OLIVER REED & SUNNY JOHNSON IN 'DR. HECKYL AND MR. HYPE'

<p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0m0cK3VNV8tC6hkHmzCh78zrhuQORUFYPPV50bOZ8QX6G-1yiGtcocCvNUVak4eyAs7rlu5mnqmpa3jA9EsqbzgUHxQgnk4XxA5f3GYnSkgwFim-LRk37Cnf3ObbrvuLTXKL9MsfA1CLMIHghItXEieMQlNoJqZLHoQIvmS7EOLPfHSzH0JHZY-JVWw/s1801/1%202.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="911" data-original-width="1801" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0m0cK3VNV8tC6hkHmzCh78zrhuQORUFYPPV50bOZ8QX6G-1yiGtcocCvNUVak4eyAs7rlu5mnqmpa3jA9EsqbzgUHxQgnk4XxA5f3GYnSkgwFim-LRk37Cnf3ObbrvuLTXKL9MsfA1CLMIHghItXEieMQlNoJqZLHoQIvmS7EOLPfHSzH0JHZY-JVWw/s16000/1%202.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Oliver Reed in DR. HECKYL AND MR. HYPE Year: 1980 Rating: **1/2</u></td></tr></tbody></table><p>What's considered one of Cannon Pictures <i>and</i> Oliver Reed's worst movies has ironical casting since Reed, back in his Hammer beginnings, appeared as a pimp-bouncer in their own <a href="http://www.cultfilmfreaks.com/2021/07/2F.html">Dr. Jekyll adaptation</a>...</p><p></p><p></p><p></p><p></p><p></p><p></p><p>And in the satirical DR. HECKYL AND MR. HYPE, as a ghoulish-looking yet sweet-natured podiatrist, he alters into the dashing counterpart, an overweight Reed, not all that mainstream-handsome but fitfully formidable, as the best scenes are of the body count nature killing loose women he dates yet still can't score with...</p><p><span></span></p>

body count, cannon, cult, eighties, exploitation, horror satire, oliver reed, sunny johnson

OLIVER REED & SUNNY JOHNSON IN 'DR. HECKYL AND MR. HYPE'

Oliver Reed in DR. HECKYL AND MR. HYPE Year: 1980 Rating: **1/2 What's considered one of Cannon Pictures and Oliver Reed's worst mo...

MICHAEL WINNER DIRECTS OLIVER REED IN 'THE JOKERS'

<p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrzyiPVvFD-HpdO-a4ZbXsNK8t9f5XbgN_HWpy9qrmetiF_wvliHMNB8_7P-H-ozbIcp4hOEdvUUIa3sM2IqluMlkrCbnWEUbHsa1h51JqoCK9XMP6-oXCCBlblw5o_XxcZfwPSI-Ezq7IeagEpIyzqQ7_-HFzuy3PZ6Jj-gFgF1UMoaNTrfJzs1fP9Q/s1352/1.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="676" data-original-width="1352" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrzyiPVvFD-HpdO-a4ZbXsNK8t9f5XbgN_HWpy9qrmetiF_wvliHMNB8_7P-H-ozbIcp4hOEdvUUIa3sM2IqluMlkrCbnWEUbHsa1h51JqoCK9XMP6-oXCCBlblw5o_XxcZfwPSI-Ezq7IeagEpIyzqQ7_-HFzuy3PZ6Jj-gFgF1UMoaNTrfJzs1fP9Q/s16000/1.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: THE JOKERS Year: 1967 Rating: **</u></td></tr></tbody></table><p>The most disappointing of director Michael Winner and actor Oliver Reed's 1960's collaborations following their first and best, <a href="http://www.cultfilmfreaks.com/2020/10/system.html">THE SYSTEM</a> and before (the same year as)<a href="http://www.cultfilmfreaks.com/2022/05/reedwelles.html"> I'LL NEVER FORGET WHAT'S'ISNAME</a> and then <a href="http://www.cultfilmfreaks.com/2022/05/olliephant.html">HANNIBAL BROOKS</a>, the crime comedy THE JOKERS is too broad for a caper and not humorous enough for a comedy...</p><p></p><p></p><p></p><p></p><p>Two brothers, one an ex-military man played by 12-year-old-voiced <a href="http://www.cultfilmfreaks.com/2022/02/bakerwinner.html">Michael Crawford</a>, horribly miscast, and his far more potentially-intriguing, womanizing brother <a href="http://www.cultfilmfreaks.com/search/label/oliver%20reed">Oliver Reed</a>, attempt a media-frenzied heist on the Crown Jewels while playing cat-and-mouse with a trio of Royal keystone-like cops and there's so much running around not much lands in the form of the characters being developed beyond their gimmicky circumstance that, from beginning to end, this duo seems far too protected from the audience hoping they don't fail: which is the most important element of any heist film, comedic or otherwise.</p><p><span></span></p>

caper, comedy, counter-culture, crime, james donald, michael crawford, michael winner, oliver reed, sixties

MICHAEL WINNER DIRECTS OLIVER REED IN 'THE JOKERS'

Title: THE JOKERS Year: 1967 Rating: ** The most disappointing of director Michael Winner and actor Oliver Reed's 1960's collaborati...

OLIVER REED AND GLENDA JACKSON IN 'THE TRIPLE ECHO'

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicEWuWOXsk6aQql6fq0XqBxqXJ_Bd9T74VohNDEJmRnuZuzMsNu-evQA4-DlJbKuVdf_Xzm1LBVAdKCBFHfqUezXVPlK7qDyygHL6_-XxM8qepuJRbUpD_xTzXtuT-rVwe4fHHSvTsOM0mwC1BZPWox-acSANDkjZ6mwrD1paLvSm9GgBRegjHwb9TiQ/s1603/Screen%20Shot%202022-05-21%20at%2012.07.05%20AM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="760" data-original-width="1603" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicEWuWOXsk6aQql6fq0XqBxqXJ_Bd9T74VohNDEJmRnuZuzMsNu-evQA4-DlJbKuVdf_Xzm1LBVAdKCBFHfqUezXVPlK7qDyygHL6_-XxM8qepuJRbUpD_xTzXtuT-rVwe4fHHSvTsOM0mwC1BZPWox-acSANDkjZ6mwrD1paLvSm9GgBRegjHwb9TiQ/s16000/Screen%20Shot%202022-05-21%20at%2012.07.05%20AM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: THE TRIPLE ECHO Year: 1972 Rating: ***</u></td></tr></tbody></table><p>In any movie where a man has to dress up like a woman, for whatever reason, there's the one genuine manly male who wants to give that so-called female a test ride wherein the truth will be discovered...  </p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p>So when it's stocky firebrand Oliver Reed as a World War II era tank sergeant, lusting after a deserted soldier hiding out in widowed Glenda Jackson's rural chicken farm while (romancing her and) posing as his sister, this otherwise searing romantic drama turns into a heated thriller...</p><p><span></span></p>

brian deacon, british, drama, exploitation, glenda jackson, michael adpted, oliver reed, romance, rural, thriller, world war II

OLIVER REED AND GLENDA JACKSON IN 'THE TRIPLE ECHO'

Title: THE TRIPLE ECHO Year: 1972 Rating: *** In any movie where a man has to dress up like a woman, for whatever reason, there's the on...

CAROL LYNLEY IN 'THE SHUTTERED ROOM' WITH OLIVER REED

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUJlZxkJ6KOs3tBhhaTrCI6-vH77_BH2F2yi_2mgG6e_gnLaFbakcZAq4OtiPw4XXb3O7wlLwmXyyl8JGqb5ub1VzMUgZk9S9kzSIKHl9fK6EElLrD3fGu-e7j-CUjvL5tNEHLaRe00U43xyidZ8uqObYETXAY9TFYS-WTRsP8OxtE4Ggm11Gu5I7EMw/s1759/0.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="834" data-original-width="1759" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUJlZxkJ6KOs3tBhhaTrCI6-vH77_BH2F2yi_2mgG6e_gnLaFbakcZAq4OtiPw4XXb3O7wlLwmXyyl8JGqb5ub1VzMUgZk9S9kzSIKHl9fK6EElLrD3fGu-e7j-CUjvL5tNEHLaRe00U43xyidZ8uqObYETXAY9TFYS-WTRsP8OxtE4Ggm11Gu5I7EMw/s16000/0.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: THE SHUTTERED ROOM Year: 1967 Rating: ***1/2</u></td></tr></tbody></table><p>A near clone of Sam Peckinpah's STRAW DOGS only five years earlier, during the psychedelic era, which is only apparent from the bare-bone jazz soundtrack orchestrating a married couple consisting of a beautiful blonde wife with an ordinary, unassuming husband returning to her small New England-based island home (yet obviously shot in the beautifully rustic exterior of England), part of an eerie Gothic mill that's its very own living/breathing character...</p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p>Making the inevitable climax of who's hiding within the titular SHUTTERED ROOM not that important a surprise-twist having been teased during a surreal, horror-trope prologue by mostly TV-director David Greene...  </p><p><span></span></p>

body count, british, bully, carol lynley, david greene, drama, gig young, gothic, horror, jazz score, oliver reed, rural, sixties, thriller

CAROL LYNLEY IN 'THE SHUTTERED ROOM' WITH OLIVER REED

Title: THE SHUTTERED ROOM Year: 1967 Rating: ***1/2 A near clone of Sam Peckinpah's STRAW DOGS only five years earlier, during the psych...

HAMMER PRESENTS 'NIGHT CREATURES' WITH PETER CUSHING

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSzb5J_NnnTAOKUFUvPNUxPdt96RcgPJcV7MDYdKRkVzWnFvnbxBwpfwmzBtkyR2OEUPl2K3hP3EBwTaUbBwPGy5gNc8uG9okKfVs_HZ-stJO925PP2JoFyp2wG80ZEPs8trjREP9Gl-rpU4qTxTvGAqp9H0l4pPdfGmzQyPkzKWtgOKjyXgd67w63kA/s1846/Screen%20Shot%202022-05-15%20at%208.27.42%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="837" data-original-width="1846" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSzb5J_NnnTAOKUFUvPNUxPdt96RcgPJcV7MDYdKRkVzWnFvnbxBwpfwmzBtkyR2OEUPl2K3hP3EBwTaUbBwPGy5gNc8uG9okKfVs_HZ-stJO925PP2JoFyp2wG80ZEPs8trjREP9Gl-rpU4qTxTvGAqp9H0l4pPdfGmzQyPkzKWtgOKjyXgd67w63kA/s16000/Screen%20Shot%202022-05-15%20at%208.27.42%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Oliver Reed and Peter Cushing in Hammer's NIGHT CREATURES Year: 1962 Rating: ****1/2</u></td></tr></tbody></table><p>Hammer's decision to name this hybrid of thriller, horror and mystery CAPTAIN CLEGG proves that that last genre wasn't intended since spoiling Peter Cushing's true identity doesn't only ruin the plot's sneaky, intriguing premise, it makes Cushing's uniquely affable performance yet another fervent and intense one, not battling monsters this time but England's 1800's-era "tax man" himself...<br></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p>In Patrick Allen's square-jawed Captain Collier, sent with his troops to investigate what he doesn't yet realize is a tightknit, secret-latch, wine-smuggling operation run by Cushing playing local vicar Rev. Dr. Blyss, THE ONLY character that director Peter Graham Scott... until well into the second act... intends him to be...<br></p><span></span>

british, david lodge, derek francis, hammer films, horror, martin benson, martin reid, michael ripper, mystery, oliver reed, patrick allen, peter cushing, peter graham scott, sixties, yvonne romain

HAMMER PRESENTS 'NIGHT CREATURES' WITH PETER CUSHING

Oliver Reed and Peter Cushing in Hammer's NIGHT CREATURES Year: 1962 Rating: ****1/2 Hammer's decision to name this hybrid of thrill...

HAMMER'S VICTORIAN HORROR 'THE CURSE OF THE WEREWOLF'

<p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVUKnIQI-MNVPnDlTj6Ae1uKMer_tqQgS8HbaDC2BrHgroJueP-kz3s5evaGGNoqIGrjhXPpAabZ902JFWKKl3XXUnEGdI00Y2AmLuPCNN7B2hfl0k43ycCD7bAehAIYFfhQHvaFOCNLguYBY-0GcwTQSBmTu9ezlV79I9je7M0w4VXxi6532cs5803g/s2250/1.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1057" data-original-width="2250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVUKnIQI-MNVPnDlTj6Ae1uKMer_tqQgS8HbaDC2BrHgroJueP-kz3s5evaGGNoqIGrjhXPpAabZ902JFWKKl3XXUnEGdI00Y2AmLuPCNN7B2hfl0k43ycCD7bAehAIYFfhQHvaFOCNLguYBY-0GcwTQSBmTu9ezlV79I9je7M0w4VXxi6532cs5803g/s16000/1.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Oliver Reed in THE CURSE OF THE WEREWOLF Year: 1961 Rating: ****</u></td></tr></tbody></table><p>A man gets bitten by a wolf and slowly turns into one… Which probably sounds extremely familiar but the British-run Hammer Films will have nothing to do with anything <i>that</i> simple, basic or cliche…</p><p></p><p></p><p></p><p></p><p></p><p>The setup, before we even meet Oliver Reed’s Leon, is eerie and creative, introducing the story set during the colorfully antique 1800’s where a beggar's thrown out of a tavern, and then ventures naively into the last place he’s wanted: a lush castle where an aged King has married his beautiful young bride (a nefarious, later grotesque Anthony Dawson to insanely gorgeous blonde Josephine Llewellyn)… <br> </p>

anthony dawson, british, hammer films, horror, joy webster, oliver reed, terence fisher, victorian, werewolf, yvonne romain

HAMMER'S VICTORIAN HORROR 'THE CURSE OF THE WEREWOLF'

Oliver Reed in THE CURSE OF THE WEREWOLF Year: 1961 Rating: **** A man gets bitten by a wolf and slowly turns into one… Which probably sou...

HAMMER'S 'THE TWO FACES OF DR. JEKYLL' WITH CHRISTOPHER LEE

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4xtb5zxVLxywC6y7o7v21gml2LiV6Yb07r9oYiPwDp4PIy3EZKrv-_OJpFUNsE1Fc7aVqSVlAq2669TPs-aPU4x8FoCqerTnlbV9w_iZhoezs-4fBWrPPDqIN9N-9mPMeDaAqYwwzbJEp5kQOF2T4FeaJ1tcUaFDmWLbIQ7TAvYJ_4x_4lepEnu9xxA/s1001/Screen%20Shot%202022-05-12%20at%2010.13.15%20PM.jpeg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="649" data-original-width="1001" height="259" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4xtb5zxVLxywC6y7o7v21gml2LiV6Yb07r9oYiPwDp4PIy3EZKrv-_OJpFUNsE1Fc7aVqSVlAq2669TPs-aPU4x8FoCqerTnlbV9w_iZhoezs-4fBWrPPDqIN9N-9mPMeDaAqYwwzbJEp5kQOF2T4FeaJ1tcUaFDmWLbIQ7TAvYJ_4x_4lepEnu9xxA/w400-h259/Screen%20Shot%202022-05-12%20at%2010.13.15%20PM.jpeg" width="400"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Oliver Reed cameo Year: 1960 Rating: ***</u></td></tr></tbody></table><p>The titular scientist in Hammer's usual Victorian era fits the 1800's in his stuffy demeanor until turning into a bohemian wild man frequenting swinging nightclubs and nightlife, providing future real life party animal Oliver Reed a bit part opposite <a href="http://www.cultfilmfreaks.com/2020/09/jungle.html">Joy Webster</a>... <br></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p>And in the legendary double lead is Paul Massie, not a bad actor but is hardly interesting enough to carry an entire picture like, say, Peter Cushing or, in this particular case, Christopher Lee as a leech rather than neck-sucker... His gambling scoundrel character Paul Allen takes advantage of old friend Jekyll by spending his money and romancing his wife... Meanwhile, neither Lee or ingenue Dawn Addams recognizes Hyde as being Jekyll with a little less facial hair to differentiate between the same actor; but one has to separate reality from what's a fantastical kind of offbeat thriller with not nearly enough good times when they're rolling, mostly because of the distracting token fatale in snake-charming stripper Norma Marla, whose affair with Jekyll is like... pun-intended... watching two serpents screw in Eden. But, either way, manipulative cheating wife Addams is far more interesting, surreptitiously wicked, and beautiful. Perhaps she too needed two faces. <br></p><p><span></span></p>

christopher lee, dawn addams, exploitation, hammer films, janina faye, joy webster, oliver reed, paul massie, pauline shepherd, sixties, thriller

HAMMER'S 'THE TWO FACES OF DR. JEKYLL' WITH CHRISTOPHER LEE

Oliver Reed cameo Year: 1960 Rating: *** The titular scientist in Hammer's usual Victorian era fits the 1800's in his stuffy demeano...

WINNER DIRECTS REED IN 'I'LL NEVER FORGET WHAT'S'ISNAME'

<p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz2Ia1x8QITLSCWNhnk0Q-zYpapijBSnLbvOm43kSEQPp7TbkpxvqmJ2sFXQqRSv2B_gNSeKoNSYAjzjU43vf8TM5x3tAaKGzosjaxrrK-cAMa3riDoiHUKuazdgdK2geVXCaexwVMMBLGeZc1G4_hwM5TsQITVLWAQMVLPS8z0Kt6QpYhjX-IGHKxRw/s1630/0.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="757" data-original-width="1630" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz2Ia1x8QITLSCWNhnk0Q-zYpapijBSnLbvOm43kSEQPp7TbkpxvqmJ2sFXQqRSv2B_gNSeKoNSYAjzjU43vf8TM5x3tAaKGzosjaxrrK-cAMa3riDoiHUKuazdgdK2geVXCaexwVMMBLGeZc1G4_hwM5TsQITVLWAQMVLPS8z0Kt6QpYhjX-IGHKxRw/s16000/0.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Oliver Reed in I'LL NEVER FORGET WHATS'ISNAME Year: 1967 Rating: ***</u></td></tr></tbody></table><p>Another 1960's collaboration from director <a href="http://www.cultfilmfreaks.com/search/label/michael%20winner">Michael Winner</a> with actor <a href="http://www.cultfilmfreaks.com/search/label/oliver%20reed">Oliver Reed</a>, I'LL NEVER FORGET WHATS'ISNAME has an obvious and incredibly intended message from the get-go as Reed, a young and successful ad man, comes to work wielding an ax, destroying his own desk before quitting to his literally big boss <a href="http://www.cultfilmfreaks.com/search/label/orson%20welles">Orson Welles</a>, who, with every significantly-spoken one-liner, represents and even embraces the evils of commercialism...</p><p></p><p></p><p></p><p></p><p></p><p>The movie feels like either a direct sequel to an original story... that could have shown how Reed's Andrew Quint became a success and why he wound up hating that success... or one that started twenty-minutes in... Either way, with so much anger towards this occupation right off the bat... or ax... the writer has more things to say than the characters...</p><p><span></span></p>

ann lynn, british, british new wave, carol white, comedy, counter-culture, drama, edward fox, mark eden, michael winner, mindtrip, oliver reed, orson welles, sixties

WINNER DIRECTS REED IN 'I'LL NEVER FORGET WHAT'S'ISNAME'

Oliver Reed in I'LL NEVER FORGET WHATS'ISNAME Year: 1967 Rating: *** Another 1960's collaboration from director Michael Winner ...

MICHAEL WINNER DIRECTS OLIVER REED IN 'THE SYSTEM'

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXVv6rSCz7bbHByJ8gts1ToUxS3gqiC_mZMA4-ImVg8gHjzzvfrnxWF931MFVZO457n0eekCnxe_cJVOvdDTTvPZG3Z7kqpBiJt4_PKbeVX9axEqz7K4pfL09sH4PLfqmvsfvUvWicwkREzQBGBHln4nTlkpKUfTWy-gvvAvPfMFC_3TxfoR8avNn41g/s1332/Screen%20Shot%202022-05-04%20at%2012.18.56%20AM.jpeg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1332" data-original-width="1121" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXVv6rSCz7bbHByJ8gts1ToUxS3gqiC_mZMA4-ImVg8gHjzzvfrnxWF931MFVZO457n0eekCnxe_cJVOvdDTTvPZG3Z7kqpBiJt4_PKbeVX9axEqz7K4pfL09sH4PLfqmvsfvUvWicwkREzQBGBHln4nTlkpKUfTWy-gvvAvPfMFC_3TxfoR8avNn41g/w336-h400/Screen%20Shot%202022-05-04%20at%2012.18.56%20AM.jpeg" width="336"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: The System Year: 1964 Rates: ****1/2</u></td></tr></tbody></table><p>THE GIRL-GETTERS is really THE SYSTEM as the other title makes little sense — and although the British New Wave comedy/drama <i>does</i> begin like a horny-guys ensemble, it soon narrows solely onto Oliver Reed as Tinker, head of the wolf pack who "gets his" by falling in love with a rich model as cool, smooth, complicated and yes, beautiful as he is...</p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p>Director Michael Winner, before the <a href="http://www.cultfilmfreaks.com/2019/01/bronson-winner-three.html">Charles Bronson action</a> flicks, began an eclectic partnership with Hammer villain Reed, and the first is their best: Winner provides a looser LONELINESS OF THE LONG DISTANCE RUNNER vibe with similar satirical montage breaks; and Reed's Tinker... the local womanizing photographer... is all smiles and robust energy, hardly frowning or scowling before a long career playing frowning, scowling antagonists and anti-heroes. </p><p>Taking place during two weeks at a British vacation spot, there's a contained <i>hanging-out all-night</i> vibe as this might've influenced AMERICAN GRAFFITI, putting you right alongside the characters also including a female version of Tinker (Barbara Ferris); a sullen married woman (Ann Lynn); Tinker's newly engaged <i>finally grown-up</i> best friend (John Alterton); and a ditsy conquest (Julia Foster): All working and playing at this sunny retreat where tourists abound, and our boys use their titular SYSTEM to cover the entire area (girls and money), saving up for the approaching winter. And although they never reach that particular season, the foreboding chill is palpable, ironically after Reed's creative, genuine charm had almost completely thawed Jane Merrow's sublime dream-girl, Nicola, in what's more of a prolonged end of a party than a beginning, middle and end of a romantic summertime adventure — yet it's all that too. </p><p><span></span></p>

ann lynn, british new wave, comedy, david hemmings, drama, ensemble, guy doleman, iain gregory, jane merrow, john alderton, melodrama, michael winner, oliver reed, sixties, the searchers

MICHAEL WINNER DIRECTS OLIVER REED IN 'THE SYSTEM'

Title: The System Year: 1964 Rates: ****1/2 THE GIRL-GETTERS is really THE SYSTEM as the other title makes little sense — and although the B...

MICHAEL WINNER DIRECTS OLIVER REED IN 'HANNIBAL BROOKS'

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuZG4GMvRLWVuJBbGTb9LAFSp5WvZ-GBcLvX0cUifg1Q7uRCuQ1JVL0CL30cSveHMVvN-S4Wri7_UMUYCwSwWcLVFKG68J2-VFQPe8hSrcu-eoOlnovvpxngdK6zMAvbYdzb5Qwbvq1ebIS19d0r4aMwnUPGK84j5doAB8Gz72vNowRzsYIzefEOeuYg/s1277/1-1.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="642" data-original-width="1277" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuZG4GMvRLWVuJBbGTb9LAFSp5WvZ-GBcLvX0cUifg1Q7uRCuQ1JVL0CL30cSveHMVvN-S4Wri7_UMUYCwSwWcLVFKG68J2-VFQPe8hSrcu-eoOlnovvpxngdK6zMAvbYdzb5Qwbvq1ebIS19d0r4aMwnUPGK84j5doAB8Gz72vNowRzsYIzefEOeuYg/s16000/1-1.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Oliver Reed in HANNIBAL BROOKS Year: 1969 Rating: ***1/2</u></td></tr></tbody></table><p>Short, quirky, extremely offbeat Michael J. Pollard is like a novelty song of an actor, with BONNIE AND CLYDE his one big hit while in other movies, such as <a href="http://www.cultfilmfreaks.com/search/label/michael%20winner">Michael Winner's</a> fourth collaboration with <a href="http://www.cultfilmfreaks.com/search/label/oliver%20reed">Oliver Reed</a>, HANNIBAL BROOKS, he doesn't really fit at all... </p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p>Although he's almost deliberately cast against type as a gung-ho explosives-expert leading partisans around to kill Germans, and since Reed himself hardly seems part of World War II, both work together comfortably enough in a hybrid of road movie, comedy and action/adventure where Reed, a POW in Germany... after conveniently working in a German zoo... takes a prized elephant across enemy lines into, eventually, Switzerland... </p><p><span></span></p>

action, adventure, comedy, james donald, john alderton, michael j. pollard, michael winner, nazi, oliver reed, pow, road movie, sixties, world war II

MICHAEL WINNER DIRECTS OLIVER REED IN 'HANNIBAL BROOKS'

Oliver Reed in HANNIBAL BROOKS Year: 1969 Rating: ***1/2 Short, quirky, extremely offbeat Michael J. Pollard is like a novelty song of an ac...

OLIVER REED AGAIN IN HAMMER'S 'THE PIRATES OF BLOOD RIVER'

<p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-2NH-ioEPWhqAyuouB_VPanDnQqTf8ctFPLLwqyq3dsoNxGuynRwD4Anh6wNLbnT86e64AOQz0KdSSlShVySPZSHqj-t8ra2CMlr5VkGmNPLv9MAN2G9bqtB6Lp5ZCYKhLAOHugrlvrbov6HaQVGVtetFUVNatv77HLLBuBoEM2Hi6QBPNrNVmpwWXg/s1430/159942583_1195755417520299_2845632136342354247_o.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="606" data-original-width="1430" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-2NH-ioEPWhqAyuouB_VPanDnQqTf8ctFPLLwqyq3dsoNxGuynRwD4Anh6wNLbnT86e64AOQz0KdSSlShVySPZSHqj-t8ra2CMlr5VkGmNPLv9MAN2G9bqtB6Lp5ZCYKhLAOHugrlvrbov6HaQVGVtetFUVNatv77HLLBuBoEM2Hi6QBPNrNVmpwWXg/s16000/159942583_1195755417520299_2845632136342354247_o.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Oliver Reed in THE PIRATES OF BLOOD RIVER 1961 Rates: **1/2</u></td></tr></tbody></table><p>The twist ending of Hammer's THE PIRATES OF BLOOD RIVER is not only given away in the prologue when a town zealot's free-spirited son Kerwin Matthews loses his married lover, but in the title itself, making only half sense since these PIRATES, led by Christopher Lee with subordinates Michael Ripper, Peter Arne and Oliver Reed, are hardly ever on a pirate ship, having landed upon an island sanctuary of Huguenot farmers that, as the story commences, is attacked by those land-roaming scoundrels, thinking there's gold nearby... </p><p></p><p></p><p></p><p>It's a shame when BLOOD RIVER reaches the point where the Huguenots and Pirates have a Mexican standoff since, earlier on, Matthews — attempting his SINBAD energy despite being too old — is sent to prison, then escapes... </p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFXUHLSIXmXEcKGoxzxHHo9a5C3diAsP2fKrZww-rrFrudVOiIm5pODEJzbDeTM2eNTrHN-lqGh0C7TOSZY5swnW3E9V1JQFZYisMpd8siHpggg3rgEeJXMuh0EjMfQw0k4Iwhvcgo2ZJGSynIgs13P5zMp0c7JXvFcBTNYzPpFK114Six84uTxX2ogQ/s1436/160006474_1195755434186964_2040556207424182213_o.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="617" data-original-width="1436" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFXUHLSIXmXEcKGoxzxHHo9a5C3diAsP2fKrZww-rrFrudVOiIm5pODEJzbDeTM2eNTrHN-lqGh0C7TOSZY5swnW3E9V1JQFZYisMpd8siHpggg3rgEeJXMuh0EjMfQw0k4Iwhvcgo2ZJGSynIgs13P5zMp0c7JXvFcBTNYzPpFK114Six84uTxX2ogQ/s16000/160006474_1195755434186964_2040556207424182213_o.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Oliver Reed in THE PIRATES OF BLOOD RIVER with Peter Arne</u></td></tr></tbody></table><p>During which this Hammer adventure is very adventurous and action-packed... Sadly the villains take over in Christopher Lee's worst role, dressed for a bad Halloween party, added to which Peter Arne kills off a far cooler Oliver Reed... Hammer just didn't know their potential... </p><p></p><p>This misleadingly advertised swashbuckler buckles under the weight of its own unambitious limitations, and with a "younger male hero" in Glenn Corbett afraid to fight, and Marla Landi pretty but weak in the ingenue department, PIRATES is more sunken than treasure. <br></p><p><span></span></p>

action, adventure, hammer films, john gilling, michael ripper, oliver reed, peter arne, pirates, sixties

OLIVER REED AGAIN IN HAMMER'S 'THE PIRATES OF BLOOD RIVER'

Oliver Reed in THE PIRATES OF BLOOD RIVER 1961 Rates: **1/2 The twist ending of Hammer's THE PIRATES OF BLOOD RIVER is not only given aw...

OLIVER REED & ART HINGLE IN DAVID CRONENBERG'S 'THE BROOD'

<p></p><p></p><p></p><p></p><p></p><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLVR03Pp4vh7MYeuSZMlL2f6KKVTVKPY6DXJprtvtPRCJACw9AGnql98XZzUV3n9bJnQEx7PaCmk5NPWVbKXtTpugG5qFRx1rvpLIz-6ucll7VVqqcWPsWBbc1UHnWo-8Cag4d3lSTXTLztP3L4k6Tpuj31L2XBVpLjLSrsrnAQeDZyOojTuU5zKyFJw/s531/ollie+brood.jpeg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="336" data-original-width="531" height="253" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLVR03Pp4vh7MYeuSZMlL2f6KKVTVKPY6DXJprtvtPRCJACw9AGnql98XZzUV3n9bJnQEx7PaCmk5NPWVbKXtTpugG5qFRx1rvpLIz-6ucll7VVqqcWPsWBbc1UHnWo-8Cag4d3lSTXTLztP3L4k6Tpuj31L2XBVpLjLSrsrnAQeDZyOojTuU5zKyFJw/w400-h253/ollie+brood.jpeg" width="400"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Year: 1979 Rating: ****</u></td></tr></tbody></table><p>The term “watch your temper” has never been so relevant and palpable than in THE BROOD, where Oliver Reed’s Dr. Hal Raglan, a psychiatrist in complete control of his mentally childlike subjects, has a favorite patient with serious issues: Enter Nola Caverth, played by THE COLLECTOR actress Samantha Eggar, intensely listening to the doctor’s advice… But who's really in charge?</p><p></p><p></p><p></p><p></p><p></p><p>Well neither British actors are the main stars despite top billing: The investigative buried lead is third-billed INVASION OF THE BODY SNATCHERS patient-x Art Hindle as Nola’s separated husband and father of a vulnerable little girl, Candace, played sublimely by Cindy Hinds, aesthetic precursor to Heather O’Rourke from POLTERGEIST...As dad pieces clues together, various characters are stalked by what look like psychotic school kids combined with the pint-sized literal little devil from DON'T LOOK NOW and/or a taller yet equally aggressive TRILOGY OF TERROR's Zuni Fetish Doll: shifting the aura from an intriguing psychological thriller to a genuinely frightening horror flick...</p><p></p><p></p><p></p><p></p><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhitHqIhWhg3n-cKjUJijkAoPTRphYL563DbffhZzRELJ3BKBllfpelhB5j4vs80J8jV4azc0mNPwceEPRhmfL3BoVGFmAnWGXUCI77tyeAe83PkxaZkWw066uWE00ngYwzNLg-a52ZoRWErbzX1uFaaY4Lhbn7WwLLtT-ry1dmjrXSDW6xiTmBpHEnfQ/s1263/Screen%20Shot%202022-05-09%20at%206.12.54%20PM.jpeg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="664" data-original-width="1263" height="210" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhitHqIhWhg3n-cKjUJijkAoPTRphYL563DbffhZzRELJ3BKBllfpelhB5j4vs80J8jV4azc0mNPwceEPRhmfL3BoVGFmAnWGXUCI77tyeAe83PkxaZkWw066uWE00ngYwzNLg-a52ZoRWErbzX1uFaaY4Lhbn7WwLLtT-ry1dmjrXSDW6xiTmBpHEnfQ/w400-h210/Screen%20Shot%202022-05-09%20at%206.12.54%20PM.jpeg" width="400"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Art Hindle in THE BROOD</u></td></tr></tbody></table><p>With distorted, nightmarish faces and the power to kill anyone connected to Nola’s bitter dream-state, the origin and purpose of the evil tykes should be kept secret. But anyone familiar with THE BROOD already knows what's up. Let’s just say, catharsis has rarely been as creepy, vicious and grotesque.. Horror auteur David Cronenberg keeps the story moving with a dark, ominous pace even though much of the film occurs in the dayligh</p><p></p><p></p><p></p><p></p><p>Despite too much scientific dialogue between bloodshed, not always enhancing the storyline, with Oliver Reed spouting exposition, it's forgivable. But humans aside, those killer mutants really steal the show: Too bad they didn’t have a larger playground to wield their lunacy as the best scenes include their body count hunting spree: first with Nola's parents, and then the perfect woman/school teacher (Susan Hogan). And the very, very end, involving a bizarre form of childbirth, should send men right back into the waiting room, chain smoking cigarettes while anticipating the outcome.</p><p></p><p><span></span></p>

art hindle, cindy hinds, david cronenberg, horror, nuala fitzgerald, oliver reed, samantha eggar, seventies, susan hogan

OLIVER REED & ART HINGLE IN DAVID CRONENBERG'S 'THE BROOD'

Year: 1979 Rating: **** The term “watch your temper” has never been so relevant and palpable than in THE BROOD, where Oliver Reed’s Dr. Hal...

OLIVER REED EPISODES OF THE BRITISH CLASSIC 'THE SAINT'

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVKS0hxr0DQaoOrt-_uOhG8APWNnCiLm1Ji2d9iyn0KxiBxElOIt6eGio9sN0gx2lkYSuUX3AsFcF_lnBW2TnrzciptRqwOrCekH14k8T-CLxlaoTLY1YbB9wKejoFGbqvQR9ur7V2q2nooae2rL_P56Lle4lp89-XvjIENsdeVLdIOYMJFwcUKD4Xow/s1600/6.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="845" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVKS0hxr0DQaoOrt-_uOhG8APWNnCiLm1Ji2d9iyn0KxiBxElOIt6eGio9sN0gx2lkYSuUX3AsFcF_lnBW2TnrzciptRqwOrCekH14k8T-CLxlaoTLY1YbB9wKejoFGbqvQR9ur7V2q2nooae2rL_P56Lle4lp89-XvjIENsdeVLdIOYMJFwcUKD4Xow/s16000/6.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Oliver Reed on two 1963 episodes of THE SAINT starring Roger Moore</u></td></tr></tbody></table>In his early troubled-youth pictures THE SYSTEM and THE PARTY'S OVER, British actor Oliver Reed gave his future roles away with imitations that are, in those cases, poking fun of either Americans or the typical cinematic Gangster...<br> <br> The latter being used in the episode SOPHIA where Roger Moore's THE SAINT finds himself in rural Greece where the episode's titular character (played by a gorgeous Imogen Hassall)... the daughter of a stubborn, old-fashioned pub owner... is anticipating her supposedly rich New Yorker cousin...<br>

british, british new wave, crime, heist, imogen hassal, oliver reed, roger moore, sixties, TV, yvonne romain

OLIVER REED EPISODES OF THE BRITISH CLASSIC 'THE SAINT'

Oliver Reed on two 1963 episodes of THE SAINT starring Roger Moore In his early troubled-youth pictures THE SYSTEM and THE PARTY'S OVER...

YOUNG BRITISH BLONDE BEAUTY GILLIAN HILLS AS 'BEAT GIRL'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPoSeaF8jGcoJq5wcXOHwBXjE-pE-PgdDQp_wD3nP32xQNROXtS9f9UMKx0ZImjLQaWInsvspyU1a25CHoAlbSV_V3iGirV8HrnRT79gRltzNeqDmZXybAylRcHX2gZ2unUjMH1kl3ZSKPl3ifgW_WmX83u3l0WdNbbsIryzfFDmCfTBFKMzb3goHegA/s1150/Screen+Shot+2020-08-17+at+1.44.03+AM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="584" data-original-width="1150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPoSeaF8jGcoJq5wcXOHwBXjE-pE-PgdDQp_wD3nP32xQNROXtS9f9UMKx0ZImjLQaWInsvspyU1a25CHoAlbSV_V3iGirV8HrnRT79gRltzNeqDmZXybAylRcHX2gZ2unUjMH1kl3ZSKPl3ifgW_WmX83u3l0WdNbbsIryzfFDmCfTBFKMzb3goHegA/s16000/Screen+Shot+2020-08-17+at+1.44.03+AM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Oliver Reed with Gillian Hills as BEAT GIRL Year: 1960</u></td></tr></tbody></table><p>BEAT GIRL is like two movies in one, and both are pretty great with the insanely gorgeous Gillian Hills, a hybrid of Sue Lyon's LOLITA and Diane Lane in RUMBLE FISH: All three looking dynamic in B&W while <i>this</i> more obscure gem centers on teenagers <i>wild</i> about the Stateside "hopeless and soapless" Beatnik movement, grooving to the jazz score of composer John Barry (featuring his live John Barry Seven)...<br> <br> And when the wayward/lackadaisical youngsters aren't hanging-out, the main plot centers solely on Gillian's Jennifer Linden, a rich spoiled brat of sixteen (her real age), who unfairly loathes her architect father David Farrar's new wife (Noelle Adam), a pretty yet earthy, twenty-something French girl — with a past...<br> </p><p></p>

beatnik, british new wave, carol white, christopher lee, claire gordon, david farrar, exploitation, gillian hills, jazz score, melodrama, noëlle adam, oliver reed, shirley anne field, sixties, teddy boys

YOUNG BRITISH BLONDE BEAUTY GILLIAN HILLS AS 'BEAT GIRL'

Oliver Reed with Gillian Hills as BEAT GIRL Year: 1960 BEAT GIRL is like two movies in one, and both are pretty great with the insanely gor...

RICHARD LESTER RETURNS TO THE SWORD FOR 'ROYAL FLASH'

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9NfwVKrxHXAGFfa3SCIUnJRh3jTYpTNH7hJaUmdKvACqH4Vhhnyfzhdw1XAwM1j6c435qMnHv1eHf3ASAwkWRwhj6yNpyMnIWJDY555nkNsHDJJSFXhJwRGAacS8ivQ4_hWVXQqm2KjHdQLNVjkSSUe1s3GdNPDYqOhzzHEl9KjiwIyww6iEF6DOThQ/s986/AVvXsEglJ6rJ-HWX_PQhNmXZr3vCF2z1n4zFT7e8ELVmK_0B91no-P_cxSsv62bf6YMzMywKp9-HqufgdsMawAhLPPSSK5BOjXQevkJZMOb1PSzUlu1J0jt3X3NV10nNa5cnm6PgOakyzRAS_R9FRY9FF6pzhgNHDm-sJp3_cRUS2TH6LI0g3cYW2mzCLNq_Bg=s16000.jpeg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="630" data-original-width="986" height="255" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9NfwVKrxHXAGFfa3SCIUnJRh3jTYpTNH7hJaUmdKvACqH4Vhhnyfzhdw1XAwM1j6c435qMnHv1eHf3ASAwkWRwhj6yNpyMnIWJDY555nkNsHDJJSFXhJwRGAacS8ivQ4_hWVXQqm2KjHdQLNVjkSSUe1s3GdNPDYqOhzzHEl9KjiwIyww6iEF6DOThQ/w400-h255/AVvXsEglJ6rJ-HWX_PQhNmXZr3vCF2z1n4zFT7e8ELVmK_0B91no-P_cxSsv62bf6YMzMywKp9-HqufgdsMawAhLPPSSK5BOjXQevkJZMOb1PSzUlu1J0jt3X3NV10nNa5cnm6PgOakyzRAS_R9FRY9FF6pzhgNHDm-sJp3_cRUS2TH6LI0g3cYW2mzCLNq_Bg=s16000.jpeg" width="400"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Year: 1975 Rating: ****</u></td></tr></tbody></table>There were only three actors Stanley Kubrick had to give little direction to: Peter Sellers from DR. STRANGELOVE and LOLITA, James Mason from LOLITA, and his CLOCKWORK ORANGE star turned cult icon, Malcolm McDowell, who, through his own statements, wanted to keep in touch with the reclusive genius auteur, perhaps for more great roles in other projects in future years... and being how much he did for Kubrick, it wasn't too much to ask, was it? But after ORANGE he never heard from the director who had ignited his career with the ultra-violent classic that would, better for us and maybe worse for him, never go away... Perhaps he caught wind that Kubrick's next vehicle was a time period piece epic involved around the art of The Duel, titled BARRY LYNDON wherein Ryan O'Neal, while taking some getting used to, by the end turns in a wonderful performance being someone who took us for a very long ride and wound up a man who... let's just say, fit the actor's supposed real life un-appeal. But imagining Malcolm in the title role is a torturous fantasy: If only, yes, if only... <br>

action, adaptation, adventure, alan bates, bob hoskins, caper, history, malcolm mcdowell, oliver reed, richard lester, seventies, time period, twilight time

RICHARD LESTER RETURNS TO THE SWORD FOR 'ROYAL FLASH'

Year: 1975 Rating: **** There were only three actors Stanley Kubrick had to give little direction to: Peter Sellers from DR. STRANGELOVE and...

OLIVER REED IN HAMMER FILMS 'PARANOIAC' WITH JANETTE SCOTT

<p></p><p></p><p></p><p></p><p></p><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEQMNQ01xPAOVzQ5rsQOrUdprzXq2BicSo857f5bLOdDRyIlU92Pu1884LFxU4NqHVWb-LcOPA4G3bK0cyfKZsybMTkOIJadEleL4tak8Kn6S9pzziR29bnH2X6HMBfkEfbTIPVKfBxRN0R-jSEW5T0qfpoqoTPgVFwxSW875G4AbON5OSWbiVEJH4Vg/s1232/Screen%20Shot%202022-05-08%20at%2012.01.41%20AM.jpeg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="887" data-original-width="1232" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEQMNQ01xPAOVzQ5rsQOrUdprzXq2BicSo857f5bLOdDRyIlU92Pu1884LFxU4NqHVWb-LcOPA4G3bK0cyfKZsybMTkOIJadEleL4tak8Kn6S9pzziR29bnH2X6HMBfkEfbTIPVKfBxRN0R-jSEW5T0qfpoqoTPgVFwxSW875G4AbON5OSWbiVEJH4Vg/w400-h288/Screen%20Shot%202022-05-08%20at%2012.01.41%20AM.jpeg" width="400"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Poster for PARANOIAC Year: 1963 Rating: ****</u></td></tr></tbody></table><p>If Terence Fisher was the <i>Universal Classic Monsters </i>version of England's HAMMER FILMS then Freddie Francis was their Hitchcock, and PARANOIAC one of Hammer's best psychological thrillers, providing stock actor Oliver Reed a grand performance, showcasing what would become his two signature traits: moody brooding and overboard intensity: He's the brother of troubled, haunted ingenue Jeanette Scott, set to inherit a bundle (strictly overseen by an aunt and family lawyer), holed up in the family's sea-cliff estate, but not if Reed (with moll Liliane Brousse) can help it...</p><p></p><p></p><p></p><p></p><p></p><p>And while mostly working alone, he's <i>not</i> alone in agenda: The leading man is a con artist, which we learn soon enough for PARANOIAC to not quite reach Mystery-genre status: But those fifteen minutes when handsome Alexander Davion may or may not be her adored prodigal brother are the most intriguing: After which, coinciding with the kind of quick-split editing wherein everything beforehand meant only how the scene abruptly ends, Reed and his boisterous persona takes over, making this a frantic game of wits using creative camera angles within a shadowy B&W aesthetic that'd perfectly suit Film Noir... and it's only five years shy of being one — for then it'd get a lot more praise and attention beyond the lot of We the faithfully dedicated/eternal Hammerheads.  </p><p><span></span></p>

anthony davion, british new wave, hammer films, horror, janette scott, liliane brousse, oliver reed, sixties, suspense, thriller

OLIVER REED IN HAMMER FILMS 'PARANOIAC' WITH JANETTE SCOTT

Poster for PARANOIAC Year: 1963 Rating: **** If Terence Fisher was the Universal Classic Monsters version of England's HAMMER FILMS then...

VILLAINOUS OLIVER REED AND KLAUS KINSKI BITING INTO 'VENOM'

<p> <span style="font-size: small;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"></span></div><p><span style="font-size: small;"></span></p><p><span style="font-size: small;"></span></p><p><span style="font-size: small;"></span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirbmPn6TN7XGZkOgxGSaOThIUc_zTQEyNvbiGOVqX0nTE45oIw7B8f11GESCfUpnNsOySAzh-16JWDGdPC1Vc3fJXO2n5_-jqAU3F8yMYccryyYF8-oHhJNWZXRDRApGQPJoD57rTE39dO2z1QO3FxGhlYsGNu8zTPQlPCrso1hsCwaTKQQ8ucBDtWzw/s1092/Screen%20Shot%202022-05-06%20at%2012.46.25%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="559" data-original-width="1092" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirbmPn6TN7XGZkOgxGSaOThIUc_zTQEyNvbiGOVqX0nTE45oIw7B8f11GESCfUpnNsOySAzh-16JWDGdPC1Vc3fJXO2n5_-jqAU3F8yMYccryyYF8-oHhJNWZXRDRApGQPJoD57rTE39dO2z1QO3FxGhlYsGNu8zTPQlPCrso1hsCwaTKQQ8ucBDtWzw/s16000/Screen%20Shot%202022-05-06%20at%2012.46.25%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Oliver Reed in VENOM Year: 1981 Rating: ****</u></td></tr></tbody></table><p><span style="font-size: small;">A sickly British kid and his grandfather are overtaken by the help in their family estate: Earlier that day, the boy picked up the wrong snake from a pet shop: A</span><span style="font-size: small;">nd now a</span><span style="font-size: small;"> deadly Black Mamba slithers around, mostly inside the vents for a snake-eye viewpoint...</span></p><p></p><p></p><p></p><p></p><p></p><p></p><p><span style="font-size: small;">A clever enough premise for a group of otherwise shady and hardened DESPERATE HOURS-inspired characters to be paranoid and terrified while cloistered in a doubly-dangerous setting...</span></p><p><span style="font-size: small;"></span></p><p><span style="font-size: small;"></span></p><p><span style="font-size: small;"></span></p><p><span style="font-size: small;"></span></p><p><span style="font-size: small;"></span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYeLjjKHpSa7o7-OH3jkg2ZYcKZDU0Ei_WFhp8UHYe97Y7WyG8aBggIfE3ztzuZXgxX5OM5Cl3ofoYltUAzOl0fuabbXviy-151c1qGfnWz5-KmCdN-XinNNzeQv3k9AYOpessayNq2r2-Mna2KjXjRJCw5tFEnK_O2l_bUCa6olILZs3xPbm5AfCmlQ/s1866/Screen%20Shot%202022-05-06%20at%2010.35.18%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="808" data-original-width="1866" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYeLjjKHpSa7o7-OH3jkg2ZYcKZDU0Ei_WFhp8UHYe97Y7WyG8aBggIfE3ztzuZXgxX5OM5Cl3ofoYltUAzOl0fuabbXviy-151c1qGfnWz5-KmCdN-XinNNzeQv3k9AYOpessayNq2r2-Mna2KjXjRJCw5tFEnK_O2l_bUCa6olILZs3xPbm5AfCmlQ/s16000/Screen%20Shot%202022-05-06%20at%2010.35.18%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Oliver Reed in VENOM</u></td></tr></tbody></table><p><span style="font-size: small;">But it's a kidnapping/hostage story first and foremost.. more crime-thriller than creature-feature with Nicol Williamson as the tough yet patiently smooth police captain outside, as if an episode of his own TV cop series...<br></span></p><p></p><p></p><p></p><p></p><p></p><p><span style="font-size: small;">That somewhat hinders the intensity lurking within the premises where wild card Oliver Reed, an edgy, violent, initially reluctant chauffeur, overtakes Sterling Hayden, a hunting legend grandfather/mentor to his vulnerable grandson...  </span></p><p><span style="font-size: small;"><span></span></span></p>

cornelia sharpe, creature, drama, eighties, exploitation, horror, hostage, klaus kinski, nicol williamson, oliver reed, sarah miles, snake, sterling hayden, susan george, suspense, thriller

VILLAINOUS OLIVER REED AND KLAUS KINSKI BITING INTO 'VENOM'

Oliver Reed in VENOM Year: 1981 Rating: **** A sickly British kid and his grandfather are overtaken by the help in their family estate: Ear...

OLIVER REED DOES ITALIAN CRIME IN 'REVOLVER' W/ FABIO TESTI

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPdKOSsmBRQOBfTVmR6Fb1jUEhzped6X5I4di-ILNtaSTPqXdzdDX6eX3zv48an8-NR4fXtcWVvKJ3sZ1E-DdBMUJ0oHy27ox53Zq-vKM59wrQsAB5avmA3WvVTrw4suNgyyyPtX_EygwiXvVfJF3SdQ4nww7DIM4ek49R2dkCEoe_gnpL7eMNlsFSnA/s398/213d893b595fbac41c737dab309c3718.jpeg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="291" data-original-width="398" height="293" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPdKOSsmBRQOBfTVmR6Fb1jUEhzped6X5I4di-ILNtaSTPqXdzdDX6eX3zv48an8-NR4fXtcWVvKJ3sZ1E-DdBMUJ0oHy27ox53Zq-vKM59wrQsAB5avmA3WvVTrw4suNgyyyPtX_EygwiXvVfJF3SdQ4nww7DIM4ek49R2dkCEoe_gnpL7eMNlsFSnA/w400-h293/213d893b595fbac41c737dab309c3718.jpeg" width="400"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Oliver Reed in Revolver Year: 1973 Rating: ***1/2</u></td></tr></tbody></table><p>A promising, clever premise of a government official, played by genuine bad-ass Oliver Reed, who surreptitiously allows a prisoner to escape before abducting him in exchange for his kidnapped wife... occurring between steely, intentionally claustrophobic scenes in dingy offices harboring dingier jail sells... almost succeeds...</p><p></p><p></p><p></p><p></p><p></p><p></p><p>The best moments of this action/thriller hybrid involves polar opposites Reed ("a stray dog without a home") and prisoner Fabio Testi on the run... in the latter's rogue territory... </p><p>Petty thief Testi teaching strict/timid lawman Reed to steal a car is a standout, and there needed more of this kind of Film Noir-inspired ambiguity combined with the European tough guy team-up instead of a subpar subplot involving a pretty boy musician connected to a powerful politician... Leading to an 11th hour escape by use of hiking across a mountain border and yet, despite the flaws, Italian ingenue Paola Pitagora brightens up the joint while Reed, using the same fake American accent he teased in THE PARTY'S OVER and THE SYSTEM (sans the caustic irony and <i>for real </i>this time), doesn't need to overact to show the audience his love for this woman... Any sane man would.  </p><p><span></span></p>

action, crime, escape, fabio testi, frédéric de pasquale, italian, jailbreak, kidnapping, oliver reed, paola pitagora, seventies, teamup, thriller, wrong man

OLIVER REED DOES ITALIAN CRIME IN 'REVOLVER' W/ FABIO TESTI

Oliver Reed in Revolver Year: 1973 Rating: ***1/2 A promising, clever premise of a government official, played by genuine bad-ass Oliver Ree...

OLIVER REED REBELS THROUGH HAMMER'S 'THESE ARE THE DAMNED'

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEix-E9ZBoG-IabcQil6dj-EVt5EROtvCaUmt6fy6boAaoUc1G_GBK1m9z4Xy45gj0GmAUZ7q0AAzojK9RxdA4JAZAEm37I5WoqbcECouk9oH88BwvE04namS9vUR6_Rg4MnrAAMwGT7Fr6lpt-CHCOMiEchoqcbtd8jhXcl06u-Jp2sG4eZJOPNhhjfag/s1456/Screen%20Shot%202022-05-05%20at%207.59.40%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="702" data-original-width="1456" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEix-E9ZBoG-IabcQil6dj-EVt5EROtvCaUmt6fy6boAaoUc1G_GBK1m9z4Xy45gj0GmAUZ7q0AAzojK9RxdA4JAZAEm37I5WoqbcECouk9oH88BwvE04namS9vUR6_Rg4MnrAAMwGT7Fr6lpt-CHCOMiEchoqcbtd8jhXcl06u-Jp2sG4eZJOPNhhjfag/s16000/Screen%20Shot%202022-05-05%20at%207.59.40%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: THESE ARE THE DAMNED aka THE DAMNED Year: 1962 Rating: ****</u></td></tr></tbody></table><p>Hammer's THESE ARE THE DAMNED has a double-edged title starting with a Teddy Boy gang (young punks from England's 1950's/1960's who dressed in Victorian-era used-clothe leftovers) led by Oliver Reed... </p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p>And he's in what seems an incestuous relationship with sexy sibling Shirley Anne Field, who... while the boys whistle the tune of a corny song that'd just conducted their street-savvy march into town... picks up on older, classy American, Macdonald Carey, so he can be deliberately clobbered, robbed...<br></p><p><span></span></p>

alexander knox, british new wave, gang, hammer, joseph losey, kenneth cope, macdonald carey, nicholas clay, nuclear, oliver reed, science-fiction, shirley anne field, sixties, viveca lindfors

OLIVER REED REBELS THROUGH HAMMER'S 'THESE ARE THE DAMNED'

Title: THESE ARE THE DAMNED aka THE DAMNED Year: 1962 Rating: **** Hammer's THESE ARE THE DAMNED has a double-edged title starting with ...

OLIVER REED & KATHERINE WOODVILLE IN 'THE PARTY'S OVER'

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhn9mj31x2IEZ0CnTZ_S0ewiijIwytKuxXE2qDlYeviG5Vo_tRTtHzKjTwe6U9sCrNkuF_9tvTxrSTBHMGIgTafmoQngfl_mOFDTHojepAfKE3xqU6b-XUfCIqQU-YoMCALKXu6Q7LVf_rxYGvyruwDNao8-BRDpC_Qk85fQhhtfHII1yQ7sF2j8jr_ZA/s1214/Screen%20Shot%202022-05-06%20at%201.36.30%20AM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="538" data-original-width="1214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhn9mj31x2IEZ0CnTZ_S0ewiijIwytKuxXE2qDlYeviG5Vo_tRTtHzKjTwe6U9sCrNkuF_9tvTxrSTBHMGIgTafmoQngfl_mOFDTHojepAfKE3xqU6b-XUfCIqQU-YoMCALKXu6Q7LVf_rxYGvyruwDNao8-BRDpC_Qk85fQhhtfHII1yQ7sF2j8jr_ZA/s16000/Screen%20Shot%202022-05-06%20at%201.36.30%20AM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u> Title: THE PARTY'S OVER Year: 1965 Rating: ****</u></td></tr></tbody></table><p>Executive Producer Peter O'Toole and Jack Hawkins along with director Guy Hamilton took their names off this controversial British Beatnik flick where an American girl, missing from her New York tycoon father and businessman fiance, is supposedly raped/screwed after death: so for them it wasn't controversial enough...<br> <br> Yet no actual necrophilia occurs (unless you count a quick posthumous kiss), even in the restored cut when — a day before THE PARTY'S OVER — Oliver Reed and his wayward cohorts play cat-and-mouse with Clifford David as the rich chick's arranged fiance, Carson...<br> </p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p>

ann lynn, beatnik, british, british new wave, clifford david, counter-culture, crime, eddie albert, jazz score, katherine woodville, louise sorel, maurice browning, mystery, oliver reed, romance, sixties

OLIVER REED & KATHERINE WOODVILLE IN 'THE PARTY'S OVER'

Title: THE PARTY'S OVER Year: 1965 Rating: **** Executive Producer Peter O'Toole and Jack Hawkins along with director Guy Hamilton...

DOUGLAS HICKOX DIRECTS OLIVER REED IN 'SITTING TARGET'

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTXs68MxG7MzwkXe9L4dyet0R3m_r6wu9yyf4sKJj8OfXQdRtMWFPbVLTF19tAcamQQs480C2qZXtEEn85JStY8zJeNa7JbTlmxNOZDHmC46SmYzVn5gl_XszPx2Lx7nCU8rubf7QgLwUSy37kjLLYwyrwcxv4yBJb3rrwCaGS9A1iPloAER5RCdOnTQ/s1220/AVvXsEj41QSFdVbUWFuU6IyL2e7jz10kby86lEdKtvDbwZcysyi4U1N5zE3USN_PRqya2YGggpKCJWesEfyk5RHvVjLlk3guZVhEHdjErScxK98mXYdvE-9N5JoPN6y9AA9XQCxWIXdl1EmoBsvEBqXVag9b9_1hQK4b4REf57_kgonX3q75H3pQbGmsC9IFuw=s16000.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="506" data-original-width="1220" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTXs68MxG7MzwkXe9L4dyet0R3m_r6wu9yyf4sKJj8OfXQdRtMWFPbVLTF19tAcamQQs480C2qZXtEEn85JStY8zJeNa7JbTlmxNOZDHmC46SmYzVn5gl_XszPx2Lx7nCU8rubf7QgLwUSy37kjLLYwyrwcxv4yBJb3rrwCaGS9A1iPloAER5RCdOnTQ/s16000/AVvXsEj41QSFdVbUWFuU6IyL2e7jz10kby86lEdKtvDbwZcysyi4U1N5zE3USN_PRqya2YGggpKCJWesEfyk5RHvVjLlk3guZVhEHdjErScxK98mXYdvE-9N5JoPN6y9AA9XQCxWIXdl1EmoBsvEBqXVag9b9_1hQK4b4REf57_kgonX3q75H3pQbGmsC9IFuw=s16000.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Oliver Reed in SITTING TARGET Year: 1972 Rating: ****</u></td></tr></tbody></table><p>When long-time locked-up convict Oliver Reed breaks out of prison to kill wife Jill St. John for getting pregnant without him, it seems a solo effort despite having a buddy right alongside since Ian McShane's his dead-ringer/doppelganger...</p><p>In fact, both seem like the same character, only one's younger, more shady and sexually-active while our volatile anti-hero's has the kind of seething tunnel-vision liken to Michael Caine from this film's obvious muse GET CARTER, only with far less last names/red herrings and a much simpler plot i.e. almost none at all... </p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizN38PDN9xBzrsFogjskBvk0DWa7d_G2ZiYX9ziOVsg9y4YrrNHqCuPLIhJdMz26_Zwf3_YYpy3EgekSpbDhTE7s5Aiv9S_177CKOmvgBZEq4wQd88Z0oU2ju4ziirTl2UMRCM6qy6XMQ3U0keJy8WqdDys4Ldpuj4vQd8kUv6pST28dlnbblSzjxasw/s1099/AVvXsEjQqGn6yY5Zsa7cX6ajKsw3uO5-qqLDqLNIr4lWG2SPysHGjbtayKfxPHTtHL0xtcuAzbZ8xUHS_We4Z14azKMRtp2ipAzfcpN3yf1v6idJehGuAUqvUNqVFm2h6v1Oknv9iJfiCreyZjz9MtIQPk3v3WfdZnxeV6n-v2rlk-oYRx5Vm27BKcXD4J6iMQ=s16000.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="487" data-original-width="1099" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizN38PDN9xBzrsFogjskBvk0DWa7d_G2ZiYX9ziOVsg9y4YrrNHqCuPLIhJdMz26_Zwf3_YYpy3EgekSpbDhTE7s5Aiv9S_177CKOmvgBZEq4wQd88Z0oU2ju4ziirTl2UMRCM6qy6XMQ3U0keJy8WqdDys4Ldpuj4vQd8kUv6pST28dlnbblSzjxasw/s16000/AVvXsEjQqGn6yY5Zsa7cX6ajKsw3uO5-qqLDqLNIr4lWG2SPysHGjbtayKfxPHTtHL0xtcuAzbZ8xUHS_We4Z14azKMRtp2ipAzfcpN3yf1v6idJehGuAUqvUNqVFm2h6v1Oknv9iJfiCreyZjz9MtIQPk3v3WfdZnxeV6n-v2rlk-oYRx5Vm27BKcXD4J6iMQ=s16000.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Oliver Reed and Ian McShane in SITTING TARGET</u></td></tr></tbody></table><p>Yet most of the action, starting with a jailbreak (after making ample use of the<i> </i>dungeon-like prison from THE ITALIAN JOB)... reminiscent of a nail-biting World War II POW flick... occurs at all the right moments... </p><p></p><p></p><p></p><p></p><p></p><p>Including Reed fending off motorcycle cops tearing through clotheslines sent by token lawman/constable Edward Woodward, who surprisingly has very little overall purpose or input...</p><p><span></span></p>

british new wave, cult, douglas hickox, edward woodward, exploitation, frank finley, ian mcshane, jailbreak, jill st. john, jill townsend, oliver reed, prison, revenge, robert beatty, seventies, tony beckley

DOUGLAS HICKOX DIRECTS OLIVER REED IN 'SITTING TARGET'

Oliver Reed in SITTING TARGET Year: 1972 Rating: **** When long-time locked-up convict Oliver Reed breaks out of prison to kill wife Jill St...

INTERVIEW WITH ACTRESS JANE MERROW REVISITING 'THE SYSTEM'

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiyWZodVf1mcNK1kDzftMOEBkc3MgVK-Uf-hsIJLoX8ZErorwoR74txbs06oWGmg70FPu0fQh8D2g4XQlzeBMyk967TvQyhltouYDI8hF672wAQwXMlI3wnlGJ9PL47G3CX59yD_do4fyo2MFZt4TAyIYExeqaM7kXlNlz7QdyPzL0DqGsVFaBIj1f9w/s1129/Screen%20Shot%202022-05-03%20at%202.11.11%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="612" data-original-width="1129" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiyWZodVf1mcNK1kDzftMOEBkc3MgVK-Uf-hsIJLoX8ZErorwoR74txbs06oWGmg70FPu0fQh8D2g4XQlzeBMyk967TvQyhltouYDI8hF672wAQwXMlI3wnlGJ9PL47G3CX59yD_do4fyo2MFZt4TAyIYExeqaM7kXlNlz7QdyPzL0DqGsVFaBIj1f9w/s16000/Screen%20Shot%202022-05-03%20at%202.11.11%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Interview with British actress JANE MERROW on Michael Winner's THE SYSTEM</u></td></tr></tbody></table><p>“Well I was/am in show business so it wasn’t too much of a stretch!” British actress Jane Merrow said about playing Nicola, the ingenue from Michael Winner’s <a href="http://www.cultfilmfreaks.com/2020/10/system.html">THE SYSTEM</a>, a model as professional and gorgeous as Jane is an actress, changing the life of womanizing playboy <a href="http://www.cultfilmfreaks.com/search/label/oliver%20reed">Oliver Reed</a> as Tinker, who, along with his buddies, uses the titular SYSTEM to strategically pick up girls (mostly rich, unlike them) at the summer resort where they work... </p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p>And we asked Jane about this incredible film, also known as THE GIRL-GETTERS, made during and about the inception of Britain’s Swinging Sixties at the crest of the cinematic British New Wave…</p><p><span></span></p>

british new wave, interview, jane merrow, michael winner, nicolas roeg, oliver reed, sixties, the searchers

INTERVIEW WITH ACTRESS JANE MERROW REVISITING 'THE SYSTEM'

Interview with British actress JANE MERROW on Michael Winner's THE SYSTEM “Well I was/am in show business so it wasn’t too much of a str...

BITING INTO THE BLASPHEMY OF 'JAWS THE REVENGE'

<p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAwjgootcRtNQbYg_q8BQY-wBKc-dSxRM8Ux1BRXeTM6WQWDBLGpluA1xRrI4paX6c7DXTKMUQ6aZYnMGUDEqDLrcnhgWQkff5ATe4bLWO-Z5ac9zuGWuyhGlY5ZGo582SBDuMGZOR15mcuwBuP_q8YFLD61ThTBpzbjCjUBf--JsMQnGtRnItt20UbQ/s1038/Screen%20Shot%202022-05-02%20at%203.48.42%20PM-1.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="624" data-original-width="1038" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAwjgootcRtNQbYg_q8BQY-wBKc-dSxRM8Ux1BRXeTM6WQWDBLGpluA1xRrI4paX6c7DXTKMUQ6aZYnMGUDEqDLrcnhgWQkff5ATe4bLWO-Z5ac9zuGWuyhGlY5ZGo582SBDuMGZOR15mcuwBuP_q8YFLD61ThTBpzbjCjUBf--JsMQnGtRnItt20UbQ/s16000/Screen%20Shot%202022-05-02%20at%203.48.42%20PM-1.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: JAWS THE REVENGE Year: 1987 Rating: *</u></td></tr></tbody></table><p>If you don't count CADDYSHACK II, the fourth JAWS, tag-titled JAWS: THE REVENGE, takes the cake, or in this case, the chum, winning all awards for the worst sequel ever, ever, ever made...<br> </p><p></p><p></p><p></p><p></p><p></p><p></p><div style="text-align: right;"> </div><p>While <a href="http://www.cultfilmfreaks.com/2013/10/jaws-3-sucks-greatly.html">Part 3</a>, released at the time as 3D, is a bad movie, at least it's got campy cult value. Here, after Roy Scheider's Martin Brody has (already) died of an expository off-screen heart-attack, we center on his grown-up sons at a luxurious Oceanic Theme Park (that included Dennis Quaid). And now it's mom, the faithful and earthy Ellen's, turn at the lead, played again by Lorraine Gary from <a href="http://www.cultfilmfreaks.com/2015/06/triad-jaws.html">the original</a> and the flawed but downright entertaining <a href="http://www.cultfilmfreaks.com/2015/09/jaws2.html">second outing</a> (more or less a Martin Brody Investigation episode). She takes a vacation with her oldest son, Mike, a Marine Biologist (like Quaid in the third), tanning in the beautiful Bahamas...<br> </p>

jaws, lance guest, lorraine gary, mario van peebles, michael caine, sequel, shark, suspense, thriller

BITING INTO THE BLASPHEMY OF 'JAWS THE REVENGE'

Title: JAWS THE REVENGE Year: 1987 Rating: * If you don't count CADDYSHACK II, the fourth JAWS, tag-titled JAWS: THE REVENGE, takes the...

DUTIFULLY DEFENDING THE DISASTER OF 'JAWS 3D'

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHXWTSJYT1MBzEDHK4T0e6jurs6DEG_zbnQ1aWZ4iEoSStQyWKoOC72q3gpH5MukMCDyd0VzgwLMGeC7WtTAlHniGVVqvBp7RHM30lS8b4B5J4QFG1lnKkasKRPlGqEm6RIEiYVF0Xh2yCAdt2mhBCXsZ23qCqUh2_TzvwHiqMmzPerfzJjMWeSeqTDg/s1567/Jaws3-D_B2_Japan-7.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="752" data-original-width="1567" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHXWTSJYT1MBzEDHK4T0e6jurs6DEG_zbnQ1aWZ4iEoSStQyWKoOC72q3gpH5MukMCDyd0VzgwLMGeC7WtTAlHniGVVqvBp7RHM30lS8b4B5J4QFG1lnKkasKRPlGqEm6RIEiYVF0Xh2yCAdt2mhBCXsZ23qCqUh2_TzvwHiqMmzPerfzJjMWeSeqTDg/s16000/Jaws3-D_B2_Japan-7.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: JAWS 3D Year: 1983</u></td></tr></tbody></table>Just when you thought it was safe to go back... to Sea World!? A Deadly New Attraction, indeed, and who’d have thought the third JAWS would abandon Amity Beach to take place at an oceanic theme park, relying on 3D to make stuff ranging from dolphins, killer whales, spears and sea monster decorations come at you on the big... or at this point, small screen... <br> <br> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: left;"> Directed by Joe Alves, the former production assistant who brought the shark to life in the first two outings (and can be very fitfully deemed The Wizard of Jaws), this isn’t as bad as 1980's cinematic history may lead you to believe... </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7Ia5nwpKEx8-wB97aMXoV4USL5G7NOMNozpcAT62LiRnmLHpFfxwldbIprVxYK_-ax1PWfVx2515_qYyWvmu7lBkQuRKZRYUUc0WN-rmD2XDzJAqHIo7_NF-2niFIrpaAZWYUIqH8JTC2eArm69ZB_96kYv145FjfzkvV841GISRaKWN0caoMXe5hXg/s822/j13.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="350" data-original-width="822" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7Ia5nwpKEx8-wB97aMXoV4USL5G7NOMNozpcAT62LiRnmLHpFfxwldbIprVxYK_-ax1PWfVx2515_qYyWvmu7lBkQuRKZRYUUc0WN-rmD2XDzJAqHIo7_NF-2niFIrpaAZWYUIqH8JTC2eArm69ZB_96kYv145FjfzkvV841GISRaKWN0caoMXe5hXg/s16000/j13.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>The shark in JAWS 3D does look pretty cool</u><br></td></tr></tbody></table>Liken to the myriad of Jaws-Clones before and after, ranging from <a href="http://www.cultfilmfreaks.com/2016/10/borca.html">ORCA</a> to <a href="http://www.cultfilmfreaks.com/2019/10/later-alligator.html">ALLIGATOR</a> to <a href="http://www.cultfilmfreaks.com/2019/11/slugs.html">SLUGS</a>, it's been more or less the same character template coinciding with the original 1975 summer blockbuster; and so, in this case...<br> <br> Dennis Quaid is the Roy Scheider, not only because he’s in charge of the park the way Chief Brody partially ran Amity Island, but he’s Mike Brody, the oldest son who dog-paddled in the estuary/pond while his coach got eaten.<br> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-ZHN9agQZJ3U/XdE-p78kdgI/AAAAAAABLBE/IPFSMXYhoQgjq66WakjXAYB38OKIwKtOgCLcBGAsYHQ/s1600/e.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="340" data-original-width="849" src="https://1.bp.blogspot.com/-ZHN9agQZJ3U/XdE-p78kdgI/AAAAAAABLBE/IPFSMXYhoQgjq66WakjXAYB38OKIwKtOgCLcBGAsYHQ/s1600/e.jpeg"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>What's scarier, the shark or Bess Armstrong's hairdo?</u></td></tr> </tbody></table> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> Richard Dreyfuss, the shark expert Hooper, returns in the form of Bess Armstrong as Dr. Kay Morgan, who lives with Mike... Instead of being into sharks, she's "in dolphins" and/or gentle killer whales... <br> <br> Kay’s the ringleader who, with the help of real Sea World trainer Liz Morris, makes the jovial dolphins leap to cheering crowds… She also replaces Lorraine Gary, who played the Chief’s wife. And as a headstrong female character, Kay's something to admire... When the time comes to kill the shark after the theme park is under attack, she's the man!<br> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="http://1.bp.blogspot.com/-vvsxHmry2RY/Umc86ENQ_xI/AAAAAAAAbIM/_y0XHKXumiQ/s1600/j5.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://1.bp.blogspot.com/-vvsxHmry2RY/Umc86ENQ_xI/AAAAAAAAbIM/_y0XHKXumiQ/s1600/j5.jpg"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>"Call that a shark? ... Now that's a shark!"</u></td></tr> </tbody></table> Murray Hamilton’s selfish Mayor... combined with JAWS 2 businessman Joseph Mascolo... has morphed into Louis Gosset Jr. as entrepreneurial mogul Calvin Bouchard: No matter what kind of threat lurks, or how many employees go missing, Calvin wants to keep his theme park open for financial gain... Sound familiar? <br> <br> And while Captain Quint, played brilliantly by the scene-stealing Robert Shaw, was the shark hunting rogue, we have Simon MacCorkindale’s ambiguous hot shot Philip FitzRoyce, who will do anything for a buck and most of all, media coverage… Think of FitzRoyce as Captain Quint combined with Geraldo Rivera: he's the kind of guy you're supposed to love and hate. Also included is Mike’s little brother… You might remember him making faces at daddy during the heartfelt dinner scene in the original… <br> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="http://2.bp.blogspot.com/-J5iPLxyUNRA/Umc89yt4ItI/AAAAAAAAbIU/88y-xDarE3o/s1600/j3.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://2.bp.blogspot.com/-J5iPLxyUNRA/Umc89yt4ItI/AAAAAAAAbIU/88y-xDarE3o/s1600/j3.jpg"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>"Mom, dad, his name's Calvin... Calvin Brody."</u></td></tr> </tbody></table> Mike's now in his twenties and, visiting his brother at the theme park and still afraid of the water (because of the sailboat-caravan trauma in JAWS 2), he hooks up with Kelly, the cutest water-ski girl of the lot and played by a pre-fame Lea Thompson... She and Mike hit it off way too fast, and while Lea provides dandy eye-candy to the proceedings (Bess is more of the thinking man's hottie), little brother is the most annoyingly disposable character.<br> <br> The 3D device aside, the movie has a large scope with a grainy, slick dynamic… Almost as if it were filmed in the wide-screen 70’s… And this is not the usual JAWS style venture despite the similar character template, but more of a Disaster Film, setting up the “perfect” location that, despite all the work and ambition, is doomed from the start… <br> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="http://2.bp.blogspot.com/-bmeXWYf43yc/Umc9E7D0C0I/AAAAAAAAbIc/bj4n3tghsaw/s1600/j1.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://2.bp.blogspot.com/-bmeXWYf43yc/Umc9E7D0C0I/AAAAAAAAbIc/bj4n3tghsaw/s1600/j1.jpg"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>"Eat them up, yum..."</u></td></tr> </tbody></table> The formidable Carcharodon Carcharias, in the film’s vapid intro, beheads a fish... Unlike the groundbreaking prologue of the original, when Chrissie gets pulled around like a rag doll... or the Orca boat divers being attacked in the sequel... this is one of the worst and weakest openings in film history…<br> <br> <div class="separator" style="clear: both; text-align: center;"> </div> And yet, despite its formidably maligned reputation, there are actually some worthwhile aspects to this third JAWS including a decent setup for the characters, each having an important part of the storyline.<br> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-231KSOkaufc/XdE9DyYbQYI/AAAAAAABLAo/npuenPK5nao-s8ceqONlAHyhoy7yOnU2ACLcBGAsYHQ/s1600/j4.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="278" data-original-width="732" src="https://1.bp.blogspot.com/-231KSOkaufc/XdE9DyYbQYI/AAAAAAABLAo/npuenPK5nao-s8ceqONlAHyhoy7yOnU2ACLcBGAsYHQ/s1600/j4.jpeg"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>No this isn't a scene from an underwater version of TRON...</u></td></tr> </tbody></table> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> The near-future Sea World has an underground structure allowing people to see normal sized sharks and other big fishes swimming around… In one scene Mike and Kay investigate a sunken boat by use of a mini submarine... <br> <br> Meanwhile, up above, montage sequences of bikini girls waterskiing (during practice and the real thing) and stock footage of dolphins and killer whales bring you right into the location, making for an assortment of filler moments that are relaxing and, albeit pointless, fun to watch.<br> <div class="separator" style="clear: both; text-align: center;"> </div> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-ZHog-r1bkTw/XdD9bpB6oRI/AAAAAAABK8w/6pqwg2j58gE9GYtUNNJqCWrbWGZWsuxRwCLcBGAsYHQ/s1600/jaws3.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="341" data-original-width="833" src="https://1.bp.blogspot.com/-ZHog-r1bkTw/XdD9bpB6oRI/AAAAAAABK8w/6pqwg2j58gE9GYtUNNJqCWrbWGZWsuxRwCLcBGAsYHQ/s1600/jaws3.jpeg"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>And the shark approaches in wonderful 3D  </u></td></tr> </tbody></table> Okay so this isn’t much of a review… For a movie that’s been deemed one of the worst sequels ever, it’s not that horrible. The main problem is the often dull script, which meanders at times, leading to a wannabe Irwin Allen climax... The action sequences (when our heroes go after the shark) are edited shoddily, and the body count victims beforehand are killed in an uncreative, awkward fashion…<br> <br> And while, for the sake of implied-suspense, it's good to not see the shark too much, but in this case, he... or rather, she... or in this particular middle-twist scenario... <i>they</i>... needed much more screen time, overall. <br> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <span></span>

3D, bess armstrong, creature, dennis quaid, disaster, eighties, franchise, joe alves, lea thompson, louis gossett jr., sequel, shark, simon maccorkindale

DUTIFULLY DEFENDING THE DISASTER OF 'JAWS 3D'

Title: JAWS 3D Year: 1983 Just when you thought it was safe to go back... to Sea World!? A Deadly New Attraction, indeed, and who’d have th...