Written by James M. Tate / 12/24/2011 / No comments / comedy , jason bateman , olivia wilde , ryan reynolds , tens
THE CHANGE-UP
title: THE CHANGE-UP
year: 2011
cast: Jason Bateman, Ryan Reynolds, Olivia Wilde
rating: **
The FREAKY FRIDAY template is used in the raunchy comedy genre: involving a mild-mannered suburban father/workaholic lawyer Jason Bateman changing bodies with his womanizing actor best friend Ryan Reynolds. We don’t get to know each character’s contrary lifestyles, or personalities therein, to merit a significant change when it occurs (they both drunkenly pee in a fountain at the same time), which is important since the entire plot resides on how each guy reacts to living a different lifestyle. The jokes try too hard to push the how-far-can-we-go envelope, making each moment involving their uncomfortable circumstances – Bateman’s hunted by his sexy secretary while Reynolds changes diapers and lands deals in the office – seem secondary to the dialog's shock value. But while Jason Bateman never enjoys his “vacation” taking on the single man’s life he so whined about during the first ten minutes, Reynolds, after a while, does seem genuinely contented with his neglected wife. It’s when they switch back to normal, and the envelope is sealed, we realize the movie wasn’t completely pointless… these poor fellas went through hell and back, after all... but is it worth sitting through all over again?
year: 2011
cast: Jason Bateman, Ryan Reynolds, Olivia Wilde
rating: **
The FREAKY FRIDAY template is used in the raunchy comedy genre: involving a mild-mannered suburban father/workaholic lawyer Jason Bateman changing bodies with his womanizing actor best friend Ryan Reynolds. We don’t get to know each character’s contrary lifestyles, or personalities therein, to merit a significant change when it occurs (they both drunkenly pee in a fountain at the same time), which is important since the entire plot resides on how each guy reacts to living a different lifestyle. The jokes try too hard to push the how-far-can-we-go envelope, making each moment involving their uncomfortable circumstances – Bateman’s hunted by his sexy secretary while Reynolds changes diapers and lands deals in the office – seem secondary to the dialog's shock value. But while Jason Bateman never enjoys his “vacation” taking on the single man’s life he so whined about during the first ten minutes, Reynolds, after a while, does seem genuinely contented with his neglected wife. It’s when they switch back to normal, and the envelope is sealed, we realize the movie wasn’t completely pointless… these poor fellas went through hell and back, after all... but is it worth sitting through all over again?
Labels:
comedy,
jason bateman,
olivia wilde,
ryan reynolds,
tens
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