DIRECTOR MARIO BAVA'S HORROR ANTHOLOGY 'BLACK SABBATH'

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgT97x-LVq0eqdMLDuL7B7QkEFdKFfMn4Cnx7ps0WuBmy3G5NW5Jdp-dvwsIMWJCYarygZzdqFnZHfiak5blfhS2b85WD_GUHTW4DQN8YCL11DzUn3AH81byJ_P6-itbY1EEHIAK7inEBiH2g8A730pXx39m0z_gDui_Jyt3qYTyh9oLC0c_DNXBXRoi62k/s2060/Screen%20Shot%202025-07-25%20at%204.40.52%20PM%202%202.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1038" data-original-width="2060" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgT97x-LVq0eqdMLDuL7B7QkEFdKFfMn4Cnx7ps0WuBmy3G5NW5Jdp-dvwsIMWJCYarygZzdqFnZHfiak5blfhS2b85WD_GUHTW4DQN8YCL11DzUn3AH81byJ_P6-itbY1EEHIAK7inEBiH2g8A730pXx39m0z_gDui_Jyt3qYTyh9oLC0c_DNXBXRoi62k/s16000/Screen%20Shot%202025-07-25%20at%204.40.52%20PM%202%202.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Mario Bava's BLACK SABBATH Year: 1963 Rating: ***</u></td></tr></tbody></table><p>The legacy of the feature film BLACK SABBATH on a Birmingham, England marquee across the street from where a band called Earth was rehearsing has heightened upon the death of lead singer Ozzy Osbourne... <br><br>Originally a 1963 horror-anthology more suitably titled THE THREE FACES OF FEAR (translated from I TRE VOLTI DELLA PAURA), narrated and co-starring veteran actor Boris Karloff directed by Italian horror-auteur Mario Bava, who brings the Victorian era into a darker, gloomier fashion than even the competing Hammer... <br></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p><span></span></p>

boris karloff, horror anthology, italian, jacqueline pierreux, lidia alfonsi, mario bava, mark damon, michèle mercier, rika dialyna, sixties, susy andersen

DIRECTOR MARIO BAVA'S HORROR ANTHOLOGY 'BLACK SABBATH'

Mario Bava's BLACK SABBATH Year: 1963 Rating: *** The legacy of the feature film BLACK SABBATH on a Birmingham, England marquee across t...

STEPHEN KING'S OTHER HORROR ANTHOLOGY FILM 'CAT'S EYE'

<p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpoa8fFZFye28tg94Hf0YgPQ3nFwaIlvEpPS2cK1MaqmfVwfD6ByoJ7gZrvftEqTVxK3t6i0qjcx2IyB1uGSTDh_ysPQA2rOZjOIDvVqJWZLMe3hJiJkJMa-_TN1OHHBN79hMQrX_3TIKK2P8uq5iG2WGwGPamDUDTKhTEd0hs5SM_RItMWiigO9d_iA/s780/ce3.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="302" data-original-width="780" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpoa8fFZFye28tg94Hf0YgPQ3nFwaIlvEpPS2cK1MaqmfVwfD6ByoJ7gZrvftEqTVxK3t6i0qjcx2IyB1uGSTDh_ysPQA2rOZjOIDvVqJWZLMe3hJiJkJMa-_TN1OHHBN79hMQrX_3TIKK2P8uq5iG2WGwGPamDUDTKhTEd0hs5SM_RItMWiigO9d_iA/s16000/ce3.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Robert Hays stuck again in a very high place for CAT'S EYES Year: 1985 Rating: ***1/2</u></td></tr></tbody></table><p>Iconic horror author Stephen King, backing his second anthology horror after the successful CREEPSHOW by his good friend George A. Romero and CAT'S EYE by his CUJO director Lewis Teague, doesn’t just write spooky ghost stories strictly befitting the horror genre, he conveys edgy, unimaginable nightmares...<br> <br> And in the first and best of three tales, being involved in the mafia — with or without having knowledge of it — can be pretty frightening, intimidating, and possibly lethal: for the entire family...</p><p></p><p></p><span></span>

candy clark, drew barrymore, horror, horror anthology, james woods, kenneth mcmillan, lewis teague, robert hays, stephen king, suspense

STEPHEN KING'S OTHER HORROR ANTHOLOGY FILM 'CAT'S EYE'

Robert Hays stuck again in a very high place for CAT'S EYES Year: 1985 Rating: ***1/2 Iconic horror author Stephen King, backing his sec...

ESCAPE FROM HAMMER HOUSE OF HORROR: THE SILENT SCREAM

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsTm7t2sKk0HnduYcumra6j02Rwwb0XWSLqoUdTscjw_XPdnpCKUtQ9DO5NAKdVC8wjjCpbA8PN0hzlZ-hc8NkPNbOqSPexoK2kyQRuG5UuhidT5KHFqgNg5IA6nxpXc53rwfgm49c00yWD0zdDcrsy5Ju3bk3QWGrKu4ozvTxvXyiSDaCQ-R_NsuUBA/s1994/12.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1432" data-original-width="1994" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsTm7t2sKk0HnduYcumra6j02Rwwb0XWSLqoUdTscjw_XPdnpCKUtQ9DO5NAKdVC8wjjCpbA8PN0hzlZ-hc8NkPNbOqSPexoK2kyQRuG5UuhidT5KHFqgNg5IA6nxpXc53rwfgm49c00yWD0zdDcrsy5Ju3bk3QWGrKu4ozvTxvXyiSDaCQ-R_NsuUBA/s16000/12.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;">ç</td></tr></tbody></table><p>Ironically the final vehicle for the original HAMMER FILMS wasn't a film but a television series in the anthology vein of THE TWILIGHT ZONE, or in this case THRILLER being of course produced in England, and one episode features Hammer's greatest asset, Peter Cushing as... not to spoil the twist so we'll say he's a scientist working in a surreptitious caged-animal zoo behind a pet store...</p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p>And the past legendary Cushing is cast with future horror icon Brian Cox... the latter an ex-con who met the doctor while in prison and now, newly released, answers a letter to make big money for some kind of research which, like any mad scientist venture, winds up an experiment...</p><p><span></span></p>

brian cox, eighties, elaine donnelly, hammer films, horror anthology, peter cushing, prison, science-fiction, thriller, tv series

ESCAPE FROM HAMMER HOUSE OF HORROR: THE SILENT SCREAM

ç Ironically the final vehicle for the original HAMMER FILMS wasn't a film but a television series in the anthology vein of THE TWILIGHT...

JOHN CARPENTER WITH TOBE HOOPER DIRECTING 'BODY BAGS'

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7zCvcDIrj6RaNrW-6R38fQDQ743H0aid8wp_teU1d71zHbHhdhIA5CWKeK9J15vYJDTXQ2G6ZtpA1q2eG32zwJgxvAY_mi5O4IyksCYKazrurbRPh7a8DkKbMGh5XvKCjTtXJLuFY5asEsBozVN9mLo0q3PvZXfVWY7RXjUrpY7EkFVGKzqBfCvy7jv0C/s1881/Screen%20Shot%202022-07-25%20at%209.39.05%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1050" data-original-width="1881" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7zCvcDIrj6RaNrW-6R38fQDQ743H0aid8wp_teU1d71zHbHhdhIA5CWKeK9J15vYJDTXQ2G6ZtpA1q2eG32zwJgxvAY_mi5O4IyksCYKazrurbRPh7a8DkKbMGh5XvKCjTtXJLuFY5asEsBozVN9mLo0q3PvZXfVWY7RXjUrpY7EkFVGKzqBfCvy7jv0C/s16000/Screen%20Shot%202022-07-25%20at%209.39.05%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Year: 1993 The Gas Station: **** Hair: ***1/2 Eye: *** Coroner Frame Story: *** Overall: </u><u>***1/2 </u><u> </u></td></tr></tbody></table><p>John Carpenter, director of horror classics HALLOWEEN and THE FOG, must have been influenced by TALES FROM THE CRYPT, the anthology series hosted by a longhaired smart-ass skeletal Crypt Keeper that, as The Coroner in a dusty morgue, the lanky Carpenter (donning ghoulish makeup) is fairly reminiscent of...</p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p>And the famous director’s jovially wicked performance seems like he's having fun with family and friends, showing them how the acting bug rubbed off after working with good to great actors and actresses, but he's too self conscious to make the wacky character really work. Although it's a decent enough gimmick to introduce the segment: Seeing each dead body, especially those wrapped in BODY BAGS — which means the cause isn't natural — leads creatively into three cable TV stories… The first vignette, one of two directed by Carpenter himself, is aptly titled....</p><p><span></span></p>

alex datcher, david naughton, david warner, horror anthology, john carpenter, mark hamill, nineties, peter jason, robert carradine

JOHN CARPENTER WITH TOBE HOOPER DIRECTING 'BODY BAGS'

Year: 1993 The Gas Station: **** Hair: ***1/2 Eye: *** Coroner Frame Story: *** Overall:  ***1/2 John Carpenter, director of horror classi...

LOW BUDGET BRITISH ANTHOLOGY HORROR FLICK 'SCREAMTIME'

<p></p><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio6ii85O16p1vYN46OapZzBvWATK6kBxnAEHljjEEW09uqw-wd76MhGMmhAClCsy9snQMdKgAh90uRW7XH0rj5-iJJP6Az626FlTFkESnl6WzrdxHMxvnZ-R-WavKMfm5bH8t101TgoNdd/s2042/1.jpeg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1523" data-original-width="2042" height="299" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio6ii85O16p1vYN46OapZzBvWATK6kBxnAEHljjEEW09uqw-wd76MhGMmhAClCsy9snQMdKgAh90uRW7XH0rj5-iJJP6Az626FlTFkESnl6WzrdxHMxvnZ-R-WavKMfm5bH8t101TgoNdd/w400-h299/1.jpeg" width="400"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Dione Inman in SCREAMTIME Year: 1983 Rating: ***1/2</u><br></td></tr></tbody></table><p>"They're British," says New York lowlife Vincent Russo after stealing three video rentals, "I can tell by the way they talk." But it's more than that: the mellow pace and steady acting punctuates British cinema while SCREAMTIME involves a wraparound story where two thieves insert and eject short films that <i>they and we</i> are viewing...</p><p></p><p>And the best is the first, THAT'S THE WAY TO DO IT, about creepy puppet Punch handled by an old man with a nagging wife — <i>plus</i> a goading stepson whose girlfriend Dione Inman becomes the "final girl" as the deaths leading to her climactic chase are predictably well-deserved... <br></p><p>Followed by DREAMHOUSE where a married woman is tortured by images of the title location's past: This one's more cerebral and a bit plodding yet ultimately saved by a fantastic twist, which is <i>all</i> DO YOU BELIEVE IN FAIRIES amounts to: a dirt-bike racer housesits for two ecentric old ladies... and while a Punch puppet is the first tale's tiny killer, here it's a slew of Garden Gnome statues led by wide-eyed Kim Thomson's telekinetic Fairy Queen ghost. And it's lucky those East Coast punks actually robbed a London video store since Britain's super-cheap horror flicks are usually worthwhile: Like a broken antique clock can't tell time but is still magnificent to look at, there's plenty here to savor. <br></p><p><span></span></p>

ann lynn, british, cult, dionne inman, eighties, exploitation, haunted house, horror, horror anthology, kim thomson, robin baily, vincent russo

LOW BUDGET BRITISH ANTHOLOGY HORROR FLICK 'SCREAMTIME'

Dione Inman in SCREAMTIME Year: 1983 Rating: ***1/2 "They're British," says New York lowlife Vincent Russo after stealing thre...

KAREN BLACK REFLECTS 'TRILOGY OF TERROR' AND 'NASHVILLE'

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUjabR6HMeM-iiHFi7MSsv1jWVnL3lqnD0v41vhtqZpwUrQ_Tvbp_gdh-goI10zyZesoxFYiInBtHqLcIDqaF3UdrT84OyVJnVG3IPfk2-rwG3o7Y1Gd2zP2vAWcPTlqbXwurrnlv3BWr4/s1600/1.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1078" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUjabR6HMeM-iiHFi7MSsv1jWVnL3lqnD0v41vhtqZpwUrQ_Tvbp_gdh-goI10zyZesoxFYiInBtHqLcIDqaF3UdrT84OyVJnVG3IPfk2-rwG3o7Y1Gd2zP2vAWcPTlqbXwurrnlv3BWr4/s1600/1.jpeg"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Interview with KAREN BLACK on Trilogy of Terror and Nashville</u></td></tr> </tbody></table> KAREN BLACK was an amazing actress... Known for her work on the big screen in groundbreaking indie films like EASY RIDER and especially her Oscar nominated role in FIVE EASY PIECES, she followed up with low and big budget movies alike, and television... Perhaps her most popular performance, or rather, in the case of the Dan Curtis made-for-TV anthology TRILOGY OF TERROR, <u>performances</u> was playing three (or depending how you look at it, four) characters in three chilling vignettes...<br> <br> The most memorable has Karen battling a killer doll... Although the first story really shows her range as an actress, playing a shy college professor with hidden layers...<br>

cult, dan curtis, horror, horror anthology, interview, karen black, karen black interviews, music, robert altman, seventies, thriller

KAREN BLACK REFLECTS 'TRILOGY OF TERROR' AND 'NASHVILLE'

Interview with KAREN BLACK on Trilogy of Terror and Nashville KAREN BLACK was an amazing actress... Known for her work on the big scree...

STEPHEN KING'S CAT'S EYE

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_GgsvHRvUPWWkgfn4ICOMtyZXxm34S2fFsW14G6j2wnRfUyNBpbSm_zOwJ3yOG1JqbfFoFRtQrpEyP09rNXbQPvUoXNWBudS-ovynhhefFvWsMfyLHgpf0sNwLC9TX1dA9E_geCEIsN8/s1600/catseyes1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_GgsvHRvUPWWkgfn4ICOMtyZXxm34S2fFsW14G6j2wnRfUyNBpbSm_zOwJ3yOG1JqbfFoFRtQrpEyP09rNXbQPvUoXNWBudS-ovynhhefFvWsMfyLHgpf0sNwLC9TX1dA9E_geCEIsN8/s1600/catseyes1.jpg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">year: 1985 cast: Drew Barrymore, James Woods, Robert Hays, Kenneth McMillan rating: ***1/2</td></tr> </tbody></table> <span style="font-size: x-large;"><a href="http://www.cultfilmfreaks.com/2020/04/catshow.html">REVIEW OF CAT'S EYES HAS MOVED</a></span><br /><div class="separator" style="clear: both; text-align: center;"> </div>

candy clark, drew barrymore, horror, horror anthology, james woods, kenneth mcmillan, lewis teague, robert hays, stephen king, suspense

STEPHEN KING'S CAT'S EYE

year: 1985 cast: Drew Barrymore, James Woods, Robert Hays, Kenneth McMillan rating: ***1/2 REVIEW OF CAT'S EYES HAS MOVED

PLANET TERROR

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgejOD87Pz2R-wD2iHmYlR6L9hJ-HQK5Nf0RbjQbTinLNfiJpOY9AEyPw7dZOK-YmG7p_oVAORtP-0FrPGpneO_3Tp5RO_Xpbl9h2u8m-GQzdva1X_7Z83aeC6EaTI22PctfzHR2fWpOjo/s1600/936full-planet-terror-poster.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617955474788765634" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgejOD87Pz2R-wD2iHmYlR6L9hJ-HQK5Nf0RbjQbTinLNfiJpOY9AEyPw7dZOK-YmG7p_oVAORtP-0FrPGpneO_3Tp5RO_Xpbl9h2u8m-GQzdva1X_7Z83aeC6EaTI22PctfzHR2fWpOjo/s200/936full-planet-terror-poster.jpg" style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 119px; height: 200px;" /></a><span style="font-weight: bold;">title:</span> PLANET TERROR <span style="font-weight: bold;">year: </span>2007 <span style="font-weight: bold;">cast: </span>Rose McGowan, Josh Brolin, Jeff Fahey, Freddy Rodriguez, Bruce Willis <span style="font-weight: bold;">rating: </span>***1/2 The first (and best) segment of GRINDHOUSE, teaming Robert Rodriguez and Quentin Tarantino doing their own "cheap" horror films. Plot centers on a group of survivors during an outbreak brought back from Iraq. The military is at fault as it's a send-up of the zombie genre... yet it also stands on its own merits. The characters are fantastic; standouts being Josh Brolin as an evil doctor turned "sicko" and his beautiful, beaten, closet-lesbian doctor wife. <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBHopqsA0qVoKMK6nlA_T23mOK02SV2PKV9W2AFPvr0CHSM_hIsVon0gPjv6UySZEjwoulbeOWXDuxih05l8ua1f-XxNoraQTDJSaYBCFpdZs8JIgFD_MQprNwPfLLOPE-VIFyxY0vWsQ/s1600/planet-terror-01.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617955539788713218" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBHopqsA0qVoKMK6nlA_T23mOK02SV2PKV9W2AFPvr0CHSM_hIsVon0gPjv6UySZEjwoulbeOWXDuxih05l8ua1f-XxNoraQTDJSaYBCFpdZs8JIgFD_MQprNwPfLLOPE-VIFyxY0vWsQ/s200/planet-terror-01.jpg" style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 200px; height: 150px;" /></a>You'll see a lot in the promotion with Rose McGowan as a stripper with a machine gun leg, but this happens in the last five minutes. Freddy Rodriguez makes a decent Clint Eastwood-type. Jeff Fahey is also quite good as a sloppy, tough cafe owner as is Michael Biehn as his sheriff brother and a darkly hilarious cameo by Nicky Katt (who's brilliant in THE LIMEY).<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc6wRX48WFx2xhlDbUdCHBLmuag5vMtU_H6-6ko0FxRQKvq4M9mrjXIZ9MOlpFsAEnoIDFsO9ZNybfnZbbuMv_0GXhHDKlzAQEVF_HDnJNh9FqiD0NQidqRufiPK_PGzlYoJBmif5TVvA/s1600/planet%252Bterror.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617955654419870402" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc6wRX48WFx2xhlDbUdCHBLmuag5vMtU_H6-6ko0FxRQKvq4M9mrjXIZ9MOlpFsAEnoIDFsO9ZNybfnZbbuMv_0GXhHDKlzAQEVF_HDnJNh9FqiD0NQidqRufiPK_PGzlYoJBmif5TVvA/s200/planet%252Bterror.jpg" style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 156px; height: 200px;" /></a> Not to forget Bruce Willis, Naveen Andrews and Quentin Tarantino making effective cameos. Robert Rodriguez never lets up with action but still finds time for story, and the character-development is placed perfectly within the running around, gun-fights, car chases, and mega-slayings. Bad sound, screen blotches, and missing reels are purposely added to cement the GRINDHOUSE experience (theaters that'd play several B movies in a row using cheap projectors). This makes little-to-no sense since it's a big budget CGI film, but the flaws, contrived or otherwise, don't hinder this rollercoaster ride: they only enhance it.

bruce willis, ensemble, horror anthology, josh brolin, quentin tarantino, robert rodriguez, stripper, zeroes

PLANET TERROR

title: PLANET TERROR year: 2007 cast: Rose McGowan, Josh Brolin, Jeff Fahey, Freddy Rodriguez, Bruce Willis rating: ***1/2 The first (and ...

KAREN BLACK IN TRILOGY OF TERROR

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinCrElm5e0nehBWGdE0qr-sTFdbCLZMJUxy7xbriKmgilSVoHIC6qEVVe7okxcUfvzxhF0Rr6eXYb7PtN7W9pnj0xqP4P5uo-sC48UfRnugjDT__HOlkc2PKL2aRQSsh-HX_dTDeocyLM/s1600/Trilogy7_zps50a6a897.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="486" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinCrElm5e0nehBWGdE0qr-sTFdbCLZMJUxy7xbriKmgilSVoHIC6qEVVe7okxcUfvzxhF0Rr6eXYb7PtN7W9pnj0xqP4P5uo-sC48UfRnugjDT__HOlkc2PKL2aRQSsh-HX_dTDeocyLM/s640/Trilogy7_zps50a6a897.jpg" width="640" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><b>year:</b> 1975<b> cast:</b> Karen Black, Karen Black, Karen Black<b> rating:</b> ***1/2</td></tr> </tbody></table> Seeing the wonderfully versatile Karen Black play four roles (or rather, three roles and four characters) in a TV-movie showcasing three <span style="font-style: italic;">Night Gallery</span> style stories is a great thing. The first involves an uptight spectacle-wearing college professor who's seduced by her handsome, nefarious honor student. Without giving away the twist, it's a great episode because Karen's playing someone she's not, and you'll have to watch it a second time to truly catch all her quirks and mannerisms.<br /> <br /> The next deals with two sisters: one a crotchety sourpuss, the other a sexy blond. The twist is way too obvious. Blame the writer for this, not Karen, for she plays both roles well.<br /> <br /> The third, and most entertaining, is what the movie's known for, dealing with a woman (Black again) who purchased a foot-high spear-donning Zuni Fetish Doll. If the waist-sash falls off the doll, it comes to life. And guess what falls off the doll? The little bugger chases Karen around the apartment sounding like the Tasmanian Devil on PCP – imagine Animal from the Muppets on a killing spree and there you have it. So while this final outing is the scariest tale of the bunch – dealing with a thing too small and quick to kill but that can kill you… the first story's where Black's acting (as opposed to reacting) really shines.<br /> <br /> <a href="http://www.cultfilmfreaks.com/2013/08/karen-black-trilogy-of-terror.html">KAREN BLACK TRILOGY OF TERROR INTERVIEW</a><br /> <iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/aLFqtrm2R1s" width="480"></iframe>

dan curtis, horror anthology, karen black, richard matheson, seventies

KAREN BLACK IN TRILOGY OF TERROR

year: 1975 cast: Karen Black, Karen Black, Karen Black rating: ***1/2 Seeing the wonderfully versatile Karen Black play four roles ...

TWO EVIL EYES

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQgdKKNoK2dsqMOSof5WF0kVmoLn0NvglvMfEf1xyQCgCl9Qb-WEeYxuwT2t47lBQOM-F5X_GqkaVZvl7k6Ip_qmAGS49ZZ1rgahU0JvGRoVgpfcBr1owicD1Lf61EZsTu6G8CfiVPglg/s1600/215715_179422508773235_177689438946542_418350_6917216_n-1.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5600349629094705922" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQgdKKNoK2dsqMOSof5WF0kVmoLn0NvglvMfEf1xyQCgCl9Qb-WEeYxuwT2t47lBQOM-F5X_GqkaVZvl7k6Ip_qmAGS49ZZ1rgahU0JvGRoVgpfcBr1owicD1Lf61EZsTu6G8CfiVPglg/s200/215715_179422508773235_177689438946542_418350_6917216_n-1.jpg" style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 178px; height: 200px;" /></a><span style="font-weight: bold;">title:</span> TWO EVIL EYES<br /><span style="font-weight: bold;">year: </span>1990<br /><span style="font-weight: bold;">cast: </span>Adrienne Barbeau, Harvey Keitel, Sally Kirkland<br /><span style="font-weight: bold;">rating:</span> ***<br /><br />Two Edgar Allan Poe tales directed by two masters of macabre: George Romero and Dario Argento. Romero's outing, "The Facts in the Case of Mr. Valdemar," begins as a Film Noir tribute with a crooked wife of a dying rich man. Her young lover hypnotises her husband to sign over his inheritance. When he dies, he's not really gone since he never woke from the trance. Romero's in his realm with a zombie antagonist, but unlike NIGHT OF THE LIVING and DAWN OF THE DEAD, it isn't scary and the characters aren't interesting. But Dario Argento fares better with "The Black Cat," pitting forensic photographer Harvey Keitel against an eccentric wife and a black cat, whom he kills and... it, like the husband, won't die. Neither tales do the Poe sources complete justice, missing the master's mark of claustrophobic suspense, but the Argento story is at least enjoyable: aided by an important, and extremely sexy, cameo by Sally Kirkland.

adrienne barbeau, dario argento, george romero, harvey keitel, horror anthology, nineties, sally kirkland

TWO EVIL EYES

title: TWO EVIL EYES year: 1990 cast: Adrienne Barbeau, Harvey Keitel, Sally Kirkland rating: *** Two Edgar Allan Poe tales directed by tw...