cult film freak: January 2017

Written by James M. Tate / 1/28/2017 / No comments / christine amor , counter culture , joseph bottoms , judy davis , road movie , seventies

JUDY DAVIS BEGINS WITH 'HIGH ROLLING IN A HOT CORVETTE'

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<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-lN_ZEywzH58/WIX1GwY0SpI/AAAAAAAAv3Q/b-oAhDf-DMUbq7DyrxVWN6IJhe9FPpNLACLcB/s1600/16196074_259083761187474_8077363783176755418_n.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="248" src="https://3.bp.blogspot.com/-lN_ZEywzH58/WIX1GwY0SpI/AAAAAAAAv3Q/b-oAhDf-DMUbq7DyrxVWN6IJhe9FPpNLACLcB/s320/16196074_259083761187474_8077363783176755418_n.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Joseph Bottoms, Judy Davis, Grigor Taylor in 1977</u></td></tr>
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In the 1980's hot rod melodrama, KING OF THE MOUNTAIN, Joseph Bottoms, as an idealistic musician, races Dennis Hopper and learns an extremely grim lesson...<br />
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<tr><td style="text-align: center;"><a href="http://4.bp.blogspot.com/-wfPPDR1-WqA/VlpKnG2cTbI/AAAAAAAApuw/K1NyugSA6a8/s1600/288px-HIGHROLLING1.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://4.bp.blogspot.com/-wfPPDR1-WqA/VlpKnG2cTbI/AAAAAAAApuw/K1NyugSA6a8/s400/288px-HIGHROLLING1.jpg" width="190" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>YEAR: 1977</u></td></tr>
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A few years earlier, as an American starring in an Australian independent romp titled HIGH ROLLING...<br />
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Which added <i>IN A HOT CORVETTE</i> on video boxes despite the credited name remaining intact within the film itself (like THE SILENT FLUTE altered to CROSS OF IRON and/or KING COBRA to SATAN JAWS OF DEATH etc)...<br />
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Joseph, brother of late cult actor Sam Bottoms (Lance from APOCALYPSE NOW), the very obscure Ben (MORE AMERICAN GRAFFITI) and alpha brother Timothy Bottoms (THE LAST PICTURE SHOW with brother Sam, THE PAPER CHASE and the quietly explosive villain in ROLLERCOASTER), would play a character as fancy-free as they get: And the connection with Hopper is that his game-changing counter culture classic, EASY RIDER, was obviously still relevant Down Under: In <i>this</i> tale, two spontaneous rebels, sharing lots of youthful energy and a devil may care attitude, journey down an initially jovial path that eventually turns somewhat dark and dangerous...<br />
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<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-BokWhN2ZNac/WIX2cNLDikI/AAAAAAAAv3c/ZAHWDZPUOsgPgDpzWVyjPeQFU4ZwrsTxgCLcB/s1600/16266241_259083764520807_3360516764206911440_n.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="231" src="https://2.bp.blogspot.com/-BokWhN2ZNac/WIX2cNLDikI/AAAAAAAAv3c/ZAHWDZPUOsgPgDpzWVyjPeQFU4ZwrsTxgCLcB/s320/16266241_259083764520807_3360516764206911440_n.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Hyperactive Bottoms jovially lectures Taylor</u></td></tr>
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Whether as the young spry Charlie Pizer in Disney's THE BLACK HOLE or the aforementioned songwriter in MOUNTAIN, Bottoms has almost too much energy to fit within the picture frame, which doesn't mean he overacts... Well not entirely...<br />
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His character, a Texan cowboy fitfully named Texas, is quite the lady's man: either in the carnival where he and boxing buddy Alby... played by Grigor Taylor in a dependable straight man role... hit the narrow road after stealing a green Corvette from a strange middle-aged male driver who had picked them up and, most importantly, who happens to be carrying a trunkful of drugs. Making this not only a ragged road movie but one of many "found cache" flicks with a price to be paid — hoodlums eventually follow the boys right as the frolicking, freewheeling first and second acts run dry...<br />
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-JolnxnesbQc/XeNjX0k1tYI/AAAAAAABL9A/VDgBMLtC1gAKyRJbNGbcgb_BO8yI6eoEgCLcBGAsYHQ/s1600/Screen%2BShot%2B2019-11-30%2Bat%2B10.52.25%2BPM.jpeg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="986" data-original-width="1364" height="231" src="https://1.bp.blogspot.com/-JolnxnesbQc/XeNjX0k1tYI/AAAAAAABL9A/VDgBMLtC1gAKyRJbNGbcgb_BO8yI6eoEgCLcBGAsYHQ/s320/Screen%2BShot%2B2019-11-30%2Bat%2B10.52.25%2BPM.jpeg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Judy Davis Hitching for a Ride</u></td></tr>
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Before the tables turn, one scene has a drunk, depressed Texas on the beach after having gotten pummeled by bouncers at a strip bar... He happens upon the female hitchhiker they'd picked up earlier as he frantically (as if the moon were a stage play spotlight) shares his philosophy of life...<br />
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-A1SyNRCzths/XeNi1NVxEtI/AAAAAAABL84/mLC-ab3iviUn3qA8fQMpaHd2DlXNezSKACLcBGAsYHQ/s1600/Screen%2BShot%2B2019-11-30%2Bat%2B10.50.46%2BPM.png" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="228" data-original-width="438" height="164" src="https://1.bp.blogspot.com/-A1SyNRCzths/XeNi1NVxEtI/AAAAAAABL84/mLC-ab3iviUn3qA8fQMpaHd2DlXNezSKACLcBGAsYHQ/s320/Screen%2BShot%2B2019-11-30%2Bat%2B10.50.46%2BPM.png" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>CorvetteMileage: ***</u></td></tr>
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This cool chick is, in fact, in love, and, played by a young Judy Davis, adds legitimacy to a film that rolls with the punches but tends to get knocked down by too much of a dated and cliché 1960's mindset during the much edgier 1970's when even the hippies were waking up to a more grounded reality. And as for that hotrod, this is no celebration ala CORVETTE SUMMER despite both of those film's leads, Bottoms and Mark Hamill, having been or about to be in their own outer space fantasy (and each character is attached to an optimistic wannabe hooker). In other words, the vehicle itself doesn't mean much here, save for that tacked-on retitle. Meanwhile, most of the action occurs away from the car, so the human beings will have to do, and for the most part, they do alright.<br />
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<tr><td class="tr-caption" style="text-align: center;"><u>Joseph Bottoms and Christine Amor in HIGH ROLLING IN A HOT CORVETTE<br /></u></td></tr>
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christine amor, counter culture, joseph bottoms, judy davis, road movie, seventies

JUDY DAVIS BEGINS WITH 'HIGH ROLLING IN A HOT CORVETTE'

Joseph Bottoms, Judy Davis, Grigor Taylor in 1977 In the 1980's hot rod melodrama, KING OF THE MOUNTAIN, Joseph Bottoms, as an ideal...

Written by James M. Tate / 1/21/2017 / No comments /

HARRY HAMLIN & DENNIS HOPPER IN KING OF THE MOUNTAIN

HARRY HAMLIN & DENNIS HOPPER IN KING OF THE MOUNTAIN

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GENE HACKMAN RETURNS IN FRENCH CONNECTION II

cop, crime, gene hackman, sequel, seventies

GENE HACKMAN RETURNS IN FRENCH CONNECTION II

Dogging the heels of Gene Hackman's Popeye Doyle Something strange occurred while going back and re-editing a long-ago review of THE...

SURPRISINGLY SUBTLE CAMP VALUE OF 'MEGAFORCE'

barry bostwick, eighties, hal needham, michael beck, science-fiction

SURPRISINGLY SUBTLE CAMP VALUE OF 'MEGAFORCE'

Barry Bostwick wheelies into the blue skies YEAR: 1982 "The good guys always win... Even in the 80's." A line spoken durin...

FOUR MOTION PICTURES WITH DANA ANDREWS & JEANNE CRAIN

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<tr><td class="tr-caption" style="text-align: center;"><u>Jeanne Crain and Dana Andrews in Duel in the Jungle</u></td></tr>
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Depending on your taste, STATE FAIR is a timeless musical — as corny as it gets and yet, there's something so damn fun about the seemingly limitless area of the title location where a young, tall, gorgeous farm girl, played by a young, tall, gorgeous Jeanne Crain, meets a dashing, handsome, glib newspaper reporter...<br>
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And like next year's Best Picture Winning THE BEST YEARS OF OUR LIVES, wherein another young virginal lass falls for the slightly older Andrews in Teresa Wright, you'll be rooting that Crain and Andrews become a pair — one that, in real life on the big screen in fictional settings, lasted three decades, ending with a campy drive-in road flick we previous covered as an Andrews & Crain double feature along with STATE FAIR (inspired by their hilariously contrasting plot-lines), juxtaposing the young duo with their older, more weathered and yet still attractive selves — from falling in love surrounded by cotton candy to being literally driven crazy, and almost to death...<br>