FRED MACMURRAY, KIM NOVAK AND PHILIP CAREY IN 'PUSHOVER'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWTKdXFWta62lCmgnuHRfLIygduCmXKLKGcRow_D6MUvQ0m9TtbukxVPMJ40SDfd4CRIjHCe7djf5fuHt2SsSVQAMrUNvKQV_RAfGOp6PYQ4zoCy6cHSGBDBHvYhpcUQNt66c1TJquuezj9ULF6Oh4U8-9E-WzUAWQtB4I8NfwF9sfoZ-Hl_KftqPH0Y_T/s2082/Screen%20Shot%202025-08-18%20at%208.47.23%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1092" data-original-width="2082" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWTKdXFWta62lCmgnuHRfLIygduCmXKLKGcRow_D6MUvQ0m9TtbukxVPMJ40SDfd4CRIjHCe7djf5fuHt2SsSVQAMrUNvKQV_RAfGOp6PYQ4zoCy6cHSGBDBHvYhpcUQNt66c1TJquuezj9ULF6Oh4U8-9E-WzUAWQtB4I8NfwF9sfoZ-Hl_KftqPH0Y_T/s16000/Screen%20Shot%202025-08-18%20at%208.47.23%20PM.png"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Kim Novak in PUSHOVER Year: 1954 Rating: ***1/2</u></td></tr></tbody></table><p>Imagine if Fred MacMurray's crooked insurance agent was able to keep his eye on DOUBLE INDEMNITY partner-in-crime Barbara Stanwyk by becoming a detective to officially watch her apartment, and you have Richard Quine's cop-stakeout/heist-noir PUSHOVER...</p><p></p><p>The title a reference to MacMurray's instant obsession for the prologue bank robber's moll, as anyone would be for a woman so downright gorgeous as Kim Novak who, prior to the game-changing VERTIGO, is unfairly maligned as being a one-dimensional starlet... <br></p><p><span></span></p>

cop, dorothy malone, e.g. marshall, fifties, film noir or melodrama, fred macmurray, heist, kim novak, paul picerni, paul richards, philip carey, richard quine

FRED MACMURRAY, KIM NOVAK AND PHILIP CAREY IN 'PUSHOVER'

Kim Novak in PUSHOVER Year: 1954 Rating: ***1/2 Imagine if Fred MacMurray's crooked insurance agent was able to keep his eye on DOUBLE I...

MARLON BRANDO, ROBERT REDFORD & ROBERT DUVALL 'THE CHASE'

<p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ2S1R9c0adhBwlPqAXtfNCbQebk3kXQ2OypuoC2cwhnDJ3T_40lmVyuZDjWn1Ii9tBcVCqZW26NyyuBHPDnxlRBpNiwFoBRubuhCMKQOi4327IdF9ZbX6fArpcm2zfYBMyPwx0DzsiIRBm-DAeP1ClYHAuPxp4tOOCES4csBOchyphenhyphenYcqISo1JkTyxkr014/s1116/1.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="744" data-original-width="1116" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ2S1R9c0adhBwlPqAXtfNCbQebk3kXQ2OypuoC2cwhnDJ3T_40lmVyuZDjWn1Ii9tBcVCqZW26NyyuBHPDnxlRBpNiwFoBRubuhCMKQOi4327IdF9ZbX6fArpcm2zfYBMyPwx0DzsiIRBm-DAeP1ClYHAuPxp4tOOCES4csBOchyphenhyphenYcqISo1JkTyxkr014/s16000/1.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Marlon Brando in THE CHASE Year: 1966 Rating: **</u></td></tr></tbody></table><p>Whether deliberate or coincidental, director Arthur Penn attempts what Richard Fleischer pulled off a decade earlier for <a href="http://www.cultfilmfreaks.com/2022/01/VS-take2.html">VIOLENT SATURDAY</a>, combining subtle yet eventually vicious bank robbers within a comparably predictably-conservative small town bustling with the kind of soapy Douglas Sirk-style soap-operatic characters, ironically displaying behavior as flawed as the antagonists... <br></p><p></p><p></p><p></p><p></p><p></p><p></p><p>But it doesn't work here because the Robert Redford character... the town's former bad boy/escaped convict on the run in that titular CHASE that never really happens... isn't shown enough to counter within the gossiping town anticipating his return, where mumbling sheriff Marlon Brando seems to passively watch the fancy rich folk as if he were part of the movie's audience... </p><p><span></span></p>

angie dickinson, arthur penn, drama, e.g. marshall, ensemble, james fox, janice rule, katherine walsh, marlon brando, robert redford, sixties

MARLON BRANDO, ROBERT REDFORD & ROBERT DUVALL 'THE CHASE'

Marlon Brando in THE CHASE Year: 1966 Rating: ** Whether deliberate or coincidental, director Arthur Penn attempts what Richard Fleischer pu...

JOHN GUILLERMIN'S 'THE BRIDGE AT REMAGEN' WITH BEN GAZARRA

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGzNP0XqbXX9lYFs7JEbEOsq4bs8SI9AQuBjBkNNqkLS6N1A6zYDVmDpBXi7S_Jd4URsKbjKMzwLSXQuvhwGGD84mEAMBjtRyC9XmOZVTT6YKUqistWW-9HYrJ6AGEwsUXNmwvAFChM4X4JV7mGX3cvQDaCHDRHu10T7nf1YAs7vwFywV9TpOx_zdpyS_B/s1554/Screen%20Shot%202025-01-30%20at%2011.06.04%20PM%203%202.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="770" data-original-width="1554" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGzNP0XqbXX9lYFs7JEbEOsq4bs8SI9AQuBjBkNNqkLS6N1A6zYDVmDpBXi7S_Jd4URsKbjKMzwLSXQuvhwGGD84mEAMBjtRyC9XmOZVTT6YKUqistWW-9HYrJ6AGEwsUXNmwvAFChM4X4JV7mGX3cvQDaCHDRHu10T7nf1YAs7vwFywV9TpOx_zdpyS_B/s16000/Screen%20Shot%202025-01-30%20at%2011.06.04%20PM%203%202.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>George Segal and Ben Gazzara in The Bridge at Remagen Year: 1969 Rates: ***</u></td></tr></tbody></table><p>George Segal had already played a resilient soldier in a World War II movie, KING RAT, who scrounges off the dead and unlucky to make money from the living...<br><br>Which is Ben Gazarra's scene-stealing maverick role in British director John Guillermin's THE BRIDGE AT REMAGEN as secondary-lead to Segal's authority-hating, war-weary lieutenant...</p><p></p><p></p><p><span></span></p>

anna gaël, ben gazzara, bo hopkins, bradford dillman, e.g. marshall, george segal, hans christian blech, john guillermin, matt clark, robert logan, sixties, steve sandor, world war II

JOHN GUILLERMIN'S 'THE BRIDGE AT REMAGEN' WITH BEN GAZARRA

George Segal and Ben Gazzara in The Bridge at Remagen Year: 1969 Rates: *** George Segal had already played a resilient soldier in a World W...

RICHARD FLEISCHER'S TRUE CRIME ADAPTATION OF 'COMPULSION'

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjht5S2U8gasORso3U5ABnbPYmHmWRnpzSMjhmuDRPY5P1O0MPloABuXbT-2mTP8Emoqe2k238PIHbu9M4RsvQa1ciqSfqtp0gooiaUX5tJqav-jlbIkalpY5GrYQXyLeKvZfrFPyVciBGWAxsowi1CeeFunflNW6OpwR7edTp49pt9N8q7l4Ma1WE-MA/s2149/Screen%20Shot%202022-10-30%20at%202.50.42%20AM%202.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1143" data-original-width="2149" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjht5S2U8gasORso3U5ABnbPYmHmWRnpzSMjhmuDRPY5P1O0MPloABuXbT-2mTP8Emoqe2k238PIHbu9M4RsvQa1ciqSfqtp0gooiaUX5tJqav-jlbIkalpY5GrYQXyLeKvZfrFPyVciBGWAxsowi1CeeFunflNW6OpwR7edTp49pt9N8q7l4Ma1WE-MA/s16000/Screen%20Shot%202022-10-30%20at%202.50.42%20AM%202.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Poster for Dean Stockwell and Bradford Dillman in COMPULSION Year: 1959 Rating: ****1/2</u></td></tr></tbody></table><p>In-between the late Dean Stockwell's <i>green-haired</i> child actor days and the likeable chubby fella leaping through time TV-era, he was a handsome young man but always with a gritty edge... </p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p>Befitting perfectly alongside a more jovially crooked Bradford Dillman in COMPULSION directed by Richard Fleischer, who had trouble with the first-billed/third-act star Orson Welles (for tax issues more than attitude), providing a walloping anti-death penalty speech lasting ten minutes... yet by that time the best scenes had long passed...<br></p><p><span></span></p>

adaptation, bio, bradford dillman, crime, dean stockwell, e.g. marshall, fifties, gavin macleod, melodrama, orson welles, richard fleischer, robert f. simon

RICHARD FLEISCHER'S TRUE CRIME ADAPTATION OF 'COMPULSION'

Poster for Dean Stockwell and Bradford Dillman in COMPULSION Year: 1959 Rating: ****1/2 In-between the late Dean Stockwell's green-haire...

DECEMBER 7TH POST OF RICHARD FLEISCHER'S 'TORA! TORA! TORA!'

<p></p><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjR_i82NaEgwyNa6-o1iZqtF0K9HNcJypDbgsX-PEXs4Zrm73IPsRps3UFdLLlYxoKUc2wNk3mR9Y2jBmPTkjPNcSF5jtAqS9Wxtp1NKZQyzHSGVPPo_jjYLl5tp3kMM4pwHH497uAisERF/s1031/Screen+Shot+2020-12-07+at+12.06.41+AM.jpeg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1031" data-original-width="885" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjR_i82NaEgwyNa6-o1iZqtF0K9HNcJypDbgsX-PEXs4Zrm73IPsRps3UFdLLlYxoKUc2wNk3mR9Y2jBmPTkjPNcSF5jtAqS9Wxtp1NKZQyzHSGVPPo_jjYLl5tp3kMM4pwHH497uAisERF/w344-h400/Screen+Shot+2020-12-07+at+12.06.41+AM.jpeg" width="344"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: Tora! Tora! Tora! Year: 1970 Rating: ****</u><br></td></tr></tbody></table><p>American director/producer Richard Fleischer mans only half of TORA! TORA! TORA! centering before and during the bombing of Pearl Harbor, leaving the rest to the equal perspective of Japanese military leaders by Japanese filmmakers Kinji Fukasaku and Toshio Masuda, a device you wouldn't get about the German Leaders' side of World War II... </p><p></p><p>But what aspects really work made the movie fail at the box office: No big stars to outshine the subject matter along with rapid-fire subtitles, a non-dramatic, documentary realism and the true <i>main characters</i> are E.G. Marshall and Wesley Addy playing two Washington D.C. insiders using an early "fax machine" that provides enigmatic yet foreboding information, inserting a little espionage into the war genre... <br></p><p>While on the other side of the Pacific, Sô Yamamura plays Admiral Isoroku Yamamoto with far more empathy and prowess than Navy flakes Jason Robards and Martin Balsam as Generals Short and Kimmel: One demanding/commanding an extremely unwise location for all "parked" aircraft, the other ready for a cozy round of golf (exactly 79-years from today) on the fateful early morning of December 7th, 1941...</p><p>Taking up the action-packed third act with explosive widescreen glory mixed with cold and calculating reality like actually being there, though mostly as an<i> </i>impartial observer since there aren't any cliché movie-soldiers (like some naïve freckle-faced kid with a "girl back home" or the cynical cigar-chomping maverick he'd look up to): Unlike most other films on this subject, TORA! TORA! TORA! is about historical accuracy, not fictional history... <i>take that </i>Michael Bay!</p><p><span></span></p>

carl reindel, e.g. marshall, espionage, history, japanese, jason robards, martin balsam, richard fleischer, seventies, war, wesley addy, world war II

DECEMBER 7TH POST OF RICHARD FLEISCHER'S 'TORA! TORA! TORA!'

Title: Tora! Tora! Tora! Year: 1970 Rating: **** American director/producer Richard Fleischer mans only half of TORA! TORA! TORA! centering ...

NATIONAL LAMPOON'S CHRISTMAS VACATION

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiydvoTBGGqlCuTsQMg6CcOhWm603bQDvhSL5mMftLLgA-NyPzc3M3w1hobHCv-rD4Q1hR6AilywqQecj9GAAwVOcIBBzUE6Q0hqVz-GUiwE0oSyQRFgzWPkWjG7AG_sKF1HkqAroEGzfY/s1600/christmas_vacation_xlg.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiydvoTBGGqlCuTsQMg6CcOhWm603bQDvhSL5mMftLLgA-NyPzc3M3w1hobHCv-rD4Q1hR6AilywqQecj9GAAwVOcIBBzUE6Q0hqVz-GUiwE0oSyQRFgzWPkWjG7AG_sKF1HkqAroEGzfY/s320/christmas_vacation_xlg.jpg" width="213" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">year: 1989 rating: ***</td></tr> </tbody></table> The third VACATION and the second written by story creator John Hughes, CHRISTMAS is more of a reboot than a sequel, starting everything from scratch for a new generation: as if there were no other trips beforehand...<br /> <br /> Daughter Audrey is more bitter and frustrated than ever, and somehow Rusty, now with brown hair instead of blonde, is thirteen-years-old again... <br /> <br /> The kids and mom don’t amount to much anyway, merely witnessing Clark Griswold (Chevy Chase at the tail-end of his comedic peak) and his clumsy misadventures as the host of an overcrowded holiday home: including both sets of in-laws. The only real input for family’s sake is Randy Quaid’s white trash Cousin Eddie: A scene-stealer in the first film given his own fifteen minute layover, Eddie becomes Clark’s partner-in-crime. But Quaid seems to be doing an exaggerated imitation, turning Eddie into an over-the-top comic book character. Meanwhile, Clark's reactionary disdain for his cousin-in-law's gross-out personality becomes redundant, especially after the first ten times.<br /> <br /> <div style="text-align: right;"> </div> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyczycmWcJWd2qPXR2mFszXtQ9oYkh3NOwVyOw0w86akgapI-TDIAfVInW6WwvcRSO0vo361jxgCxRZRK3w4nI2Erv8t831m876FpnA2o11tuHd42pq2WTJEnfYYumHrE-tb-XWELafaQ/s1600/christmas-vacation-wide.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyczycmWcJWd2qPXR2mFszXtQ9oYkh3NOwVyOw0w86akgapI-TDIAfVInW6WwvcRSO0vo361jxgCxRZRK3w4nI2Erv8t831m876FpnA2o11tuHd42pq2WTJEnfYYumHrE-tb-XWELafaQ/s320/christmas-vacation-wide.jpg" width="218" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Chevy Chase & Randy Quaid</td></tr> </tbody></table> Most of the film's spoken jokes are limp and somewhat forced. The funniest moments rely on physical gags: the fate of a curious cat; an enraged squirrel; and Christmas house lights that refuse to work.<br /> <br /> The direction, including handheld camera and intentionally awkward moments, flows pretty well with the John Hughes script that, as usual, mixes semi dark comedy with pathos and hijinx. While the soundtrack can be spooky and ominous, befitting what’s going on in Clark’s troubled mind, successfully contrasting with the old fashion Norman Rockwell house and backdrop.<br /> <br /> Touted as a Holiday classic, this is really a hit-and-miss outing. The most family oriented Lampoon venture keeps some of the blue humor hidden yet it’s implied throughout.<br /> <br /> Glimpses of a brooding Clark at work in the office, hoping for a bonus check to buy a swimming pool, and the intrusion of a put-upon yuppie couple who live next door – victims of whatever Clark’s doing outside – are distractions to get us out of the crowded house. Yet with these sporadic reminders of real life, we often forget we’re on vacation.

beverly d'angelo, chevy chase, comedy, diane ladd, e.g. marshall, franchise, randy quaid, sequel

NATIONAL LAMPOON'S CHRISTMAS VACATION

year: 1989 rating: *** The third VACATION and the second written by story creator John Hughes, CHRISTMAS is more of a reboot than a sequ...

VALLEY GIRL DRIVES FLASH GORDON IN MY CHAUFFEUR

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRAMiuGh2Q-F8Tew-TH853HIMRxa_uxGm1bFmOf-budsW2jUlymmjME5zxPz85I2GoehtNHM1frXLTLPeXwaXTp6IHhhRQJximtp8jHutnI1a_tEDdueGJzJuDWy0Rmync5HCPkkPguwh7/s1600/Picture+18.png" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRAMiuGh2Q-F8Tew-TH853HIMRxa_uxGm1bFmOf-budsW2jUlymmjME5zxPz85I2GoehtNHM1frXLTLPeXwaXTp6IHhhRQJximtp8jHutnI1a_tEDdueGJzJuDWy0Rmync5HCPkkPguwh7/s1600/Picture+18.png" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">year: 1986 cast: Deborah Foreman, Sam Jones, Howard Hessemann, Julius Harris rating: ***1/2</td></tr> </tbody></table> <span style="font-family: "verdana" , sans-serif;">VALLEY GIRL ingenue Deborah Foreman is Casey Meadows, a free-spirited city chick stuck in the dirty job of washing dishes. She's invited to work at a Chauffeur company stuffy as an Ivy League college...</span><br /> <span style="font-family: "verdana" , sans-serif;"><br /></span> <span style="font-family: "verdana" , sans-serif;">Basically a men’s club for the snobby (especially manager Howard Hessman), the colorfully jovial Casey winds up right on the streets – driving a limo with an assortment of people including a drunken crazy rock star (who yearns to steal an old lady's panties), a mute sheik, and of course a handsome love interest: Enter FLASH GORDON hero Sam J. Jones as Battle – a millionaire’s stuffy son, he couldn’t be more different than Casey but they hit it off after an afternoon drinking binge. Yet the best scenes have Casey on her own learning the ropes while experiencing the bizarre world of rich and eccentric weirdos.</span><br /> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOZO6jACVxcvbmzS5_-O1zmDTnQh9v15bJctfJeqxOGwraOv1FrPHaxWtl-D0kFm5QA73Xw8cS8Z9I4na3-yxnBGQ484unszS5-x-NOdSK7grZLNCnelnzwp2cD-QuCpJbhhtVvUOoDpji/s1600/Picture+11.png" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOZO6jACVxcvbmzS5_-O1zmDTnQh9v15bJctfJeqxOGwraOv1FrPHaxWtl-D0kFm5QA73Xw8cS8Z9I4na3-yxnBGQ484unszS5-x-NOdSK7grZLNCnelnzwp2cD-QuCpJbhhtVvUOoDpji/s1600/Picture+11.png" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Deborah Foreman in MY CHAUFFEUR</td></tr> </tbody></table> <span style="font-family: "verdana" , sans-serif;">With the exception of a tediously overlong Penn and Teller sequence that not only drags but puts Casey in the story’s backseat, this is a bright and breezy romantic comedy where Foreman pulls off a miraculous turn as a character without limits.</span><br /> <span style="font-family: "verdana" , sans-serif;"><br /></span> <span style="font-family: "verdana" , sans-serif;">A less gifted actress couldn’t outshine the often ridiculous dialog and oddball situations. But you get the feeling that, with a pop/punk soundtrack frolicking throughout, this is an intentional cult comedy that knows how far outside the box it needs to get.</span><br /> <br /> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMhj3QdYVnBDeDAgwa1a69gzdYADrD3g_e_MKfjPXrLKrAIOA6JNi2BkQGGmlHVGCz7Qh1vwCo-xGiX3Ts5dNxXcfnxErVbnzmodVgTn9Zby2IxT7_Q0s1oR5A8395nZTRdu4NCkWbArbf/s1600/Picture+6.png" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMhj3QdYVnBDeDAgwa1a69gzdYADrD3g_e_MKfjPXrLKrAIOA6JNi2BkQGGmlHVGCz7Qh1vwCo-xGiX3Ts5dNxXcfnxErVbnzmodVgTn9Zby2IxT7_Q0s1oR5A8395nZTRdu4NCkWbArbf/s1600/Picture+6.png" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Deborah Foreman and Sam Jones in MY CHAUFFEUR</u></td></tr> </tbody></table> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEKFU_LeFGne7xXyxxdubgNpL6gWhRu8Z5k7bOyXCkdnIAp5cBxD28E0zgziQnjvKWgxVD5spHxBQy-l-WO6u-ERlU-j9xQ86MkPHfepg7xf1seBqEZxBFcKvcd8C8CFCk5RvO0jXVxf3n/s1600/Picture+1.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEKFU_LeFGne7xXyxxdubgNpL6gWhRu8Z5k7bOyXCkdnIAp5cBxD28E0zgziQnjvKWgxVD5spHxBQy-l-WO6u-ERlU-j9xQ86MkPHfepg7xf1seBqEZxBFcKvcd8C8CFCk5RvO0jXVxf3n/s1600/Picture+1.png" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Deborah Foreman's great smile</td></tr> </tbody></table> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfDDiNdgHwsR7SLKDaMCWNtKBDnvqsRAIsRHoNEtitE_m8ng97MBNUS2j6sz0Y8nvu7z0WPzGDdEdaPiDG2aulIpI7ro_aC5sGfalMQAsWw-GaOeAx4TVoPeI4l0CRy495JD3JmcXKD6pv/s1600/Picture+14.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfDDiNdgHwsR7SLKDaMCWNtKBDnvqsRAIsRHoNEtitE_m8ng97MBNUS2j6sz0Y8nvu7z0WPzGDdEdaPiDG2aulIpI7ro_aC5sGfalMQAsWw-GaOeAx4TVoPeI4l0CRy495JD3JmcXKD6pv/s1600/Picture+14.png" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Deborah Foreman listens...</td></tr> </tbody></table> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div>

comedy, deborah foreman, e.g. marshall, eighties, howard hessman, quirky, sam jones

VALLEY GIRL DRIVES FLASH GORDON IN MY CHAUFFEUR

year: 1986 cast: Deborah Foreman, Sam Jones, Howard Hessemann, Julius Harris rating: ***1/2 VALLEY GIRL ingenue Deborah Foreman is Casey...