cult film freak: jack hill

Showing posts with label jack hill. Show all posts

Written by James M. Tate / 10/26/2019 / No comments / al adamson , beverly garland , connie nelson , creature , cult , exploitation , fifties , horror , j. carrol naish , jack hill , lon chaney jr. , monster , regina carrol , seventies , sid haig , thriller

LON CHANEY TRIPLE-FEATURE EXPLOITATION HORROR HOWLERS

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<tr><td class="tr-caption" style="text-align: center;"><u>Unsung Scream Queen Connie Nelson circa 1971 Score: **</u></td></tr>
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<u>DRACULA VS. FRANKENSTEIN</u>: The
 worst thing about this super-low-budget Al Adamson monster-mash doozy... involving monologue-driven 
mad-scientist J.  Carrol Naish working out of a carnival fun-house with 
an axe-wielding  idiot man-child Lon Chaney, sent to kill women for 
experiments to give  his other employee, a brooding Count Dracula, 
eternal life...<br>
<br>
All the  while reanimating Frankenstein's monster who 
resembles a melted  cabbage... is that it can be quite boring with 
tedious bouts of dialogue,  spouted mostly by two love-struck heroes: a 
man helping his new  girlfriend (after pictured beauty Connie Nelson's killed with Gary Kent) to find her lost sister and eventually 
happening upon... everything mentioned, plus Adamson's SATAN'S SADIST biker leader Russ Tamblyn returning on wheels. But, somehow, it can be 
surprisingly involving too.  And really, really awful... but that's a 
given.<br>

al adamson, beverly garland, connie nelson, creature, cult, exploitation, fifties, horror, j. carrol naish, jack hill, lon chaney jr., monster, regina carrol, seventies, sid haig, thriller

LON CHANEY TRIPLE-FEATURE EXPLOITATION HORROR HOWLERS

Unsung Scream Queen Connie Nelson circa 1971 Score: ** DRACULA VS. FRANKENSTEIN : The worst thing about this super-low-budget Al Adamso...

JACK HILL'S 'PIT STOP' AKA 'THE WINNER' FEATURING SID HAIG

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<tr><td class="tr-caption" style="text-align: center;"><u>Terry Burnham and Sid Haig in PIT STOP Year: 1969</u></td></tr>
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PIT STOP is actually THE WINNER, and there's only one pit stop — where villain turned strategic wild card Sid Haig stops for half a second during the last race. Which isn't your usual climax since the movie continuously peaks throughout. Backed by tough instrumental rock — the fat, crunchy guitar sounding more 1950's than 1967 — this low-budget curio's directed by b-movie icon Jack Hill, before his signature women-in-prison and/or urban blaxploitation flicks...<br>
<br>
Filmed around Los Angeles in B&W from city streets to a steely-dusk junkyard  to the rowdy track, where the racing is mostly Figure 8: practically suicide even for the most intrepid hot dogs, and, with each smash-up always ending in a loud, boisterous, go-go barroom, Hill clearly lets you know what driver's behind the wheel, and when: Either Sid Haig's cocky Hawk Sidney or main character Dick Davalos as Rick Bowman, both working for Grant Willard, played by veteran actor Brian Donlevy, who's cooler and colder than the drivers he subtly <i>pits</i> against each other. And there's always a reason for the racing around, established within lean exposition that stretches PIT STOP beyond that era's hot rod exploitation fare — but it's <i>all that</i>, too... <br>

beverly washburn, brian donlevy, denise lynn, ellen burstyn, exploitation, jack hill, jazz-score, race car, richard davalos, sid haig, sixties, terry burnham

JACK HILL'S 'PIT STOP' AKA 'THE WINNER' FEATURING SID HAIG

Terry Burnham and Sid Haig in PIT STOP Year: 1969 PIT STOP is actually THE WINNER, and there's only one pit stop — where villain tur...

ROGER CORMAN W/ PAM GRIER PRISON EXPLOITATION THREESOME

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<tr><td class="tr-caption" style="text-align: center;"><u>Pam Grier & Judy Brown 1971 ***1/2<br /></u></td></tr>
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<u>BIG DOLL HOUSE:</u> This is the first Roger Corman produced/Jack Hill written/directed women-in-prison venture shot in the Philippines, and it's pretty good: But beware to all Pam Grier fanatics, she's not
 the main star... yet as a bully rogue within a cramped cell of sexy 
vixens including Judy Brown (the new girl), Roberta Collins (the tough 
girl), Pat Woodell (the resilient girl) and Brooke Mills (the addict), she holds her own just fine...<br />
<br />
It's
 survival of the fittest: including mud wrestling, shower massages, 
torture racks, and chicks wielding big machine guns...<br />
<br />
Hill's SPIDER BABY and PIT STUFF actor Sid Haig, as a 
con-man who ultimately helps the girls plan their escape, adds to a 
somewhat bizarre canvas that, at times, is a little too weird for its 
own good yet remains an exploitation classic: All
 about those gorgeous sweaty babes and their eclectic personalities 
clashing inside, and then fighting outside, the hot caged hell they 
eventually must escape from.<br />
<br />
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<tr><td class="tr-caption" style="text-align: center;">1971 ***1/2</td></tr>
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<u>WOMEN IN CAGES:</u> Not directed by Jack Hill but once again produced by Roger Corman and starring Judy Brown, Roberta Collins and Pam Grier returning from the BIG DOLL 
HOUSE to an even more gritty, cut-throat and slickly energetic 
women-in-prison flick...<br />
<br />
Shedding random subplots of the 
wonderfully weird Jack Hill original which, though groundbreaking, is 
sometimes hindered by offbeat, semi-comedic, peripheral distractions: this <i>really feels</i> like the dangerous Philippines locale...<br />
<br />
Where crooked yet vulnerable redhead Jennifer 
Gan, set up by her mobster boyfriend and thrown into a cutthroat 
Philippians prison, is up against the other sexy convicts, one hired to 
kill her...<br />
<br />
But her main rival is Pam Grier, brilliantly cast as the 
sadistic head guard and given more free reign here while Roberta Collins is the addled heroin addict, Sofia Moran the bully-lesbian convict, Vic Diaz in place of Sid Haig and Judy 
Brown, the passive newbie in DOLL HOUSE, plays the experienced leader in this sparse, severe exploitation vehicle where gorgeous 
girls are locked up, and must fight to get out alive, period. <br />
<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnnAYq7rCnZj9nu6ys5v8pk0VnUkJWThFN63VDpSM5Ft-Z49sk_oZ51jCQpNx0zlotL5I5hUp8JIX-fvJmBuWbaNu8Euch3WwTL3AB4ezLhnYIasZYhti5_M3pLiF1rIKv3yRKU5Dngn8/s1600/3bigbirdcage.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnnAYq7rCnZj9nu6ys5v8pk0VnUkJWThFN63VDpSM5Ft-Z49sk_oZ51jCQpNx0zlotL5I5hUp8JIX-fvJmBuWbaNu8Euch3WwTL3AB4ezLhnYIasZYhti5_M3pLiF1rIKv3yRKU5Dngn8/s320/3bigbirdcage.jpg" width="225" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">1973 ***1/2</td></tr>
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<u>THE BIG BIRD CAGE:</u> Jack Hill, who began the exploitation women-in-prison double-feature with BIG DOLL HOUSE, after many other directors jumped 
on the band wagon, made a comedy-adventure using stock actors Pam Grier 
and Sig Haig as revolutionaries actually <i>breaking into</i> a work camp: to flee 
female convicts (led by Anitra Ford and Roberta Collins) for their cause...<br />
<br />
The prison itself 
consists of a few huts and one giant outdoor bamboo sugar mill, which includes a human-powered slave wheel. This 
contraption, designed by Jack Hill's father, is primal and, in its own 
right, formidable. And two leads are terrific, both 
together and apart; especially Haig, hilariously feigning gay to 
"seduce" a chunky guard (Vic Diaz) while the exterior locations are amazing...<br />
<br />
Especially the rice paddies built within hillsides (and the mountains 
where the cast had to hike to their daily shoots). Meanwhile, the women in the prison itself are an eclectic lot of beautiful vixens, 
providing the essential though somewhat superfluous base on this unique take on the genre, 
distinguishing THE BIG BIRD CAGE from any other women in prison flick, 
most likely Jack Hill's intention.<br />
<br />
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<tr><td class="tr-caption" style="text-align: center;">1997 **1/2</td></tr>
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<u>FUGITIVE RAGE:</u> Having absolutely <i>nothing</i> to do with the above Roger Cormen women
 in prison flicks, we'll throw this in for bad 
measure: And if corny dialogue were cheese, this straight-to-video doozy
 is a mouse with stomach cancer. But it's still fun watching tough girl 
Wendy Schumacher kick tons of ass.<br />
<br />
Put in stir for 
shooting a mob boss in a courtroom, but not killing him. Right off the 
bat, she has a kung fu battle with Calista Carradine (David's daughter, 
witnessed by other inmates including personal friend and KILLING OF A 
CHINESE BOOKIE dancer Donna Gordon). She's then sent to a
 suburban safe house, where she bonds, then has sex with, a fed who 
looks straight out of central casting. While the hammy main villain, recooping
 from the gun shot, awaits closure in his mansion along with the only 
known actor, Ross Hagan as his bodyguard who, it turns out, is more in 
charge than anyone realized. This leads to a nifty shootout as our 
heroine, rescuing her kidnapped prison friend, takes down everyone in 
her path: Dumb fun, and lots of both.<br />
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<div class="separator" style="clear: both; text-align: center;">
</div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjE3JfqZR-hrCitYdqlwYkz4XjnIn57xjlMsZZP6InXl3U7plMwC9t6cMN5pPYHf-hyUGMB8uZm6z6XkRWSS3SmrqlL0ZwwncNwj3mdcVbSHccMPZUhBixfxAvkM-RFmy00kTVr9kHtUoibKT_GSqe0jtRULW1DmktxMYZocO2iVxZZFRmQrXnezzcQROth/s1214/Screen%20Shot%202025-02-17%20at%201.45.19%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="670" data-original-width="1214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjE3JfqZR-hrCitYdqlwYkz4XjnIn57xjlMsZZP6InXl3U7plMwC9t6cMN5pPYHf-hyUGMB8uZm6z6XkRWSS3SmrqlL0ZwwncNwj3mdcVbSHccMPZUhBixfxAvkM-RFmy00kTVr9kHtUoibKT_GSqe0jtRULW1DmktxMYZocO2iVxZZFRmQrXnezzcQROth/s16000/Screen%20Shot%202025-02-17%20at%201.45.19%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Pam Grier from WOMEN IN CAGES</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNNNcn7XLWlJY1_5rviv-xLLX18uNJdMNaxLTxufs92T0iU_4N0nLmRjH4fGEhA2lIEgxXAjkwluyJkYQnqmFMUojWkQ40FSELHAZjJD54K7IPyZwTNcWl_pAeSZTpKyEDveKHQZ4EtnIK-odhzTnfmixNbmnySt7yp3kNZd-NE326t0WKVLZfsa2h5QuT/s1198/Screen%20Shot%202025-02-17%20at%201.45.07%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="678" data-original-width="1198" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNNNcn7XLWlJY1_5rviv-xLLX18uNJdMNaxLTxufs92T0iU_4N0nLmRjH4fGEhA2lIEgxXAjkwluyJkYQnqmFMUojWkQ40FSELHAZjJD54K7IPyZwTNcWl_pAeSZTpKyEDveKHQZ4EtnIK-odhzTnfmixNbmnySt7yp3kNZd-NE326t0WKVLZfsa2h5QuT/s16000/Screen%20Shot%202025-02-17%20at%201.45.07%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Sofia Moran from WOMEN IN CAGES</u><br /></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivnJWluqOR_CO81vjaGNbH45jSpzxIBCMt5AWoF-8Nrrr9PiD7GDzWc9D3IL5zGfR9jhaxg4-ynYsgVo42l-JyvlkyzucmveFbg9rUr_A6lo1dc6u8ajsW695zOXS5AFFAQ7WcvR53qkfdJugLJzmfyFKoc1uqb_xMNRzxArHuiFpSYIWmxCMSrGXdTO4I/s1276/Screen%20Shot%202025-02-17%20at%201.44.54%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="714" data-original-width="1276" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivnJWluqOR_CO81vjaGNbH45jSpzxIBCMt5AWoF-8Nrrr9PiD7GDzWc9D3IL5zGfR9jhaxg4-ynYsgVo42l-JyvlkyzucmveFbg9rUr_A6lo1dc6u8ajsW695zOXS5AFFAQ7WcvR53qkfdJugLJzmfyFKoc1uqb_xMNRzxArHuiFpSYIWmxCMSrGXdTO4I/s16000/Screen%20Shot%202025-02-17%20at%201.44.54%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Jennifer Gan and Judy Brown from WOMEN IN CAGES</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-edlRhiWFlsrmbRmcd0MDpe_iMoXyEonPzRXavW-62zFJCTD7_AJ_3A9deRFQoOT48RzuPmGAu5XQKIiYKKrtYGhv30WVwU8wgNYW1a68cC0DXR6KAmnb6pflHzXpQXdZoMTEXxahWhvqG4YWLxXBVPYjofdlJrDpKGfccnTLkN9sbNNq3JG8snHgyTmo/s1216/Screen%20Shot%202025-02-17%20at%201.44.34%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="680" data-original-width="1216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-edlRhiWFlsrmbRmcd0MDpe_iMoXyEonPzRXavW-62zFJCTD7_AJ_3A9deRFQoOT48RzuPmGAu5XQKIiYKKrtYGhv30WVwU8wgNYW1a68cC0DXR6KAmnb6pflHzXpQXdZoMTEXxahWhvqG4YWLxXBVPYjofdlJrDpKGfccnTLkN9sbNNq3JG8snHgyTmo/s16000/Screen%20Shot%202025-02-17%20at%201.44.34%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Roberta Collins and Judy Brown from WOMEN IN CAGES</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdSN7FZaL4eilVcU11GAr03Yd0Rj5DH1Zs1HTwRBNlcdCPxIAlrODQ-iHIQZQ4T2SWgRu3nAaw8mo9X6uLEFXivfkLiyG169HqrCKJI8wwz2ODBxg6j2S5eih0vFJNxkIjWN0VktkyHNnDIMM4z8Jc7e5yNMCyYOLU_IwzWVTUjiZnoQMAGGBj7fZxLlgP/s1206/Screen%20Shot%202025-02-17%20at%201.44.15%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="660" data-original-width="1206" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdSN7FZaL4eilVcU11GAr03Yd0Rj5DH1Zs1HTwRBNlcdCPxIAlrODQ-iHIQZQ4T2SWgRu3nAaw8mo9X6uLEFXivfkLiyG169HqrCKJI8wwz2ODBxg6j2S5eih0vFJNxkIjWN0VktkyHNnDIMM4z8Jc7e5yNMCyYOLU_IwzWVTUjiZnoQMAGGBj7fZxLlgP/s16000/Screen%20Shot%202025-02-17%20at%201.44.15%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Roberta Collins from WOMEN IN CAGES</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpNhB7dsWGRTx4eG7uYlej-7-aUziEeUmRScjvx_g8C-unWXfch-689Lh_sRmlv-XYxF_uNlPiuqwP0ASqV7-7HYSANb2DkAV-FWm1rmXJkQ5ry8SLZf69WS-nvHJjPF-XIEJvY22N_mb5ydmLpkiYnMLJVLqUBJQZ37T8afL2hUHXj7U3RX1NRi2MjZ_y/s1222/Screen%20Shot%202025-02-17%20at%201.44.00%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="654" data-original-width="1222" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpNhB7dsWGRTx4eG7uYlej-7-aUziEeUmRScjvx_g8C-unWXfch-689Lh_sRmlv-XYxF_uNlPiuqwP0ASqV7-7HYSANb2DkAV-FWm1rmXJkQ5ry8SLZf69WS-nvHJjPF-XIEJvY22N_mb5ydmLpkiYnMLJVLqUBJQZ37T8afL2hUHXj7U3RX1NRi2MjZ_y/s16000/Screen%20Shot%202025-02-17%20at%201.44.00%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Roberta Collins and Judy Brown from WOMEN IN CAGES</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBm8I7uABuRuW7E-IDxMq05Ng0QE3EkIB5W7Y9pPjFA15hRnH5ViJ34xuAl8tQ6YF3K4QM-bWUEM_LP5VsHPvPRrxQQJ_05ay6C95yh1D2nzYjU46hJ9ybcWfzMpHrAqM_Iq7v0rhYx2z1iqRt4x82bjuelaF4ndWFCp8PjDy6gSRdebxunNw7VpHQv4SE/s1150/Screen%20Shot%202025-02-17%20at%201.49.15%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="682" data-original-width="1150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBm8I7uABuRuW7E-IDxMq05Ng0QE3EkIB5W7Y9pPjFA15hRnH5ViJ34xuAl8tQ6YF3K4QM-bWUEM_LP5VsHPvPRrxQQJ_05ay6C95yh1D2nzYjU46hJ9ybcWfzMpHrAqM_Iq7v0rhYx2z1iqRt4x82bjuelaF4ndWFCp8PjDy6gSRdebxunNw7VpHQv4SE/s16000/Screen%20Shot%202025-02-17%20at%201.49.15%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Roberta Collins from WOMEN IN CAGES</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhteSycG5bqFdKrEG26buKNDpoH1US2qZ4OE9FerlCs60LEP9rwGF8nV2bM8zX4Hp_jKYWmfIZLp0OrB546wp4_m6pfPUfFWH8A0eNLtM8m5CcB3_RyRZ4rXMxiBoqlFTHnsBX035tU16GB3HIspwmd2haR8NY3yNIwLPUNZvsj0Bw0tWfVYD9a-8pe1RJO/s1962/Screen%20Shot%202025-02-17%20at%201.59.32%20PM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1420" data-original-width="1962" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhteSycG5bqFdKrEG26buKNDpoH1US2qZ4OE9FerlCs60LEP9rwGF8nV2bM8zX4Hp_jKYWmfIZLp0OrB546wp4_m6pfPUfFWH8A0eNLtM8m5CcB3_RyRZ4rXMxiBoqlFTHnsBX035tU16GB3HIspwmd2haR8NY3yNIwLPUNZvsj0Bw0tWfVYD9a-8pe1RJO/s16000/Screen%20Shot%202025-02-17%20at%201.59.32%20PM.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Judy Brown in THE BIG DOLL HOUSE<br /></u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc9oUkMeQ1DlO1GvhiAsqONSRaHxHZgYWMQ7bMoaJrJRocHmq8Z874TZo6Gjz6-9aYMB2zj1hOqM8R5L8VID9ozriG1ES3Uea81PsZzb1qJe3S65a8kNDYG39JFMc2_OVIgxx2gNfhmjE3H1WR-xFcfTmeBLPPegn3FmHhVmFNhCPF6sYTSH0S29eMiT5j/s2012/Screen%20Shot%202025-02-17%20at%201.59.52%20PM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1412" data-original-width="2012" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc9oUkMeQ1DlO1GvhiAsqONSRaHxHZgYWMQ7bMoaJrJRocHmq8Z874TZo6Gjz6-9aYMB2zj1hOqM8R5L8VID9ozriG1ES3Uea81PsZzb1qJe3S65a8kNDYG39JFMc2_OVIgxx2gNfhmjE3H1WR-xFcfTmeBLPPegn3FmHhVmFNhCPF6sYTSH0S29eMiT5j/s16000/Screen%20Shot%202025-02-17%20at%201.59.52%20PM.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Roberta Collins in THE BIG DOLL HOUSE</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyG9Ckrt84kbXdPHXM0XNWNAdw6Z7olgoIdfQECnBv5NcBdJtCeHAXkPrjB5s7waSb6SwNCyMzM4dNAeuSzMp5YymZRjT9sQ_oE_MUD3kO3UK3O1y-yCQEcj6K2fz_6SeJhRB1JxoUdTrlGvh0zWThVaWYtmxjnMD06CqIGxa6NvkAfPQmI_CqVK92q8ve/s1978/Screen%20Shot%202025-02-17%20at%202.00.10%20PM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1368" data-original-width="1978" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyG9Ckrt84kbXdPHXM0XNWNAdw6Z7olgoIdfQECnBv5NcBdJtCeHAXkPrjB5s7waSb6SwNCyMzM4dNAeuSzMp5YymZRjT9sQ_oE_MUD3kO3UK3O1y-yCQEcj6K2fz_6SeJhRB1JxoUdTrlGvh0zWThVaWYtmxjnMD06CqIGxa6NvkAfPQmI_CqVK92q8ve/s16000/Screen%20Shot%202025-02-17%20at%202.00.10%20PM.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Judy Brown in THE BIG DOLL HOUSE</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZBA_T33DuNGQg3MHwELk5eeWkW8KPNcbbGWSiyGg24Z1PyMdBsrYl2E4zbd_VVZ7_MgHJ03c1QOoWluHGD1gstpK6aur0mz0MPzdC4h-2rxRzNm43EJRaqS4ilDgIPw3LYvVatQPZSfu2E5CYDY5XJN_zMlASqE0Mhu6tYmDu8uMUQSZf_tB4a2O0Wq5Z/s1956/Screen%20Shot%202025-02-17%20at%202.00.26%20PM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1276" data-original-width="1956" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZBA_T33DuNGQg3MHwELk5eeWkW8KPNcbbGWSiyGg24Z1PyMdBsrYl2E4zbd_VVZ7_MgHJ03c1QOoWluHGD1gstpK6aur0mz0MPzdC4h-2rxRzNm43EJRaqS4ilDgIPw3LYvVatQPZSfu2E5CYDY5XJN_zMlASqE0Mhu6tYmDu8uMUQSZf_tB4a2O0Wq5Z/s16000/Screen%20Shot%202025-02-17%20at%202.00.26%20PM.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Pam Grier and Sid Haig in THE BIG DOLL HOUSE</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvF-hwMJ7c9a7Tdh7l8BzKqBrP_oa6q8ntqsMsmUgp000BjovotKlc2i311lbrPz43p2ynB_Z4bsOO2vvJARAtxb-Otsna_i9u_89Dz1sySJ6abLCONnxPpKC9wu8piqfwNwZDKEn-PMwBarXGJQRMiTvo0RKNE6eNWsFjbyStJ2FB8QnUYP3Y4z2Y_h1J/s2224/Screen%20Shot%202025-02-17%20at%202.00.56%20PM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1270" data-original-width="2224" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvF-hwMJ7c9a7Tdh7l8BzKqBrP_oa6q8ntqsMsmUgp000BjovotKlc2i311lbrPz43p2ynB_Z4bsOO2vvJARAtxb-Otsna_i9u_89Dz1sySJ6abLCONnxPpKC9wu8piqfwNwZDKEn-PMwBarXGJQRMiTvo0RKNE6eNWsFjbyStJ2FB8QnUYP3Y4z2Y_h1J/s16000/Screen%20Shot%202025-02-17%20at%202.00.56%20PM.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Sid Haig in THE BIG BIRD CAGE<br /></u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizDdp1Hm0nVkULxasJqgairuZ3W3yegnEJwDHwzeyu8xDRBnxbQ_n1Z2jRBPqSLQZzHn788hV4ceCA2o-oHi_qYR4OyR8-Ax5UN0bLfGRFnu0XZhoPvDCm6n1NJdo79iCD-LAzo08kcrv3Tj5ULM3X6HX-YHPpfNOAyVCGZVsND2hapWUFF3UHZuU2EUZN/s2240/Screen%20Shot%202025-02-17%20at%202.01.23%20PM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1252" data-original-width="2240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizDdp1Hm0nVkULxasJqgairuZ3W3yegnEJwDHwzeyu8xDRBnxbQ_n1Z2jRBPqSLQZzHn788hV4ceCA2o-oHi_qYR4OyR8-Ax5UN0bLfGRFnu0XZhoPvDCm6n1NJdo79iCD-LAzo08kcrv3Tj5ULM3X6HX-YHPpfNOAyVCGZVsND2hapWUFF3UHZuU2EUZN/s16000/Screen%20Shot%202025-02-17%20at%202.01.23%20PM.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Roberta Collins in THE BIG BIRD CAGE</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgA6fBzBur9cULAt1PTBUPkUgoG2nBjM0w3kCfiFgdT2gco_0yNXlL2PZXOahn91zycmAx-zQVwy7U3slN_kNe5es9R9o-OgHLWbyJ97b4y2yvXlNQYZ3vi4v4AE_4CE7tanQFFgROQn69CcoiDxpoGgEQgJGKm5G_MmCv0GQsU-UQKAoEKQ8LffFyZ2RYB/s2242/Screen%20Shot%202025-02-17%20at%202.01.31%20PM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1250" data-original-width="2242" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgA6fBzBur9cULAt1PTBUPkUgoG2nBjM0w3kCfiFgdT2gco_0yNXlL2PZXOahn91zycmAx-zQVwy7U3slN_kNe5es9R9o-OgHLWbyJ97b4y2yvXlNQYZ3vi4v4AE_4CE7tanQFFgROQn69CcoiDxpoGgEQgJGKm5G_MmCv0GQsU-UQKAoEKQ8LffFyZ2RYB/s16000/Screen%20Shot%202025-02-17%20at%202.01.31%20PM.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Anitra Ford in THE BIG BIRD CAGE</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS73makzPKnS28NQpQbgi0XOSMF0RVxppynYyXyz4OZBEK3pohab5lF5rx54fc0lvYGDhzdIr48_uk7P9Cb6Az4T-SqYLXYTl_-Avgh9dl866VNY4eRWK6H_Nn-SUDcyyOKMA46kXVMAdMr-uuADwqpRqMTBdd6G_Mvh-VoICBTa5DxVLvhZoXNGA6FU8a/s2254/Screen%20Shot%202025-02-17%20at%202.01.46%20PM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1248" data-original-width="2254" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS73makzPKnS28NQpQbgi0XOSMF0RVxppynYyXyz4OZBEK3pohab5lF5rx54fc0lvYGDhzdIr48_uk7P9Cb6Az4T-SqYLXYTl_-Avgh9dl866VNY4eRWK6H_Nn-SUDcyyOKMA46kXVMAdMr-uuADwqpRqMTBdd6G_Mvh-VoICBTa5DxVLvhZoXNGA6FU8a/s16000/Screen%20Shot%202025-02-17%20at%202.01.46%20PM.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Roberta Collins in THE BIG BIRD CAGE</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwrEbramIOx-XP8VKsVgX73c21ih_aYvoXVdQ6Rs6TnPszKoXY_X_8_eLMM2qb6yPgR3vR1zk_CNNh91qfeEqimXOnUs_IRf4sX0IrwAJrCP3J6evylfdkvgnvykeKIAijzNoq79d5eJRTI4JzLaqcWYJAqsv7Wwoa2KS3xj5L4nUYuRh5bgWwHflbRqDC/s2182/Screen%20Shot%202025-02-17%20at%202.03.00%20PM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1224" data-original-width="2182" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwrEbramIOx-XP8VKsVgX73c21ih_aYvoXVdQ6Rs6TnPszKoXY_X_8_eLMM2qb6yPgR3vR1zk_CNNh91qfeEqimXOnUs_IRf4sX0IrwAJrCP3J6evylfdkvgnvykeKIAijzNoq79d5eJRTI4JzLaqcWYJAqsv7Wwoa2KS3xj5L4nUYuRh5bgWwHflbRqDC/s16000/Screen%20Shot%202025-02-17%20at%202.03.00%20PM.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Pam Grier in THE BIG BIRD CAGE</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2TENrP1CZ610BbEcHNY1RNILDUyddXLARAWjcjY0lN_5VlrRdy5UBW2ObttTnDtiTx2x4RVP77lj8ypqK5Ro3DcUtP2aakKRmR_Q5HY1NOpXCKRp_Y6aQuVwnlCgt1Ul7jyoMpa2o7Rw5JDQIhno5PjuO85g6bCdN_ptHQZeJMJaLLcEaArBaO6Db7B3s/s1590/Screen%20Shot%202025-02-17%20at%202.06.33%20PM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="892" data-original-width="1590" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2TENrP1CZ610BbEcHNY1RNILDUyddXLARAWjcjY0lN_5VlrRdy5UBW2ObttTnDtiTx2x4RVP77lj8ypqK5Ro3DcUtP2aakKRmR_Q5HY1NOpXCKRp_Y6aQuVwnlCgt1Ul7jyoMpa2o7Rw5JDQIhno5PjuO85g6bCdN_ptHQZeJMJaLLcEaArBaO6Db7B3s/s16000/Screen%20Shot%202025-02-17%20at%202.06.33%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Sid Haig and Vic Diaz in THE BIG BIRD CAGE</u></td></tr></tbody></table><br />

action, anitra ford, blaxploitation, brooke mills, exploitation, jack hill, jennifer gan, judy brown, pam grier, pat woodell, roberta collins, roger corman, seventies, vic diaz, women in prison

ROGER CORMAN W/ PAM GRIER PRISON EXPLOITATION THREESOME

Pam Grier & Judy Brown 1971 ***1/2 BIG DOLL HOUSE: This is the first Roger Corman produced/Jack Hill written/directed women-in-pris...

Written by James M. Tate / 11/11/2014 / No comments / antonio fargas , bagful , blaxploitation , eighties , fred williamson , gloria hendry , jack hill , larry cohen , pam grier , seventies , sid haig , william smith

GOTTA BRAND NEW BAGFUL OF BLAXPLOITATION

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd_J_dBVvZ6-vaU-zRdzqPJgDz_MbOy8mFU6Jwams5GX-Tu0-o61pDQQl-Iz9RgnDGSz5fIlx3PiC_pkh0XnD1nkKTnGsuQ17WgFK1Xlv42wYoqenvmKEE8nKksEbKg18Zv4R3UAhDX52B/s1600/a.png" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="742" data-original-width="626" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd_J_dBVvZ6-vaU-zRdzqPJgDz_MbOy8mFU6Jwams5GX-Tu0-o61pDQQl-Iz9RgnDGSz5fIlx3PiC_pkh0XnD1nkKTnGsuQ17WgFK1Xlv42wYoqenvmKEE8nKksEbKg18Zv4R3UAhDX52B/s320/a.png" width="269" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><b>Year: 1973</b></td></tr>
</tbody></table>
<b>BLACK CAESAR: </b>Begins much like GOODFELLAS would years later: showing a shoeshine errand boy working for the mob... Then as Tommy Gibbs 
grows up, becoming Fred Williamson, his rep excels from hit man 
to head honcho in flowing style and motion, thanks to writer/director 
Larry Cohen who, as usual, needs little money for big effect.<br />
<br />
But it's 
halfway through, after a relative's sudden death, that the film snags 
with melodramatic repose, somewhat reviving itself when Gibbs, wounded, 
goes after his lifelong enemy: not an easy task for our surprisingly vulnerable hero played by Williamson, whose performance excels his usual tough guy womanizing bravado, especially during an 
intense reunion with his estranged father. And last but not least, James Brown's soulful 
soundtrack is like a character in itself.<br />
<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVvJi4MplbGrbg0e6FCXA68TyDgVbM9JiRFV5SqpIzUL4HNRKT05nBFRYJEG5oaCCAtFXaIqj3R7i1ZxPJRWGlROOWqcoG8mi_muPzdoZsv9EUx64kgsuD7RnzcUdMtLL9t0-lJ5hsmyM/s1600/Picture+1.png" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVvJi4MplbGrbg0e6FCXA68TyDgVbM9JiRFV5SqpIzUL4HNRKT05nBFRYJEG5oaCCAtFXaIqj3R7i1ZxPJRWGlROOWqcoG8mi_muPzdoZsv9EUx64kgsuD7RnzcUdMtLL9t0-lJ5hsmyM/s1600/Picture+1.png" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">1974 ***</td></tr>
</tbody></table>
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</div>
<b>WILLIE DYNAMITE:</b> Beyond the funky storytelling theme song, filling us in on the pimp who 
has everything: girls, money, fancy clothes, a great ride, and lots of 
bread... there's a deep film about real people: one a pimp named Willie 
Dynamite, the other a social worker, and former prostitute, Cora (the late Diana Sands), trying
 to save Willie's main girl.<br />
<br />
It's not until the very end that Cora's 
stubborn drive and ultimate goal, which felt melodramatic and overdone 
during most of the picture, becomes completely clear. Although it's a bit confusing as to why everyone else, including cops and 
fellow pimps, strive so hard for Willie's downfall. Ironically enough, with a movie with such a gloriously vivid title, it's this man's possible redemption that matters more than those shiny threads. <br />
<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_146cgsICe3NFkW0YCKhpYVO_iSvDMXvpg2TYoKx4RyD6hknCNS5ND53jqcL18NjATyfqFvf1P2DzpZrKJSqdxUdtD7zc9H1A4K2zQlRHj88tIsD1K1tjRMhT_IkBE85JvVUWntjDAgI/s1600/Picture+2.png" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_146cgsICe3NFkW0YCKhpYVO_iSvDMXvpg2TYoKx4RyD6hknCNS5ND53jqcL18NjATyfqFvf1P2DzpZrKJSqdxUdtD7zc9H1A4K2zQlRHj88tIsD1K1tjRMhT_IkBE85JvVUWntjDAgI/s1600/Picture+2.png" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">1975 **1/2</td></tr>
</tbody></table>
<b>BUCKTOWN:</b> Fred Williamson visits a small town to bury his brother and sell off his
 dive bar. Turns out brother didn't die naturally, and Bucktown's run by
 a gaggle of racist white cops... are there any other kind in Blaxploitation!<br />
<br />
Williamson calls in his best friend, 
city thug Thalmus Rasulala, and along with three goons (including Carl 
Weathers and Roger E. Mosely) they save the town... only to take it over, making things even
 worse (call this the black VIGILANTE FORCE). And so now Williamson, along with sexy Pam Grier, have a big fight on 
their hands: and it's a personal battle in this semi solid fare with bouts of good action, but can be frustratingly 
sluggish when the bullets aren't flying.<br />
<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnDprROZXJkmFgjqfbF8gATTEfwcyNeOrdnWzqIdCUAeb4929CoSJr_mU9QQn651c1R0hfWuU53SwuglhB6D3T2r17H5s5PevkSeVNIeexjOWGzrT0zKv0e8uJRzC8aaSk_XH5v2jd8kE/s1600/Picture+1.png" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnDprROZXJkmFgjqfbF8gATTEfwcyNeOrdnWzqIdCUAeb4929CoSJr_mU9QQn651c1R0hfWuU53SwuglhB6D3T2r17H5s5PevkSeVNIeexjOWGzrT0zKv0e8uJRzC8aaSk_XH5v2jd8kE/s1600/Picture+1.png" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">1983 ***</td></tr>
</tbody></table>
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</div>
<b>THE BIG SCORE:</b> Not to be confused with SHAFT'S BIG SCORE, this Afro Noir is a crime drama with a deliberately slow pace: 
thus when the action happens, it matters.<br />
<br />
Fred Williamson writes, directs and
 stars as an undercover cop framed for stealing heist money and even his
 fellow officers (John Saxon, Richard Roundtree) question his innocence. So he goes about proving himself, infiltrating the mob run by Joe 
Spinell and psychotic henchman Bruce Glover, in this mellow vehicle that 
builds suspense nicely, never going overboard except a few occasions 
when thugs get <i>literally</i> blown to bits. But that's always welcome... and reminds us of the 70's blaxploitation genre that this BIG SCORE attempts to reignite.<br />
<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipq6CCcW2JQL6XgEw4Vmcm88d_xmZND0Ki22JlMS9714MpBRTdWCZ5WH0Fuf5TQSo5GETv7EC1pqDXFWpCER7FD-ih-vLdhdFBgT1yqgJge0YdPVVeTLNEz3wmpd9n_QhmIOdCKqJThtE/s1600/Picture+5.png" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipq6CCcW2JQL6XgEw4Vmcm88d_xmZND0Ki22JlMS9714MpBRTdWCZ5WH0Fuf5TQSo5GETv7EC1pqDXFWpCER7FD-ih-vLdhdFBgT1yqgJge0YdPVVeTLNEz3wmpd9n_QhmIOdCKqJThtE/s1600/Picture+5.png" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">1974 ***1/2</td></tr>
</tbody></table>
<b>BLACK SAMSON:</b> The ghetto's answer to Bufford Pussar, the lawman from the WALKING TALL films, this isn't an actual sheriff 
but a fictional bar owner fitfully named Samson, played by mellow giant Rockne Tarkington.<br />
<br />
Big Sam owns a lion and wields a big stick while running his tavern and also the entire
 block/neighborhood that he won't give up to vicious mobster William Smith, whose scene-stealing and downright 
unrelenting performance elevates this already near-excellent blaxploitation 
to even greater heights: leading to a giant vs giant battle on a 
boulevard that's eventually demolished to Biblical proportions.<br />
<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdA0DC-EMoXKwCPzpq4unTCEF4dOP5p1WHl5anmuDTxC8A6dsvLBHiqA3oiZsJZP2RCtoXlrDGq9FdB6leHP3RojufhVdAoBjQdNJu17UInzqCAC67HqCzsoJzS8tN_gv7v4NIEi6KzYk/s1600/Picture+2.png" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdA0DC-EMoXKwCPzpq4unTCEF4dOP5p1WHl5anmuDTxC8A6dsvLBHiqA3oiZsJZP2RCtoXlrDGq9FdB6leHP3RojufhVdAoBjQdNJu17UInzqCAC67HqCzsoJzS8tN_gv7v4NIEi6KzYk/s1600/Picture+2.png" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">1982 ***</td></tr>
</tbody></table>
<div style="text-align: right;">
</div>
<b>THE NEW BARBARIANS:</b> In a post-apocalyptic 2019, the world's a desert with plastic 
steel-feigning armored cars and motorcycles driven by nomads known as 
"Templars," hunting down the few survivors with laser guns or blades 
extended from vehicles BEN HUR style.<br />
<br />
Calling this a bad movie is 
pointless, and it's a futuristic exploitation with one blaxploitation element, mentioned soon: BARBARIANS is<span style="font-style: italic;"> very </span>low-budget
 and the acting isn't great, but director Enzio G. Castellari keeps the 
action rolling from start to finish. Giancarlo Prete makes for a good 
Mad Maxian hero, keeping a solid scowl and swatting baddies like bugs. 
Throw in... <i>drum roll please...</i> Fred Williamson as a bow-wielding maverick keeping Prete alive 
from the sidelines, a tough and sexy damsel, two bickering villains, and
 the promise of a lost civilization: and this Z-movie will hold your 
interest... and then some.<br />
<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP_-XIkzNap7LK5OTlHNFQ1ZYy5213cdhXU_4mDpV4fP1GqFR0MnUainWv6wpMgL7z7ZuEwwDbtg3V42xb3heR5J23iQqdiL2zhQGRt40IPLQFtrUSOzmXSqU5LZUsT4-K23BSKIEcfY0/s1600/Picture+17.png" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP_-XIkzNap7LK5OTlHNFQ1ZYy5213cdhXU_4mDpV4fP1GqFR0MnUainWv6wpMgL7z7ZuEwwDbtg3V42xb3heR5J23iQqdiL2zhQGRt40IPLQFtrUSOzmXSqU5LZUsT4-K23BSKIEcfY0/s1600/Picture+17.png" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">1973 **1/2</td></tr>
</tbody></table>
<b>CLEOPATRA JONES:</b> With limitless villainous potential, the always-watchable and interesting Shelley Winters, as a lesbian mobster bitch chewing scenery while chewing out her minions, isn't on screen enough: making the plight of 
Cleopatra Jones, a tall, black, badass and beautiful Special Agent, a bit 
too breezy.<br />
<br />
Although there's decent action, including a fantastic car 
chase in a sewer wash/ditch, one of the first of its kind, and topnotch talent like Bernie Casey, Antonio Fargas,
 Michael Warren and Cult Film Freak favorite heavy Paul Koslo, our slender heroine needs more "flesh": perhaps a
 backstory on how she became what the baddies fear, giving the audience 
something <i>deeper </i>to root for.<br />
<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM14JhjJ1aLIpnpetvKAFcQv8URH8zkf0E3ufufdBRJSPPVLnAQQdHBIztIcBBsH8_WyNZNOLgRR74qH2RWoQ1BwYXD8j0DIfLc-zF92hTgfzKD4JQTVz_lCrZOuusUsi6lPgR5SqnQic/s1600/Picture+2.png" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM14JhjJ1aLIpnpetvKAFcQv8URH8zkf0E3ufufdBRJSPPVLnAQQdHBIztIcBBsH8_WyNZNOLgRR74qH2RWoQ1BwYXD8j0DIfLc-zF92hTgfzKD4JQTVz_lCrZOuusUsi6lPgR5SqnQic/s200/Picture+2.png" width="142" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">1974 rating: ***</td></tr>
</tbody></table>
<b>FOXY BROWN:</b> While there are some classic lines, one spoken by Foxy Brown's 
trouble-making brother played by Antonio Fargas: "That's my sister, 
baby, and she's a whole lotta woman." Or Pam Grier, about to take on a 
rival, claiming, "I've got my blackbelt in barstools", this is a somewhat sub-par collaboration of writer/director Jack Hill and leading lady Pam Grier, dwelling too much on Foxy's frustration and
 not enough kickass action.<br />
<br />
The villains seem out of a 
daytime soap, while our heroine's reason for payback... her boyfriend, 
who just got a miraculously banal face-altering surgery you only see in movies, 
is killed by a lethal syndicate... doesn't equal the far superior COFFY,
 which made better use of Pam Grier, Sid Haig, and everything else the 
blaxploitation genre depends on: including pushers, hookers, bad 
whities, and sweet revenge.<br />
<br />
Yet despite the flaws, blaxploitation auteur Jack Hill seems cozy in his low budget element, 
remaining more on cruise control than overdrive. The opening credits 
alone, turning a strutting infrared silhouette of Grier into a female 
James Bond type, is worth the watch. Just don't take any of it 
seriously, or expect the second half to equal the buildup.<br />
<br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkO7D2Wg59cM99LZeHDY23IhHkI_yQFXD-S44X5hnSmoQ6eQkzsbHV9pBvr-GkFunoLbHJP6ZutUl-afZJ_a-J9Xw581AoKxTXyy9DzTmuKh4KB3V2iylQCDqfFBz97EDBziDyFF6k_J8/s1600/Picture+1.png" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkO7D2Wg59cM99LZeHDY23IhHkI_yQFXD-S44X5hnSmoQ6eQkzsbHV9pBvr-GkFunoLbHJP6ZutUl-afZJ_a-J9Xw581AoKxTXyy9DzTmuKh4KB3V2iylQCDqfFBz97EDBziDyFF6k_J8/s200/Picture+1.png" width="145" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">year: 1973 rating: ****</td></tr>
</tbody></table>
<b>COFFY: </b>Ah yes, the crowning achievement of revenge-driven blaxploitation has Pam Grier 
taking out anyone involved in drug dealing after her younger sister's 
hospitalized for "bad heroin." This provides a platform where 
everything's possible, giving our sexy heroine free reign to seek and 
destroy.<br />
<br />
Sid Haig adds vitality as a tough hit man who 
meets his match with Grier, who's just as vulnerable as lethal, 
especially since her dream man, a climbing politician, might not be 
what, and who, he seems. While the usual blaxploitation 
elements, including battling naked chicks and pimp's bright clothing, are 
used within the story, never seeming campy or gratuitous. And the soundtrack's filler-funk
 is incredible, so much that Quentin Tarantino "borrowed" it for his own
 masterpiece starring Pam Grier and featuring Sid Haig... JACKIE BROWN!<br />
<br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU4HfDK9fsy5-3FRate2_2ACLpH9OnZ48wv62rZTJSEPGT1dhXHidMkoYLmPwIEvjFS8DE_LXoTSCGj25QuANjPYXFnPm0nW-DuJdjtusgDV0H7zrxgeEmoi98EusguTD0Hvk1X7dns1A/s1600/savage_sisters_poster_02.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU4HfDK9fsy5-3FRate2_2ACLpH9OnZ48wv62rZTJSEPGT1dhXHidMkoYLmPwIEvjFS8DE_LXoTSCGj25QuANjPYXFnPm0nW-DuJdjtusgDV0H7zrxgeEmoi98EusguTD0Hvk1X7dns1A/s200/savage_sisters_poster_02.jpg" width="178" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">year: 1974 rating: *1/2</td></tr>
</tbody></table>
<b>SAVAGE SISTERS:</b> Most low-budget exploitation films shot in the 
Philippines aren't perfect, but are still entertaining. This one, 
despite Gloria Hendry's cool performance as a tough army sergeant 
teamed-up with two white revolutionary babes trying to overthrow a 
villainous dictator, is, alas... pointless fodder.<br />
<br />
The pacing's 
slow and there's too much banter about what's about to happen, and 
little actually does. The editing seems victim of the same machetes used
 by the bag guys: Speaking of which, even BIG BIRD CAGE alumni Sid Haig 
and Vic Diaz, as goofy yet treacherous banditos, can't revive this 
ninety-minute slug trail, but both try really hard and are fun to watch 
nonetheless: especially if a plot doesn't matter and 
scantily clad gorgeous chicks with guns is what you're looking for... 
SAVAGE SISTERS will do. Just turn off the sound and open your eyes wide!<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh51r7Hul4NgFGKWUp8Em7hOldkDkfojSdA9OAjpwwD7WLu-SIAROrau1APZqlxmo1SKIbBXJ8r2qXl7JlMk3fUEoH_xHGW3clasFZHFPElSAghUlH5BwH2ixWADjDgEAIP_vCo5YqTzY/s1600/Isaac+Hayes+-+Three+Tough+Guys+(1974).jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh51r7Hul4NgFGKWUp8Em7hOldkDkfojSdA9OAjpwwD7WLu-SIAROrau1APZqlxmo1SKIbBXJ8r2qXl7JlMk3fUEoH_xHGW3clasFZHFPElSAghUlH5BwH2ixWADjDgEAIP_vCo5YqTzY/s1600/Isaac+Hayes+-+Three+Tough+Guys+(1974).jpg" width="189" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">1974 rating: ***1/2</td></tr>
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<b>THREE TOUGH GUYS:</b> The actual title is  TOUGH GUYS and was then changed to THREE TOUGH 
GUYS after Fred  Williamson, who plays a small but important role as the
 villain, gained  popularity and the title song mentions TWO TOUGH GUYS,
 being that the  film centers mainly on imported Italian star Lino 
Ventura as a renegade,  revenge-seeking, ten-speed riding priest who 
teams with rogue cop Isaac  Hayes.<br />
<div>
<br />
The strange pair hop from arcade to bar to empty warehouse  beating up baddies or getting beat up, kidnapped, or both. Lightweight
  find-the-killer plot blends neatly with sporadic, swift-paced action  
occurring between unimportant bouts of dubbed, but somewhat involving,  
dialogue. And fans of Hayes the composer: if you want 
some superb instrumental music, check out Isaac's DOUBLE FEATURE: TRUCK 
TURNER AND THREE TOUGH GUYS, both albums  full of 
soulful/jazzy/funky/rocking orchestrations far superior than the  
generic versions often used within either vehicle. </div>
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<tr><td class="tr-caption" style="text-align: center;"><a href="http://www.cultfilmfreaks.com/2013/07/jim-kelly.html">CLICK THIS LINK FOR ANOTHER BIG BAGFUL OF JIM KELLY BLAXPLOITATION</a></td></tr>
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antonio fargas, bagful, blaxploitation, eighties, fred williamson, gloria hendry, jack hill, larry cohen, pam grier, seventies, sid haig, william smith

GOTTA BRAND NEW BAGFUL OF BLAXPLOITATION

Year: 1973 BLACK CAESAR: Begins much like GOODFELLAS would years later: showing a shoeshine errand boy working for the mob... Then as To...

Written by James M. Tate / 8/30/2012 / No comments / action , blaxploitation , chicks with guns , jack hill , pam grier , revenge , seventies , sid haig

COFFY REVIEW HAS RELOCATED, SHUGA

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<tr><td class="tr-caption" style="text-align: center;"><a href="http://www.cultfilmfreaks.com/2014/11/gotta-brand-new-bagful-of-archive.html"> COFFY HAS MOVED TO THIS BLAXPLOITATION COLLECTION POST</a></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><a href="http://www.cultfilmfreaks.com/2014/11/gotta-brand-new-bagful-of-archive.html"> COFFY HAS MOVED TO THIS BLAXPLOITATION COLLECTION POST</a></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><a href="http://www.cultfilmfreaks.com/2014/11/gotta-brand-new-bagful-of-archive.html"> COFFY HAS MOVED TO THIS BLAXPLOITATION COLLECTION POST</a></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><a href="http://www.cultfilmfreaks.com/2014/11/gotta-brand-new-bagful-of-archive.html"> COFFY HAS MOVED TO THIS BLAXPLOITATION COLLECTION POST</a></td></tr>
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action, blaxploitation, chicks with guns, jack hill, pam grier, revenge, seventies, sid haig

COFFY REVIEW HAS RELOCATED, SHUGA

COFFY HAS MOVED TO THIS BLAXPLOITATION COLLECTION POST COFFY HAS MOVED TO THIS BLAXPLOITATION COLLECTION POST COFFY HAS MOVED ...

Written by James M. Tate / 8/29/2012 / No comments / action , antonio fargas , blaxploitation , chicks with guns , jack hill , juanita brown , pam grier , revenge , seventies , sid haig , terry carter

FOXY BROWN HAS RELOCATED MUTHA

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action, antonio fargas, blaxploitation, chicks with guns, jack hill, juanita brown, pam grier, revenge, seventies, sid haig, terry carter

FOXY BROWN HAS RELOCATED MUTHA

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Written by James M. Tate / 12/02/2010 / No comments / action , beverly washburn , ellen burstyn , indie , jack hill , race car , richard davalos , sig haig , sixties

PIT STOP

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPOebZtHjefFbmALOqS5LWVT_cTDM6r92Cb0qY6hCf9kPiLEa-AHmaMkE4cHexnifwmmqyNAbt4tdeALJ_0kxqM1C7iuHUk-3814SgGNzgEezQVoHZg_hGsYNgVk4ksPpw4Top-JI4W_0/s1600/pitstop.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5546162979465204354" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPOebZtHjefFbmALOqS5LWVT_cTDM6r92Cb0qY6hCf9kPiLEa-AHmaMkE4cHexnifwmmqyNAbt4tdeALJ_0kxqM1C7iuHUk-3814SgGNzgEezQVoHZg_hGsYNgVk4ksPpw4Top-JI4W_0/s200/pitstop.jpg" style="margin: 0px 0px 10px 10px; width: 160px; float: right; height: 200px;" /></a><strong>title:</strong> PIT STOP<strong><br />year:</strong> 1969<strong><br />cast:</strong> Richard Davalos, Brian Donlevy, Sig Haig, Ellen Burstyn, Beverly Washburn<strong><br />writer/director:</strong> Jack Hill<strong><br />rating:</strong> ****<div><br /><div>Unlike most racing flicks that followed, this doesn't rely on boring melodrama between hot-rods going around in circles, but centers on the exciting, if suicidal, Figure-8 racing with Dick Davalos as a loner who dreams of being number one. In his way is glorious villain Sid Haig, as "Hawk Sidney", getting "boos" from the crowd and playing nasty to the hilt: including over-the-top expressions and a sore-winner persona that steals the show. And while some of the behind-the-wheel shots look fake, Jack Hill's direction puts you right in the action.  </div></div>

action, beverly washburn, ellen burstyn, indie, jack hill, race car, richard davalos, sig haig, sixties