cult film freak: 2020

Written by James M. Tate / 7/01/2020 / No comments / action , adventure , dana gillespie , david prowse , dinosaur , doug mcclure , fantasy , patrick wayne , richard leparmentier , sarah douglas , sequel , seventies , shane brimmer

SWORD & DINOSAUR SEQUEL 'THE PEOPLE THAT TIME FORGOT'

action, adventure, dana gillespie, david prowse, dinosaur, doug mcclure, fantasy, patrick wayne, richard leparmentier, sarah douglas, sequel, seventies, shane brimmer

SWORD & DINOSAUR SEQUEL 'THE PEOPLE THAT TIME FORGOT'

Awesome Looking Matte Painting from THE PEOPLE THAT TIME FORGOT Year: 1977 Not a respected cult film like THE LAND THAT TIME FORGOT, wha...

ELIZABETH TAYLOR AND DANA ANDREWS IN 'ELEPHANT WALK'

dana andrews, drama, elizabeth taylor, fifties, melodrama, peter finch, romance

ELIZABETH TAYLOR AND DANA ANDREWS IN 'ELEPHANT WALK'

Poster artwork for ELEPHANT WALK Year: 1954 Elephants are beautiful, majestic, powerful and... potentially dangerous — not man-eaters b...

ALFRED WERKER DIRECTS DANA ANDREWS IN 'SEALED CARGO'

alfred werker, caper, carla balenda, claude rains, dana andrews, espionage, fifties, ghost ship, mystery, race against time, steve forrest, suspense, thriller, war, world war II

ALFRED WERKER DIRECTS DANA ANDREWS IN 'SEALED CARGO'

Pirate-like poster art for SEALED CARGO Year: 1951 Rating: **** Alfred Werker's atmospheric SEALED CARGO initially plays like a Ghos...

PRODUCER WILLIAM ALLAND PRESENTS 'THE LAND UNKNOWN'

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<tr><td class="tr-caption" style="text-align: center;"><u>Year of Capture and Release: 1957</u></td></tr>
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Thinking it would be on par with the aesthetic value of BLACK LAGOON and
 REVENGE OF THE CREATURE, producer William Alland's topnotch director, 
Jack Arnold, who also shot TARANTULA, wanted nothing to do with this
 cheapie that, in the rudimentary stages, was supposed to be colorized 
with semi-big stars attached...<br>
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<tr><td class="tr-caption" style="text-align: center;"><u> Paperback-Approach Poster Art</u></td></tr>
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But with a nice matte as a primal mileau, it's enough to convince both an audience and a small group of 
Arctic dwelling researchers, with their military-trained employees 
including a magazine-handsome helicopter pilot in future FBI 
television-show regular William Reynolds...<br>
<br>
Along for the ride is his everyman mechanic; a 
pretty blond ingenue; and, conveniently enough, a leading man who's more
 an expert on prehistoric history than the snowy region surrounding this
 strange and UNKNOWN tropical enigma, partially based on a true story about a mass of warm 
water discovered strangely in the middle of the frozen Antarctic — and the very same location 
for that year's b-creature THE DEADLY MANTIS... Indeed, producer Alland was a busy man in 1957...<br>
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<tr><td class="tr-caption" style="text-align: center;"><u>LAND Score: ***1/2</u></td></tr>
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The warm water's explained quickly, derived from a volcano, and the 
Dino-land follows, a hell-hot purgatory the characters are trapped in. 
The helicopter <i>can</i> start but without taking flight – this following a 
quick, eerie sighting: the swoop of a pterodactyl starts the ball 
rolling, or rather, the helicopter falling...<br>
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Then, within this extremely hot and humid valley, resembling the 
wide-shot background of any Tarzan film, the foursome's hunted by 
various dinosaurs: The good ones look wonderfully fake, like a 
water-creature hybrid of The Loch Ness Monster and the aquatic man-eating dino in
 KING KONG. And especially the T-Rex, with a mouth that opens wide and 
awkward, like a large parade float or a Halloween mask giving enough 
room for the person to breath...<br>
<br>
For it is, like GODZILLA, a man-suited 
beast instead of the larger budgeted stop-motion. And on the other side 
of the coin are the lame, cheap Dinosaurs that are, ironically, the
 most realistic — in fact, they <i>are</i> real: Gila Monsters (or 
Iguanas) superimposed to look giant in the fashion of, say, Bert I. 
Gordon. But enlarged rats, ants and humans work better since they become
 an immense version of a normal size we're already familiar with...<br>

action, adventure, creature, cult, dinosaur, fifties, science-fiction, shirley patterson, william alland, william reynolds

PRODUCER WILLIAM ALLAND PRESENTS 'THE LAND UNKNOWN'

Year of Capture and Release: 1957 Thinking it would be on par with the aesthetic value of BLACK LAGOON and REVENGE OF THE CREATURE, pro...

MICHAEL CAINE & CHRISTOPHER REEVE PLAY IN 'DEATHTRAP'

based-on-play, christopher reeve, dyan cannon, eighties, homosexual, irene worth, michael caine, mystery, sidney lumet, thriller

MICHAEL CAINE & CHRISTOPHER REEVE PLAY IN 'DEATHTRAP'

Rubik's Cube Poster with Michael Caine, Christopher Reeve & Dyan Cannon in DEATH TRAP Year: 1982 Collected antique weapons hangi...

RIAN JOHNSON DIRECTS THE ENSEMBLE MYSTERY 'KNIVES OUT'

2019, anna de armas, christopher plummer, daniel craig, don johnson, ensemble, jamie lee curtis, lakeith stanfield, michael shannon, mystery, new, politics, thriller

RIAN JOHNSON DIRECTS THE ENSEMBLE MYSTERY 'KNIVES OUT'

Lakeith Stanfield solo poster for KNIVES OUT Year: 2019 Rian Johnson must be seething that he didn't make the singular Spanish "...

DELROY LINDO STARS IN 'DA 5 BLOODS' DIRECTED BY SPIKE LEE

2020, action, adventure, delroy lindo, ensemble, history, jean reno, new, politics, spike lee, treasure, vietnam, war

DELROY LINDO STARS IN 'DA 5 BLOODS' DIRECTED BY SPIKE LEE

Photo of Delroy Lindo from More American Graffiti used here in Spike Lee's DA 5 BLOODS Year: 2020 As shown in an archive photo turni...

NOT A REVIEW BUT MORE A REMINDER OF 'GONE WITH THE WIND'

article, civil war, clark gable, classic, epic, everett brown, hattie mcdaniel, history, leslie howard, thirties, vivian leigh

NOT A REVIEW BUT MORE A REMINDER OF 'GONE WITH THE WIND'

Gone with the Wind from 1939 The same industry that's still moaning about the 70-year-old Blacklist is now banning/blacklisting a cl...

RUSHING THROUGH 'MARATHON MAN' STARRING DUSTIN HOFFMAN

action, dustin hoffman, espionage, john schlesinger, laurence olivier, marc lawrence, marthe keller, nazi, richard bright, roy scheider, seventies, thriller

RUSHING THROUGH 'MARATHON MAN' STARRING DUSTIN HOFFMAN

Dustin Hoffman & Marthe Keller in MARATHON MAN Year: 1976 The epitome of a Thriller, John Schlesinger's MARATHON MAN can be a l...

QUICK REVIEW & YAPHET KOTTO REFLECTION OF 'BLUE COLLAR'

caper, cliff deyoung, dark comedy, drama, drugs, ed begley jr., harry bellaver, harry northup, harvey keitel, heist, interview, paul schrader, richard pryor, seventies, union, yaphet kotto

QUICK REVIEW & YAPHET KOTTO REFLECTION OF 'BLUE COLLAR'

Yaphet Kotto with Richard Pryor and Harvey Keitel in Paul Schrader's BLUE COLLAR Year: 1978 Rating: **** "The whole thing,"...

MARK STEVENS & JOANNE DRU IN THE NEO NOIR 'SEPTEMBER STORM'

3D, adventure, import, joanne dru, mark stevens, neo noir, robert strauss, shark, sixties, treasure

MARK STEVENS & JOANNE DRU IN THE NEO NOIR 'SEPTEMBER STORM'

Pulpy poster artwork for SEPTEMBER STORM Year: 1960 Rating: *** For a 3D movie with a giant shark on the poster, it's amazing how mu...

JAMES CAGNEY HIDES OUT IN 'HE WAS HER MAN' W/ JOAN BLONDELL

crime, film noir or melodrama, james cagney, joan blondell, mob, romance, thirties, victor jory

JAMES CAGNEY HIDES OUT IN 'HE WAS HER MAN' W/ JOAN BLONDELL

Lobby Card for HE WAS HER MAN Year: 1934 James Cagney dime-novel-style programmer has his character Flicker Hayes, newly released from p...

PENNY EDWARDS IN 'THE DALTON GIRLS' WITH MERRY ANDERS

action, bel air productions, fifties, john russell, lisa davis, merry anders, penny edwards, sue george, western

PENNY EDWARDS IN 'THE DALTON GIRLS' WITH MERRY ANDERS

Penny Edwards (mother of actress Deborah Winters) and John Russell in THE DALTON GIRLS Year: 1957 Rating: **** Bel Air Productions' ...

JOHN HUSTON DIRECTS SUE LYON IN 'THE NIGHT OF THE IGUANA'

ava gardner, based-on-play, deborah kerr, drama, exploitation, grayson hall, john huston, mexico, richard burton, skip ward, sue lyon, tennessee williams

JOHN HUSTON DIRECTS SUE LYON IN 'THE NIGHT OF THE IGUANA'

Skip Ward aka James Ward with Sue Lyon in THE NIGHT OF THE IGUANA Year: 1964 Rating: *** "I'm sick of dark old churches... I li...

STANLEY KUBRICK DIRECTS SUE LYON AS LOLITA IN 'LOLITA'

dark comedy, exploitation, james mason, peter sellers, road movie, shelley winters, sixties, stanley kubrick, sue lyon

STANLEY KUBRICK DIRECTS SUE LYON AS LOLITA IN 'LOLITA'

Sue Lyon starring as Lolita in Stanley Kubrick's LOLITA Year: 1962 Rating: ****1/2 Between Stanley Kubrick's financial gig as gl...

NICOLAS CAGE & MATTHEW MODINE IN ALAN PARKER'S 'BIRDY'

alan parker, arthouse, buddy, coming-of-age, eighties, elizabeth whitcraft, matthew modine, nicolas cage, vietnam

NICOLAS CAGE & MATTHEW MODINE IN ALAN PARKER'S 'BIRDY'

Nicolas Cage looking a hybrid of middle eighties and early sixties in Alan Parker's BIRDY Year: 1984 Rating: **** Alan Parker was an...

CORNEL WILDE & YAPHET KOTTO SEEK THE 'SHARKS' TREASURE'

action, adventure, cliff osmond, cornel wilde, david canary, david gilliam, exploitation, homosexual, hostage, john neilson, nature, neo noir, seventies, shark, thriller, treasure, yaphet kotto

CORNEL WILDE & YAPHET KOTTO SEEK THE 'SHARKS' TREASURE'

There's not one bikini babe in all of SHARK'S TREASURE Year: 1975 Cornel Wilde's SHARKS' TREASURE, a Neo Noir in the Er...

DEFINITIVE STREAMLINE REVIEW FOR 'KING OF THE MOUNTAIN'

dan haggerty, deborah van valkenburgh, dennis hopper, drama, eighties, harry hamlin, joseph bottoms, lillian müller, race car

DEFINITIVE STREAMLINE REVIEW FOR 'KING OF THE MOUNTAIN'

Harry Hamlin feeling out an uneasy road in KING OF THE MOUNTAIN Year: 1981 Rates: ***1/2 As the obscure early-eighties action/melodrama ...

MICHAEL CRICHTON DIRECTS 'COMA' WITH MICHAEL DOUGLAS

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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-1WKoLyRrTwY/Xrv6kxELVII/AAAAAAABTnI/HKVjHeKfhbM3XQo6Rblf9jH0t2Rtkx1LgCLcBGAsYHQ/s1600/Screen%2525252BShot%2525252B2020-05-12%2525252Bat%2525252B6.52.26%2525252BPM%2525252B2.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="889" data-original-width="1600" src="https://1.bp.blogspot.com/-1WKoLyRrTwY/Xrv6kxELVII/AAAAAAABTnI/HKVjHeKfhbM3XQo6Rblf9jH0t2Rtkx1LgCLcBGAsYHQ/s1600/Screen%2525252BShot%2525252B2020-05-12%2525252Bat%2525252B6.52.26%2525252BPM%2525252B2.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Geneviève Bujold investigates in Michael Crichton's COMA Year: 1978 Rating: ***1/2</u></td></tr>
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The best damsels-in-distress are those tough cookies in complete denial of being damsels, and you can take your distress and shove it because they don't need help from anyone, especially not males, and especially in the 1970's... <br />
<br />
Enter Geneviève Bujold as Dr. Susan Wheeler who, with a chip on her shoulder about being the only female doctor in an old school men's club type of hospital, has a kneejerk reaction for anything easygoing boyfriend Dr. Mark Bellows, played by Michael Douglas, has to say; particularly “Can you get me a beer?” <br />
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<tr><td class="tr-caption" style="text-align: center;"><u>Lois Chiles as a gorgeous Patient X in COMA</u></td></tr>
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Her feelings of insecurity are shielded with a narrowed countenance — the pushy and contrived feminist viewpoint making it difficult to root for her character... It's almost as if she's bitching out the <i>entire</i> audience...<br />
<br />
But she's <i>really</i> onto something as patients at the hospital, including her best friend (a perfect looking Lois Chiles followed by a perfect looking Tom Selleck), are slipping into comas following routine procedures...<br />
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<tr><td class="tr-caption" style="text-align: center;"><u>Jefferson Institute is the Death Star of comatose patients from COMA</u></td></tr>
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Here’s where the intentionally overbearing anti-heroine becomes more relatable as the investigation kicks into gear. And novelist turned director Michael Crichton has a mechanical approach to directing films that, whether written by himself or in this case, source author Robin Cook, are intentionally farfetched...<br />
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But when Susan gets in over her head, searching through files in the hospital and eventually finding the place where the patients are being sent, the mystery/suspense peaks too easily, and conveniently...<br />
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<tr><td class="tr-caption" style="text-align: center;"><u>Geneviève Bujold and a dead ringer for Data from Star Trek years earlier in a deep COMA</u></td></tr>
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In one scene she overhears two maintenance men discussing everything needing to know i.e. what the comatose bodies... suspended in a spooky warehouse within a formidable white building while overseen by monotone and robotic, steely-eyed Elizabeth Ashley... are being used for...<br />
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With thirty-minutes left it’s all about Susan escaping with her life in scenes liken to a TV crime series. It’s when she goes under the knife of villainous surgeon Richard Widmark that the fingernails are worth biting. This also provides the backseat Douglas a chance to possibly save his once stubborn, reluctant girlfriend who finally needs saving.<br />
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<tr><td class="tr-caption" style="text-align: center;"><u>Tom Selleck would star in Michael Crichton's Runaway here a cameo in COMA</u></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><u>Tom Selleck as Sean Murphy the Comatose Adam to Lois Chile's Eve in COMA</u></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><u>Geneviève Bujold starring in COMA </u></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><u>Geneviève Bujold starring in COMA </u></td></tr>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-nzSimm7VH7E/XrtWEoSZkQI/AAAAAAABTYA/J_BwgjGxN1EMmFyCLrtqpDIZDxg8yKKmACLcBGAsYHQ/s1600/Screen%2BShot%2B2020-05-12%2Bat%2B6.47.26%2BPM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="932" data-original-width="1600" src="https://1.bp.blogspot.com/-nzSimm7VH7E/XrtWEoSZkQI/AAAAAAABTYA/J_BwgjGxN1EMmFyCLrtqpDIZDxg8yKKmACLcBGAsYHQ/s1600/Screen%2BShot%2B2020-05-12%2Bat%2B6.47.26%2BPM.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Geneviève Bujold COMA with Michael Douglas</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-xprnGzLCiug/XrtWH0gAulI/AAAAAAABTYI/35zwp0f1N5Qk3pSPdegWRKhRRIk4BMPKgCLcBGAsYHQ/s1600/Screen%2BShot%2B2020-05-12%2Bat%2B6.48.28%2BPM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="940" data-original-width="1600" src="https://1.bp.blogspot.com/-xprnGzLCiug/XrtWH0gAulI/AAAAAAABTYI/35zwp0f1N5Qk3pSPdegWRKhRRIk4BMPKgCLcBGAsYHQ/s1600/Screen%2BShot%2B2020-05-12%2Bat%2B6.48.28%2BPM.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>A cold Elizabeth Ashley with a Yoda mouth in COMA </u></td></tr>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-J61mPkrSbD0/XrtWJim13ZI/AAAAAAABTYM/8Qp1N6KDypUpTm6rGRpFM3R1K9w8q-Z-wCLcBGAsYHQ/s1600/Screen%2BShot%2B2020-05-12%2Bat%2B6.49.04%2BPM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="926" data-original-width="1600" src="https://1.bp.blogspot.com/-J61mPkrSbD0/XrtWJim13ZI/AAAAAAABTYM/8Qp1N6KDypUpTm6rGRpFM3R1K9w8q-Z-wCLcBGAsYHQ/s1600/Screen%2BShot%2B2020-05-12%2Bat%2B6.49.04%2BPM.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Lance LeGalt is the bad guy's henchman in COMA</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-MjYdC-MTF5M/XrtmTj9Sy7I/AAAAAAABTZc/VjifLgIX8FwP6bOS_Nf6xF0nEHJlCFU_wCLcBGAsYHQ/s1600/Screen%252BShot%252B2020-05-12%252Bat%252B6.44.33%252BPM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="955" data-original-width="1600" src="https://1.bp.blogspot.com/-MjYdC-MTF5M/XrtmTj9Sy7I/AAAAAAABTZc/VjifLgIX8FwP6bOS_Nf6xF0nEHJlCFU_wCLcBGAsYHQ/s1600/Screen%252BShot%252B2020-05-12%252Bat%252B6.44.33%252BPM.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Michael Douglas first billed yet backseat w/ Genevieve Bujold in COMA</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-yCVbYWH5okw/XrtpIgliiHI/AAAAAAABTZw/HAbT0nueeIMQOz0RgQhO1tDsKqFom01qgCLcBGAsYHQ/s1600/1.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="911" data-original-width="1600" src="https://1.bp.blogspot.com/-yCVbYWH5okw/XrtpIgliiHI/AAAAAAABTZw/HAbT0nueeIMQOz0RgQhO1tDsKqFom01qgCLcBGAsYHQ/s1600/1.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Ed Harris gives some deathly ideas in Michael Crichton's thriller COMA</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-gq9ffXP_ZYQ/XrtpIxcffeI/AAAAAAABTZ4/ZsDL2O68oKgTxawgTCL_ZXk5tkpVgeBEACLcBGAsYHQ/s1600/2.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="911" data-original-width="1600" src="https://1.bp.blogspot.com/-gq9ffXP_ZYQ/XrtpIxcffeI/AAAAAAABTZ4/ZsDL2O68oKgTxawgTCL_ZXk5tkpVgeBEACLcBGAsYHQ/s1600/2.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Geneviève Bujold sneaks around through Michael Crichton's thriller COMA</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-VILUptyXSkQ/XrtpI21la_I/AAAAAAABTZ0/2QhDMTQXv3AynSaGLM4lpwBczkoBn5EtQCLcBGAsYHQ/s1600/3.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="932" data-original-width="1600" src="https://1.bp.blogspot.com/-VILUptyXSkQ/XrtpI21la_I/AAAAAAABTZ0/2QhDMTQXv3AynSaGLM4lpwBczkoBn5EtQCLcBGAsYHQ/s1600/3.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>"1, 2, Mars, Venus.. We don't need no Stinkin' Penis!" Feminist Aerobics in COMA w/ Lois Chiles</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-MbBAJeLpw_8/XrtpJQ0bngI/AAAAAAABTZ8/deaABqgVXAsfXxA12JPWi0kq2jAwyPnWACLcBGAsYHQ/s1600/4.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="955" data-original-width="1600" src="https://1.bp.blogspot.com/-MbBAJeLpw_8/XrtpJQ0bngI/AAAAAAABTZ8/deaABqgVXAsfXxA12JPWi0kq2jAwyPnWACLcBGAsYHQ/s1600/4.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Lois Chiles with Geneviève Bujold in COMA with who looks like Leigh-Taylor Young</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-jvjdTLIMxSI/Xrt1_LhU3MI/AAAAAAABTbo/9d-XuWJRXlou7bm3Xd98fDkXHqWqMCLrACLcBGAsYHQ/s1600/5.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="915" data-original-width="1600" src="https://1.bp.blogspot.com/-jvjdTLIMxSI/Xrt1_LhU3MI/AAAAAAABTbo/9d-XuWJRXlou7bm3Xd98fDkXHqWqMCLrACLcBGAsYHQ/s1600/5.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>The perfect Lois Chiles is put into a not-so-perfect coma in Michael Crichton's COMA</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-zCeAdQTsW8M/Xrt19mCwVnI/AAAAAAABTbc/fGUSerlB3pgo8-rHyQnGLgwbgPx_7A3kwCLcBGAsYHQ/s1600/12.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="922" data-original-width="1600" src="https://1.bp.blogspot.com/-zCeAdQTsW8M/Xrt19mCwVnI/AAAAAAABTbc/fGUSerlB3pgo8-rHyQnGLgwbgPx_7A3kwCLcBGAsYHQ/s1600/12.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Michael Crichton's COMA opening credit sequence during the introductions</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-7wFB9jLgmCg/Xrt1-Cow24I/AAAAAAABTbg/9YO7DCUh24UT9zNu6kzj3txuji5_NCD5ACLcBGAsYHQ/s1600/21.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="912" data-original-width="1600" src="https://1.bp.blogspot.com/-7wFB9jLgmCg/Xrt1-Cow24I/AAAAAAABTbg/9YO7DCUh24UT9zNu6kzj3txuji5_NCD5ACLcBGAsYHQ/s1600/21.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Michael Crichton's COMA opening credit sequence during the introduction</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-pJGBSXVnIdg/XruLkpOBZ5I/AAAAAAABTcg/w6VCt8-Dk6IMjMBK47tKe5Fxbg-cicsxgCLcBGAsYHQ/s1600/Screen%2BShot%2B2020-05-12%2Bat%2B10.47.54%2BPM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="954" data-original-width="1600" src="https://1.bp.blogspot.com/-pJGBSXVnIdg/XruLkpOBZ5I/AAAAAAABTcg/w6VCt8-Dk6IMjMBK47tKe5Fxbg-cicsxgCLcBGAsYHQ/s1600/Screen%2BShot%2B2020-05-12%2Bat%2B10.47.54%2BPM.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>David "Little Earl" Hollander and Geneviève Bujold in COMA</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-R7z3clDRiJ4/XruMYOFHlGI/AAAAAAABTdI/AMlidLZ0y8EyMOF_-cB-2ZL29l7SqAubACLcBGAsYHQ/s1600/Screen%2BShot%2B2020-05-12%2Bat%2B10.53.21%2BPM%2B2%2B2.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="930" data-original-width="1600" src="https://1.bp.blogspot.com/-R7z3clDRiJ4/XruMYOFHlGI/AAAAAAABTdI/AMlidLZ0y8EyMOF_-cB-2ZL29l7SqAubACLcBGAsYHQ/s1600/Screen%2BShot%2B2020-05-12%2Bat%2B10.53.21%2BPM%2B2%2B2.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Geneviève Bujold and Richard Widmark in Michael Crichton's COMA</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-7nVQcCwAEWQ/XruMaf_LVII/AAAAAAABTdM/YYHEG0jR4Hcf1QhFedVEtyB8h7euxUzqgCLcBGAsYHQ/s1600/Screen%2BShot%2B2020-05-12%2Bat%2B10.48.24%2BPM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="908" data-original-width="1600" src="https://1.bp.blogspot.com/-7nVQcCwAEWQ/XruMaf_LVII/AAAAAAABTdM/YYHEG0jR4Hcf1QhFedVEtyB8h7euxUzqgCLcBGAsYHQ/s1600/Screen%2BShot%2B2020-05-12%2Bat%2B10.48.24%2BPM.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Geneviève Bujold facing Richard Widmark in Michael Crichton's COMA</u></td></tr>
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