JEAN GILLIE ALMOST REVIVING ROBERT ARMSTRONG IN 'DECOY'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgskYcimO7ZyXrHvV5IdaA1A5l6IQM7m5-2T9jT2qCBRQatoppwuxodH3VibJDsMpRosMRnICwxg8q5Jp_T1Sd21z6Wpcim9ztQ-1lutpcUGApC5cAnEpoWbE2aMuIQbsaQlVto4NfGS1UzDPZva8BbGlxYXer54fHFi5zlDDP0aALsodHcLeakMZIHc_6b/s1600/Screen%20Shot%202026-06-20%20at%2012.59.37%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1137" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgskYcimO7ZyXrHvV5IdaA1A5l6IQM7m5-2T9jT2qCBRQatoppwuxodH3VibJDsMpRosMRnICwxg8q5Jp_T1Sd21z6Wpcim9ztQ-1lutpcUGApC5cAnEpoWbE2aMuIQbsaQlVto4NfGS1UzDPZva8BbGlxYXer54fHFi5zlDDP0aALsodHcLeakMZIHc_6b/s1600/Screen%20Shot%202026-06-20%20at%2012.59.37%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Year: 1946 Rating: **1/2</u></td></tr></tbody></table><p>There's a kind of unwritten law in movies, that when a character gets extremely physically injured, and recovers, they most likely won't wind up dying later... since the audience already went through the ringer, their death would be both anticlimactic and tedious: which has never been truer than the bizarre film noir thriller DECOY that's equally science-fiction: involving a chemical that can bring someone back from being executed in the gas chamber...<br><br>An antidote that makes fourth-billed doctor Robert Hudley the male lead, despite two other fellas looking (and acting) too much alike: so weaselly crook Edward Norris and deceptively-tricky detective Sheldon Leonard really get in the way of who the ambiguously-driven doctor should have dealt with alone...</p><p><span></span></p>

edward norris, film noir or melodrama, forties, heist, herbert rudley, jean gillie, marjorie woodworth, robert armstrong, sheldon leonard

JEAN GILLIE ALMOST REVIVING ROBERT ARMSTRONG IN 'DECOY'

Year: 1946 Rating: **1/2 There's a kind of unwritten law in movies, that when a character gets extremely physically injured, and recover...

ALAN LADD, VERONICA LAKE & LAIRD CREGAR 'THIS GUN FOR HIRE'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2kyy0jHVzTtRKPd3pGNWyadyz5rOxSFOOCIvi41wTZOAW7EXjCk8nRN3D_uWkr0ZLrJo4NCzxoCwF_q6hjW1wOxe3pzqft1fsU0DUxIddig4XjCQZ_B44qGJInV7GtTAEOtUOTkKd1eiSH3Li-wrrisuf3PhJxqsQUNsJokMq3kMSIMpnQ_4L4fPTw1Ml/s1532/Screen%20Shot%202026-07-03%20at%2012.40.27%20AM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1000" data-original-width="1532" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2kyy0jHVzTtRKPd3pGNWyadyz5rOxSFOOCIvi41wTZOAW7EXjCk8nRN3D_uWkr0ZLrJo4NCzxoCwF_q6hjW1wOxe3pzqft1fsU0DUxIddig4XjCQZ_B44qGJInV7GtTAEOtUOTkKd1eiSH3Li-wrrisuf3PhJxqsQUNsJokMq3kMSIMpnQ_4L4fPTw1Ml/s1600/Screen%20Shot%202026-07-03%20at%2012.40.27%20AM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Year: 1942 Rating: ****</u></td></tr></tbody></table><p>Then-newcomer Alan Ladd's first and best collaboration with equally diminutive and great-looking Veronica Lake, in THIS GUN'S FOR HIRE he hardly speaks a word... the characterization of paid hit-man Philip Raven's etched upon a narrowed, coolly serious expression while he murders crooked targets while protecting a crippled girl and a kitten...<br><br>That alone providing what's a proto-noir ambiguous-criminal template for a bad guy's who's really not that bad... especially compared to genuine antagonist Laird Cregar's scene-stealing overweight middleman Willard Gates, an American traitor assisted by more creatively hands-on-ruthless Marc Lawrence...</p><p><span></span></p>

film noir or melodrama, forties, harry shannon, laird cregar, marc lawrence, pamela blake, robert preston, veronica lake

ALAN LADD, VERONICA LAKE & LAIRD CREGAR 'THIS GUN FOR HIRE'

Year: 1942 Rating: **** Then-newcomer Alan Ladd's first and best collaboration with equally diminutive and great-looking Veronica Lake, ...

RICARDO MONTALBAN WITH BRUCE BENNETT IN 'MYSTERY STREET'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQPxLjvir6Sq6o-SK6TtFlXAyg6AL1rdpHl7Zo5xOMnKwmBn9cTLtF2R8EwI7ghp96FLx_efNt822exRJePQntBGQTzP2KiYCEHDEnWFYmyUIyVIGTsN-PZ6j4eVMUfGFkQ28syTGj1bDxMqSFqs-WuKZJUSmOlU3kSD7YAzBg0xvaG8ozXHnRf1T2imPt/s2078/Screen%20Shot%202026-06-18%20at%201.15.28%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1222" data-original-width="2078" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQPxLjvir6Sq6o-SK6TtFlXAyg6AL1rdpHl7Zo5xOMnKwmBn9cTLtF2R8EwI7ghp96FLx_efNt822exRJePQntBGQTzP2KiYCEHDEnWFYmyUIyVIGTsN-PZ6j4eVMUfGFkQ28syTGj1bDxMqSFqs-WuKZJUSmOlU3kSD7YAzBg0xvaG8ozXHnRf1T2imPt/s16000/Screen%20Shot%202026-06-18%20at%201.15.28%20PM.png"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Year: 1950 Rating: ****</u></td></tr></tbody></table><p>When debt-ridden Jan Sterling... in an apartment complex where lovely single ladies exist under the bickering rule of middle-aged Elsa Lanchester... walks down the stairs to make an enigmatic phone call, not only does MYSTERY STREET begin, but it could have been another movie entirely...<br><br>After Sterling meets up with drunken married Marshall Thompson, driving him through rural back-roads before stealing the car and getting murdered, what follows is tighter and meticulously by-the-book...</p><p><span></span></p>

besty blair, bruce bennett, cop, edmon ryan, elsa lanchester, fifties, film noir or melodrama, jan sterling, marshall thompson, ricardo montalban, sally forrest, wrong man

RICARDO MONTALBAN WITH BRUCE BENNETT IN 'MYSTERY STREET'

Year: 1950 Rating: **** When debt-ridden Jan Sterling... in an apartment complex where lovely single ladies exist under the bickering rule o...

ROBERT MITCHUM FOLLOWS JANE GREER THROUGH 'OUT OF THE PAST'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8tZp-qryGySgdE4HxTTQEfZlFZ1ferJnbO1YzYzvx6CV07OCNII83pIuaGUN8GOCqw7geZbKxDYcUwbAUCLUh_EmOx9v0pRvMvQjJnWaak4jwHpjkZMzarMf45cPMFFC8AIN78y3aKUh8H_mh5H95lQ26fpH9oPBkF1nD1tcztHxJh2kvarmlFJmcvdE5/s2104/Screen%20Shot%202026-06-13%20at%2012.51.40%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1308" data-original-width="2104" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8tZp-qryGySgdE4HxTTQEfZlFZ1ferJnbO1YzYzvx6CV07OCNII83pIuaGUN8GOCqw7geZbKxDYcUwbAUCLUh_EmOx9v0pRvMvQjJnWaak4jwHpjkZMzarMf45cPMFFC8AIN78y3aKUh8H_mh5H95lQ26fpH9oPBkF1nD1tcztHxJh2kvarmlFJmcvdE5/s16000/Screen%20Shot%202026-06-13%20at%2012.51.40%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Year: 1948 Rating: ***1/2</u><br></td></tr></tbody></table><p>In Robert Siodmak's multi-tier film noir THE KILLERS, city-dwelling crime boss Albert Dekker recognizes former crooked colleague Burt Lancaster working in a rural, woodsy-located gas station, pulling the handsome <i>femme-fatale-smitten</i> anti-hero back into danger throughout a series of expository flashbacks... </p><p></p><p>Exactly what ignites Jacques Tourneur's tour-de-force crime-melodrama OUT OF THE PAST, only it's towering goon Paul Valentine who finds Robert Mitchum, who is — unlike Lancaster — very much alive throughout... </p><p><span></span></p>

film noir or melodrama, forties, jacques tourneur, jane greer, kirk douglas, paul valentine, rhonda fleming, robert mitchum, steve brodie, virginia huston

ROBERT MITCHUM FOLLOWS JANE GREER THROUGH 'OUT OF THE PAST'

Year: 1948 Rating: ***1/2 In Robert Siodmak's multi-tier film noir THE KILLERS, city-dwelling crime boss Albert Dekker recognizes former...

ROBERT MITCHUM, JANE GREER & WILLIAM BENDIX 'THE BIG STEAL'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3fcUyEfvqI1EwtS8me7iMjiKICH4cp6mAYgy1LiQmGPPR4uHIqtpGX9OGe38WnYMOQ_QBM310XuLI6eNtVi3URa7ru5aBA_HJ0sqCirSPzbkqk_X93eWO3FNogj3LFocvwTewMH4CTBKfdgLBSrZCvAuxdCgWWAhyphenhyphenGybAYmQoPDSrIMGE0drABk2wG5XB/s2070/Screen%20Shot%202026-06-12%20at%203.06.46%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1330" data-original-width="2070" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3fcUyEfvqI1EwtS8me7iMjiKICH4cp6mAYgy1LiQmGPPR4uHIqtpGX9OGe38WnYMOQ_QBM310XuLI6eNtVi3URa7ru5aBA_HJ0sqCirSPzbkqk_X93eWO3FNogj3LFocvwTewMH4CTBKfdgLBSrZCvAuxdCgWWAhyphenhyphenGybAYmQoPDSrIMGE0drABk2wG5XB/s16000/Screen%20Shot%202026-06-12%20at%203.06.46%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Year: 1949 Rating: **1/2</u></td></tr></tbody></table><p>In one scene towards the end of director Don Siegel's THE BIG STEAL, Robert Mitchum and reunited OUT OF THE PAST starlet Jane Greer are pulled over in their Mexico-traipsing vehicle, and have some involving dialogue with some Spanish locales... and there's finally some chemistry between the two leads... <br><br>Otherwise it's more of an action crime caper that, while semi-decently flowing from one fast-paced scene to the next... and featuring William Bendix as a cop following Mitchum's cop... there's way too many distracting (and cheap-looking) rear-projected scenes during perpetual car chases... <br></p><p><span></span></p>

action, don siegel, film noir or melodrama, forties, howard hughes, jane greer, patric knowles, ramon navarro, robert mitchum, william bendix, wrong man

ROBERT MITCHUM, JANE GREER & WILLIAM BENDIX 'THE BIG STEAL'

Year: 1949 Rating: **1/2 In one scene towards the end of director Don Siegel's THE BIG STEAL, Robert Mitchum and reunited OUT OF THE PAS...

ROBERT MITCHUM BUSTING ROBERT RYAN THROUGH 'THE RACKET'

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiN_MwZkYPi3o1d3NfCNCWtpJqRfdhzHR9Zouri9kYQarZOcb-iJybj1A10UaaO2h05KypREwsvWNfv64s-w20G4g0k65kS7aq9GbDHxAGcM6JJQsAw6ueaKC1irb5VA2UptOVxS1UMSHepXizDBogiUfCM-NplLy9BPZZsbf4b79IfQg7Bkdktdohb4510/s1486/Screen%20Shot%202026-06-04%20at%202.54.39%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1032" data-original-width="1486" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiN_MwZkYPi3o1d3NfCNCWtpJqRfdhzHR9Zouri9kYQarZOcb-iJybj1A10UaaO2h05KypREwsvWNfv64s-w20G4g0k65kS7aq9GbDHxAGcM6JJQsAw6ueaKC1irb5VA2UptOVxS1UMSHepXizDBogiUfCM-NplLy9BPZZsbf4b79IfQg7Bkdktdohb4510/s16000/Screen%20Shot%202026-06-04%20at%202.54.39%20PM.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Joyce Mackenzie and Robert Mitchum in THE RACKET Year: 1951 Rating: ***1/2</u></td></tr></tbody></table><p></p><p></p><p>Based on a let's-fight-city-corruption picture from 1928, and remade to center on a then-current anti-mafia-probe, it's no wonder that RKO's THE RACKET plays out so deliberately over-the-top, where Robert Ryan not only openly admits to being the head of an illegal/totally corrupt syndicate, but shoots and kills an honest lawman right inside a police station... with a cub reporter witness only inches away...<br /><br />In that, Ryan gets most of the praise for a performance that's more 1930's teeth-clenching gangbusters than subtle 1950's noir, which, for the lack of alleyway shadows and femme fatales, many claim this feature as being something other than... <br /></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZJPXYN0Tfu2zScGp59R0YYNB_OVF2twXyCrld1tTbkSXthSvojmDbRAmZ1Bhyphenhyphen-ga5NyESJ8kPp6JaNvavNtGZ2FnIGf9OqgTvMC89f_xgHN0wO2A-xZZfzjy3T-qMXkMYHQBEc86an_YUKYigvxz_kP_952H2CUz5zl6LZyk49xNpMTGJ96fF1S-oIDEZ/s1128/Screen%20Shot%202026-06-04%20at%202.33.40%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="666" data-original-width="1128" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZJPXYN0Tfu2zScGp59R0YYNB_OVF2twXyCrld1tTbkSXthSvojmDbRAmZ1Bhyphenhyphen-ga5NyESJ8kPp6JaNvavNtGZ2FnIGf9OqgTvMC89f_xgHN0wO2A-xZZfzjy3T-qMXkMYHQBEc86an_YUKYigvxz_kP_952H2CUz5zl6LZyk49xNpMTGJ96fF1S-oIDEZ/s16000/Screen%20Shot%202026-06-04%20at%202.33.40%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Robert Mitchum and Robert Ryan in THE RACKET</u><br /></td></tr></tbody></table><p>Which is an ongoing/never-ending debate on any b-crimer that isn't dreamily melodramatic the likes of OUT OF THE PAST... segwaying into the other Robert here in Robert Mitchum, the star of several Howard Hughes productions, where, on the heels of playing likable losers in THIS KIND OF WOMAN and THE BIG STEAL, this is his most solidly straightforward performance... <br /><br />As a police chief the syndicate moves around in order to never press permanent charges, and with scene-stealing/ideal-driven good cop William Talman by his side, Mitchum doesn't simply breeze around with his handsome slow-burn cool, but really fits the part with both feet planted firmly on the ground...  </p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYr3JQVCeCOLim5s1d9fJ3V_XHcxgnKzRzkKv62HNg9kjZw51DMcmCNExC74cV4VA_KXb4SNr3sSX0OT4mMMw8SlJKgtGL3Hp_fBICplJL75kov754bRmv9jJ6ZQpckAyeHEGJNm56wink2Nj_oLHRGOOBE-ftqytGrtR_SmsFNaXTnowYQ5Y1gIyzuu_P/s1428/Screen%20Shot%202026-06-04%20at%202.35.28%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="760" data-original-width="1428" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYr3JQVCeCOLim5s1d9fJ3V_XHcxgnKzRzkKv62HNg9kjZw51DMcmCNExC74cV4VA_KXb4SNr3sSX0OT4mMMw8SlJKgtGL3Hp_fBICplJL75kov754bRmv9jJ6ZQpckAyeHEGJNm56wink2Nj_oLHRGOOBE-ftqytGrtR_SmsFNaXTnowYQ5Y1gIyzuu_P/s16000/Screen%20Shot%202026-06-04%20at%202.35.28%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Robert Mitchum and Robert Ryan in THE RACKET</u></td></tr></tbody></table><p>The biggest problem (besides pretty Lizabeth Scott in a throwaway nightclub canary/dame role) is that everything's too up-front, particularly with Ryan's scrunched-up mug exploding into temper-tantrums.... <br /><br />In one reaction shot, Mitchum seems to intentionally smirk at Ryan's overacting: playing more of a head gangster's viciously lethal thug than any kind of realistic big boss, making THE RACKET more a good vs evil fable than either noir or your typical standard detective story. <br /></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgUDk0PshNV3iwPnV0vusOVjeg_W47qEl0VTlceP-Z4vWrLUsADoxhvVyxEJZLt-2nt3Hg5iBEwtnAhKSpjwfHUSHj7T1RLq_yDkz6fUvC1PQxtZOIhKGlGhvG5BkFdKtr9ppv0SlR_-oLPgRyM3TItzC_8JtcHo6nJeHgSIUKTeKqwAQ6XyX9iUZXzUE3/s1110/Screen%20Shot%202026-06-04%20at%202.29.37%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="636" data-original-width="1110" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgUDk0PshNV3iwPnV0vusOVjeg_W47qEl0VTlceP-Z4vWrLUsADoxhvVyxEJZLt-2nt3Hg5iBEwtnAhKSpjwfHUSHj7T1RLq_yDkz6fUvC1PQxtZOIhKGlGhvG5BkFdKtr9ppv0SlR_-oLPgRyM3TItzC_8JtcHo6nJeHgSIUKTeKqwAQ6XyX9iUZXzUE3/s16000/Screen%20Shot%202026-06-04%20at%202.29.37%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Robert Mitchum and Robert Ryan in THE RACKET</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXBbYSCSQDg33oGhBZ21z6A3BoO8cuSxpJNOg9Dc-NVrcLPhZ29q_O5wbSr6Z0Yogo48pHzeyTYoT2Fh6GHX3fET3gQFSGXDrS81elr7cS0-3eVwd3aYuBIGRlbIFdQkAIx3WAfpx6jc3HXPt6vq1wx4dyWk9Q10vZIZGs98XeQ0LiEF45f3uSooHbvMQZ/s1026/Screen%20Shot%202026-06-04%20at%202.29.45%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="782" data-original-width="1026" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXBbYSCSQDg33oGhBZ21z6A3BoO8cuSxpJNOg9Dc-NVrcLPhZ29q_O5wbSr6Z0Yogo48pHzeyTYoT2Fh6GHX3fET3gQFSGXDrS81elr7cS0-3eVwd3aYuBIGRlbIFdQkAIx3WAfpx6jc3HXPt6vq1wx4dyWk9Q10vZIZGs98XeQ0LiEF45f3uSooHbvMQZ/s16000/Screen%20Shot%202026-06-04%20at%202.29.45%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Ray Collins in THE RACKET</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnyK_eSCd6nA_iTar0lOCOBUIGrFNNmbpa829i1SlBVo2H1dxGK7aSRXYbP6bNEdwAQN5jfLnaRoptcKRyvbsUjVsVECD3fEmA1hTvq4mC1LRRwj-ov_h9C91sshVSqiZBH_7zKE8fat170ykBPf91fG0yBrzEVQ8Qgi99tFppt4MscjiVrYSJ2mURhd5K/s1032/Screen%20Shot%202026-06-04%20at%202.29.59%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="768" data-original-width="1032" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnyK_eSCd6nA_iTar0lOCOBUIGrFNNmbpa829i1SlBVo2H1dxGK7aSRXYbP6bNEdwAQN5jfLnaRoptcKRyvbsUjVsVECD3fEmA1hTvq4mC1LRRwj-ov_h9C91sshVSqiZBH_7zKE8fat170ykBPf91fG0yBrzEVQ8Qgi99tFppt4MscjiVrYSJ2mURhd5K/s16000/Screen%20Shot%202026-06-04%20at%202.29.59%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Robert Ryan in THE RACKET</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwYKZnG2xMyFoJNVwsL1g4BCYjSODePH7mGV7SoLwH19nFddIpbudevFuaHZahkqwR0j5qGL7wY5W2pueB_LwNb4gpCQe_dFEo14XARW4pcsOB7rH4eeSd05qGR8ydSjMlnvZeJRVB73acsImZ04-dSC-G48pup_E0RMABNuWBu8HQ6Z6C86FMBipKhWzU/s1080/Screen%20Shot%202026-06-04%20at%202.30.48%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="816" data-original-width="1080" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwYKZnG2xMyFoJNVwsL1g4BCYjSODePH7mGV7SoLwH19nFddIpbudevFuaHZahkqwR0j5qGL7wY5W2pueB_LwNb4gpCQe_dFEo14XARW4pcsOB7rH4eeSd05qGR8ydSjMlnvZeJRVB73acsImZ04-dSC-G48pup_E0RMABNuWBu8HQ6Z6C86FMBipKhWzU/s16000/Screen%20Shot%202026-06-04%20at%202.30.48%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>William Talman and Virginia Huston in THE RACKET</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbIJxtz4FJiTjw_OrcDetQ1S4w_MYg2Bp4iFIOTN3sx1quq23VmLxiTKGg_zbafKr3OhG876HsklinmznEr7iyByhyuqTjNem2hv_fjfnAnSdRfjA_N5gdyiaBx3vJJwJNBRxSzfQsp6Sew_oKe1MqFjkpnxInXFJ2kqrxq2yh0PhpXlzGL9WbAMurCa0Q/s1256/Screen%20Shot%202026-06-04%20at%202.30.57%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="800" data-original-width="1256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbIJxtz4FJiTjw_OrcDetQ1S4w_MYg2Bp4iFIOTN3sx1quq23VmLxiTKGg_zbafKr3OhG876HsklinmznEr7iyByhyuqTjNem2hv_fjfnAnSdRfjA_N5gdyiaBx3vJJwJNBRxSzfQsp6Sew_oKe1MqFjkpnxInXFJ2kqrxq2yh0PhpXlzGL9WbAMurCa0Q/s16000/Screen%20Shot%202026-06-04%20at%202.30.57%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Virginia Huston in THE RACKET</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwsjTMWqFvHAoojyrqwnZTD8lc9S1tEIqeRZPwy_ajJUTPQjpAUVOJ4ncyWP85gQUJTWZoX5tSpwfkIBS0RGWpsVFZ47a4TkHgOG_ObXKFCSJl7VAPYewWsY20Q0Ym6d4GfkY8sOVdLc1c3IvRtAS2_rKp7eN5Dpq2PJzSsGV56J4H3NGBxGn8L7n_dK9b/s902/Screen%20Shot%202026-06-04%20at%202.31.18%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="474" data-original-width="902" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwsjTMWqFvHAoojyrqwnZTD8lc9S1tEIqeRZPwy_ajJUTPQjpAUVOJ4ncyWP85gQUJTWZoX5tSpwfkIBS0RGWpsVFZ47a4TkHgOG_ObXKFCSJl7VAPYewWsY20Q0Ym6d4GfkY8sOVdLc1c3IvRtAS2_rKp7eN5Dpq2PJzSsGV56J4H3NGBxGn8L7n_dK9b/s16000/Screen%20Shot%202026-06-04%20at%202.31.18%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>From THE RACKET</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdOp-aRtqZxSikROH4ceskc39jYQz4EtgF9ajX9YiQtIPdKTtYoCEWT6R6cC4cs3x5qzyAX84N2t2kBF-AsCyI4sIwQYOwpE_-0zVSl2IlNM25K43BIvi78IssI8Emo5kmiErOZFfjeJWQ-3fl6dvcV3uGW9s6ztROYfd7KjMQqRQt8qrcX4oEvr-liBjy/s942/Screen%20Shot%202026-06-04%20at%202.31.27%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="594" data-original-width="942" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdOp-aRtqZxSikROH4ceskc39jYQz4EtgF9ajX9YiQtIPdKTtYoCEWT6R6cC4cs3x5qzyAX84N2t2kBF-AsCyI4sIwQYOwpE_-0zVSl2IlNM25K43BIvi78IssI8Emo5kmiErOZFfjeJWQ-3fl6dvcV3uGW9s6ztROYfd7KjMQqRQt8qrcX4oEvr-liBjy/s16000/Screen%20Shot%202026-06-04%20at%202.31.27%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>William Conrad in THE RACKET</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhicwM7vQ4gM62JEkkexYqRs6FoWcYhQ9ADBhx3F4wHywvg6hdpND2__9QhMI-FzN8QkXzmVS9jL48W4CH-XVvRuYHbAzv9XSoTthzchAlqQCzOdxvWHxn79IZKJ7b6hSPk6FwAaAehYvZ61rYAa6KLJo60MPncX-mScCiUuJibTkSbNoykPbZE1GtyBXJK/s1186/Screen%20Shot%202026-06-04%20at%202.31.35%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="742" data-original-width="1186" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhicwM7vQ4gM62JEkkexYqRs6FoWcYhQ9ADBhx3F4wHywvg6hdpND2__9QhMI-FzN8QkXzmVS9jL48W4CH-XVvRuYHbAzv9XSoTthzchAlqQCzOdxvWHxn79IZKJ7b6hSPk6FwAaAehYvZ61rYAa6KLJo60MPncX-mScCiUuJibTkSbNoykPbZE1GtyBXJK/s16000/Screen%20Shot%202026-06-04%20at%202.31.35%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>William Talman in THE RACKET</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWV7UxVVnXQI7i6W-mvLFz8gWEksD8DCOuV5zEDcZ-7RI0ys9xwiw-Sv_0Tjm3u9ekxVaN_yfPZhS2GADO_gi35syshgC9_u_3qpzKAsKpYQ0DXTVEGPv-dzZn7j9V1v_kpeqkEVJ3zw-4uZ2fzmwsanpQEZ30EX7Z74ynzmC95JXBcMgB3ER0FvmMn006/s1312/Screen%20Shot%202026-06-04%20at%202.31.43%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="820" data-original-width="1312" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWV7UxVVnXQI7i6W-mvLFz8gWEksD8DCOuV5zEDcZ-7RI0ys9xwiw-Sv_0Tjm3u9ekxVaN_yfPZhS2GADO_gi35syshgC9_u_3qpzKAsKpYQ0DXTVEGPv-dzZn7j9V1v_kpeqkEVJ3zw-4uZ2fzmwsanpQEZ30EX7Z74ynzmC95JXBcMgB3ER0FvmMn006/s16000/Screen%20Shot%202026-06-04%20at%202.31.43%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>William Conrad in THE RACKET</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghwRaSQMHgcu23jiiJSRwW56Quaq90T0CcuJQyVAr9-ZDVv1CEfDF2DeetfaLcAG6D0X2q5TfK6b_l9iaatxgeFsoY6HomXGrmo4qhsuXcEBmbiyxNssAap5rpSjUhqpsdJnzoBhMkAaAZwXVJi6W1yH2QeToIon0NV0KSy5WO4M6GUT_jt4PkjFkLcZz_/s1278/Screen%20Shot%202026-06-04%20at%202.31.51%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="804" data-original-width="1278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghwRaSQMHgcu23jiiJSRwW56Quaq90T0CcuJQyVAr9-ZDVv1CEfDF2DeetfaLcAG6D0X2q5TfK6b_l9iaatxgeFsoY6HomXGrmo4qhsuXcEBmbiyxNssAap5rpSjUhqpsdJnzoBhMkAaAZwXVJi6W1yH2QeToIon0NV0KSy5WO4M6GUT_jt4PkjFkLcZz_/s16000/Screen%20Shot%202026-06-04%20at%202.31.51%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Lizabeth Scott and Robert Hutton in THE RACKET</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinS_R03nwaqK4XZZdmxiRM8Mp-apraT9vBNOeAfZhuA0YU4HFDW9x_69UsJeqeGSoHJfMZAzaKCtem8dQvkH_1lerLREc_b8p4KhXWssfQWrLQL_5npKxenzd_agbACYKGv6h-PXE-j8qkLuy9LHE2smXMt4AlSKQojoxRSnc6HNIFpezK2WRK616TsTSn/s1830/Screen%20Shot%202026-06-04%20at%201.04.40%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1284" data-original-width="1830" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinS_R03nwaqK4XZZdmxiRM8Mp-apraT9vBNOeAfZhuA0YU4HFDW9x_69UsJeqeGSoHJfMZAzaKCtem8dQvkH_1lerLREc_b8p4KhXWssfQWrLQL_5npKxenzd_agbACYKGv6h-PXE-j8qkLuy9LHE2smXMt4AlSKQojoxRSnc6HNIFpezK2WRK616TsTSn/s16000/Screen%20Shot%202026-06-04%20at%201.04.40%20PM.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Joyce Mackenzie and Robert Mitchum in THE RACKET</u></td></tr></tbody></table><br /><br /><br /><br />

fifties, film noir or melodrama, howard hughes, joyce mackenzie, mob, ray collins, robert mitchum, robert ryan, virginia huston, william conrad, william talman

ROBERT MITCHUM BUSTING ROBERT RYAN THROUGH 'THE RACKET'

Joyce Mackenzie and Robert Mitchum in THE RACKET Year: 1951 Rating: ***1/2 Based on a let's-fight-city-corruption picture from 1928, an...

ROBERT MITCHUM SPIRALS THROUGH 'THE NIGHT OF THE HUNTER'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbetkBDhFGidKknrcudd38udOGnJSogt5GZn54Ggq72iN6C97-cenb7QZSpF7CX1IrMZF06oJRhTdNSy8xHgnj4gmLezpTDtYwYYaxsUP8-hhvPUKnrBGRmWi7MkmI_lTymQ0Yhht7EcDq3GxOlLEDEG3-aFp6JRnRjiwNJyKGF-sMLYufinFsraVNjBuh/s2102/Screen%20Shot%202026-06-08%20at%2010.40.36%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1290" data-original-width="2102" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbetkBDhFGidKknrcudd38udOGnJSogt5GZn54Ggq72iN6C97-cenb7QZSpF7CX1IrMZF06oJRhTdNSy8xHgnj4gmLezpTDtYwYYaxsUP8-hhvPUKnrBGRmWi7MkmI_lTymQ0Yhht7EcDq3GxOlLEDEG3-aFp6JRnRjiwNJyKGF-sMLYufinFsraVNjBuh/s16000/Screen%20Shot%202026-06-08%20at%2010.40.36%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: THE NIGHT OF THE HUNTER Year: 1955 Rating: **</u></td></tr></tbody></table><p>The summary promises that Robert Mitchum plays a con-artist with a background of swindling women, specifically widows, and that he's also a self-professed preacher in THE NIGHT OF THE HUNTER... </p><p>Since that first type of villain is always sneakily two-faced and entertainingly unpredictable, when we catch a glimpse of Mitchum's convict Harry Powell talking to himself about how only God can set him free, any mystery's quickly lifted — we're experiencing a genuinely pathetic sociopath whose supposed charm is limited to how he'll broadly carry himself throughout an excruciatingly long 90-minutes...</p><span></span>

charles laughton, corey allen, fifties, film noir or melodrama, gloria castillo, peter graves, robert mitchum, shelley winters, thriller

ROBERT MITCHUM SPIRALS THROUGH 'THE NIGHT OF THE HUNTER'

Title: THE NIGHT OF THE HUNTER Year: 1955 Rating: ** The summary promises that Robert Mitchum plays a con-artist with a background of swindl...

ROBERT MITCHUM AND FAITH DOMERGUE IN 'WHERE DANGER LIVES'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi91S1vpDvPPIZt5BJDqdsNE0y3ACG22LACv7ogGOe68BjJgdtEs9LcUIa1bSerPksR2pBOK6LIpPWXHwncxJ7u0-BoL1xyYJQ3IfYR0-jcuZ4E86GUxl8acLesxZs3mHyAt-yEue8Exr7YiNRKcw6PT4p246rtAijhz38yEZA0HT-5p5pat2C3L4R1WDrE/s1168/Screen%20Shot%202026-06-03%20at%203.04.28%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="710" data-original-width="1168" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi91S1vpDvPPIZt5BJDqdsNE0y3ACG22LACv7ogGOe68BjJgdtEs9LcUIa1bSerPksR2pBOK6LIpPWXHwncxJ7u0-BoL1xyYJQ3IfYR0-jcuZ4E86GUxl8acLesxZs3mHyAt-yEue8Exr7YiNRKcw6PT4p246rtAijhz38yEZA0HT-5p5pat2C3L4R1WDrE/s16000/Screen%20Shot%202026-06-03%20at%203.04.28%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: WHERE DANGER LIVES Year: 1950 Rating: **</u></td></tr></tbody></table><p>From HIS KIND OF WOMAN to THE BIG STEAL, Howard Hughes's RKO Pictures usually had Robert Mitchum on the run into Mexico wherein WHERE DANGER LIVES is the most lackluster, providing the sleepy-eyed sex symbol a role that didn't technically suit him at all...</p><p></p><p>As a doctor performing surgery on a little girl (Sherry Jackson), Mitchum's mile-high pompadour above the surgical mask is unintentionally hilarious... and yet his usual low-key performance somewhat carries him through the initial set-up where, after quickly falling in love with gorgeous yet troubled (and secretly suicidal) patient Faith Domergue, the usual noir-device of the old/rich husband being murdered by the young lover happens in an accidental flash...</p><p><span></span></p>

claude rains, faith domergue, fifties, film noir or melodrama, harry shannon, howard hughes, road movie, robert mitchum, sherry jackson

ROBERT MITCHUM AND FAITH DOMERGUE IN 'WHERE DANGER LIVES'

Title: WHERE DANGER LIVES Year: 1950 Rating: ** From HIS KIND OF WOMAN to THE BIG STEAL, Howard Hughes's RKO Pictures usually had Robert...

ROBERT MITCHUM & WILLIAM BENDIX IN 'MACAO' W/ JANE RUSSELL

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3P5vRvhcQOu__FkLV8X7n3iHImu5O1TCjNz0_xc4yEgCxU6PEKmXnSKUg066RWBhxoo0vcaMEKRWcXA6uZo9xcH8Tytu4533dA0APFmC0JnRxC7tzAQLfnVup6yY5CVshGVuLiwNp-itdYiCr6zTUlI39ZLspnC-3bcx7s77zOReaA6GSMLEoheyuNivZ/s1666/1.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1014" data-original-width="1666" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3P5vRvhcQOu__FkLV8X7n3iHImu5O1TCjNz0_xc4yEgCxU6PEKmXnSKUg066RWBhxoo0vcaMEKRWcXA6uZo9xcH8Tytu4533dA0APFmC0JnRxC7tzAQLfnVup6yY5CVshGVuLiwNp-itdYiCr6zTUlI39ZLspnC-3bcx7s77zOReaA6GSMLEoheyuNivZ/s16000/1.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: MACAO Year: 1952 Rating: **1/2</u></td></tr></tbody></table><p>Produced at the same time as HIS KIND OF WOMAN, another Robert Mitchum adventure-noir opposite RKO owner Howard Hughes's in-house starlet Jane Russell, and both mostly taking place on a large boat...<br><br>There it's Mexico and here it's the titular Asian sampan-filled location of MACAO, which is mostly viewed through a vast number of rear projected shots as Mitchum meets fellow lonesome-traveler William Bendix, his co-star from THE BIG STEAL, while Russell... again a lounge singer... is involved with a nightclub's seedy yet sophisticated owner...</p><p><span></span></p>

brad dexter, fifties, film noir or melodrama, gloria grahame, howard hughes, jane russell, robert mitchum, thomas gomez, william bendix

ROBERT MITCHUM & WILLIAM BENDIX IN 'MACAO' W/ JANE RUSSELL

Title: MACAO Year: 1952 Rating: **1/2 Produced at the same time as HIS KIND OF WOMAN, another Robert Mitchum adventure-noir opposite RKO own...

ROBERT MITCHUM AND JANE RUSSELL IN 'HIS KIND OF WOMAN'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-EJPrKLzaVooOX8W6aJEY0W-sq36IwpUnFOrgD7HQEdV6Cq9ebQpe-sItzEWyeRUUIKSYKNVatjTk9zXUWpjVi4PUUOCgzBkXhe7vi7qrLz_tziIrrILs6AKzZPw7mOP-VjyUx1ZwU8-vnaUgWAXwF2gaXRJq0C5fKFx5QsH2bboXKDvTQzHJxFjuOMNx/s2102/1.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1270" data-original-width="2102" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-EJPrKLzaVooOX8W6aJEY0W-sq36IwpUnFOrgD7HQEdV6Cq9ebQpe-sItzEWyeRUUIKSYKNVatjTk9zXUWpjVi4PUUOCgzBkXhe7vi7qrLz_tziIrrILs6AKzZPw7mOP-VjyUx1ZwU8-vnaUgWAXwF2gaXRJq0C5fKFx5QsH2bboXKDvTQzHJxFjuOMNx/s16000/1.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Robert Mitchum and Jane Russell in HIS KIND OF WOMAN Year: 1951 Rating: ***1/2</u></td></tr></tbody></table><p>Legendary eccentric billionaire Howard Hughes, after buying RKO Pictures, exploited discovered leading lady Jane Russell's ample bosom in THE OUTLAW while, almost a decade later, he put even more time and money into Robert Mitchum's handsome, slow-burn cool for HIS KIND OF WOMAN...<br><br>Despite Russell's character being part of the title, she really has little to do here but hang around a plush Mexican resort where Mitchum's affable gambling loser is sent so that chief mobster Raymond Burr... who replaced original director John Farrow's original villain Lee Van Cleef followed by Robert Wilke... to be able to immigrate back to America... or something...<span></span></p>

anthony caruso, charles mcgraw, fifties, film noir or melodrama, howard hughes, jane russell, paul frees, raymond burr, richard fleischer, robert mitchum, stacy harris, tim holt, vincent price

ROBERT MITCHUM AND JANE RUSSELL IN 'HIS KIND OF WOMAN'

Robert Mitchum and Jane Russell in HIS KIND OF WOMAN Year: 1951 Rating: ***1/2 Legendary eccentric billionaire Howard Hughes, after buying R...