvrcIpzXVR3zViBuGTXnaIgPIBTiddPr/s540/44877151_592334171195763_9043340000082526208_n.jpeg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="463" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggfXz07UIJefJREII7VP4_Vfc3pWKPjHLC768VmpzyAmTyB8JJiIQGPFwiT9zjoC-mMo9QV57Om7yM8Sve4xGHMV2IbfCLKEKOlniTrTUfv5FoCvrcIpzXVR3zViBuGTXnaIgPIBTiddPr/w343-h400/44877151_592334171195763_9043340000082526208_n.jpeg" width="343"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>The Fog autographed DVD Year: 1980</u><br></td></tr></tbody></table><p>Depending how you look at it, John Carpenter's THE FOG is a zombie flick since the titular weather-pattern wraiths move in a slow, nightmarish pace. And within that mobile-moving, misty shroud are what you'd get from a good old fashion ghost story, which this is John Carpenter's homage version of...</p><p>Literally starting with old timer John Houseman spinning a campfire legend to kids while setting the plot in motion about their small seaport town, founded on a deception that a ship of lepers was accidentally destroyed by nature — with enough gold to get the town's proverbial ball rolling...</p><p>And now in the 100-year Centennial Celebration, the wraiths, brandishing giant hooks, blades and resembling demonic fisherman with obscured hoods and lighted eyes, are after exactly six people — their own unlucky number now unlucky for the surprisingly low body-count in what's also Carpenter's mellow "drinking movie" of sorts...</p><p></p><p>Starring Adrienne Barbeau, the director's then-wife, as a sultry-voiced deejay of mellow jazz, and otherwise providing a sort of strategic Roman Chorus for the fog's momentum, alerting both the characters where it's headed and the audience where the characters should go because of it... while Carpenter's HALLOWEEN ingenue Jamie Lee Curtis falls (way too quickly and unrealistically) head-over-heels for an older-man, and one of the director's regulars, tough guy actor Tom Atkins; both he and Curtis investigate his best friend's disappearance on a fishing boat leading to a cool "ghost ship" scenario... the duo provides an added bonus to alleviate Barbeau from having to work too hard...</p><p></p><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihgqdCqAiHadwv3Z6B9Z8c3pGGj-vVfz7-OcWfeQaTr8YyOGnFUvvWoVTkmKhi6uYWbWn0oP4mxTstXhRuwiIOjEBPFpodukGlrzGMvcUVnca_MBh76BFPouCKv1ZFTAnAxThX-pj308np/s934/44544442_590180974744416_988086316258295808_n.jpeg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="703" data-original-width="934" height="301" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihgqdCqAiHadwv3Z6B9Z8c3pGGj-vVfz7-OcWfeQaTr8YyOGnFUvvWoVTkmKhi6uYWbWn0oP4mxTstXhRuwiIOjEBPFpodukGlrzGMvcUVnca_MBh76BFPouCKv1ZFTAnAxThX-pj308np/w400-h301/44544442_590180974744416_988086316258295808_n.jpeg" width="400"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Jamie Lee Curtis in THE FOG Rating: ****1/2</u></td></tr></tbody></table><p></p><p>Different than HALLOWEEN and similar to THE THING and PRINCE OF DARKNESS, this is more of an ensemble, and, just as he would later on, Carpenter juggles his characters nicely... <br></p><p>And unlike most main female characters of this genre, the voluptuous brunette Barbeau is definitely no cliché uptight novice: well into her thirties, she has a curious young son who, while they are separated, gives Atkins and Curtis someone to protect along with an actual urgency and purpose leading to a narrowed-down third act. But it's the town's basement-dwelling priest, played with sublime ambiguity by Hal Holbrook, who steals the show while telling half of it...</p><p>Meanwhile, added to the mix is Jamie Lee's mom, legendary PSYCHO starlet Janet Leigh who, alongside another HALLOWEEN ingenue and Carpenter regular Nancy Loomis, provide a second duo to follow towards a particular location — where everyone winds up except the lighthouse-trapped Barbeau... And the split-second surprise-ending is one of the greatest ever in this solid, vastly underrated, personal favorite Carpenter vehicle that, compared to his more celebrated films surrounding, seemed to roll under the pop culture horror movie radar: A cult film's cult film, if you will.  </p><p><span></span></p>

adrienne barbeau, eighties, george buck flower, ghost ship, horror, james canning, jamie lee curtis, janet leigh, john carpenter, john houseman, nancy loomis, thriller, tom atkins

JOHN CARPENTER'S UNDERRATED GHOST STORY OF 'THE FOG'

The Fog autographed DVD Year: 1980 Depending how you look at it, John Carpenter's THE FOG is a zombie flick since the titular weather-pa...

JOHN CARPENTER'S THE FOG

adrienne barbeau, eighties, george buck flower, ghost ship, horror, james canning, jamie lee curtis, janet leigh, john carpenter, john houseman, nancy loomis, thriller, tom atkins

JOHN CARPENTER'S THE FOG

THE FOG HAS MOVED TO THIS LOCATION CLICK HERE

JOHN CARPENTER 'ASSAULT ON PRECINCT 13' WITH LAURIE ZIMMER

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<tr><td class="tr-caption" style="text-align: center;"><u>year: 1976 cast: Austin Stoker, Laurie Zimmer, Kim Richards </u></td></tr>
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JOHN CARPENTER is the renown “Master of Horror,” and his scary films, often mixed with science fiction, followed this '70s low-budget crime/exploitation. And thanks to the Panavision, the gliding camera, and an ominous synthesized score, his latter classics owe a lot to this gritty, urban predecessor.<br />
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<tr><td class="tr-caption" style="text-align: center;"><u>ASSAULT Rates: ****</u></td></tr>
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Loosely based on Howard Hawks' RIO BRAVO, the plot centers on a nearly vacant police precinct about to be closed as Austin Stoker, a dependable cop, is sent to oversee the transition. Meanwhile, on the streets outside, a gang of bloodletting criminals gun down a little girl played by Kim Richards. Her father kills the leader and runs for shelter at the precinct while the vengeful thugs, like Indians in the Westerns Carpenter grew up watching, surround the precinct.<br />
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<tr><td class="tr-caption" style="text-align: center;"><u>Shout Factory busy Cover</u></td></tr>
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It’s now the good guys verses the bad guys: yet one of the heroes is a convicted killer, played with slow burn cool by Darwin Joston who, with Stoker and gorgeous yet tough office worker Laurie Zimmer between mousy office girl Nancy Loomis, fight off the antagonists within the darkened, claustrophobic confides.<br />
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The first half, setting up the precinct and the city streets… more of a barren wasteland than a lethal metropolis… wields the patented Carpenter long shots with mesmerizing suspense in an intentionally slow manner, far exceeding the last half as the frantic trio battle unseen exterior forces. And while the lead actors have chemistry with each other, their performances are often so low-key and monotone you’ll long to see the goons beyond the precinct walls. But Frank Doubleday, as the gangland sniper setting the entire plot into motion (the Janet Leigh/PSYCHO of villains, taken out too soon), is the most memorable: reminiscent of the sinister forces Carpenter would use later on.<br />
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<tr><td class="tr-caption" style="text-align: center;"><u>John Carpenter soon-to-be regulars Charles Cyphers & Nancy Loomis with Laurie Zimmer</u></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><u>Austin Stoker, Laurie Zimmer and Darwin Joston in ASSAULT ON PRECINCT 13</u></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><u>Austin Stoker, Laurie Zimmer and Darwin Joston in ASSAULT ON PRECINCT 13</u></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><u>A Papillon like poster image of Nancy Loomis and Laurie Zimmer in Assault on Precinct 13</u></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><u>Noir blinds shadowy look in Assault on Precinct 13 w/ Laurie Zimmer and Austin Stoker</u></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><u>Austin Stoker, Laurie Zimmer in ASSAULT ON PRECINCT 13</u></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><u>Charles Cyphers and Charles Cyphers in John Carpenter's Assault on Precinct 13</u></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><u>Laurie Zimmer and a tough stroll in John Carpenter's Assault on Precinct 13</u></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><u>Laurie Zimmer with Nancy Loomis in the background in ASSAULT ON PRECINCT 13</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOODaJ-EBuv8eO369Kl-cce_VkYq_XNHR2aVMXmcTQMMvR7u5wOIbb2TIZg8UjUTGJIBrhK6lrK730I9et6RZRcUqjGrLZAMRBoB9L5_sGZYtaaMzRXub8ugMerd98Okb8sR5Ho2i_13B1/s1600/1+3.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="484" data-original-width="840" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOODaJ-EBuv8eO369Kl-cce_VkYq_XNHR2aVMXmcTQMMvR7u5wOIbb2TIZg8UjUTGJIBrhK6lrK730I9et6RZRcUqjGrLZAMRBoB9L5_sGZYtaaMzRXub8ugMerd98Okb8sR5Ho2i_13B1/s1600/1+3.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Laurie Zimmer Assault on Precinct 13 Laurie Zimmer John Carpenter</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioHc2MwUkX1F8w1ldN1IZ3MMuDeeoh1k3r7VHmm_0E51NildPuG8dW7p-t8gTuA0yOiVs4vukhgIXKLNiMzfABPz6MnD6kNKO2le-CaWer1O9w6nl7LbiWvEQbN9dFVaZKpZxI2eKoOwa-/s1600/2+3.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="505" data-original-width="960" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioHc2MwUkX1F8w1ldN1IZ3MMuDeeoh1k3r7VHmm_0E51NildPuG8dW7p-t8gTuA0yOiVs4vukhgIXKLNiMzfABPz6MnD6kNKO2le-CaWer1O9w6nl7LbiWvEQbN9dFVaZKpZxI2eKoOwa-/s1600/2+3.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Halloween's Cute and pointy Nancy Loomis begins her Carpenter's training in Assault on Precinct 13</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis5jpyPQNbQGZZef4kQATh48s_Wnie4xLhPi9P6zSBNdEWdCRdXlikKGRkxIUBRYqWtpLiMblAqPoZojMhSUb8RsGDJllogM15_4nYFab3MILZD-yMTpwLYOIJt62apeUKbWEfpbXxax_n/s1600/44444444.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="611" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis5jpyPQNbQGZZef4kQATh48s_Wnie4xLhPi9P6zSBNdEWdCRdXlikKGRkxIUBRYqWtpLiMblAqPoZojMhSUb8RsGDJllogM15_4nYFab3MILZD-yMTpwLYOIJt62apeUKbWEfpbXxax_n/s1600/44444444.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Frank Doubleday is a backseat driver assassin in Assault on Precinct 13</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiug7qZNXf2Zr44J5p_TP7O7hra4iPefWa9AeVf1mXMWfot_V5yFG6jjYDc62ceWAfHavCeKQjirDt8bAKdqe2lqFlCkebsTiM7_ShkXRZ8iNn_yipXkX5_gKZsHGdenUvB7u0IDgp_D2GI/s1600/33333333333344444.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="627" data-original-width="1243" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiug7qZNXf2Zr44J5p_TP7O7hra4iPefWa9AeVf1mXMWfot_V5yFG6jjYDc62ceWAfHavCeKQjirDt8bAKdqe2lqFlCkebsTiM7_ShkXRZ8iNn_yipXkX5_gKZsHGdenUvB7u0IDgp_D2GI/s1600/33333333333344444.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Escape from New York's Romero in Carpenter's second feature Assault on Precinct 13 Frank Doubleday</u></td></tr>
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<tr><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCNGxnsTvLzyqXHWU6-B6qd4P_M9-YzFErxVrlg_0XgZ47bp3nVCBolkqxXxrPf8cUeUymA7S8c23VXPfWTpI2onWKXWPjpJzmTTa0k8EfLZ5ssaKUGaSuczh2qUfwAxu-bTUb1QFSjg88/s1600/305556_10150712413874708_477660298_n.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCNGxnsTvLzyqXHWU6-B6qd4P_M9-YzFErxVrlg_0XgZ47bp3nVCBolkqxXxrPf8cUeUymA7S8c23VXPfWTpI2onWKXWPjpJzmTTa0k8EfLZ5ssaKUGaSuczh2qUfwAxu-bTUb1QFSjg88/s1600/305556_10150712413874708_477660298_n.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 12.8px;">Kim Richards enjoys the final flavor</td></tr>
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<tr><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3UZpihcgZnt-aCgT3zOmTFsb3BZqR3CL3VHQ071nrtppBK6pjwxVxBBvRTT19hKtHq9GohCZmmOdzG3AMyVLVG9yrIHVUg1vcCJ6uOlUrF6m7DbtM0-xtyXRmsfOBts2S4HN27BwdQ709/s1600/384564_10150382836849708_758290294_n.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3UZpihcgZnt-aCgT3zOmTFsb3BZqR3CL3VHQ071nrtppBK6pjwxVxBBvRTT19hKtHq9GohCZmmOdzG3AMyVLVG9yrIHVUg1vcCJ6uOlUrF6m7DbtM0-xtyXRmsfOBts2S4HN27BwdQ709/s1600/384564_10150382836849708_758290294_n.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 12.8px;">"Why didn't I just stay at Witch Mountain?"</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1RD95fjXR81OL7EARFgfJEZLnLO_Tu3nZ8vuFkM8ZBk2qu2xP2wKVRCQeuf8XkYbmeSg1z2xDRYPgAUKKgfF95TtmBbzOMLFP0gNb0hNnu8V9NHtfy7wjvZK-RnBb_rdmSNqgmfpVhsLH/s1600/376839_10150382836919708_1036519759_n.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1RD95fjXR81OL7EARFgfJEZLnLO_Tu3nZ8vuFkM8ZBk2qu2xP2wKVRCQeuf8XkYbmeSg1z2xDRYPgAUKKgfF95TtmBbzOMLFP0gNb0hNnu8V9NHtfy7wjvZK-RnBb_rdmSNqgmfpVhsLH/s1600/376839_10150382836919708_1036519759_n.jpg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">"Why are you on that stupid reality show? See where it got you?"</td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo127CiatgcyiLYoiixNd0FI9q1T18VZQHFibNV44A1x-07Y3FbMtOG-VkWhWzVRajUHUFvniyrU85YSX7-K_FMVEeK3ZFY4iaDcE6PA85Zh7OnlBcJIELfXM9md6ByFGyCSMdoaAMd6U_9IoYchDlqiNA3Z6x8Q4psp2F6laCTkW1c5v10-FRdEzTB43S/s1726/Screen%20Shot%202025-08-22%20at%201.16.26%20PM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1046" data-original-width="1726" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo127CiatgcyiLYoiixNd0FI9q1T18VZQHFibNV44A1x-07Y3FbMtOG-VkWhWzVRajUHUFvniyrU85YSX7-K_FMVEeK3ZFY4iaDcE6PA85Zh7OnlBcJIELfXM9md6ByFGyCSMdoaAMd6U_9IoYchDlqiNA3Z6x8Q4psp2F6laCTkW1c5v10-FRdEzTB43S/s16000/Screen%20Shot%202025-08-22%20at%201.16.26%20PM.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Laurie Zimmer with Austin Stoker in ASSAULT on Precinct 13</u><br /></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEie5KlpvGtSBSjdUoeuIvfJLCzlro8r5d6GKxa3U4noGYljsMgk3faAoBp8Z2UFDFBjnS1pk3zxZ36MEU5dJvgTCm6QGbVBagTT5RZfxphyphenhyphenFDDxHMzZHuXpnfqMX6d9NfBChORXoLIKZ8_ItSXrQtkSdO2x7WEn1a4DZsOK73BY05ScGAwpEusCinqo0xac/s1134/z.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="706" data-original-width="1134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEie5KlpvGtSBSjdUoeuIvfJLCzlro8r5d6GKxa3U4noGYljsMgk3faAoBp8Z2UFDFBjnS1pk3zxZ36MEU5dJvgTCm6QGbVBagTT5RZfxphyphenhyphenFDDxHMzZHuXpnfqMX6d9NfBChORXoLIKZ8_ItSXrQtkSdO2x7WEn1a4DZsOK73BY05ScGAwpEusCinqo0xac/s16000/z.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Laurie Zimmer with Billy Jacoby in  LITTLE LULU<br /></u></td></tr></tbody></table><br />