SOLEDAD MIRANDA BITING EWA STRÖMBERG IN 'VAMPYROS LESBOS'

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzk6vOpDQtruVvDnylboRuSrk9SvWIP2u0a1oG9ZljxkUyUH_4UeUPc0lGZOm-QI-gTXOouuWNhPkrjSxaZImyAAKzuEmwbGSQlKjscLxrmIaUDDqOvEI-HtSMif-vOAl6gztGnQb0ctOzu0NnsrHJygP08VeG_Bc5DND0WDmAe0ONkpELMrwbXsYf7jCc/s2682/Screen%20Shot%202026-01-26%20at%2011.40.15%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1490" data-original-width="2682" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzk6vOpDQtruVvDnylboRuSrk9SvWIP2u0a1oG9ZljxkUyUH_4UeUPc0lGZOm-QI-gTXOouuWNhPkrjSxaZImyAAKzuEmwbGSQlKjscLxrmIaUDDqOvEI-HtSMif-vOAl6gztGnQb0ctOzu0NnsrHJygP08VeG_Bc5DND0WDmAe0ONkpELMrwbXsYf7jCc/s16000/Screen%20Shot%202026-01-26%20at%2011.40.15%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Soledad Miranda in VAMPYROS LESBOS Year: 1971 Rating: ***1/2</u></td></tr></tbody></table><p>In what's otherwise infamously campy directing icon Jesús Franco's most creatively/artistic Spanish horror, just the mere casting of perhaps the most beautiful women ever filmed, round-faced brunette Soledad Miranda (who tragically died at 27 one year before release), makes VAMPYROS LESBOS more intriguing than the deliberately basic premise taken straight from both DRACULA and NOSFERATU...<br><br>A pawn in the form of contrasting blonde beauty Ewa Strömberg (in place of solicitor  Jonathan Harker), an insurance agent sent to the Turkish island lair to resolve an inheritance... where she's instantly smitten and bitten by Miranda's Countess Nadine Carody: followed by the usual sickly withdrawals during the human-to-vampire transition... <br></p><p><span></span></p>

andrea montchal, beni cardoso, dennis price, ewa strömberg, heidrun kussin, jesús franco, josé martínez blanco, lesbian, soledad miranda, spanish horror, vampire

SOLEDAD MIRANDA BITING EWA STRÖMBERG IN 'VAMPYROS LESBOS'

Soledad Miranda in VAMPYROS LESBOS Year: 1971 Rating: ***1/2 In what's otherwise infamously campy directing icon Jesús Franco's most...

ELISA VELA WITH LINA ROMAY IN 'MANSION OF THE LIVING DEAD'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheMKbmwaXR6VbwWF344OZSKlTQ4p9mjH1C7Qtc3n5W8VEFm9A9tdwkSbOyGnGfS5gv7AkyKMCVXysl5cJGw2D7G3rLaR88oESigeW8gLrDcyAii4GmxEj0PWoognr6gUrqzc6Rd3Fd1JXaLpjvy3M7pi4-Lw9FXyld6ZUQoLvNEuEH6OUzfmhOkzU7hQhr/s1674/Screen%20Shot%202026-01-28%20at%201.00.31%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1014" data-original-width="1674" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheMKbmwaXR6VbwWF344OZSKlTQ4p9mjH1C7Qtc3n5W8VEFm9A9tdwkSbOyGnGfS5gv7AkyKMCVXysl5cJGw2D7G3rLaR88oESigeW8gLrDcyAii4GmxEj0PWoognr6gUrqzc6Rd3Fd1JXaLpjvy3M7pi4-Lw9FXyld6ZUQoLvNEuEH6OUzfmhOkzU7hQhr/s16000/Screen%20Shot%202026-01-28%20at%201.00.31%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Elisa Vela in Mansion of the Living Dead/La mansión de los muertos vivientes Year: 1983 Rates: ***</u></td></tr></tbody></table><p>Infamously campy Spanish Exploitation-Horror director Jesús Franco's MANSION OF THE LIVING DEAD is really a rural beachfront hotel where four beautiful women... two chunky-hot blondes and two perfect-bodied model brunettes... check into two different rooms, two at a time: each of the blondes kissing their own brunette — until the token first-girl wanders off alone...</p><p></p><p>As Mari Carmen Nieto far too quickly dies after happening upon a nearby monastery, which happens off-screen... providing looser blonde Albino Graziani an anticipated sacrifice/encounter with the titular medieval knight zombies straight from <a href="http://www.cultfilmfreaks.com/2026/01/blinddead.html">Amando de Ossorio's 1970's BLIND DEAD franchise</a> (here resembling cheap skeleton mannequins created for a last-minute Halloween party)...</p><p><span></span></p>

antonio mayans, eighties, elisa vela, eva león, exploitation, fantasy, jesús franco, lesbian, lina romay, mari carmen nieto, spanish horror

ELISA VELA WITH LINA ROMAY IN 'MANSION OF THE LIVING DEAD'

Elisa Vela in Mansion of the Living Dead/La mansión de los muertos vivientes Year: 1983 Rates: *** Infamously campy Spanish Exploitation-Hor...

MARIBEL MARTÍN VAMPING AS 'THE BLOOD SPLATTERED BRIDE'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbx7qdXTKS9vNmf4YJ7OfnZVzTAF5uIS3AaffbdntkcU1pbkZ3u8SOUT98O54exRXDRX29h6SKFwSGRrbZ0AWLwFpjQ19_K77Wr1vAxyMQkR5yOPOUdRWiYzgMEw_vjONFUYLspkj588fbKNijJTK7aL0m-LNP-8vzKQal_EK5mpDZYlAZlJPN3Z27_V98/s1740/1.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1064" data-original-width="1740" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbx7qdXTKS9vNmf4YJ7OfnZVzTAF5uIS3AaffbdntkcU1pbkZ3u8SOUT98O54exRXDRX29h6SKFwSGRrbZ0AWLwFpjQ19_K77Wr1vAxyMQkR5yOPOUdRWiYzgMEw_vjONFUYLspkj588fbKNijJTK7aL0m-LNP-8vzKQal_EK5mpDZYlAZlJPN3Z27_V98/s16000/1.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Maribel Martín in THE BLOOD SPLATTERED BRIDE Year: 1972 Rating: ***1/2</u></td></tr></tbody></table><p>Based on the Gothic vampire novel, perhaps second only to Bram Stoker's DRACULA, Sheridan Le Fanu's CARMILA gets adapted into Spanish horror after the British Hammer film <a href="http://www.cultfilmfreaks.com/2024/12/vamplovers.html">VAMPIRE LOVERS</a>...<br><br>Only there's no tangible lesbian element other than a dominating female vampire seducing a young and docile, newly-married wife... making <a href="http://www.cultfilmfreaks.com/2026/01/THTS.html">THE HOUSE THAT SCREAMED</a> young-teen actress Maribel Martín (just turned eighteen) the titular BLOOD SPLATTERED BRIDE...</p><p><span></span></p>

alexandra bastedo, lesbian, maribel martín, mystery, rosa m. rodriguez, seventies, simón andreu, spanish horror, thriller, vampire, vicente aranda

MARIBEL MARTÍN VAMPING AS 'THE BLOOD SPLATTERED BRIDE'

Maribel Martín in THE BLOOD SPLATTERED BRIDE Year: 1972 Rating: ***1/2 Based on the Gothic vampire novel, perhaps second only to Bram Stoker...

MARIBEL MARTÍN AND MARY MAUDE IN 'THE HOUSE THAT SCREAMED'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiggY9Y3cCBMC5htaj8P1JEdC5CVsvmLecnprJFxhuGXB9jHlIDz23MgGKgyfX4toca-QaphcxRfule0uccwiG4aiCziaZa5tKFTsuIcx3FBhMxvbZ91VpM44czFs596GmSK79E5Jrd0KrOL0F8CyL6n6636yufaFNZ6YIUd1vIjtnLT-PR5ojRC0Jw1TSC/s2088/Screen%20Shot%202026-01-18%20at%207.01.01%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1190" data-original-width="2088" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiggY9Y3cCBMC5htaj8P1JEdC5CVsvmLecnprJFxhuGXB9jHlIDz23MgGKgyfX4toca-QaphcxRfule0uccwiG4aiCziaZa5tKFTsuIcx3FBhMxvbZ91VpM44czFs596GmSK79E5Jrd0KrOL0F8CyL6n6636yufaFNZ6YIUd1vIjtnLT-PR5ojRC0Jw1TSC/s16000/Screen%20Shot%202026-01-18%20at%207.01.01%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Maribel Martín in THE HOUSE THAT SCREAMED Year: 1969 Rating: ****</u></td></tr></tbody></table><p>It initially seems like a tremendous flaw in Spanish horror director Narciso Ibáñez Serrador's girls boarding school horror/slasher THE HOUSE THAT SCREAMED that three of the girls looks so much alike... </p><p></p><p>Beginning with vulnerable and quiet new arrival Cristina Galbó; chaste and docile Cristina Galbó; a mischievously sexual Conchita Paredes; and bullying older girl Mary Maude, whose tyrannical character overrides evil spinster/headmistress Lilli Palmer, whose son has two secret innocent trysts with the first two girls, and is a bit too predictably creepy...</p><p><span></span></p>

cristina galbó, john moulder-brown, maría elena arpón, maribel martín, mary maude, narciso ibáñez serrador, sixties, spanish horror

MARIBEL MARTÍN AND MARY MAUDE IN 'THE HOUSE THAT SCREAMED'

Maribel Martín in THE HOUSE THAT SCREAMED Year: 1969 Rating: **** It initially seems like a tremendous flaw in Spanish horror director Narci...

MARÍA ELENA APRÓN SLASHING 'THE FISH WITH THE EYES OF GOLD'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5k0jnWkbVqEmzA2VEOxAtQAsv1zF-YVrXDbt1JXS-St1H7J_nJNJKFZat_BkM6STLoNKqwp3ma4T4Un8RO829wXhWik0-nrLYEMgpg51Eh92OxfvTH2cU9_oYqwgw1jRWNkiVYlP4qmaXEvNYe8UnAZyB0j4nrhBx3S1bwb0sNhIAc8qPXoYNFCgu0QU7/s2088/1.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1438" data-original-width="2088" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5k0jnWkbVqEmzA2VEOxAtQAsv1zF-YVrXDbt1JXS-St1H7J_nJNJKFZat_BkM6STLoNKqwp3ma4T4Un8RO829wXhWik0-nrLYEMgpg51Eh92OxfvTH2cU9_oYqwgw1jRWNkiVYlP4qmaXEvNYe8UnAZyB0j4nrhBx3S1bwb0sNhIAc8qPXoYNFCgu0QU7/s16000/1.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>María Elena Arpón in The Fish With The Eyes Of Gold/ El pez de los ojos de oro Year: 1974 Rates: ***1/2</u></td></tr></tbody></table><p>The primary cover art for Pedro L. Ramírez's Spanish Giallo THE FISH WITH THE EYES OF GOLD is a composite of two actresses, one killed in the opening, the other towards the conclusion: both by an unseen/unknown man with very large knife, and right on the beach... as he has an obsession with those titular fish... <br><br>The gorgeous round face with full lips belong to Spanish Scream Queen María Elena Arpón, the scene-stealing vampire girl from TOMBS OF THE BLIND DEAD, making her final acting appearance here... and the hair-length/color's for longer-faced Susana Taber, violently kickstarting what's both Thriller and Mystery while using one of the most popular universal Neo-Noir tropes...</p><p><span></span></p>

ada tauler, maría elena arpón, montserrat prous, mystery, neo noir, norma kastel, seventies, slasher, spanish horror, susana taber, thriller, wal davis, wrong man

MARÍA ELENA APRÓN SLASHING 'THE FISH WITH THE EYES OF GOLD'

María Elena Arpón in The Fish With The Eyes Of Gold/ El pez de los ojos de oro Year: 1974 Rates: ***1/2 The primary cover art for Pedro L. R...

MARÍA ELENA APRÓN DYING FOR 'HUNCHBACK OF THE MORGUE'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq4I8k5CK3AOweYVE7FW8r7uXAbkAj3PV_CVfQ022A-Y9oLwKQtPzsmqVXuRfqVWgfpjjisd8JJMaOEo-BOZoSysZfEsZaXxuYv6VXoJePUEKEdd15ZD3wIq9G-4XFIrJfor_Z0ZT7nX2PDhZUHAXY0tgzrNO5sC-nizWiLvpnqEZioE3G8ENodLG_zO4p/s2084/Screen%20Shot%202026-01-14%20at%209.53.34%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1210" data-original-width="2084" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq4I8k5CK3AOweYVE7FW8r7uXAbkAj3PV_CVfQ022A-Y9oLwKQtPzsmqVXuRfqVWgfpjjisd8JJMaOEo-BOZoSysZfEsZaXxuYv6VXoJePUEKEdd15ZD3wIq9G-4XFIrJfor_Z0ZT7nX2PDhZUHAXY0tgzrNO5sC-nizWiLvpnqEZioE3G8ENodLG_zO4p/s16000/Screen%20Shot%202026-01-14%20at%209.53.34%20PM.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>María Elena Arpón in HUNCHBACK OF THE MORGUE/ EL JOROBADO DE LA MORGUE Year: 1973 Rating: ***1/2</u></td></tr></tbody></table><p>From Dracula to The Werewolf, Paul Naschy played every single classic monster in Spanish b-horrors, and in HUNCHBACK OF THE MORGUE he's actually more Igor than Quasimoto, serving a creature-creating mad scientist/Dr. Frankenstein-type by fetching body-parts, and eventually kidnapping doomed girls from a mental hospital...<br /><br />But by this time the movie feels like its own choppy trailer... as the set-up's the most important, with María Elena Arpón returning to a medieval cavern like the previous years' <a href="http://www.cultfilmfreaks.com/2026/01/blinddead.html">TOMBS OF THE BLIND DEAD</a>... only here she's dead-on-arrival, and the gloomy locale's converted into a working bubbling-beaker laboratory... <br /></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghFt6OiBqfiaYwRSvTv0HwuGfe2P7dM4be8-2MffQWjIPE_iAfJYwD3Uuwq6YQ9NmhhqTdNRe3ZOfav9U98oYqAehgm2DPzDF_Vu5JeWOwWAHUAs6QExV6zz6R9K2hAeLreGWkix3HjPERAGv50WRovrgQAZ_VDe1qszfH0YxAk3FbogbgJ0cwKAgv9cae/s2084/Screen%20Shot%202026-01-14%20at%209.10.56%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="950" data-original-width="2084" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghFt6OiBqfiaYwRSvTv0HwuGfe2P7dM4be8-2MffQWjIPE_iAfJYwD3Uuwq6YQ9NmhhqTdNRe3ZOfav9U98oYqAehgm2DPzDF_Vu5JeWOwWAHUAs6QExV6zz6R9K2hAeLreGWkix3HjPERAGv50WRovrgQAZ_VDe1qszfH0YxAk3FbogbgJ0cwKAgv9cae/s16000/Screen%20Shot%202026-01-14%20at%209.10.56%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Paul Naschy and Alberto Dalbés </u><u>in HUNCHBACK OF THE MORGUE</u></td></tr></tbody></table><p>But Paschy's Wolfgang Gotho only does the mad doctor's nefarious bidding with the promise of reviving childhood friend Arpón... which never occurs since she's only in the catapulting first act, lying there, dying gorgeously...<br /><br />Enter another lovely ingenue in Rosanna Yanni, the only kind nurse to the titular hunchback, fitfully ambiguous and yet, with a kind of TV-movie aesthetic combined with a 1970's Hammer-vibe, his countenance is far more vulnerable than formidable — and ultimately, more monstrosity (beyond the last-minute creature) is needed. </p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgifgVFw1VCM1SGVi-rtCazLxs2KTlaBCpLrC16hDb6s3PHcphntAGhBWuVqcADVgy07oazbguX43IkWe6enBQQcX8K6mnfAoYJL99fJ1iYSnyPIGVdzNlbRJpFfdGHOInvaxz3FhZB75vzxkgAYDr2RTO1NfzlyhOqRlGB6IMCIGZJ3TxgHBP6dzFyD1AY/s1744/Screen%20Shot%202026-01-14%20at%209.12.23%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="938" data-original-width="1744" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgifgVFw1VCM1SGVi-rtCazLxs2KTlaBCpLrC16hDb6s3PHcphntAGhBWuVqcADVgy07oazbguX43IkWe6enBQQcX8K6mnfAoYJL99fJ1iYSnyPIGVdzNlbRJpFfdGHOInvaxz3FhZB75vzxkgAYDr2RTO1NfzlyhOqRlGB6IMCIGZJ3TxgHBP6dzFyD1AY/s16000/Screen%20Shot%202026-01-14%20at%209.12.23%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Rosanna Yanni in HUNCHBACK OF THE MORGUE</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWEV0htAf1_WWRjNBFaB7rQc1O1skzVsgyi2FP8JygCvO4XKOxu-6NQ043GEe3h5Oq_A7Mndm4audsuES6VuCbRftC0wlpRSm7EOWQDf41BebfnVc1dpKNyT4Th-bl8kILKNu7zLVL5FaPzh8bU1bsXOjCR7T7EvYHX4RNM66SqtEdxRmc-EXsPTmB9lmq/s1746/Screen%20Shot%202026-01-14%20at%209.12.32%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="938" data-original-width="1746" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWEV0htAf1_WWRjNBFaB7rQc1O1skzVsgyi2FP8JygCvO4XKOxu-6NQ043GEe3h5Oq_A7Mndm4audsuES6VuCbRftC0wlpRSm7EOWQDf41BebfnVc1dpKNyT4Th-bl8kILKNu7zLVL5FaPzh8bU1bsXOjCR7T7EvYHX4RNM66SqtEdxRmc-EXsPTmB9lmq/s16000/Screen%20Shot%202026-01-14%20at%209.12.32%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Rosanna Yanni in HUNCHBACK OF THE MORGUE</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4xOHg3ERfsRP4EJZQxo0wvej8ZaQf0NRjGeo-bsiAGcFf9ANS4X9H_J0UKDvO6RVFXo-Inq4WGPLWrikrCezAndLm3Oc8wBq6dcRh92CyY1vywHJcEBfvBFsAt0_3AtpzHsRgD6HDuL7evWXtdygUgdkkXl1zk3j5xn6xKrWixVmn3YxX8iy-F5feebQ4/s1746/Screen%20Shot%202026-01-14%20at%209.12.43%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="928" data-original-width="1746" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4xOHg3ERfsRP4EJZQxo0wvej8ZaQf0NRjGeo-bsiAGcFf9ANS4X9H_J0UKDvO6RVFXo-Inq4WGPLWrikrCezAndLm3Oc8wBq6dcRh92CyY1vywHJcEBfvBFsAt0_3AtpzHsRgD6HDuL7evWXtdygUgdkkXl1zk3j5xn6xKrWixVmn3YxX8iy-F5feebQ4/s16000/Screen%20Shot%202026-01-14%20at%209.12.43%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Rosanna Yanni in HUNCHBACK OF THE MORGUE</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhX7AmfZqGd2WowwfxUMgvRj4UlLplB2s5WSA_RtyYkJapi3JL6W1HVCm-5r4hyDLD5u32iIdRpb_va-Uct4Yb3kkYXc2rdadZdwxWTbb-jdmwpH0Uh2YaXOaRpLz-6ejJ4v6XLFaKGQnQIZ-UdaZT-GAspBxX5bJzTjLBi1OMlPmMlteaOkm6IjxAKuqq9/s1734/Screen%20Shot%202026-01-14%20at%209.13.22%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="882" data-original-width="1734" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhX7AmfZqGd2WowwfxUMgvRj4UlLplB2s5WSA_RtyYkJapi3JL6W1HVCm-5r4hyDLD5u32iIdRpb_va-Uct4Yb3kkYXc2rdadZdwxWTbb-jdmwpH0Uh2YaXOaRpLz-6ejJ4v6XLFaKGQnQIZ-UdaZT-GAspBxX5bJzTjLBi1OMlPmMlteaOkm6IjxAKuqq9/s16000/Screen%20Shot%202026-01-14%20at%209.13.22%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Rosanna Yanni in HUNCHBACK OF THE MORGUE with Paul Naschy<br /></u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgG8mxuDshiIxp-srjtqCF2WoKyLcInoinVO1ni5NjEZIKC0Zqod5WSr2U_1JYuq6UYofii-RROPN8I8gia1lmGRv37ua-xS3pSMOcYdYRNRyVYzcmSP3Vg6GKViPJ_K_78jydxYGtA7UbsdhqU5_AsLoSMLpP0NBwFHCNSGl4RBs5PxoeooaULh1BP-z5s/s1662/Screen%20Shot%202026-01-14%20at%209.13.30%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="910" data-original-width="1662" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgG8mxuDshiIxp-srjtqCF2WoKyLcInoinVO1ni5NjEZIKC0Zqod5WSr2U_1JYuq6UYofii-RROPN8I8gia1lmGRv37ua-xS3pSMOcYdYRNRyVYzcmSP3Vg6GKViPJ_K_78jydxYGtA7UbsdhqU5_AsLoSMLpP0NBwFHCNSGl4RBs5PxoeooaULh1BP-z5s/s16000/Screen%20Shot%202026-01-14%20at%209.13.30%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Rosanna Yanni in HUNCHBACK OF THE MORGUE with Paul Naschy</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYy_-50KDKvLlIXUdE5ihLibpIWkm32KSd1xn3IOWn2zSZOFUJGLEfld8Z8GCFyXXtoXIySxd8oKcGVEkrd4DIkhd_LWjvNaGi4a6bGIWopJv2b8Lir6sLEHWUI324f3ivrWhAzvmvWmg_tRLKEbWrAKh687yBhIHJQ_BjQV7i6gt5QWXnbn8cgsm9KY3I/s1730/Screen%20Shot%202026-01-14%20at%209.13.38%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="916" data-original-width="1730" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYy_-50KDKvLlIXUdE5ihLibpIWkm32KSd1xn3IOWn2zSZOFUJGLEfld8Z8GCFyXXtoXIySxd8oKcGVEkrd4DIkhd_LWjvNaGi4a6bGIWopJv2b8Lir6sLEHWUI324f3ivrWhAzvmvWmg_tRLKEbWrAKh687yBhIHJQ_BjQV7i6gt5QWXnbn8cgsm9KY3I/s16000/Screen%20Shot%202026-01-14%20at%209.13.38%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Rosanna Yanni in HUNCHBACK OF THE MORGUE with Paul Naschy</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjl_e3DDKc9GJ8lC84_29bKSeAUjjEY7DwSnzPcpcAHr3kvBitCoDTPLvwOnVwU1-5yBmomzOr5ktXbX64TXuTZZEIlGvaTYE35-yhyphenhyphendYmyaaclfSFJUIX4ceI9X6jsNeYjoQzbACbcGUU4PSojNmMPv4d7CddKm2vvD_9VQ16z17EQXlDYuTkVTVlJ42-8/s1684/Screen%20Shot%202026-01-14%20at%209.14.24%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="906" data-original-width="1684" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjl_e3DDKc9GJ8lC84_29bKSeAUjjEY7DwSnzPcpcAHr3kvBitCoDTPLvwOnVwU1-5yBmomzOr5ktXbX64TXuTZZEIlGvaTYE35-yhyphenhyphendYmyaaclfSFJUIX4ceI9X6jsNeYjoQzbACbcGUU4PSojNmMPv4d7CddKm2vvD_9VQ16z17EQXlDYuTkVTVlJ42-8/s16000/Screen%20Shot%202026-01-14%20at%209.14.24%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Paul Naschy </u><u>in HUNCHBACK OF THE MORGUE</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9T3YCSz5pM7n2rCPt2ScRYhsoCTviQaqMRfDZ0Mz1LxfrQTVIKN5y6KyfnDL031CPX2kDPZR-K60ewnp8DeM2G6wBxaP5oIJdRexaagKt5g5vk6OdC40HXe_fGr0kAjKHLqwnJ24TcFCgm7amw7cNtTr4QEuRwigUWblYw3PK4lo7DydzFCjegFhPL1wf/s1718/Screen%20Shot%202026-01-14%20at%209.14.36%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="936" data-original-width="1718" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9T3YCSz5pM7n2rCPt2ScRYhsoCTviQaqMRfDZ0Mz1LxfrQTVIKN5y6KyfnDL031CPX2kDPZR-K60ewnp8DeM2G6wBxaP5oIJdRexaagKt5g5vk6OdC40HXe_fGr0kAjKHLqwnJ24TcFCgm7amw7cNtTr4QEuRwigUWblYw3PK4lo7DydzFCjegFhPL1wf/s16000/Screen%20Shot%202026-01-14%20at%209.14.36%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Rosanna Yanni in HUNCHBACK OF THE MORGUE</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA5PHS_oeuPjJ8MbUxDAcre52ECJsQhEznGmeXp3jAfJiivmRvrPobaSmDd126XDzE1Yvbix_XaTiZG0KzvA1_ucv4SxmGxSzJ7zb9WY1SeMdSJ44WIUOoqc6RcXy1uyIqrjh9S8DT5VRNgmtc95NI8lBePccQgXrNT3drLywYgJfk7Pw311CIkWtK_Ee6/s1692/Screen%20Shot%202026-01-14%20at%209.14.43%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="884" data-original-width="1692" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA5PHS_oeuPjJ8MbUxDAcre52ECJsQhEznGmeXp3jAfJiivmRvrPobaSmDd126XDzE1Yvbix_XaTiZG0KzvA1_ucv4SxmGxSzJ7zb9WY1SeMdSJ44WIUOoqc6RcXy1uyIqrjh9S8DT5VRNgmtc95NI8lBePccQgXrNT3drLywYgJfk7Pw311CIkWtK_Ee6/s16000/Screen%20Shot%202026-01-14%20at%209.14.43%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Maria Perschy in HUNCHBACK OF THE MORGUE</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjht3YifqZd1IsgTRv6bvWKoqLeQxv_QbQ6A_wCdpt3MHbuYxZOSYeD7Y3cxQcnn3xPRYvZpJssC5atPKMJogTFRQp0HDEuS6lErz2mKB1UekcsHTIdD9GGKv6z7E0rNlddxQtYc46XkDaSq5psDORM_7g6HcN4ma9whufJWB3dYukxWHvpFQU-V3QemAxA/s1706/Screen%20Shot%202026-01-14%20at%209.15.34%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="916" data-original-width="1706" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjht3YifqZd1IsgTRv6bvWKoqLeQxv_QbQ6A_wCdpt3MHbuYxZOSYeD7Y3cxQcnn3xPRYvZpJssC5atPKMJogTFRQp0HDEuS6lErz2mKB1UekcsHTIdD9GGKv6z7E0rNlddxQtYc46XkDaSq5psDORM_7g6HcN4ma9whufJWB3dYukxWHvpFQU-V3QemAxA/s16000/Screen%20Shot%202026-01-14%20at%209.15.34%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Rosanna Yanni in HUNCHBACK OF THE MORGUE</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLsNXWNyhBirX4XO77JfRThcHxQMDjdfoZNeRzzUt-punAQukwubpBstfGuvXsveC60ZUcFzaHHvEtHXL-ZxpDf_UKCnt6Ebm4uAF47atK-qu1MU6igQ3ptltoxaXfrIiXeVzcOkpFjh1ObpVe5sXdPgJfTCDxP3IGE3CBx1r5HToLZ4ITVkDJzfBAcRiv/s1670/Screen%20Shot%202026-01-14%20at%209.15.55%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="910" data-original-width="1670" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLsNXWNyhBirX4XO77JfRThcHxQMDjdfoZNeRzzUt-punAQukwubpBstfGuvXsveC60ZUcFzaHHvEtHXL-ZxpDf_UKCnt6Ebm4uAF47atK-qu1MU6igQ3ptltoxaXfrIiXeVzcOkpFjh1ObpVe5sXdPgJfTCDxP3IGE3CBx1r5HToLZ4ITVkDJzfBAcRiv/s16000/Screen%20Shot%202026-01-14%20at%209.15.55%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Paul Naschy in HUNCHBACK OF THE MORGUE</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia3i_iofPBli1zsWCrMwnzKQiDR8T5rO9BuUWvPVt_PpRK0tT7xwDyj1Qe9NePLc_BSsC9kNYGhNvzM27SvUjiXHYTFmFpehYKY20bLsQ9PG682H-Eq0o01fD2uam_3SUtO9tbKk46b9bg0oDosS-xfeHb2i2pzymvOshDlGBZdhe6W7dW7nXsHc2C1JKX/s1620/Screen%20Shot%202026-01-14%20at%209.16.03%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="912" data-original-width="1620" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia3i_iofPBli1zsWCrMwnzKQiDR8T5rO9BuUWvPVt_PpRK0tT7xwDyj1Qe9NePLc_BSsC9kNYGhNvzM27SvUjiXHYTFmFpehYKY20bLsQ9PG682H-Eq0o01fD2uam_3SUtO9tbKk46b9bg0oDosS-xfeHb2i2pzymvOshDlGBZdhe6W7dW7nXsHc2C1JKX/s16000/Screen%20Shot%202026-01-14%20at%209.16.03%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Paul Naschy in HUNCHBACK OF THE MORGUE</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDif8_3Sxeb2mc8YxjTJuucfIGzTkBzagYfOXMACvHCzdMqGH9QbSYk0IUtqdtJjtOmgy4tX9vehAmBYWKLKMga_PRlAd9VXq6VYpJum1vv1eZvIRtkR3Gt4bCqK0K72jNhcUqLB7zAKvmqZdkAxzQ-1asS79Tt9IuhpXd52L5QVbK4szD9veDbFmwAY4T/s1702/Screen%20Shot%202026-01-14%20at%209.16.12%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="926" data-original-width="1702" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDif8_3Sxeb2mc8YxjTJuucfIGzTkBzagYfOXMACvHCzdMqGH9QbSYk0IUtqdtJjtOmgy4tX9vehAmBYWKLKMga_PRlAd9VXq6VYpJum1vv1eZvIRtkR3Gt4bCqK0K72jNhcUqLB7zAKvmqZdkAxzQ-1asS79Tt9IuhpXd52L5QVbK4szD9veDbFmwAY4T/s16000/Screen%20Shot%202026-01-14%20at%209.16.12%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>María Elena Arpón in HUNCHBACK OF THE MORGUE </u><u> with </u><u>Paul Naschy</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2nNoudmo-j8ljsCv5_2HKeupENBIVqQ2XMMnQ4XaNyPI_HiWPv_QBpatBbMuzF_lWgTpMhpSSHIsvn0BuDG_mKg8dQqXVOaM-DoxMtD2jxhgiJ_DPoT0qZECLMwKfPWbEW6BGcAmVVJvDFIhKwLmQ8iE8uJZpeKm2SlbKDW1ndx7z2soRn0Gl5OV5mHyc/s1724/Screen%20Shot%202026-01-14%20at%209.16.20%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="882" data-original-width="1724" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2nNoudmo-j8ljsCv5_2HKeupENBIVqQ2XMMnQ4XaNyPI_HiWPv_QBpatBbMuzF_lWgTpMhpSSHIsvn0BuDG_mKg8dQqXVOaM-DoxMtD2jxhgiJ_DPoT0qZECLMwKfPWbEW6BGcAmVVJvDFIhKwLmQ8iE8uJZpeKm2SlbKDW1ndx7z2soRn0Gl5OV5mHyc/s16000/Screen%20Shot%202026-01-14%20at%209.16.20%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>María Elena Arpón in HUNCHBACK OF THE MORGUE </u><u> with </u><u>Paul Naschy</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMcbfQj7egzDJ-b5CXw8bf-5yBanzxTlEQvkMfO_PMouo5cdsiPUVhDsOmnBIJpQLM2x8ZeOyQwDSFFDCjl5itp7mv69POB4ZXB5QN6UQFVJw_-mgT-hYMwDWx-k79QMEgMN5OY7-IUKAHsjXgzxNrYLIoxWewYuq339jZWA01oFKI5HO59ax1ObGZz1LK/s1744/Screen%20Shot%202026-01-14%20at%209.16.29%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="932" data-original-width="1744" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMcbfQj7egzDJ-b5CXw8bf-5yBanzxTlEQvkMfO_PMouo5cdsiPUVhDsOmnBIJpQLM2x8ZeOyQwDSFFDCjl5itp7mv69POB4ZXB5QN6UQFVJw_-mgT-hYMwDWx-k79QMEgMN5OY7-IUKAHsjXgzxNrYLIoxWewYuq339jZWA01oFKI5HO59ax1ObGZz1LK/s16000/Screen%20Shot%202026-01-14%20at%209.16.29%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>María Elena Arpón in HUNCHBACK OF THE MORGUE with </u><u>Paul Naschy</u></td></tr></tbody></table><br /><br /><br /><br /><br /><br /><br /><br />

body count, maría elena arpón, maria perschy, monster, paul naschy, rosanna yanni, science-fiction, seventies, spanish, spanish horror

MARÍA ELENA APRÓN DYING FOR 'HUNCHBACK OF THE MORGUE'

María Elena Arpón in HUNCHBACK OF THE MORGUE/ EL JOROBADO DE LA MORGUE Year: 1973 Rating: ***1/2 From Dracula to The Werewolf, Paul Naschy p...

MARÍA ELENA APRÓN & MARÍA SILVA 'TOMBS OF THE BLIND DEAD'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmI4c0sFBiy4dL6A6BKNA5LSYeGf0BgLRxlhSeMfjUwFrdiRt8DhQXHSqFEDqjowp4M5FOrnth3Vv3MffTsw9we01z-ULleaLFajsfLMG60PpqmaLH5MT5NbMsnG09d79TOz0l013s2SIWGU7pFCeaYinYxfmyJbU8Sy8imeSbpZ_Ac9xZOgDZxtDQxvK3/s1946/Screen%20Shot%202026-01-14%20at%206.37.51%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1256" data-original-width="1946" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmI4c0sFBiy4dL6A6BKNA5LSYeGf0BgLRxlhSeMfjUwFrdiRt8DhQXHSqFEDqjowp4M5FOrnth3Vv3MffTsw9we01z-ULleaLFajsfLMG60PpqmaLH5MT5NbMsnG09d79TOz0l013s2SIWGU7pFCeaYinYxfmyJbU8Sy8imeSbpZ_Ac9xZOgDZxtDQxvK3/s16000/Screen%20Shot%202026-01-14%20at%206.37.51%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>María Silva in TOMBS OF THE BLIND DEAD/LA NOCHE DEL TERROR CIEGO Year: 1972 Rating: ***1/2</u></td></tr></tbody></table><p>Two years before TOMBS OF THE BLIND DEAD, a gorgeous woman is sacrificed in the same Spanish director <a href="http://www.cultfilmfreaks.com/2026/01/NOTS.html">Amando de Ossorio's NIGHT OF THE SORCERERS</a>... there it's a missionary from the early 1900's while this goes way back to The Middle Ages, where the extremely gorgeous Carmen Yazalde never rises again...  <br><br>Instead there's a horde of sinewy Medieval Knights, facially resembling prototypes of the Iron Maiden logo, having been buried in an abandoned monastery, looking as terrifically gothic as those antagonists that wind up stalking gorgeous girls, seeming straight from another kind of horror flick...</p><p><span></span></p>

amando de ossorio, carmen yazalde, lone fleming, maría elena arpón, maría silva, spanish horror, verónica llimerá, zombie

MARÍA ELENA APRÓN & MARÍA SILVA 'TOMBS OF THE BLIND DEAD'

María Silva in TOMBS OF THE BLIND DEAD/LA NOCHE DEL TERROR CIEGO Year: 1972 Rating: ***1/2 Two years before TOMBS OF THE BLIND DEAD, a gorge...

LORETA TOVAR NECKS KALI HANSA IN 'NIGHT OF THE SORCERERS'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9VCJw0Jr3nRcK-oYJACz0YnTlAXXsCrfq5B74WHDnaN0CWUkkeULeo-oldyvUWV_2YsbVwxGz849rpNcViNGbtPiY6jgime2UB1CmPLWsgAqpO67Iy2pRs92O0yJCB2bux6NpQhVzC8-W7CLgICZ3I4HQeRHsPOqnCGif89GJpgHzOFu0XnMbrjxgQ0Aw/s2092/1.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1038" data-original-width="2092" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9VCJw0Jr3nRcK-oYJACz0YnTlAXXsCrfq5B74WHDnaN0CWUkkeULeo-oldyvUWV_2YsbVwxGz849rpNcViNGbtPiY6jgime2UB1CmPLWsgAqpO67Iy2pRs92O0yJCB2bux6NpQhVzC8-W7CLgICZ3I4HQeRHsPOqnCGif89GJpgHzOFu0XnMbrjxgQ0Aw/s16000/1.png"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Loreta Tovar in NIGHT OF THE SORCERERS/LA NOCHE DE LOS BRUJOS Year: 1973 Rating: ***1/2<br></u></td></tr></tbody></table><p>Spanish director Amando de Ossorio brings back <a href="http://www.cultfilmfreaks.com/2026/01/LGrasp.html">THE LORELEY'S GRASP</a> flirtatious schoolgirl Loreta Tovar as a safari photographer in NIGHT OF THE SORCERERS... and while she was the last hot ingenue to be attacked there, here she's the present-time first girl, making the reliable mistake of wandering out alone...<br><br>Beginning with gorgeous red-haired missionary Bárbara Rey killed by an African native zombie tribe in 1910, we cut to modern times where Loreta Tovar's part of a safari including another gorgeous blonde María Kosty, coveted by handsome guide Simón Andreu's voluptuous brunette girlfriend Kali Hansa...</p><p><span></span></p>

amando de ossorio, bárbara rey, body count, exploitation, horror, jungle, kali hansa, loreta tovar, maría kosty, seventies, simón andreu, slasher, spanish horror, vampire, zombie

LORETA TOVAR NECKS KALI HANSA IN 'NIGHT OF THE SORCERERS'

Loreta Tovar in NIGHT OF THE SORCERERS/LA NOCHE DE LOS BRUJOS Year: 1973 Rating: ***1/2 Spanish director Amando de Ossorio brings back THE L...

HELGA LINÉ SHADOWING SILVIA TOROSA IN 'THE LORELEY'S GRASP'

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_XZW3VioKBNawihHwAI3IzVy4iockRlazS6R77XmW5bWIeFVWSe9YK5iQayUsXIyVFLnC6nDBr8IZXKwQbYRYPJ6FGxUvVMyp5cc0oAz23DS5rLsun2W0_3sLmLReRZolgfeJ5MoS0uxrxA05H7OWWitOrd4ObCqDwfewPlwOn2l-aJVqB9IMm6Mn8GU2/s2088/Screen%20Shot%202026-01-12%20at%2012.37.18%20AM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1084" data-original-width="2088" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_XZW3VioKBNawihHwAI3IzVy4iockRlazS6R77XmW5bWIeFVWSe9YK5iQayUsXIyVFLnC6nDBr8IZXKwQbYRYPJ6FGxUvVMyp5cc0oAz23DS5rLsun2W0_3sLmLReRZolgfeJ5MoS0uxrxA05H7OWWitOrd4ObCqDwfewPlwOn2l-aJVqB9IMm6Mn8GU2/s16000/Screen%20Shot%202026-01-12%20at%2012.37.18%20AM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Betsabé Ruiz in THE LORELEY'S GRASP/LAS GARRAS DE LORELEI Year: 1973 Rating: ****</u></td></tr></tbody></table><p></p><p>A year before the Peter Cushing/Christopher Lee reunion HORROR EXPRESS, Spanish filmmaker Amando de Ossorio brought train passengers Helga Liné and Silvia Tortosa back for a rural-village-set creature-slasher flick THE LORELEY'S GRASP... where Helga has the titular role while Tortosa's the vulnerable ingenue...<br><br>Who's the prettiest teacher taking care of a male horror fan's dream: a boarding school for super-hot young ladies, being stalked by a shadowy lizard-monster that's actually the equally lovely Liné by day... and who leading man Tony Kendall, hired to protect the girls from the stealthily menace, eventually falls in love with...<br></p><p><span></span></p>

amando de ossorio, body count, creature, helga liné, loreta tovar, seventies, silvia tortosa, spanish horror, tony kendall

HELGA LINÉ SHADOWING SILVIA TOROSA IN 'THE LORELEY'S GRASP'

Betsabé Ruiz in THE LORELEY'S GRASP/LAS GARRAS DE LORELEI Year: 1973 Rating: **** A year before the Peter Cushing/Christopher Lee reunio...

PETER CUSHING AND CHRISTOPHER LEE RIDING 'HORROR EXPRESS'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAVKl-t9sIBucE82vHgdG3WR35-2WzQi7goMrM-aotKZergo-_YWaTUNIeGmhhkLVUe341AGgmRhzFwCsE0nf9HZr4oVE4RVdWytz_eE4nXNXb2s_thEiquHdZmRF0Q7cDMrVKFziaXcDY-GJavigInQUm28XRf3dOLMuMsbbFSk33M_jyVVm8AwQi6I2E/s2002/1%20he.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1036" data-original-width="2002" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAVKl-t9sIBucE82vHgdG3WR35-2WzQi7goMrM-aotKZergo-_YWaTUNIeGmhhkLVUe341AGgmRhzFwCsE0nf9HZr4oVE4RVdWytz_eE4nXNXb2s_thEiquHdZmRF0Q7cDMrVKFziaXcDY-GJavigInQUm28XRf3dOLMuMsbbFSk33M_jyVVm8AwQi6I2E/s16000/1%20he.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Helga Liné painted into HORROR EXPRESS/PÁNICO EN EL TRANSIBERIANO Year: 1972 Rating: ****</u></td></tr></tbody></table><p>In-between the original THE THING FROM ANOTHER WORLD and John Carpenter's remake THE THING is HORROR EXPRESS, initially seeming like another period-piece Hammer film starring Christopher Lee and Peter Cushing — when it's really a low-budget Spanish studio's adaptation of John W. Campbell's THING-based short story <i>Who Goes There?</i></p><p></p><p>Beginning with Lee's brooding archeologist, having discovered a man-ape fossil that he cages into the titular snowbound train... joined by Cushing's affable surgeon, part of the crowded coach including beautiful countess Silvia Tortosa; psychotic monk Alberto de Mendoza; seductive stowaway Helga Liné; Miss Marples-style snoop Alice Reinheart; and Julio Peña as the intense onboard lawman who, with a lean build and brooding mustache, looks way too similar to Christopher Lee... <br></p><p><span></span></p>

adventure, alberto de mendoza, body count, christopher lee, faith clift, helga liné, julio peña, peter cushing, science-fiction, seventies, silvia tortosa, spanish horror, telly savalas, train

PETER CUSHING AND CHRISTOPHER LEE RIDING 'HORROR EXPRESS'

Helga Liné painted into HORROR EXPRESS/PÁNICO EN EL TRANSIBERIANO Year: 1972 Rating: **** In-between the original THE THING FROM ANOTHER WOR...

ANNE FRANCIS & LESLIE NIELSEN IN THE CLASSIC 'FORBIDDEN PLANET'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMNSBv-fVfTZKWvAQNvPDopAW_0ZdNq2kLhLM1VT_pEfp9UFI7A_WiH9W4Z0K4AvAcGKU0E73m0kJPl6jsL0BVlnblhyphenhyphen58PJnycOSKL5hIc-P4Z14Vr_thOuGXS70GxMECbbGv8IEGRfRSRQCRR_lRs8UWAfjrmilsnGzITKEV_DcUgHxGopzUKhm-Aefi/s802/Screen%20Shot%202026-01-02%20at%208.34.00%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="432" data-original-width="802" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMNSBv-fVfTZKWvAQNvPDopAW_0ZdNq2kLhLM1VT_pEfp9UFI7A_WiH9W4Z0K4AvAcGKU0E73m0kJPl6jsL0BVlnblhyphenhyphen58PJnycOSKL5hIc-P4Z14Vr_thOuGXS70GxMECbbGv8IEGRfRSRQCRR_lRs8UWAfjrmilsnGzITKEV_DcUgHxGopzUKhm-Aefi/s16000/Screen%20Shot%202026-01-02%20at%208.34.00%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: FORBIDDEN PLANET Year: 1956 Rating: ***1/2</u></td></tr></tbody></table><p>The 1950's science-fiction classic FORBIDDEN PLANET not only influenced the use of beaming people for STAR TREK, also including a crew of human explorers slowly learning that their investigative situation is dire, even deadly, but Disney's THE BLACK HOLE is basically a remake...<br><br>Both involving an old scientist and a giant sidekick robot... who remained on the titular planet, once inhabited by brilliant aliens: while his entire crew vanished on the way home, providing the search/mission for Leslie Nielson's spaceship to explore the same place that he's warned not to land on... <br></p><p><span></span></p>

anne francis, earl holliman, fifties, jack kelly, james drury, leslie nielsen, richard anderson, robert dix, science-fiction, walter pidgeon, warren stevens

ANNE FRANCIS & LESLIE NIELSEN IN THE CLASSIC 'FORBIDDEN PLANET'

Title: FORBIDDEN PLANET Year: 1956 Rating: ***1/2 The 1950's science-fiction classic FORBIDDEN PLANET not only influenced the use of bea...