GEORGE HARDY OF 'TROLL 2' STARRING IN 'TEXAS COTTON'

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-fo8vXFL2r8g/W_UfY-0XOxI/AAAAAAAA7rQ/5zBNchpziu0axTzqk539N5QsSYAjDuNFgCLcBGAs/s1600/Screen%2BShot%2B2018-11-20%2Bat%2B11.39.07%2BPM.jpeg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="915" data-original-width="1236" height="295" src="https://1.bp.blogspot.com/-fo8vXFL2r8g/W_UfY-0XOxI/AAAAAAAA7rQ/5zBNchpziu0axTzqk539N5QsSYAjDuNFgCLcBGAs/s400/Screen%2BShot%2B2018-11-20%2Bat%2B11.39.07%2BPM.jpeg" width="400"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Tiffany Shepis & George Hardy stalk Texas Cotton YEAR: 2018</u></td></tr> </tbody></table> A kind of CHINATOWN on sleeping pills, and taking place in the Lone Star State, TEXAS COTTON is actually a pop culture party trick of a Modern-Western Thriller, being it stars the star of what's considered the best-worst movie ever made...<br> <br> That being George Hardy of infamous TROLL 2 niche fame, who in real life is a smiling, upbeat, jovial personality... and a dentist at that...<br> <br> So for the ultra-serious role of a veteran cop seeking clues in a small town in which he's a dedicated and stubbornly honest sheriff, Hardy is played safe, for the most part, with a one-note, dissatisfied expression of someone who not only tasted someone else's bitter coffee, but has grown contemptuously accustomed to it...<br>

2018, george hardy, indie, indie corner, juliette danielle, neo noir, thriller

GEORGE HARDY OF 'TROLL 2' STARRING IN 'TEXAS COTTON'

Tiffany Shepis & George Hardy stalk Texas Cotton YEAR: 2018 A kind of CHINATOWN on sleeping pills, and taking place in the Lone Star...

RACING THROUGH EARLY JACK NICHOLSON 'THE WILD RIDE'

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-5VdL9A2fy18/W_HzKvHdnCI/AAAAAAAA7hw/Zyh5anwG2oc11AYP4zv3Lljiy4DAcfk6wCEwYBhgL/s1600/3.jpeg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1198" data-original-width="1600" height="298" src="https://4.bp.blogspot.com/-5VdL9A2fy18/W_HzKvHdnCI/AAAAAAAA7hw/Zyh5anwG2oc11AYP4zv3Lljiy4DAcfk6wCEwYBhgL/s400/3.jpeg" width="400"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>A young Jack Nicholson in THE WILD RIDE Year: 1960</u></td></tr> </tbody></table> Before the term "Speed Kills" referred to drugs it was for souped-up fast cars...<br> <br> There weren't any protests under the influence of psychedelia just yet; the 1950's and early 1960's were about hot rods and youth and the latter's misuse was the subject of many films, mostly cautionary tales but this one's a bit more ambiguous and peripheral...<br> <br> THE WILD RIDE stars a young Jack Nicholson as Johnny Varron. He's mostly alone and, with a jovially jazzy soundtrack, every now and then grooving smoothly into a vibe-laden skeletal strut, he's cool to watch driving along a rural road, somewhere in California. Having caused the death of a cop by driving too fast, and winning at "chicken," if more money went into the already anemic budget there'd at least be<i> some</i> urgency involved. Especially as a cop appears at random youthful hangouts, from burger joint patios to backyard parties (to the longest scene at a lakeside rocky-terrain locale), where Johnny wastes time with his friends: who don't like him very much... but nothing really scares or matters to this kid...<br>

drama, exploitation, jack nicholson, jazz score, race car, sixties, teen

RACING THROUGH EARLY JACK NICHOLSON 'THE WILD RIDE'

A young Jack Nicholson in THE WILD RIDE Year: 1960 Before the term "Speed Kills" referred to drugs it was for souped-up fast c...

TOM LAUGHLIN'S FIRST & BEST BILLY JACK 'THE BORN LOSERS'

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-sWmhUY1vUVk/W_EOM89P9mI/AAAAAAAA7ek/5uq2YejtRzc1K-V78YDnHCC3WLLIxL4DACLcBGAs/s1600/46436808_602809760148204_1085677585360224256_n.jpeg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="702" data-original-width="960" height="292" src="https://1.bp.blogspot.com/-sWmhUY1vUVk/W_EOM89P9mI/AAAAAAAA7ek/5uq2YejtRzc1K-V78YDnHCC3WLLIxL4DACLcBGAs/s400/46436808_602809760148204_1085677585360224256_n.jpeg" width="400"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Elizabeth James and Tom Laughlin on equal ground YEAR: 1967</u></td></tr> </tbody></table> THE BORN LOSERS wasn't supposed to happen but thank God it did since BILLY JACK is one of the most embarrassing counter-culture action flicks ever made...<br> <br> Tom Laughlin in the title role as a part Indian do-gooder who defends a ridiculously "progressive" high school full of teens and preteens, singing corny protest songs off-key with beyond-novice acting disabilities, and a dated, obvious push for an older guy trying way too hard to relate to that era's flaky and spacey counter-culture youth: So it's much better, more universal and exploitation-entertaining that he defend three older, legally sexy college coeds who get raped by a gang of scruffy bikers while Billy Jack is, for most of THE BORN LOSERS, a quiet, ambiguous sort of Lonely Man character, taking his time to defend not only the girls, but himself...<br>

action, biker, bob tessier, counter-culture, elizabeth james, exploitation, jack starrett, jeff cooper, jeremy slate, kung fu, sixties, tom laughlin, william wellman

TOM LAUGHLIN'S FIRST & BEST BILLY JACK 'THE BORN LOSERS'

Elizabeth James and Tom Laughlin on equal ground YEAR: 1967 THE BORN LOSERS wasn't supposed to happen but thank God it did since BIL...

COENS' WESTERN ANTHOLOGY 'THE BALLAD OF BUSTER SCRUGGS'

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-owvOMp5V-A0/W-8F40paDhI/AAAAAAAA7c8/yRyMgmLIp_E0CSE8iQruPpdBp2IhMTdHACLcBGAs/s1600/Screen%2BShot%2B2018-11-16%2Bat%2B9.29.17%2BAM%2B2.jpeg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="886" data-original-width="1185" height="298" src="https://2.bp.blogspot.com/-owvOMp5V-A0/W-8F40paDhI/AAAAAAAA7c8/yRyMgmLIp_E0CSE8iQruPpdBp2IhMTdHACLcBGAs/s400/Screen%2BShot%2B2018-11-16%2Bat%2B9.29.17%2BAM%2B2.jpeg" width="400"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Year of Release: 2018</u></td></tr> </tbody></table> A more fitting title for The Coen Brothers' Western Anthology <u>THE BALLAD OF BUSTER SCRUGGS</u> would be <i>Six Ways to Die in the West</i>. Not only is each vignette about death, but the misleading title refers to the first story and that's it. Maybe if Tim Blake Nelson's singing cowboy was the blanket narrator it would make more sense...<br> <br> Then again, he's so annoying, maybe not. In fact, SCRUGGS is one of several of the main characters that doesn't only die but deserves death: The hybrid of a THREE AMIGOS style gussied-up Amigo, Pinhead from FREAKS, Jim Varney's Ernest and Kermit the Frog, the entire point of a surprisingly tough crooner <i>who only looks nerdy</i> steps upon the second story featuring James Franco as a scruffy bank robber, titled <u>NEAR ALGODONES</u>. In this case, Franco's outlaw loner only <i>seems</i> more resilient than a chubby bank teller played by nerd's nerd Stephen Root. There's some potential in the sparse-shot, Spaghetti Western tableau, but like the first story, it ends before it really begins (and concludes with an absolutely gorgeous actress, Grace LeSueur, in a quick but very important cameo)... <br>

2018, action, anthology, coen brothers, grace lesueur, james franco, liam neeson, netflix, new, stephen root, tom waits, western

COENS' WESTERN ANTHOLOGY 'THE BALLAD OF BUSTER SCRUGGS'

Year of Release: 2018 A more fitting title for The Coen Brothers' Western Anthology THE BALLAD OF BUSTER SCRUGGS would be Six Ways ...

RAMBLING FACT-CHECKING REVIEW OF 'BOHEMIAN RHAPSODY'

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-VN1_XXATuI8/W-ucUC14U9I/AAAAAAAA7YQ/H7PPj2yXTL82kAuOPWjz3i9YEsMSx4M7QCLcBGAs/s1600/queen-bohemian-rhapsody-film-trailer-watch-1526391283-640x427.jpeg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="419" data-original-width="508" height="328" src="https://2.bp.blogspot.com/-VN1_XXATuI8/W-ucUC14U9I/AAAAAAAA7YQ/H7PPj2yXTL82kAuOPWjz3i9YEsMSx4M7QCLcBGAs/s400/queen-bohemian-rhapsody-film-trailer-watch-1526391283-640x427.jpeg" width="400"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Gwilym Lee looks more the part than Rami Malek attempts it Year: 2018</u></td></tr> </tbody></table> Hardcore QUEEN fans might get frustrated, or perhaps just confused, that the movie goes from the first album's "Keep Yourself Alive" to "Killer Queen," which is okay so far since QUEEN II was more progressive rock before their stardom... but then during the first tour of America, they're playing "Fat Bottomed Girls" from the latter 70's Jazz album, and that's before recording their 1975 epic "Bohemian Rhapsody" on A Night at the Opera, skipping right past the brilliant followup A Day at the Races...<br> <br> And then we're at a party hearing "Crazy Little Thing Called Love" from The Game circa 1980 before Brian May comes up with "We Will Rock You" from News of the World in 1977: and then back to The Game with "Another One Bites The Dust," ducking under the failure of the funk-themed (and actually underrated) Hot Space album, and playing the most famous track "Under Pressure" well after they supposedly broke up... which NEVER happened... And backing up to the repeated heckling of Roger Taylor's "I'm In Love With My Car," one of their greatest songs, ever...<br>

2018, biopic, music, new, rami malek

RAMBLING FACT-CHECKING REVIEW OF 'BOHEMIAN RHAPSODY'

Gwilym Lee looks more the part than Rami Malek attempts it Year: 2018 Hardcore QUEEN fans might get frustrated, or perhaps just confused...

SEAN S. CUNNINGHAM'S 'THE NEW KIDS' WITH LORI LOUGHLIN

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-xjgJweaappA/W-hJYJK0psI/AAAAAAAA7VU/7JuGCNCKaY4jOqKXzldv8a-gtKnWGA6swCLcBGAs/s1600/36.jpeg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1138" data-original-width="1600" height="283" src="https://4.bp.blogspot.com/-xjgJweaappA/W-hJYJK0psI/AAAAAAAA7VU/7JuGCNCKaY4jOqKXzldv8a-gtKnWGA6swCLcBGAs/s400/36.jpeg" width="400"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Lori Loughlin & Shannon Presby are The New Kids YEAR: 1985</u></td></tr> </tbody></table> Sean S. Cunningham's THE NEW KIDS is a different kind of high school bully movie, especially as the two picked-on title characters, a brother and sister, fight back early on...<br> <br> Sister elbows one guy in the gut and turns down two others flat as brother sneaks into group leader James Spader's house, knife in hand, mounting the rich blond bastard in his (Spader's) underwear...<br> <br> That's not the only unintentionally homoerotic scene. Another bully, standing next to brother at the high school boy's room urinals, turns and, scooting extremely close, crosses streams: marking territory in a where hundreds take a piss every day... A rather odd, random choice for a supposed campus tough guy to make a point, but these kids (and the whole town) beats its own extremely bizarre drum throughout...<br>

bully, drama, eighties, eric stoltz, high school, james spader, john philbin, lori loughlin, paige price, sean s. cunningham, teen, tom atkins

SEAN S. CUNNINGHAM'S 'THE NEW KIDS' WITH LORI LOUGHLIN

Lori Loughlin & Shannon Presby are The New Kids YEAR: 1985 Sean S. Cunningham's THE NEW KIDS is a different kind of high school ...

CAINE VERSES SAVALAS IN 'BEYOND THE POSEIDON ADVENTURE'

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-Y-1P7LyFZNM/W-LZFhyW_4I/AAAAAAAA7RI/OiVuPpNf8RgITPh4GvqYZOU2KXdgB003ACLcBGAs/s1600/3.jpeg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="462" data-original-width="672" height="275" src="https://4.bp.blogspot.com/-Y-1P7LyFZNM/W-LZFhyW_4I/AAAAAAAA7RI/OiVuPpNf8RgITPh4GvqYZOU2KXdgB003ACLcBGAs/s400/3.jpeg" width="400"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Telly's vision above surface YEAR: 1979</u></td></tr> </tbody></table> While not as bad a sequel as you might have been led to believe, BEYOND THE POSEIDON ADVENTURE is so blasphemous a followup to the classic original THE POSEIDON ADVENTURE, it either begs the viewer to stop watching after less than five minutes...<br> <br> Or, if you have the patience and stamina to muddle past the muddled fifteen to twenty minute mark, after which, mirroring the first film in having a group of survivors... that didn't follow Gene Hackman the first time... head to the bottom that's really the top of the ship, upturned above water, only with less dangerous tiers, fewer obstacles, and a subplot involving Telly Savales doing what he did best before KOJAK made him a cool good guy...<br>

disaster, ensemble, jack warden, michael caine, peter boyle, sally field, sequel, shirley jones, telly savalas, veronica hamell

CAINE VERSES SAVALAS IN 'BEYOND THE POSEIDON ADVENTURE'

Telly's vision above surface YEAR: 1979 While not as bad a sequel as you might have been led to believe, BEYOND THE POSEIDON ADVENTU...

ORSON WELLES LONG-AWAITED 'THE OTHER SIDE OF THE WIND'

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-1BOci0x9IBc/W99EgvcRnDI/AAAAAAAA7QQ/1RcA-b3QlmA3qYjUbhHo8VM1CgAYqPpagCLcBGAs/s1600/1.jpeg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="943" data-original-width="1260" height="298" src="https://1.bp.blogspot.com/-1BOci0x9IBc/W99EgvcRnDI/AAAAAAAA7QQ/1RcA-b3QlmA3qYjUbhHo8VM1CgAYqPpagCLcBGAs/s400/1.jpeg" width="400"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Oda Kodar and Robert Random in the film's film YEARS: 1972-2018</u></td></tr> </tbody></table> The anticipated Orson Welles film THE OTHER SIDE OF THE WIND is two pictures in one...<br> <br> The first is a pseudo documentary using multiple cameras centered on veteran director Jack Hannaford, played by John Huston, at an all-night anti-wrap party where people are coming and going around a jump-cut patchwork of color and mostly black-and-white footage...<br> <br> Much like Orson's buddy, Henry Jaglom's decades-later SOMEONE TO LOVE, which was the last movie Welles appeared in (playing himself but without his name being mentioned) and George Lucas's low-budget masterpiece, AMERICAN GRAFFITI, it's a dusk-to-dawn experience, and in this case, the two-hour run time can often feel like eternity...<br>

2018, counter culture, drama, gary graver, new, norman foster, oja kodar, orson welles, peter bogdanovich, pseudo documentary, seventies, susan strasberg

ORSON WELLES LONG-AWAITED 'THE OTHER SIDE OF THE WIND'

Oda Kodar and Robert Random in the film's film YEARS: 1972-2018 The anticipated Orson Welles film THE OTHER SIDE OF THE WIND is two ...

GARY KENT PLAYS A NOIRISH HEAVY IN RAY STECKLER'S 'SUPER COOL'

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-q_aWxrrZEGE/W9pB3Tm-_YI/AAAAAAAA7LU/ZYL9YUB443IWtGFY2Ng9romTSNPSsSWagCLcBGAs/s1600/45144595_2105173716193564_3520784872366931968_n.jpeg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="513" data-original-width="735" height="278" src="https://2.bp.blogspot.com/-q_aWxrrZEGE/W9pB3Tm-_YI/AAAAAAAA7LU/ZYL9YUB443IWtGFY2Ng9romTSNPSsSWagCLcBGAs/s400/45144595_2105173716193564_3520784872366931968_n.jpeg" width="400"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Ray Dennis Steckler and Gary Kent fight in Super Cool YEAR: 1969</u></td></tr> </tbody></table> Film Noir/Gumshoe/Private Eye films have a main character wandering (and wondering) from one location to the next in search of something, or someone, or both...<br> <br> What they get along the way are a lot of names, mostly red herrings. Sexy dames and tough broads with tougher boyfriends. Fights. Gunshots. Psychedelic drugs and heroin or...<br> <br> Well the last sentence doesn't fit the Humphrey Bogart-era films, in which this was inspired all the way to director and here main star as well, Ray Dennis Steckler looking into a HIGH SIERRA poster with his image reflecting onto Bogie's. And in SUPER COOL, the real title's shown in the opening credits despite being packaged as BODY FEVER and with other names like CHEAT FOR LIFE, THE LAST ORIGINAL B MOVIE and DEADLOCKED: It's an urban/suburban odyssey of Steckler's scrawny gumshoe Charlie Smith, trying to find a missing dame, played by his real life star and perpetual ingenue Caroyln Brandt, who stole a ton of drugs (after all, she's a cat burglar who dresses like Catwoman). The best elements pit Smith against Frankie Roberts, played by Steckler's stock heavy Gary Kent (a formidable ax-murderer in THE THRILL KILLERS), who not only keeps women addicted to smack but smacks them regularly. And like those mazy Noirs of the forties and fifties, the plot is purposely convoluted: so the audience is as confused as the snoop... But the flat conclusion seems a bit forced: ending a breezy jaunt that could've gone on forever. Or at least fifteen (or ten, perhaps?) minutes longer.<br>

action, carolyn brandt, cult, exploitation, gary kent, gumshoe, independent, neo noir, ray dennis steckler, sixties, thriller

GARY KENT PLAYS A NOIRISH HEAVY IN RAY STECKLER'S 'SUPER COOL'

Ray Dennis Steckler and Gary Kent fight in Super Cool YEAR: 1969 Film Noir/Gumshoe/Private Eye films have a main character wandering (an...

JOHN CARPENTER'S 'THE FOG' HAUNTS THIS HALLOWEEN

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-eZf2NtAVR2U/W9luNaOIooI/AAAAAAAA7HM/KG7sS_xLgWUShr7OFZ2_RpO07JS91EMlwCLcBGAs/s1600/Screen%2BShot%2B2018-10-31%2Bat%2B1.48.48%2BAM.jpeg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="300" data-original-width="468" height="256" src="https://3.bp.blogspot.com/-eZf2NtAVR2U/W9luNaOIooI/AAAAAAAA7HM/KG7sS_xLgWUShr7OFZ2_RpO07JS91EMlwCLcBGAs/s400/Screen%2BShot%2B2018-10-31%2Bat%2B1.48.48%2BAM.jpeg" width="400"></a></td></tr> <tr align="center"><td class="tr-caption" style="text-align: center;"><u>Year of Theatrical Release for The Fog: 1980</u></td></tr> </tbody></table> In a way, John Carpenter's THE FOG is a zombie flick since, like those trudging, sinewy foes, the titular weather-pattern wraiths move in a slow, nightmarish pace... <br> <br> And within that titular, mobile, misty shroud are what you'd get from a good old fashion <i>ghost story</i>, which this is John Carpenter's version of, literally...<br> <br> Beginning with old man John Houseman spinning a campfire legend to kids while setting the plot in motion: Their small seaport town was founded on a deception that a ship of lepers was <i>accidentally</i> destroyed by nature — with enough gold to get the town's proverbial ball rolling. And now in its 100-year centennial celebration, the wraiths, brandishing giant hooks, blades and resembling demonic fisherman with hidden hooded faces, are after exactly six people — their own unlucky number that's<i> now</i> unlucky for the surprisingly low body-count in what's Carpenter's laidback "drinking movie" of sorts... <br>

adrienne barbeau, eighties, george buck flower, ghost ship, horror, james canning, jamie lee curtis, janet leigh, john carpenter, john houseman, nancy loomis, thriller, tom atkins

JOHN CARPENTER'S 'THE FOG' HAUNTS THIS HALLOWEEN

Year of Theatrical Release for The Fog: 1980 In a way, John Carpenter's THE FOG is a zombie flick since, like those trudging, sinewy...

SUTHERLAND WITH BACON & ROBERTS DIE IN 'FLATLINERS'

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-ShUITWEVqMM/W9gPsh6NR_I/AAAAAAAA7Es/eM46hIT3_Qs89kcq_henUNs-MRDF8rlpACLcBGAs/s1600/Screen%2BShot%2B2018-10-28%2Bat%2B8.14.21%2BPM.jpeg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="729" data-original-width="1000" height="291" src="https://3.bp.blogspot.com/-ShUITWEVqMM/W9gPsh6NR_I/AAAAAAAA7Es/eM46hIT3_Qs89kcq_henUNs-MRDF8rlpACLcBGAs/s400/Screen%2BShot%2B2018-10-28%2Bat%2B8.14.21%2BPM.jpeg" width="400"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Year of Release: 1990</u></td></tr> </tbody></table> The reason FLATLINERS seems like a Brat Pack flick despite having none of those particular actors on board is because the director was also behind the pivotal pack-classic, ST. ELMO'S FIRE... And Joel Schumacher has a style of filming great-looking actors in an ethereal glow, which literally fits here being they choose to die and come back again i.e. playing God with their own bodies... <br> <br> Taking place in and around various classrooms and backrooms of some kind of steely, dystopic medical school, the shadow-filled, icky-green sets seem as if a neon Gothic explosion blew out most of the lights and took down half the equipment, like Dr. Frankenstein's lab dreamed-up by Tim Burton. Which is what FLATLINERS is going for aesthetically. But it turned out more like a glossy music video, especially the choppy extreme-closeups...<br>

horror, julia roberts, kevin bacon, kiefer sutherland, nineties, oliver platt, supernatural, thriller

SUTHERLAND WITH BACON & ROBERTS DIE IN 'FLATLINERS'

Year of Release: 1990 The reason FLATLINERS seems like a Brat Pack flick despite having none of those particular actors on board is beca...

HORROR NOIR RETROSPECTIVE OF JOE DANTE'S 'THE HOWLING'

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-YSbXt5HEKUk/W9U33PSV5VI/AAAAAAAA6-g/nhG_Lli870EMei8OTXXI3083vdZImAaeACLcBGAs/s1600/5.jpeg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1137" data-original-width="1600" height="283" src="https://3.bp.blogspot.com/-YSbXt5HEKUk/W9U33PSV5VI/AAAAAAAA6-g/nhG_Lli870EMei8OTXXI3083vdZImAaeACLcBGAs/s400/5.jpeg" width="400"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Belinda Balaski snooping around THE HOWLING Year: 1981</u></td></tr> </tbody></table> “I kind of cross this line where... I see it whether it's really there or not,” actress Dee Wallace wrote in a Cult Film Freak interview. “Kind of like the monster in the closet when we're little… You just know it's there, so it is.”<br> <br> And that’s how Joe Dante’s THE HOWLING begins, without seeing too much of anything – more of a creepy Film Noir look than outright horror flick as Dee Wallace’s Karen White, an intrepid anchorwoman at a local news station, has planned to meet a mysterious man named Eddie Quist somewhere within the shadowy downtown city streets... And what Karen witnesses, kept from the audience, really sticks with her... Thus the investigation trades off to snoopy reporter Terry Fisher, played by versatile character-actress Belinda Balaski, who, as a doomed camp counselor in Dante’s PIRANHA a few years earlier, resulted in a memorable death scene...<br>

action, belinda balaski, christopher stone, dee wallace, dennis dugen, dick miller, horror, joe dante, john carradine, kevin mccarthy, slim pickens

HORROR NOIR RETROSPECTIVE OF JOE DANTE'S 'THE HOWLING'

Belinda Balaski snooping around THE HOWLING Year: 1981 “I kind of cross this line where... I see it whether it's really there or no...

SHARON STONE IN WES CRAVEN'S 1981 'DEADLY BLESSING'

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-HhRqjR2vM5s/W9Ut8jzAvaI/AAAAAAAA6-U/LbrltgUN-YI7XLa1iJSOQdK8IJKU58EPgCLcBGAs/s1600/NEWSTONE.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="994" data-original-width="1600" src="https://1.bp.blogspot.com/-HhRqjR2vM5s/W9Ut8jzAvaI/AAAAAAAA6-U/LbrltgUN-YI7XLa1iJSOQdK8IJKU58EPgCLcBGAs/s1600/NEWSTONE.jpeg"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Early role for Sharon Stone in Wes Craven's Deadly Blessing YEAR: 1981</u></td></tr> </tbody></table> Brunette beauty Maren Jensen got the bad end of the stick on television's original BATTLESTAR GALACTICA. As the sister of Richard Hatch's Apollo, she only had one guy to be a girlfriend of, and he, a womanizer, had a blonde on his mind. Then when Apollo got his own girlfriend, Jensen's Athena was pretty much written out. So it's nice to see her in a horror movie by that genre's soon-to-be iconic Wes Craven, who would, following A NIGHTMARE ON ELM STREET, turn out a fun yet ultra violent science-fiction flick titled DEADLY FRIEND; but this is his first <i>deadly</i>, as in...<br> <br> DEADLY BLESSING, and it's not the kind of blessing you'd hope or think by the cast and what kind of seemingly intriguing atrocities happen to them. For example, a subdued Sharon Stone, a year after being introduced to cinemas as a window-smooching beauty in Woody Allen's STARDUST MEMORIES, lies in bed, eyes-widened in fear, panic, when a spider drops into her mouth. Turns out being merely a dream sequence, but it's the kind of thing that memorable cult flicks are made of... the problem here is the setting...<br>

body count, colleen riley, eighties, ernest borgnine, horror, jeff east, lisa hartman, maren jensen, sharon stone, susan buckner, thriller, wes craven

SHARON STONE IN WES CRAVEN'S 1981 'DEADLY BLESSING'

Early role for Sharon Stone in Wes Craven's Deadly Blessing YEAR: 1981 Brunette beauty Maren Jensen got the bad end of the stick on ...

BURT REYNOLDS AS 'MALONE' W/ CYNTHIA GIBB & SCOTT WILSON

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-GC-0VhFD4FI/W9A3yk6ycTI/AAAAAAAA6zA/QZ_pgAJssHU-5SJPFiJAFTIIHvTE7mFVwCLcBGAs/s1600/0.jpeg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="579" data-original-width="820" height="281" src="https://3.bp.blogspot.com/-GC-0VhFD4FI/W9A3yk6ycTI/AAAAAAAA6zA/QZ_pgAJssHU-5SJPFiJAFTIIHvTE7mFVwCLcBGAs/s400/0.jpeg" width="400"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Burt Reynolds and Cynthia Gibb YEAR: 1987</u></td></tr> </tbody></table> Burt Reynolds had a problem in the early-mid 1980's, especially after STROKER ACE. Suddenly, he wasn't a big star anymore, and even faithful fans had pretty much had enough...<br> <br> What a shame that the action driven films he turned out after his fall from super-stardom were pretty damn great, receiving little attention...<br> <br> These are MALONE as well as STICK, HEAT and the vastly underrated BREAKING IN. And particularly, in the cases of HEAT and MALONE, it's a shame Burt didn't realize that audiences were on to the toupee, and had been for years. Not since the second SMOKEY AND THE BANDIT has it looked so obvious, but, oh well: MALONE is a nice, tight production that's basically a remake of a classic 1950's Western. "Let's be honest," Reynolds once stated. "The film is SHANE."<br>

action, burt reynolds, cliff robertson, cynthia gibb, dennis burkley, eighties, kenneth mcmillan, scott wilson, thriller, tracey walter

BURT REYNOLDS AS 'MALONE' W/ CYNTHIA GIBB & SCOTT WILSON

Burt Reynolds and Cynthia Gibb YEAR: 1987 Burt Reynolds had a problem in the early-mid 1980's, especially after STROKER ACE. Suddenl...

POST WEEKEND REVIEW OF THE NEW 'HALLOWEEN' MOVIE

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-uw_U1dQM5zo/W82PZV_9wcI/AAAAAAAA6sk/QwMjyLcJ3V0Q1NSg9Yx4SmdyXSwbkvE5gCEwYBhgL/s1600/DiXNctAUcAEnH64-1-1.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="627" data-original-width="842" height="297" src="https://1.bp.blogspot.com/-uw_U1dQM5zo/W82PZV_9wcI/AAAAAAAA6sk/QwMjyLcJ3V0Q1NSg9Yx4SmdyXSwbkvE5gCEwYBhgL/s400/DiXNctAUcAEnH64-1-1.jpg" width="400"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Review of the new Halloween YEAR: 2018</td></tr> </tbody></table> The new HALLOWEEN sets out to make a few things clear. Michael Myers is a human being, not an unstoppable monster that can't be killed. And if you and your date dress up as a doctor and nurse (or vice versa), like the victims of the first sequel, HALLOWEEN II, absolutely no harm will come. Because all those other incarnations mean nothing. This is the one and only followup to the John Carpenter classic...<br> <br> And here's a dirty little secret not everyone agrees with. The sparse 1978 blockbuster is extremely far from perfect. But... it <i>was</i> a solid, good horror movie, and <i>was</i> genuinely groundbreaking for a body count slasher flick involving a handful of doomed teenagers, which started off an endless chain of copycats including FRIDAY THE 13TH. So where new director David Gordon Green succeeds is making a simple slasher yarn without too many extravaganzas... <br>

2018, body count, franchise, halloween, horror, jamie lee curtis, new, sequel, thriller, will patton

POST WEEKEND REVIEW OF THE NEW 'HALLOWEEN' MOVIE

Review of the new Halloween YEAR: 2018 The new HALLOWEEN sets out to make a few things clear. Michael Myers is a human being, not an uns...

BLOODY BAGFUL OF CHUCK NORRIS MOVIES REVIEWED

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-hObQGKnc_GE/W8sfHLnG8UI/AAAAAAAA6pc/JMZODBtyOlUQ5iyUrb7ImcFaOVY-mJQowCLcBGAs/s1600/Screen%2BShot%2B2018-10-20%2Bat%2B5.24.49%2BAM.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="854" data-original-width="1508" height="226" src="https://4.bp.blogspot.com/-hObQGKnc_GE/W8sfHLnG8UI/AAAAAAAA6pc/JMZODBtyOlUQ5iyUrb7ImcFaOVY-mJQowCLcBGAs/s400/Screen%2BShot%2B2018-10-20%2Bat%2B5.24.49%2BAM.jpg" width="400"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Chuck's famous windshield kick from Good Guys Wear Black</u></td></tr> </tbody></table> Here's a score of Chuck Norris movies from the late seventies all through his kicking-ass eighties reign. These summary-size, one or two paragraph-long reviews are a decade in the making as... <br> <br> Chuck Norris took Karate films to an entertainingly mindless and guttural, testosterone-driven level, and having appeared in RETURN OF THE DRAGON opposite/verses Bruce Lee, who knows where Chuck's career might have gone had the Chinese Kung Fu Master lived past ENTER THE DRAGON, but like comparing Edgar Rice Burrough's more realistic, cerebral and literary Tarzan to the spontaneous and fun theatrical Johnny Weissmuller adaptations, it's not as if Chuck took Lee's place. Instead, there was a phantom zone that desperately needed filling: Norris successfully delivered and, unlike most, maintained his American Brand of Karate to the large and small screen for nearly three decades... <br>

action, adventure, chuck norris, david carradine, donna gordon, eighties, jack o'halloran, karate, m. emmett walsh, mary-louise weller, richard lynch, seventies, sport, stephen furst

BLOODY BAGFUL OF CHUCK NORRIS MOVIES REVIEWED

Chuck's famous windshield kick from Good Guys Wear Black Here's a score of Chuck Norris movies from the late seventies all throu...

NATHAN FILLION SERIES 'THE ROOKIE' QUICK SUMMARY REVIEW

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-fEye9HZcJYQ/W8g-L_RtuxI/AAAAAAAA6k0/BOiGGiAQ2AAiih8p5Yj12pHNnMZELyoTgCLcBGAs/s1600/180509-nathan-fillion-the-rookie.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="999" data-original-width="1600" height="248" src="https://3.bp.blogspot.com/-fEye9HZcJYQ/W8g-L_RtuxI/AAAAAAAA6k0/BOiGGiAQ2AAiih8p5Yj12pHNnMZELyoTgCLcBGAs/s400/180509-nathan-fillion-the-rookie.jpg" width="400"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Nathan Fillion <i>just kinda</i> headlines THE ROOKIE Year: 2018 Grade: F—</u></td></tr> </tbody></table> Seconds can feel like minutes, and minutes like hours on TV, or cinema, which can carry a lot of information in a short amount of time... And five of those could have provided a montage of this 49-year-old man going from <i>wanting to become an old cop</i> to actually <i>becoming </i>an old cop. Random shots of basic training, or... something... anything...<br> <br> Played by a thinned-down, Jason Bateman-looking Nathan Fillion, THE ROOKIE is both an appropriate and ironic title, but he's on-the-beat too quick while we're introduced to the other rookies, all the right young age and each resembling a magazine model (the most beautiful hopping right in bed with Fillion's unassuming John Nolan, as if he were the former star of CASTLE instead of a midlife-crisis-suffering everyman). Without a chance to really learn about this guy, the shallow and cliché co-stars are forced upon us — feeling like <i>yet another cop series</i> in an ocean brimming with them. So while being promised something slightly different, THE ROOKIE is more bland dough from the same old boring cookie cutter. And worse.<br>

2018, action, cop, nathan fillion, series, TV

NATHAN FILLION SERIES 'THE ROOKIE' QUICK SUMMARY REVIEW

Nathan Fillion just kinda headlines THE ROOKIE Year: 2018 Grade: F— Seconds can feel like minutes, and minutes like hours on TV, or cin...

DON SIEGEL VERSION OF ERNEST HEMINGWAY'S 'THE KILLERS'

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-qILVJHpF52w/W7_T5SBrY2I/AAAAAAAA6Z0/HBUtVP7tTyspHMVSjhhn6lv2LesSbQVXQCLcBGAs/s1600/1.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1227" data-original-width="1600" height="306" src="https://3.bp.blogspot.com/-qILVJHpF52w/W7_T5SBrY2I/AAAAAAAA6Z0/HBUtVP7tTyspHMVSjhhn6lv2LesSbQVXQCLcBGAs/s400/1.jpg" width="400"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Dutch angle assassins Clu Gulager & Lee Marvin YEAR: 1964</u></td></tr> </tbody></table> Ernest Hemingway's short story THE KILLERS is indeed quite short. Mostly taking place in a diner where two hit men are looking for a renegade who that tale's protagonist, Nick Adams, works with at the small town's gas station, this is also the prelude to the 1946 Film Noir introducing Burt Lancaster. And the 1964 version by Don Siegel couldn't be more different: although it's a theatrical remake as opposed to another literary adaptation... <br> <br> John Cassavetes is the victim this time (both features create reasons for how each person acquired stolen stolen-money, which Hemingway left out), and he's one of the most original cats in crime cinema history: A hip, cocky race car driver named Johnny North, who works at a school for blind children and winds up falling dead-over-heels with mystery-blonde Angie Dickinson: the trophy dame of a millionaire gangster played by an actor about to trade show biz for politics, Ronald Reagan, and he's surprisingly effective here in a subdued, slow-burn role — except when he slaps Angie's character so hard, his tongue sticks out in delicious, envious delight...<br>

angie dickinson, claude akins, clu gulager, crime, don siegel, ernest hemingway, john cassavetes, lee marvin, norman fell, race car, ronald reagan, sixties, thriller

DON SIEGEL VERSION OF ERNEST HEMINGWAY'S 'THE KILLERS'

Dutch angle assassins Clu Gulager & Lee Marvin YEAR: 1964 Ernest Hemingway's short story THE KILLERS is indeed quite short. Most...

JACQUES TOURNEUR 'WAY OF A GAUCHO' WITH RORY CALHOUN

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-yTMOB8XPnVQ/W8K4j1GtJXI/AAAAAAAA6f8/egvjSTakLucu8jXmGfmNlCyz-oTmAEesgCLcBGAs/s1600/43952943_585599348535912_2848928013041532928_n.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="722" data-original-width="960" height="300" src="https://2.bp.blogspot.com/-yTMOB8XPnVQ/W8K4j1GtJXI/AAAAAAAA6f8/egvjSTakLucu8jXmGfmNlCyz-oTmAEesgCLcBGAs/s400/43952943_585599348535912_2848928013041532928_n.jpg" width="400"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Rory Calhoun rarely looks behind Year: 1952 Rates: ***</u></td></tr> </tbody></table> Jacques Tourneur makes very stylish Westerns, from CANYON PASSAGE before to WICHITA after, and WAY OF A GAUCHO is about the "original cowboys," the titular Spanish Argentine bandits who "Go with God" and are as patriotic as they come, and go: Making the famous "last refuge of a scoundrel" quote more pro than con, at least for one in particular who rides in the glory of the Old Days...<br> <br> That we never really learn about so we can only follow the intrepid horse-clopping footsteps of Rory Calhoun's "condor eyed" Martin Penalosa as the best scenes have our anti-hero breaking the law, sent under Richard Boone's harsh military command and eventually finding his own way. This is where things slowly collapse upon an overly grandiose soundtrack and a maze of plotlines marring what should've been a more simple, honest Western that Tourneur's good at...<br> <div style="text-align: left;"> <div style="text-align: left;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <br> <div style="text-align: left;"> </div> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody> <tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-d9g6W1_JR-I/W8MEdh65UgI/AAAAAAAA6jE/SNDdW1xFn7AlicTkQExV0r6Xh7Ff4E_kACLcBGAs/s1600/43952321_585599345202579_6875562970911342592_n.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="609" data-original-width="960" height="253" src="https://1.bp.blogspot.com/-d9g6W1_JR-I/W8MEdh65UgI/AAAAAAAA6jE/SNDdW1xFn7AlicTkQExV0r6Xh7Ff4E_kACLcBGAs/s400/43952321_585599345202579_6875562970911342592_n.jpg" width="400"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Gene Tierney in Way of a Gaucho RATES: ***</u></td></tr> </tbody></table> Painted with broad strokes, the surrounding countrysides feel like another world entirely, so there's a Fantasy element underneath the deep brown saddles and painted red scarves, as if Penalosa's more a lean Barbarian than maverick horseman, and with Tourneur, a Gothic undertone lurks as well...<br> <br> But our man needed more of a goal, an urgency, than to ride along (with forced ingenue Gene Tierney when guitar-strumming Everette Sloane would've made a terrific sidekick) full of stubborn, woeful pride. Which doesn't mean the battle scenes with horses flowing along the sweeping camera isn't extremely worthwhile. Above and beyond everything else, this GAUCHO <i>looks</i> fantastic. <br> </div>

everette sloane, fifties, gene tierney, jacques tourneur, richard boone, rory calhoun, western

JACQUES TOURNEUR 'WAY OF A GAUCHO' WITH RORY CALHOUN

Rory Calhoun rarely looks behind Year: 1952 Rates: *** Jacques Tourneur makes very stylish Westerns, from CANYON PASSAGE before to WICHI...

ROBYN HILTON AS LINDA LOVEMAN IN 'THE LAST PORNO FLICK'

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-6IkUsFSdgTE/W8A1Yw6aPII/AAAAAAAA6ek/Go5wR4rgNxELtf4johTRLw-yNh0ll40uwCLcBGAs/s1600/1.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1241" data-original-width="1600" height="310" src="https://4.bp.blogspot.com/-6IkUsFSdgTE/W8A1Yw6aPII/AAAAAAAA6ek/Go5wR4rgNxELtf4johTRLw-yNh0ll40uwCLcBGAs/s400/1.jpg" width="400"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Tom Signorelli presents Robyn Hilton on set YEAR: 1974</u></td></tr> </tbody></table> Robyn Hilton, best known as the ditzy redhead girlfriend of Mel Brooks' Governor in BLAZING SADDLES, goes straight to the top ten of any post here: And this movie, with a more popular title of THE LAST PORNO FLICK than THOSE MAD, MAD, MAD MOVIEMAKERS... which could lead viewers to believe there's a car chase or two... is as bad as it gets, but the actors are good — in other stuff, at least...<br> <br> Another toned-down alternative is CABBIES as bickering blue collar buddies Michael Pataki and  Frank Calcanini team up with their cab company boss Mike Kellin to produce a porno, which could<i> really</i> lead viewers to think there's some nudity. That'd be too good a thing as Hilton's a satirical take on Linda Lovelace, named Linda Loveman as Sinthia as in "The Seduction of Sinthia." Tom Signorelli as that film's spaced-out hippie director nicknamed O.D. is about the only partially funny character while another backer, an extremely Catholic Italian mom, is by far the worst. But it's Hilton in her usual airhead role who stands out, and not only for the obvious reasons. She's the only person who fits the bubbly, multi-colorful mold: but with a price. In practically every shot she's standing beside butt-ugly, mackerel-faced character-actor Kellin, pretending to be a famous acting coach and she's really nuts about him — proving that she <i>can</i> act after all. <br>

comedy, exploitation, michael pataki, mike kellin, robyn hilton, satire, seventies

ROBYN HILTON AS LINDA LOVEMAN IN 'THE LAST PORNO FLICK'

Tom Signorelli presents Robyn Hilton on set YEAR: 1974 Robyn Hilton, best known as the ditzy redhead girlfriend of Mel Brooks' Gover...

FINALE OF 'BETTER CALL SAUL' IS STILL MILES FROM GOODMAN

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-cFQO65gUIBQ/W76CX8lw7-I/AAAAAAAA6ZY/YgXYEcuVHRgfS5rmyLPxcVMc7zE9pB7wwCLcBGAs/s1600/Screen%2BShot%2B2018-10-10%2Bat%2B3.13.51%2BPM.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1139" data-original-width="1600" height="283" src="https://1.bp.blogspot.com/-cFQO65gUIBQ/W76CX8lw7-I/AAAAAAAA6ZY/YgXYEcuVHRgfS5rmyLPxcVMc7zE9pB7wwCLcBGAs/s400/Screen%2BShot%2B2018-10-10%2Bat%2B3.13.51%2BPM.jpg" width="400"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Bob Odenkirk and Rhea Seehorn on Better Call Saul: Winning</u></td></tr> </tbody></table> Turns out BETTER CALL SAUL, at least concerning Season Four, isn't following its predecessor's footsteps. Instead, SEINFELD seems to be the muse. For this has been a season about nothing... which still can be pretty entertaining and addictive... But not much ground was covered... <br> <br> Having gone back to rewatch BREAKING BAD, the slimy, lip-puckered, pudgy, balding, crooked-as-hell (and awesomely hilarious) Saul Goodman <i>still </i>has almost nothing to do with this show's endearing Jimmy McGill fella who, with the perfect girl's perfect girl, Kim Wexler, faithfully by his side, would never, ever amount to Walter White's sociopath lawyer: a guy who easily contacts master criminals ranging from a meth kingpin to paid assassins. Sure, he's dishonest and getting proverbially worse. But the BAD Saul is so crooked, his world leans conveniently in his own direction so that, in another reality, he's standing completely upright.  <br>

bob odenkirk, cable, crime, jonathan banks, neo noir, rhea seeborn, rhea seehorn, series

FINALE OF 'BETTER CALL SAUL' IS STILL MILES FROM GOODMAN

Bob Odenkirk and Rhea Seehorn on Better Call Saul: Winning Turns out BETTER CALL SAUL, at least concerning Season Four, isn't follo...

SCOTT WILSON 'THE GYPSY MOTHS' REVIEW & EXTERNAL TRIBUTE

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-DRRfnnlXCws/W7qZu7LaZ7I/AAAAAAAA6Ug/BIUHbuWVZb06-0WMRvh7TCmZ5G5K2b1KACLcBGAs/s1600/Screen%2BShot%2B2018-10-07%2Bat%2B4.22.00%2BPM.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1216" data-original-width="1600" height="303" src="https://4.bp.blogspot.com/-DRRfnnlXCws/W7qZu7LaZ7I/AAAAAAAA6Ug/BIUHbuWVZb06-0WMRvh7TCmZ5G5K2b1KACLcBGAs/s400/Screen%2BShot%2B2018-10-07%2Bat%2B4.22.00%2BPM.jpg" width="400"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>RIP Scott Wilson Gypsy Moths Year of Release: 1969 </u></td></tr> </tbody></table> John Frankenheimer's THE GYPSY MOTHS has some incredible aerial shots, and it's a shame they had to, right off the bat, provide studio inserts of two of the actors: one who should have been famous from IN COLD BLOOD and the other soon to make his breakthrough in THE FRENCH CONNECTION...<br> <br> When Scott Wilson and Gene Hackman, as the gold and white suited jumpers, are shown in an obviously contrived setting with a counterfeit sky-blue backdrop, supposedly far up and descending with their own colored parachutes open, it's impossible <i>not</i> to tell we're watching a motion picture... But Frankenheimer, in what's his personal favorite film, and, despite a dated made-for-television style main theme, gives us the impression, otherwise, that these guys are the genuine article: not only by the myriad of actual footage, but in a more harmonious, less obvious rhythm, combining these with close-up expressions of each actor, about to jump for what may be their very lives...<br>

action, burt lancaster, deborah kerr, drama, gene hackman, john frankenheimer, romance, scott wilson, sheree north, sixties, sport, suspense, william windom

SCOTT WILSON 'THE GYPSY MOTHS' REVIEW & EXTERNAL TRIBUTE

RIP Scott Wilson Gypsy Moths Year of Release: 1969 John Frankenheimer's THE GYPSY MOTHS has some incredible aerial shots, and it'...