cult film freak

Presented by James M. Tate / 8/22/2017 / No comments / catherine bach , john saxon , reb brown , science-fiction , seventies , tv movie

SCI-FI TV PILOT OF STRANGE NEW WORLD WITH JOHN SAXON

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<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-tgFoLSNQGyU/WZ0SZEeEKuI/AAAAAAAAyn8/67Tet6KC0F4f9lm4gQpI_jw7b-UvHSwRQCLcBGAs/s1600/20953127_363733390722510_6946074215267619771_n.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="548" data-original-width="960" height="227" src="https://3.bp.blogspot.com/-tgFoLSNQGyU/WZ0SZEeEKuI/AAAAAAAAyn8/67Tet6KC0F4f9lm4gQpI_jw7b-UvHSwRQCLcBGAs/s400/20953127_363733390722510_6946074215267619771_n.jpg" width="400"></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>John Saxon, Kathleen Miller & Reb Brown YEAR: 1975</u></td></tr>
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STRANGE NEW WORLD is a lot like Gene Roddenberry's <a href="http://www.cultfilmfreaks.com/2017/07/ohohhhThisIsPlanetEarth.html">PLANET EARTH</a> also starring John Saxon but a bit more creative, bizarre and twisty: The crew of a floating space station takes a cryogenic freeze nap and, like Saxon on the other show, wakes up 200-years later, only this time on purpose, sort of...<br>
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Turns out the Earth had been destroyed and altered by a meteor storm, so the threesome were preserved up there and now must find the Earthlings, called-upon from a random distress signal, who hid in the mountains and hibernated on their own. Here's where the first of two adventures begins, having to do with a colony of survivors that don't seem like they've survived anything at all...<br>

catherine bach, john saxon, reb brown, science-fiction, seventies, tv movie

SCI-FI TV PILOT OF STRANGE NEW WORLD WITH JOHN SAXON

John Saxon, Kathleen Miller & Reb Brown YEAR: 1975 STRANGE NEW WORLD is a lot like Gene Roddenberry's PLANET EARTH also starrin...

ORIGINAL SCIENCE-FICTION TELEVISED TRIPLE-SAGA OF V

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<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-Vot9rr_exD0/V2wRUD5jPJI/AAAAAAAAtGs/w8_mcYlkcH4P9VoYtiYB3Sg91JzcTfrXQCLcB/s1600/V4.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://2.bp.blogspot.com/-Vot9rr_exD0/V2wRUD5jPJI/AAAAAAAAtGs/w8_mcYlkcH4P9VoYtiYB3Sg91JzcTfrXQCLcB/s1600/V4.jpg"></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>The plant is close to yours truly... And, all photographs are from the original miniseries although this covers all three facets of V</u></td></tr>
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<span style="font-family: "verdana" , sans-serif;"><u>V: THE ORIGINAL MINISERIES</u>: About every five years it's time to rediscover the brilliance of a miniseries that, for a number of reasons, has gotten a bad rap on being pure, unapologetic camp, but it's wise not to mistake camp for cult, and to realize that every original vehicle with cheesy followups did begin with something worthy of being followed-up in the first place...</span><br>

eighties, jane badham, miniseries, science-fiction

ORIGINAL SCIENCE-FICTION TELEVISED TRIPLE-SAGA OF V

The plant is close to yours truly... And, all photographs are from the original miniseries although this covers all three facets of V V:...

FRANCES RAINES HELPS MAKE RYDER P.I. WORTHWHILE

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<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-VwBKjSY45ho/WZjIgimYeCI/AAAAAAAAymE/aYbFxp2LjHgyP4lwT1bCfE9Ux7ZX95uTgCLcBGAs/s1600/Screen%2BShot%2B2017-08-17%2Bat%2B8.57.22%2BPM.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="626" data-original-width="912" height="273" src="https://4.bp.blogspot.com/-VwBKjSY45ho/WZjIgimYeCI/AAAAAAAAymE/aYbFxp2LjHgyP4lwT1bCfE9Ux7ZX95uTgCLcBGAs/s400/Screen%2BShot%2B2017-08-17%2Bat%2B8.57.22%2BPM.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Frances Raines will be subject for other reviews YEAR: 1986</u></td></tr>
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<span style="font-family: "verdana" , sans-serif;">Suffering an awful weeklong cold, and not able to write about anything of importance, let's veer back to Really Bad Movie basics with a vehicle created on a shoestring budget featuring an obscure gathering of Long Island comics and a future shock jock icon...</span><br />
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<span style="font-family: "verdana" , sans-serif;">Up front is hefty comic actor David Hawthorne, the sleepy-eyed "moron" who, a decade later, as a restaurant bartender, served a heartbroken Jack Nicholson a glass of "the last free drug" in AS GOOD AS IT GETS: he throws in a Jack imitation along with a bagful of quick quips and a thin plot-line for RYDER P.I., a Humphrey Bogart Era Film Noir parody that, surprisingly, keeps up the entertainment value alongside the feeling of, "How much worse can this get?"</span><br />
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-9Otyn-aWJbQ/WZjKQZHxVMI/AAAAAAAAymk/j4kTM1U48ncfgZfmRsWvzWszIpKZYHb0ACEwYBhgL/s1600/3.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="624" data-original-width="1025" height="242" src="https://1.bp.blogspot.com/-9Otyn-aWJbQ/WZjKQZHxVMI/AAAAAAAAymk/j4kTM1U48ncfgZfmRsWvzWszIpKZYHb0ACEwYBhgL/s400/3.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Frances Raines dries off with a smile</u></td></tr>
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<span style="font-family: "verdana" , sans-serif;">Hawthorne is comfortable in front of the camera despite being uncomfortable to look at — but that seems an intentional thread of the overall punchline: he's the antithesis of any sort of leading man on-screen persona. So some local help was obviously needed...</span><br />
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<span style="font-family: "verdana" , sans-serif;">At that time, in 1986, Howard Stern was climbing as a New York morning radio talkshow host.  Random scenes as a television newscaster aren't that funny because Howard's not doing his own thing, or poking fun at his crew. And yet the aggression and annoyance does feel genuine: his character, Ben Wah, can't stand the network he's on, and obviously Stern felt the same about this project. And he's not alone. Not completely...</span><br />
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<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-HF1ksfP2yy8/WZjJbUzBW9I/AAAAAAAAymM/HE3h_uO17o8pgK3C3OFES4nTjljvp4b8QCLcBGAs/s1600/20840846_361867857575730_698257843206366355_n.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="581" data-original-width="960" height="241" src="https://3.bp.blogspot.com/-HF1ksfP2yy8/WZjJbUzBW9I/AAAAAAAAymM/HE3h_uO17o8pgK3C3OFES4nTjljvp4b8QCLcBGAs/s400/20840846_361867857575730_698257843206366355_n.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Howard Stern when he was only known back East</u></td></tr>
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<span style="font-family: "verdana" , sans-serif;">His chief writer, Jackie "The Joke Man" Martling, provides the voice of a "Fat Eddie" doll that, when Hawthorne's private investigator character, Skylar Ryder, pulls a string, it unloads insult after insult, each ending with Martling's chortle that would soon become famous within the Stern universe. But what makes RYDER easy viewing on the eye is b-starlet Frances Raines, who isn't blood related-to but is technically a relative of THE INVISIBLE MAN Claude Raines. Her vulnerable, girl-next-door beauty, seeking the titular snoop for protection from a woodwork of goons, makes this trainwreck worth watching. Plus, she appears during the midway point when desperately needed...</span><br />
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<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-T6jWDcITz8g/WZjJ8iQttcI/AAAAAAAAymU/qBM0VZ6RqfYWUnp7ZJ9FMKDO1gBZ1Ih8ACLcBGAs/s1600/Screen%2BShot%2B2017-08-17%2Bat%2B9.01.21%2BPM.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="618" data-original-width="1031" height="238" src="https://2.bp.blogspot.com/-T6jWDcITz8g/WZjJ8iQttcI/AAAAAAAAymU/qBM0VZ6RqfYWUnp7ZJ9FMKDO1gBZ1Ih8ACLcBGAs/s400/Screen%2BShot%2B2017-08-17%2Bat%2B9.01.21%2BPM.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>A jokey doll voiced by Jackie Martling CAMP VALUE SCORE: ***1/2</u></td></tr>
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<span style="font-family: "verdana" , sans-serif;">The worst of the cast is Ryder's hairbrained partner, overacting "the retard" to the hilt and almost forcing the viewer to either change the channel or destroy their television... </span><br />
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<span style="font-family: "verdana" , sans-serif;">For those brave or patient enough, or in this case, who pay by the month, Amazon Prime members can stream this extremely low budget comedy. And for fans of the classic era Howard Stern it's a rare gem to behold, or rather, to survive: There's a feeling of bizarre accomplishment lasting through these kind of movies that aren't really movies. Added to that, RYDER doesn't have a cult following to join the ranks of worthy Camp Schlock unlike a couple others we'll review in the future starring</span><span style="font-family: "verdana" , sans-serif;"> Frances Raines... Stay tuned. </span><br />
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<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-LMqj-Xu7Ei8/WZjKQPC5xGI/AAAAAAAAymc/mROIQMoeIQsc_o5at4lUWfIMFwxsilSPQCLcBGAs/s1600/0.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="627" data-original-width="1060" src="https://3.bp.blogspot.com/-LMqj-Xu7Ei8/WZjKQPC5xGI/AAAAAAAAymc/mROIQMoeIQsc_o5at4lUWfIMFwxsilSPQCLcBGAs/s1600/0.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Frances Raines and a monkey in RYDER P.I.</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-OgaSOAeJNSA/WZjKQbYftHI/AAAAAAAAymg/xQULKoJKGwg0_Ns24WqyrBvTuy9KMRSnACLcBGAs/s1600/1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="622" data-original-width="1096" src="https://2.bp.blogspot.com/-OgaSOAeJNSA/WZjKQbYftHI/AAAAAAAAymg/xQULKoJKGwg0_Ns24WqyrBvTuy9KMRSnACLcBGAs/s1600/1.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Frances Raines in RYDER P.I. </u></td></tr>
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<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-OxFRX3a0Ops/WZjKQKeFX2I/AAAAAAAAymY/3TgTLTCDPnUZ04RIySLtypN5LYyOb2z_ACLcBGAs/s1600/2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="624" data-original-width="1036" src="https://2.bp.blogspot.com/-OxFRX3a0Ops/WZjKQKeFX2I/AAAAAAAAymY/3TgTLTCDPnUZ04RIySLtypN5LYyOb2z_ACLcBGAs/s1600/2.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Frances Raines dries off in RYDER PI</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-VfSP3hK2QRU/WZjKWpUJ64I/AAAAAAAAymo/OSBkc3XKN4ga2CvmrKMC5-Vdyfbe8Ap5ACLcBGAs/s1600/Screen%2BShot%2B2017-08-17%2Bat%2B9.02.09%2BPM.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="626" data-original-width="1031" src="https://4.bp.blogspot.com/-VfSP3hK2QRU/WZjKWpUJ64I/AAAAAAAAymo/OSBkc3XKN4ga2CvmrKMC5-Vdyfbe8Ap5ACLcBGAs/s1600/Screen%2BShot%2B2017-08-17%2Bat%2B9.02.09%2BPM.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Frances Raines in RYDER PI</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-2Knt-2QxxCA/WZjKWvrdafI/AAAAAAAAyms/RcMhq229Nm0yh6BQVl0TYR6jT6rOgT8nwCLcBGAs/s1600/Screen%2BShot%2B2017-08-17%2Bat%2B9.01.44%2BPM.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="617" data-original-width="1037" src="https://1.bp.blogspot.com/-2Knt-2QxxCA/WZjKWvrdafI/AAAAAAAAyms/RcMhq229Nm0yh6BQVl0TYR6jT6rOgT8nwCLcBGAs/s1600/Screen%2BShot%2B2017-08-17%2Bat%2B9.01.44%2BPM.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Hell, might as well get at least one picture of the film's star, Bob Hawthorne</u></td></tr>
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comedy, eighties, frances raines, howard stern, jackie martling, neo noir, parody

FRANCES RAINES HELPS MAKE RYDER P.I. WORTHWHILE

Frances Raines will be subject for other reviews YEAR: 1986 Suffering an awful weeklong cold, and not able to write about anything of im...

Presented by James M. Tate / 8/14/2017 / No comments / 2017 , horror

BELATED WEEKEND REVIEW OF ANNABELLE: CREATION

2017, horror

BELATED WEEKEND REVIEW OF ANNABELLE: CREATION

Year Released: 2017 Combining horror sub-genres like Haunted House, Body Count and Demon Possession, ANNABELLE: CREATION is more exploit...

RICHARD WIDMARK SCORNED IN THE FILM NOIR ROAD HOUSE

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<tr><td class="tr-caption" style="text-align: center;"><u>YEAR OF RELEASE: 1948</u></td></tr>
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<span style="font-family: "verdana" , sans-serif;">No this doesn't star Patrick Swayze... ROAD HOUSE was originally a Noir title </span>—<span style="font-family: "verdana" , sans-serif;"> t</span><span style="font-family: "verdana" , sans-serif;">he third of Richard Widmark's sleazy villain roles igniting with the staircase-shoving Tommy Udo in KISS OF DEATH followed by a nervous and edgy gang-boss in THE STREET WITH NO NAME...</span><br>
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<span style="font-family: "verdana" , sans-serif;">Widmark is the guy who, in these early roles, is far from pretty, or even manly, but does have either power or money, or both, and here he's just the rich part, owner of the title location where bowling is the forefront till he brings Ida Lupino to sing in the lounge: starting out, me mostly see her from the perspective of hero Cornel Wilde as Peter, the manager and bouncer who does all the work: one scene taking down a large and lusty drunk equalling two of Patrick Swayze's rowdy opponents. </span><span style="font-family: "verdana" , sans-serif;">So Peter has the least amount of fun. That is, until Lupino begins to shun the man who hired her... </span><span style="font-family: "verdana" , sans-serif;">And like in many a Noir, the rich guy practically hands a woman, his woman (in this case, only in his mind) into the arms of the younger, handsome stud, and seems completely puzzled when they turn out falling in love... Although at one point, when Lupino describes her scary boss to Pete, he responds: "You don't understand </span>—<span style="font-family: "verdana" , sans-serif;"> Jefty just needs to have somebody around." And how!</span><br>
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british film noir/melodrama, cornel wilde, ida lupino, richard widmark

RICHARD WIDMARK SCORNED IN THE FILM NOIR ROAD HOUSE

YEAR OF RELEASE: 1948 No this doesn't star Patrick Swayze... ROAD HOUSE was originally a Noir title — t he third of Richard Widmar...

EXTREMELY BELATED REVIEW OF SNATCHED

adventure, amy schumer, buddy, comedy, goldie hawn, team-up

EXTREMELY BELATED REVIEW OF SNATCHED

YEAR: 2017 Here's a double-edged question: Is the first twenty-minutes of SNATCHED weak and flimsy because the characters end up goi...

FUTURISTIC MICE TWO: WOODYLESS PURPLE ROSE OF CAIRO

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<tr><td class="tr-caption" style="text-align: center;"><u>Limited Edition Twilight Time Blu Ray Menu with great artwork Year: 1985</u></td></tr>
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<span style="font-family: "verdana" , sans-serif;">By far the best Woodyless Woody Allen film during what we call the PIVOTAL WOODY ALLEN CINEMA TIER TWO period (<a href="http://www.cultfilmfreaks.com/2016/10/woody-allen-fm1.html">click here</a> for the FUTURISTIC MICE retrospective introduction) starting with ANNIE HALL and ending with HUSBANDS AND WIVES... </span><br>
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<span style="font-family: "verdana" , sans-serif;">That being a motion picture he wrote and directed and did not star in or appear at all (it happens all the time nowadays): the first being the Ingmar Bergman style melodrama INTERIORS that didn't quite wash, or dry – the opposite occurring in this, THE PURPLE ROSE OF CAIRO, wherein all scriptwriting students can learn how to take a far-fetched, impossible premise, in this case an actor literally walking through a movie screen to have an old fashion romance with his biggest fan... during the Great Depression... and have it make sense with one simple explanation: "It's New Jersey," says one character, explaining the bizarre event. "Anything can happen!" </span><br>

danny aielo, jeff daniels, mia farrow, woody allen

FUTURISTIC MICE TWO: WOODYLESS PURPLE ROSE OF CAIRO

Limited Edition Twilight Time Blu Ray Menu with great artwork Year: 1985 By far the best Woodyless Woody Allen film during what we call ...

ROB REINER GOES NORTH W/ ONE OF THE WORST MOVIES EVER

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<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-27Tb1zixZXI/WYbGI1KqSiI/AAAAAAAAyio/c-5EU9QxKaAu7nK_b7m0cFMeIl4qhZrMwCLcBGAs/s1600/collegehumor-e612df21125dabca34af1332c7a852ba.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="250" data-original-width="480" height="207" src="https://3.bp.blogspot.com/-27Tb1zixZXI/WYbGI1KqSiI/AAAAAAAAyio/c-5EU9QxKaAu7nK_b7m0cFMeIl4qhZrMwCLcBGAs/s400/collegehumor-e612df21125dabca34af1332c7a852ba.jpg" width="400"></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>YEAR RELEASED: 1994</u></td></tr>
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<span style="font-family: "verdana" , sans-serif;">Director Terry Gilliam's first directed feature outside the Monty Python spectrum is TIME BANDITS, where a lonely, imaginative pre-teen, ignored by a pair of boorish, overly-typical suburban parents, is thrust into a portal where he discovers, along with a handful of thieving dwarves, the kind of manly dream-dad he, and any kid, would want in Sean Connery's brave, middle-aged from the Middle Ages warrior, much like an intrepid and serious version of our NORTH narrator Bruce Willis, who Elijah Wood finds after running away — ala Drew Barrymore in a courtroom liken to IRRECONCILABLE DIFFERENCES — from a terribly depressing, equally annoying home-life, and he serves as a sort of mentor/guide, appearing as various characters, from a man in a bunny suit to a cowboy to an eskimo, for guidance beyond mere parental wisdom; more of a cool uncle but "enough of my yackin'... Here's a movie that killed a sublime winning streak of director Rob Reiner, who reigned in a decade of great to very-good movies from SPINAL TAP to PRINCESS BRIDE to MISERY... This is possibly the worst motion picture ever made, and one that might be suited to the "So Bad it's Good" category but really more of a "So Horrendously Awful it's Torturous Yet Intriguing, somehow..."</span><br>

nineties, rob reiner

ROB REINER GOES NORTH W/ ONE OF THE WORST MOVIES EVER

YEAR RELEASED: 1994 Director Terry Gilliam's first directed feature outside the Monty Python spectrum is TIME BANDITS, where a lonel...

A BIG RED THREAT IN SAM FULLER'S PICKUP ON SOUTH STREET

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<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-eGBHwMA1yps/WYV1hR8CdoI/AAAAAAAAyiA/OMIMg3-Plt4f9DMQ4woJDvwWPFeOJEcHQCLcBGAs/s1600/pickup_on_south_street_ver3_xlg.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="851" data-original-width="1128" height="301" src="https://3.bp.blogspot.com/-eGBHwMA1yps/WYV1hR8CdoI/AAAAAAAAyiA/OMIMg3-Plt4f9DMQ4woJDvwWPFeOJEcHQCLcBGAs/s400/pickup_on_south_street_ver3_xlg.jpg" width="400"></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>YEAR RELEASED: 1953</u></td></tr>
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<span style="font-family: "verdana" , sans-serif;">PICKUP ON SOUTH STREET is arguably Samuel Fuller's best movie... surpassing even his most famous, THE BIG RED ONE... It's a Film Noir that despises "Reds," and uses that word abundantly, which is a real treat given how much the moniker's been protected since the 1960's because of the paranoia-driven "witch hunts" the decade earlier... So that's that: If Sam says the Communists are a threat, well then, sorry, Intellectuals...</span><br>
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<span style="font-family: "verdana" , sans-serif;">And yet, Fuller tows the line of patriotism by having his antagonist a lifestyle lowlife pickpocket in New York City — who is a war vet, like Sam himself, and when the cops start "waving the flag," goading him into returning a microfilm that was inside ingenue Jean Peter's pocketbook, he demands the law doesn't get Patriotic "<i>to me." </i>This also establishes Richard Widmark's McCoy, holed in a dilapidated sea shanty that's like a character in itself, as being one of the most ambiguous Noir characters in a genre full of them. But it's not the leading man or lady, thrown together by chance as she wants back what he stole that belonged to an abusive boyfriend who's selling the film (a plot-driven device known as McGuffin) to Communists — it's Thelma Ritter who not only steals scenes, she carries the mantle as also being, technically speaking, the most important character herein: An endearing bag lady-style con-artist "fink" who provides names for a price. This endearingly rough, street savvy, tie-selling street hustler is the one person connecting McCoy with Jean's Candy, who also plays it smooth and natural — despite falling way too hard, far too soon with Widmark, and is the only device seeming rushed, contrived: even someone resembling a Robert Mitchum or Cary Grant would have to work harder to melt a starlet this quickly... It takes minutes here... Or less...</span></div>
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fifties, film noir or melodrama, jean peters, richard kiley, richard widmark, samuel fuller

A BIG RED THREAT IN SAM FULLER'S PICKUP ON SOUTH STREET

YEAR RELEASED: 1953 PICKUP ON SOUTH STREET is arguably Samuel Fuller's best movie... surpassing even his most famous, THE BIG RED ON...

THURSDAY REVIEW OF STEPHEN KING'S THE DARK TOWER

2017, fantasy, matthew mcconaughey, stephen king

THURSDAY REVIEW OF STEPHEN KING'S THE DARK TOWER

Year Released: 2017 Stephen King is both a popular, highly successful, bestselling author, and at the same time has a cult following: Th...

IF DOG RABBIT AKA ONE LAST SCORE AKA GOING SOUTH

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<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-IZl6YjtFtn0/WYGDkY5xW6I/AAAAAAAAygo/fnMNlFToFkk0dXqiusUnvP7K99sHijDpQCLcBGAs/s1600/Golpe_A_Traicion-Caratula.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto; text-align: right;"><img border="0" data-original-height="961" data-original-width="1600" height="240" src="https://4.bp.blogspot.com/-IZl6YjtFtn0/WYGDkY5xW6I/AAAAAAAAygo/fnMNlFToFkk0dXqiusUnvP7K99sHijDpQCLcBGAs/s400/Golpe_A_Traicion-Caratula.jpg" width="400"></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Year Released: 1999</u></td></tr>
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<span style="font-family: "verdana" , sans-serif;">If a dog sees the rabbit, as the saying goes, then there's no longer a reason to chase it. The secret's out. Or else, when he sees the rabbit, without knowing the truth, the instinct is to catch the thing at all costs...</span><br>
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<span style="font-family: "verdana" , sans-serif;">Either can be the meaning behind what seems to be one of the worst titles of all time, IF... DOG... RABBIT, later changed to the more conventional, simplistic and unfitting ONE LAST SCORE, a Neo Noir heist drama written and directed by Matthew Modine, taking place DOWN SOUTH (which is another video release title), first near Mexico and then within its sun-exposed streets where our anti-hero hides away with crazy brother Kevin J. O'Connor; the latter who smashed Modine's parole officer, played by David Keith, on the head after too much snooping around (Lisa Blount, Keith's girlfriend in AN OFFICER AND A GENTLEMAN, has a small role here)...</span><br>

heist, john hurt, matthew modine, neo noir, nineties

IF DOG RABBIT AKA ONE LAST SCORE AKA GOING SOUTH

Year Released: 1999 If a dog sees the rabbit, as the saying goes, then there's no longer a reason to chase it. The secret's out....

GENE RODDENBERRY'S SCI-FI TV-MOVIE PILOT FOR PLANET EARTH

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<tr><td class="tr-caption" style="text-align: center;"><u>That Sexy Girl is not on the Show but it's Cool Artwork YEAR: 1974</u></td></tr>
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<span style="font-family: "verdana" , sans-serif;">Following our surprisingly popular "thiral" writeup on <a href="http://www.cultfilmfreaks.com/2017/07/EarthDos.html">EARTH II</a>, during the next month or longer we'll be covering more Science-Fiction TV-Movies from the 1970's, some that go where <i>one man</i> went during that particular decade... </span><br>
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<span style="font-family: "verdana" , sans-serif;">Gene Roddenberry's 1960's three-season gem STAR TREK was beginning to gather a big cult following, and yet, before the progressive doors opened up for another possible TREK series or, what happened instead from the financial success of STAR WARS, a trail of movies, Roddenberry attempted several entirely new science-fiction shows, and one of the better winds up like an episode of TREK: The Earth, PLANET EARTH, is a couple hundred years older... Like Woody Allen's SLEEPER in 1973, John Saxon had been awakened from a two-hundred-year slumber </span>—<span style="font-family: "verdana" , sans-serif;"> we learn this through the main character's narration.... By the time the show starts, it already fee like another pilot had aired and this was the first episode of that series...</span><br>

gene roddenberry, john saxon, science-fiction, seventies, tv movie

GENE RODDENBERRY'S SCI-FI TV-MOVIE PILOT FOR <span style="color: #073763;">PLANET EARTH</span>

GENE RODDENBERRY'S SCI-FI TV-MOVIE PILOT FOR PLANET EARTH

That Sexy Girl is not on the Show but it's Cool Artwork YEAR: 1974 Following our surprisingly popular "thiral" writeup on ...

REVIEW OF ATOMIC BLONDE STARRING CHARLIZE THERON

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<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-BRz1AXaDBB4/WXu5YRKxkeI/AAAAAAAAyeI/-9QzOfkvMEQi5f-hBpF8olBs5kUNxS7IwCLcBGAs/s1600/atomic-blonde-movie-poster-2.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="330" data-original-width="549" height="240" src="https://2.bp.blogspot.com/-BRz1AXaDBB4/WXu5YRKxkeI/AAAAAAAAyeI/-9QzOfkvMEQi5f-hBpF8olBs5kUNxS7IwCLcBGAs/s400/atomic-blonde-movie-poster-2.jpg" width="400"></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Year Released: July of 2017 AtomicScore: **</u></td></tr>
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<span style="font-family: "verdana" , sans-serif;">It seems rather uptight, and now very dated, even cliché, to use the term Gratuitous Violence. There are two kinds, though: When Violence is exaggerated for effect, or, as in the case of ATOMIC BLONDE, masking the fact that no real story's behind it... </span><br>
<span style="font-family: "verdana" , sans-serif;"><br></span><span style="font-family: "verdana" , sans-serif;">There<i> are</i> good things about this BLONDE. Great, actually, as in... looking. With Charlize Theron at the helm that's no surprise. The lesbian scenes are sexy and <i>very</i> welcome, and the music, like anything post-Tarantino, works to move the action forward in a pop culture blitz. Taking place at the tail-end of the late-1980's Cold War, hours before the Berlin Wall came down, Germany is full of neon combined with grainy Noir lighting within pulsating nightclubs and sun-exposed boulevards... </span><br>

2017, charlize theron, cold war, james mcavoy, thriller

REVIEW OF ATOMIC BLONDE STARRING CHARLIZE THERON

Year Released: July of 2017 AtomicScore: ** It seems rather uptight, and now very dated, even cliché, to use the term Gratuitous Violenc...

MICHAEL CRICHTON WRITES & DIRECTS A REAL LOOKER

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<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-FpdQc8uXR0k/WXhd4TU7INI/AAAAAAAAydg/9lYJLqipRSgMso82ajiFNQBdDGAbTK63ACLcBGAs/s1600/looker-french-movie-poster.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="271" data-original-width="373" height="290" src="https://4.bp.blogspot.com/-FpdQc8uXR0k/WXhd4TU7INI/AAAAAAAAydg/9lYJLqipRSgMso82ajiFNQBdDGAbTK63ACLcBGAs/s400/looker-french-movie-poster.jpg" width="400"></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Year Released: 1981</u></td></tr>
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<span style="font-family: "verdana" , sans-serif;">Michael Crichton was a great writer and a good director with some great scripts. His style was to make just about anything not only believable but entirely mundane in whatever near-future it takes place... </span><span style="font-family: "verdana" , sans-serif;">This includes one of his more obscure movies, LOOKER, centering on how TV Commercials are a helluva lot worse than inconvenient, and it was long before DVRs saved us from their bland, monotonous interruption... </span><br>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-ndVz2-P8hmw/WXheKpq-W3I/AAAAAAAAydk/Tb1j2zsUwzMNMKccrgsolE3u63YULc8LwCLcBGAs/s1600/0b44145f1cda7eae548d7a67b830961b.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1409" data-original-width="952" height="320" src="https://1.bp.blogspot.com/-ndVz2-P8hmw/WXheKpq-W3I/AAAAAAAAydk/Tb1j2zsUwzMNMKccrgsolE3u63YULc8LwCLcBGAs/s320/0b44145f1cda7eae548d7a67b830961b.jpg" width="216"></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>LookerScore: ***1/2</u></td></tr>
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<span style="font-family: "verdana" , sans-serif;">The plot takes about half the film to unveil and the other to wind-down, or, when it comes to the main antagonist, wind-up. Enter Albert Finney as a cosmetic surgeon who did subtle procedures on three already-gorgeous young models. More Thriller than Action with a touch of the Film Noir "Wrong Man" template, which causes Finney to discover, perhaps too quickly, what's going on and, most important, who killed his former patients: a trio of murders that <i>he</i> could be blamed for.</span><br>
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<span style="font-family: "verdana" , sans-serif;">The LOOKER process is intriguing, having to do with electrolytes connected to commercials, leading the viewer to be able to concentrate solely on the product. But most important, LOOKER is the name of a futuristic gun that, when flashed in the target's eyes, renders him blind for a minute. Him, not her. He, not them: Beside corporate showboat James Coburn and his glamorous yet glorified assistant, Leigh Taylor Young, it's Tim Rossovich, with a brawny build and a dark 80's mustache, who's the only palpable threat that our hero deals with </span>— <span style="font-family: "verdana" , sans-serif;">while trying to keep his down-to-Earth, </span><span style="font-family: "verdana" , sans-serif;">sole-surviving, flirtatious patient, played by former Partridge Susan Dey (who's cute but not as "perfect" as the others) from being the final victim. A shame since what's behind LOOKER is much more than a duck-and-cover shoot-em-up, and yet, up front it's really just that: though not too shabby for a neatly time-filling ride. Maybe that's intentional: like those commercials, we're supposed to simply relax, and submit. Enjoy. </span><br>

albert finney, eighties, james coburn, leigh taylor-young, michael crichton, neo noir, suspense, thriller

MICHAEL CRICHTON WRITES & DIRECTS A REAL <span style="color: #783f04;">LOOKER</span>

MICHAEL CRICHTON WRITES & DIRECTS A REAL LOOKER

Year Released: 1981 Michael Crichton was a great writer and a good director with some great scripts. His style was to make just about an...

BEGINNING OUR 1970'S SCI-FI TV-MOVIE CYCLE WITH EARTH 2

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<tr><td class="tr-caption" style="text-align: center;"><u>EARTH II Credit Font Opening Sequence YEAR: 1971</u></td></tr>
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<span style="font-family: "verdana" , sans-serif;">No, EARTH II is not a sequel to EARTH: THE MOTION PICTURE, and despite Gary Lockwood being one of Gene Roddenberry's stock actors, having starred in THE LIEUTENANT from 1963 to 1964, and then as a villain who starts out as Captain Kirk's Academy friend on STAR TREK, this is not a Roddenberry production, who did create a handful of likewise 1970's pilots with similar beginning-of a-new-world themes including another co-starring Mariette Hartley, GENESIS II: The disco era was to science-fiction what the previous year was to cold war spy flicks... And while taking its time, and full of political dialogue with hardly any action at all, EARTH II is a somewhat decent if filler TV-Movie-of-the-Week, especially since the outer space special effects slightly resemble the pre-STAR WARS brilliance of what Lockwood is best known for — 2001: A SPACE ODYSSEY....</span><br>

gary lockwood, science-fiction, seventies, sixties, western

BEGINNING OUR 1970'S SCI-FI TV-MOVIE CYCLE WITH EARTH 2

EARTH II Credit Font Opening Sequence YEAR: 1971 No, EARTH II is not a sequel to EARTH: THE MOTION PICTURE, and despite Gary Lockwood be...

OLD VERSES BRAND NEW METHOD FOR GOING IN STYLE

2017, alan arkin, art carney, george burns, heist, lee strasberg, matt dillon, michael caine, morgan freeman, seventies

OLD VERSES BRAND NEW METHOD FOR GOING IN STYLE

Original Going in Style1979 Reboot Date 2017 For a website covering new movies while being all about old and semi old classics, the diff...

TOM SELLECK IN MICHAEL CRICHTON'S RUNAWAY

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<a href="https://3.bp.blogspot.com/-wDgvSBFiYM4/WXQ_y7xKRLI/AAAAAAAAyZ4/GHlk774z84MZeKUS7Odz2Hk741Un4W9ggCLcBGAs/s1600/tom%2Bselleck%2Brunaway.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="951" data-original-width="1219" src="https://3.bp.blogspot.com/-wDgvSBFiYM4/WXQ_y7xKRLI/AAAAAAAAyZ4/GHlk774z84MZeKUS7Odz2Hk741Un4W9ggCLcBGAs/s1600/tom%2Bselleck%2Brunaway.jpg"></a></div>
<span style="font-family: "verdana" , sans-serif;">Tom Selleck is a police 
officer whose niche is to take down runaways: robots who stray from 
their jobs. These particular gizmos are killing people. The best scenes have Selleck's Ramsay, an intrepid cop whose only fear is heights, taking down several rogue machines: one in particular has killed off the family it works for, making a suspenseful scene as he moves on in. This is a scene straight out of your standard cop film or TV show, only there's a robot at the end of the tunnel.</span><br>

action, cop, cynthia rhodes, eighties, gene simmons, michael crichton, robot, science-fiction, stan shaw, suspense

TOM SELLECK IN MICHAEL CRICHTON'S RUNAWAY

Tom Selleck is a police officer whose niche is to take down runaways: robots who stray from their jobs. These particular gizmos are kill...

KILLING OF A CHINESE BOOKIE FOR THE LATE DONNA GORDON

alice friedland, ben gazzara, donna gordon, indie, john cassavetes, mob, seventies, timothy carey

KILLING OF A CHINESE BOOKIE FOR THE LATE DONNA GORDON

Writeup for the Memorial of Donna Marie Gordon i.e. Margo Donnar Donna Gordon stood out in THE KILLING OF A CHINESE BOOKIE. Of all the d...

WEEKEND REVIEW OF CHRISTOPHER NOLAN'S DUNKIRK

action, christopher nolan, war, world war II

WEEKEND REVIEW OF CHRISTOPHER NOLAN'S DUNKIRK

The First/Main Viewpoint of Three YEAR RELEASED: 2017 Will hope to keep this short, and to the point. Not to avoid spoilers since DUNKIR...

BELATED REVIEW OF WAR FOR THE PLANET OF THE APES

2017, action, franchise, planet of the apes, sequel, woody harrelson

BELATED REVIEW OF WAR FOR THE PLANET OF THE APES

Have These Apes Reached Their Long Goodbye? YEAR: 2017 The good old days of the original PLANET OF THE APES, as that franchise ended wit...

MICHAEL KEATON DEVELOPS MCDONALD'S AS THE FOUNDER

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<tr><td class="tr-caption" style="text-align: center;"><u>What 1970's Movie Is This From? Hint, a Boston tune plays YEAR: 2017</u></td></tr>
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The problem with Hollywood-moralizing is it makes a theme or agenda override the characters, especially when based on real folks like, for instance, young Facebook phenom Mark Zuckerberg,  torn apart in THE SOCIAL NETWORK and now it's McDonald's mogul Ray Croc's turn under the hatchet — so this review will have to fight preachy with preachy....<br>
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Michael Keaton, an actor who can make anyone if not likable then completely realistic, is a blank slate here as THE FOUNDER, with its title bathed in irony (although Croc <i>did </i>find the restaurant, and its potential, as opposed to creating it). Keaton sleepwalks through the role, in slow motion... despite displaying a ghost of his usual wired b.s. artist, starting out as a lowly milkshake salesman traveling a nowhere road from greasy spoon to spoon — rejection after rejection. This is where his persona should have been grounded — when he had nothing and was hungry, anything would be possible... Instead it's just a flash of benign conversations and doors closing, which leads to the inevitable partnership with the McDonald brothers, whose small town burger joint invented the word Fast-Food as the movie drags from one scene to the next. Ray Croc is mostly shown from other people's reaction: Dumbfounded stares from his so-called business partners and wife (a witchy Laura Dern) <i>lets us know </i>how to feel about the guy who's climbing to the top...<br>

2017, bio, drama, michael keaton

MICHAEL KEATON DEVELOPS MCDONALD'S AS THE FOUNDER

What 1970's Movie Is This From? Hint, a Boston tune plays YEAR: 2017 The problem with Hollywood-moralizing is it makes a theme or ag...

BELATED REVIEW OF EDGAR WRIGHT'S BABY DRIVER

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<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-0zCHQE5VL6k/WWWG4QD9CtI/AAAAAAAAySE/zXMyxu7Ok308UTEb_rsI8FZhROq2m_9rQCLcBGAs/s1600/Baby-Driver-poster-cropped.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="385" data-original-width="664" height="231" src="https://3.bp.blogspot.com/-0zCHQE5VL6k/WWWG4QD9CtI/AAAAAAAAySE/zXMyxu7Ok308UTEb_rsI8FZhROq2m_9rQCLcBGAs/s400/Baby-Driver-poster-cropped.jpg" width="400"></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Retro Sparse poster for Baby Driver sans the title YEAR: 2017</u></td></tr>
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<span style="font-family: "verdana" , sans-serif;">BABY DRIVER is part RESERVOIR DOGS in storyline and characters, and nearly <i>all</i> Quentin Tarantino in style, substance and the super-hip hybrid of classic rock R&B, fast-paced humor and tons of bloodshed...</span><br>
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<span style="font-family: "verdana" , sans-serif;">Of course Edgar Wright isn't without his own zingy style seen in cult favorites SHAWN OF THE DEAD, HOT FUZZ, THE WORLD'S END: And here he's one-upped Tarantino's recent string of dull historical revenge sagas with an edgy urban precision combining music with the tribal beat of frantic self defense: with either pool sticks or in this case, gunfire. Making BABY DRIVER a metronomic, multi-heist action flick that also borrows from Walter Hill's THE DRIVER since the main character is quiet, brooding and much different than the brash thugs he provides an apt getaway for; each heist viewed by only his perspective...</span><br>

2017, action, jon hamm

BELATED REVIEW OF EDGAR WRIGHT'S BABY DRIVER

Retro Sparse poster for Baby Driver sans the title YEAR: 2017 BABY DRIVER is part RESERVOIR DOGS in storyline and characters, and nearly...

cult film freak

JMT

Presented by James M. Tate / 8/22/2017 / No comments / catherine bach , john saxon , reb brown , science-fiction , seventies , tv movie

Presented by James M. Tate / 8/20/2017 / No comments / eighties , jane badham , miniseries , science-fiction

Presented by James M. Tate / 8/19/2017 / No comments / comedy , eighties , frances raines , howard stern , jackie martling , neo noir , parody

Presented by James M. Tate / 8/14/2017 / No comments / 2017 , horror

Presented by James M. Tate / 8/12/2017 / No comments / british film noir/melodrama , cornel wilde , ida lupino , richard widmark

Presented by James M. Tate / 8/09/2017 / No comments / adventure , amy schumer , buddy , comedy , goldie hawn , team-up

Presented by James M. Tate / 8/07/2017 / No comments / danny aielo , jeff daniels , mia farrow , woody allen

Presented by James M. Tate / 8/06/2017 / No comments / nineties , rob reiner

Presented by James M. Tate / 8/05/2017 / No comments / fifties , film noir or melodrama , jean peters , richard kiley , richard widmark , samuel fuller

Presented by James M. Tate / 8/04/2017 / No comments / 2017 , fantasy , matthew mcconaughey , stephen king

Presented by James M. Tate / 8/03/2017 / No comments / heist , john hurt , matthew modine , neo noir , nineties

Presented by James M. Tate / 7/30/2017 / No comments / gene roddenberry , john saxon , science-fiction , seventies , tv movie

Presented by James M. Tate / 7/28/2017 / No comments / 2017 , charlize theron , cold war , james mcavoy , thriller

Presented by James M. Tate / 7/27/2017 / No comments / albert finney , eighties , james coburn , leigh taylor-young , michael crichton , neo noir , suspense , thriller

Presented by James M. Tate / 7/26/2017 / No comments / gary lockwood , science-fiction , seventies , sixties , western

Presented by James M. Tate / 7/22/2017 / No comments / action , cop , cynthia rhodes , eighties , gene simmons , michael crichton , robot , science-fiction , stan shaw , suspense

Presented by James M. Tate / 7/21/2017 / No comments / alice friedland , ben gazzara , donna gordon , indie , john cassavetes , mob , seventies , timothy carey

Presented by James M. Tate / 7/18/2017 / No comments / 2017 , action , franchise , planet of the apes , sequel , woody harrelson

Presented by James M. Tate / 7/13/2017 / No comments / 2017 , bio , drama , michael keaton

Presented by James M. Tate / 7/11/2017 / No comments / 2017 , action , jon hamm

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