Written by James M. Tate / 8/19/2011 / No comments / action , fantasy , tens
CONAN THE BARBARIAN (2011)
title: CONAN THE BARBARIAN
year: 2011
cast: Jason Momoa, Stephen Lange, Ron Perlman, Rachel Nichols
rating: *
After a pointless introduction by none other than the narration king himself, Morgan Freeman, we have Conan “born into battle” – his dying mother literally giving birth on a battlefield, and his father, played by log-jawed Ron Perlman, in no danger whatsoever as swords clack and blood sheds all around him – thus lifting his baby like “Kunta Kinte” and proclaiming him “Conan.” This is followed by Conan the Preteen, with a pretty yet snarling face, as he fights off growling aggressors but is no match for evil pillager Khalar Zym, who needs one piece of a mask to become… super evil. Long story short... like the John Milius/Arnold Schwarzenegger film, the baddie kills Conan’s sole parent, catapulting the of-age Conan: stronger, tougher but still just as pretty... looking more like Conan the Barbizon Institute… in seeking revenge against Zym, his henchman, and the worst character in the film – Rose McGowan as Zym’s gothic, witchy daughter. The action scenes are sporadic, filmed so close-up and quick it’s all but a flurry of flesh, impossible to keep track. And one character mentions the Barbarian’s eclectic past: slaying for fun, sailing with pirates, and being a renown thief. It’s too bad we couldn’t partake in these adventurous hobbies – like the original stories by Robert E. Howard – instead of being saddled with a pointlessly searing tale about our semi-muscular hero keeping a young, pure-blooded maiden out of the antagonist’s clutches. Jason Momoa portrays Conan like he’s imitating his favorite sword and sorcery hero from a cable TV series, which this entire mess is reminiscent of, save for the banal ultra-violence and big budget effects that, with little to no story backing it up, means nothing in the end. And a message to Hollywood: Next time juggle some of Howard’s passionately brutal stories into your next film – or adapt his only full-length novel, HOUR OF THE DRAGON… and you might just have something.
year: 2011
cast: Jason Momoa, Stephen Lange, Ron Perlman, Rachel Nichols
rating: *
After a pointless introduction by none other than the narration king himself, Morgan Freeman, we have Conan “born into battle” – his dying mother literally giving birth on a battlefield, and his father, played by log-jawed Ron Perlman, in no danger whatsoever as swords clack and blood sheds all around him – thus lifting his baby like “Kunta Kinte” and proclaiming him “Conan.” This is followed by Conan the Preteen, with a pretty yet snarling face, as he fights off growling aggressors but is no match for evil pillager Khalar Zym, who needs one piece of a mask to become… super evil. Long story short... like the John Milius/Arnold Schwarzenegger film, the baddie kills Conan’s sole parent, catapulting the of-age Conan: stronger, tougher but still just as pretty... looking more like Conan the Barbizon Institute… in seeking revenge against Zym, his henchman, and the worst character in the film – Rose McGowan as Zym’s gothic, witchy daughter. The action scenes are sporadic, filmed so close-up and quick it’s all but a flurry of flesh, impossible to keep track. And one character mentions the Barbarian’s eclectic past: slaying for fun, sailing with pirates, and being a renown thief. It’s too bad we couldn’t partake in these adventurous hobbies – like the original stories by Robert E. Howard – instead of being saddled with a pointlessly searing tale about our semi-muscular hero keeping a young, pure-blooded maiden out of the antagonist’s clutches. Jason Momoa portrays Conan like he’s imitating his favorite sword and sorcery hero from a cable TV series, which this entire mess is reminiscent of, save for the banal ultra-violence and big budget effects that, with little to no story backing it up, means nothing in the end. And a message to Hollywood: Next time juggle some of Howard’s passionately brutal stories into your next film – or adapt his only full-length novel, HOUR OF THE DRAGON… and you might just have something.
Subscribe to:
Post Comments (Atom)
All Time Popular
-
Robyn Hilton enters into an eclectic exploitation comedy career in Wonder Women circa 1973 As mentioned a few posts ago, ROBYN HILTON, b...
-
year: 1978 cast: Allen Garfield, Leif Garrett, Kathleen Lloyd, Tony Alva, Pam Kenneally rating: ***1/2 Although promoted as a Leif Garr...
-
Kari Michaelsen in Saturday the 14th year: 1982 In LOVE AT FIRST BITE, a popular comedy that took the vampire genre by satire, Richard ...
-
Cornelia Sharpe in BUSTING Year: 1974 Rating: **** Starring Elliott Gould and Robert Blake as determined vice cops BUSTING hookers, makin...
-
Mary-Louise Weller in NATIONAL LAMPOON'S ANIMAL HOUSE ANIMAL HOUSE, directed by John Landis and produced by Ivan Reitman, stars John Be...
-
Kerri Green and John Candy in SUMMER RENTAL Year: 1985 John Candy, in his first leading role, plays a burnt-out air traffic controller ...
-
Robyn Hilton on STARSKY AND HUTCH Model/Actress ROBYN HILTON played Mel Brook's secretary in BLAZING SADDLES and turns up in an epis...
-
Robyn Hilton in Video Vixens the same year as Blazing Saddles: 1974 The Anthology of Comedic Parodies, already done in several Woody All...
-
CADDDYSHACK is best known for the iconic leading actors: Rodney Dangerfield, Chevy Chase, Ted Knight, and Bill Murray, but originally the ...
-
Elizabeth James and Tom Laughlin on equal ground YEAR: 1967 THE BORN LOSERS wasn't supposed to happen but thank God it did since BIL...
Featured Post
MEL BROOKS PRESENTS DAVID LYNCH'S ICONIC 'THE ELEPHANT MAN'
Anthony Hopkins in David Lynch's THE ELEPHANT MAN Year: 1980 Rating: **** After the bleak B&W, nightmarishly bizarre ERASERHEAD, oth...
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.