cult film freak: robert osterloh

Showing posts with label robert osterloh. Show all posts

Written by James M. Tate / 4/22/2026 / No comments / bel air productions , carol shannon , fifties , film noir or melodrama , jazz-score , john bromfield , joi lansing , mark dana , paula hill , ralph clanton , robert osterloh , thriller

JOHN BROMFIELD WITH JOI LANSING & MARK DANA IN 'HOT CARS'

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD_LsWqSvlHZ3mMNy_It7VRbV9mQiVfqp_TOch3lBGykJgeTLeDTHiPECB0Oi7NQMm6sFGlyCnoWHmmNnf8lIThihaP5DLPkNDnslZ5PiNrJ9TrffbgnlJwT0cgXvkTYk4ArmzQnOPbxUKeG16p2tVjiCWNqhvRo019yNikmaJ6pb0xcFk5EBiQCGQ1GBi/s1896/Screen%20Shot%202026-04-23%20at%203.55.32%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1044" data-original-width="1896" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD_LsWqSvlHZ3mMNy_It7VRbV9mQiVfqp_TOch3lBGykJgeTLeDTHiPECB0Oi7NQMm6sFGlyCnoWHmmNnf8lIThihaP5DLPkNDnslZ5PiNrJ9TrffbgnlJwT0cgXvkTYk4ArmzQnOPbxUKeG16p2tVjiCWNqhvRo019yNikmaJ6pb0xcFk5EBiQCGQ1GBi/s16000/Screen%20Shot%202026-04-23%20at%203.55.32%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Joi Lansing, John Bromfield, Carol Shanno & Mark Dana in HOT CARS Year: 1956 Rates: ****</u><u>*</u></td></tr></tbody></table><p>Despite not making any Film Noir lists, HOT CARS is the epitome of the seedy side of crime cinema led by an otherwise honest guy who, in this case, is ironically a used car salesman in John Bromfield, married to the perfect suburban wife and father of a sick child: thus needing extra money, and quick...</p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p>Yet the best scenes occur in the first act when Bromfield's Nick can't catch a break, mainly from bullying boss Robert Osterloh, who both sophisticated desk-set villain Ralph Clanton and handsome killer henchman Mark Dano... eventually targeting token snoopy cop Dabs Greer... are initially a nice break from...</p><p><span></span></p>

bel air productions, carol shannon, fifties, film noir or melodrama, jazz-score, john bromfield, joi lansing, mark dana, paula hill, ralph clanton, robert osterloh, thriller

JOHN BROMFIELD WITH JOI LANSING & MARK DANA IN 'HOT CARS'

Joi Lansing, John Bromfield, Carol Shanno & Mark Dana in HOT CARS Year: 1956 Rates: **** * Despite not making any Film Noir lists, HOT C...

JAMES CAGNEY CAGED UP IN 'WHITE HEAT' WITH VIRGINA MAYO

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4RAPZGyQokKL4V2ZmArdYOL8DXj4ELfZKI2OZxmp9Rzjj5jftlSKsRdcBtZfONhW_A1ADVDOtqf9n6qwmt0x0CETNDBah4Hc5ovcjqFdn4UO2T55jUfb-xysPjc4R4Y3l5gLsBH_bpCPNqmQy-ZVryojYsmnymIvnv2s42T6ypUwicpuzG2P6CjfK0nWf/s2114/Screen%20Shot%202026-02-15%20at%209.07.11%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1144" data-original-width="2114" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4RAPZGyQokKL4V2ZmArdYOL8DXj4ELfZKI2OZxmp9Rzjj5jftlSKsRdcBtZfONhW_A1ADVDOtqf9n6qwmt0x0CETNDBah4Hc5ovcjqFdn4UO2T55jUfb-xysPjc4R4Y3l5gLsBH_bpCPNqmQy-ZVryojYsmnymIvnv2s42T6ypUwicpuzG2P6CjfK0nWf/s16000/Screen%20Shot%202026-02-15%20at%209.07.11%20PM.png"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: WHITE HEAT 1949 Prison Sentence: ****1/2</u></td></tr></tbody></table><p>At the peak of the 1940's, no one but James Cagney could play the toughest guy in crime who remains the world's toughest criminal even after suffering random massive headaches where he's basically screaming and crying for his mommy, either in front of his own gang or an entire prison population...<br></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p>Simply because no one dare call him on it, making WHITE HEAT not only Cagney's greatest Classic Gangster flick but an otherwise bonafide Monster Movie within the Action-Crime arena (in one spooky sequence of lurking, vengeful menace in a rural country house, Cagney's Cody Jarrett is a "not human" Horror genre killer)...<br></p><p><span></span></p>

action, aline towne, classic gangster, crime, edmond o'brien, forties, heist, james cagney, john archer, post-heist, prison, robert osterloh, steve cochran, virginia mayo

JAMES CAGNEY CAGED UP IN 'WHITE HEAT' WITH VIRGINA MAYO

Title: WHITE HEAT 1949 Prison Sentence: ****1/2 At the peak of the 1940's, no one but James Cagney could play the toughest guy in crime ...

BURT LANCASTER IN ROBERT SIODMAK'S HEIST-NOIR 'CRISS CROSS'

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiketICUjCFEizT3tbg1Ekirxe1zpol5EENLtM4tqVwALfpJE49zwuVB4VkL06Di6KSo4h92lyb0tXvVe2JqWOoaPrB54Wcmg1Hx3lWsRSmrXbzaCVW0QPCcgqaac-8ijgpkWBEug3gT7Ups_m6eys164gFoBYKFhoxBCtbzXRKOb5BVeIJkMDalyjGjb2s/s1030/Screen%20Shot%202024-02-19%20at%203.27.40%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="656" data-original-width="1030" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiketICUjCFEizT3tbg1Ekirxe1zpol5EENLtM4tqVwALfpJE49zwuVB4VkL06Di6KSo4h92lyb0tXvVe2JqWOoaPrB54Wcmg1Hx3lWsRSmrXbzaCVW0QPCcgqaac-8ijgpkWBEug3gT7Ups_m6eys164gFoBYKFhoxBCtbzXRKOb5BVeIJkMDalyjGjb2s/s16000/Screen%20Shot%202024-02-19%20at%203.27.40%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: CRISS CROSS Year: 1949 Rating: ***</u></td></tr></tbody></table><p>Burt Lancaster became a breakout star in director Robert Siodmak's complicated heist-noir THE KILLERS, and after his followup in Jules Dassin's prison drama BRUTE FORCE, he returned with Siodmak in what's a crime thriller more scrambled than hard-boiled... and in CRISS CROSS, like that first film, Lancaster ultimately steals stolen money from a big score...</p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p>Before that is terrific shadowy-interior atmosphere including a central tavern and various apartment rooms planning a much more basic heist involving armored cars from an armored car company owned by icy villain Dan Duryea... <br></p><p><span></span></p>

burt lancaster, dan duryea, film noir or melodrama, forties, heist, robert osterloh, stephen mcnally, tom pedi, yvonne de carlo

BURT LANCASTER IN ROBERT SIODMAK'S HEIST-NOIR 'CRISS CROSS'

Title: CRISS CROSS Year: 1949 Rating: *** Burt Lancaster became a breakout star in director Robert Siodmak's complicated heist-noir THE ...

EDMOND O'BRIEN HEATS ROBERT OSTERLOH IN '711 OCEAN DRIVE'

<p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfF2P-s-JjJgRMEFtA4RZuSRp6OdSf8JHTZ-DWkmsDwJBN_XHGmeXCTldKsDCZ9BxDKWGUsEw66DUNf9DPM0z4QtXfRB63JucMrrAusfDlfKV5cqA_6QFDRgbGC40css9Lsat6uaFFoCoovDUK8QnFgsjo7ddkXyttanL_Twfk4BvgTmuh1_VTTm-WCg/s2048/DnuC8AxUcAAX3vX.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1089" data-original-width="2048" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfF2P-s-JjJgRMEFtA4RZuSRp6OdSf8JHTZ-DWkmsDwJBN_XHGmeXCTldKsDCZ9BxDKWGUsEw66DUNf9DPM0z4QtXfRB63JucMrrAusfDlfKV5cqA_6QFDRgbGC40css9Lsat6uaFFoCoovDUK8QnFgsjo7ddkXyttanL_Twfk4BvgTmuh1_VTTm-WCg/s16000/DnuC8AxUcAAX3vX.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>White Heat's Robert Osterloh & Edmond O'Brien in 711 OCEAN DRIVE Year: 1950 Rating: ****</u></td></tr></tbody></table><p>In one of the most all-out entertaining and fast-moving film noirs from the B&W-shot 1950's, the only outright/upfront flaw about 711 OCEAN DRIVE is the title... </p><p></p><p></p><p></p><p></p><p></p><p>An address where phone company employee turned bookie's tech turned powerful bookie supposedly lives, yet it's not only never stated but there's only one or two scenes at his beachfront property, having little to do with the ever-progressing plot-line...</p><p><span></span></p>

action, barry kelley, con man, crime, don porter, dorothy patrick, edmond o'brien, fifties, film noir or melodrama, hit-man, howard st. john, joanne dru, otto kruger, robert osterloh, thriller

EDMOND O'BRIEN HEATS ROBERT OSTERLOH IN '711 OCEAN DRIVE'

White Heat's Robert Osterloh & Edmond O'Brien in 711 OCEAN DRIVE Year: 1950 Rating: **** In one of the most all-out entertaining...

NEVILLE BRAND AND ROBERT OSTERLOH 'RIOT IN CELL BLOCK 11'

<p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfsUbhau1isuHzhAsz2yAaL9akzQk6SxRMjGaHHwB59opUxf3UBaTzeCFWWXMkzu3vncnqw6af371U0eJbDwo18PCn_37UN2VkJ1BtFDHrO9f-VBpX6hzTGE7BiqxlA_zxMhANxpvuqEaIMatszgeS_g-sdc22QcfKIH3mYV7N9iiChzFKX9KHNXTXrA/s1194/Screen%20Shot%202021-12-06%20at%208.06.28%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="619" data-original-width="1194" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfsUbhau1isuHzhAsz2yAaL9akzQk6SxRMjGaHHwB59opUxf3UBaTzeCFWWXMkzu3vncnqw6af371U0eJbDwo18PCn_37UN2VkJ1BtFDHrO9f-VBpX6hzTGE7BiqxlA_zxMhANxpvuqEaIMatszgeS_g-sdc22QcfKIH3mYV7N9iiChzFKX9KHNXTXrA/s16000/Screen%20Shot%202021-12-06%20at%208.06.28%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: RIOT IN CELL BLOCK 11 Director: Don Siegel Producer: Walter Wanger Year: 1954 Rating: ****</u></td></tr></tbody></table><p>One of those 1950's Film Noirs that starts out a documentary, in this case an actual warden speaking about the "riot problem" in American prisons while a montage of news footage is shown... </p><p></p><p></p><p>All occurring after the opening credits to blend with the grainy B&W story-line... as if both fact and fiction were one in the same... despite supposedly hard-edged prisoners Alvy Moore and Dabbs Greer's goofy smiles, donning upturned long-brim caps more befitting a keystone comedy...<br></p><p><span></span></p>

dabbs greer, docudrama, emile meyer, exploitation, fifties, film noir or melodrama, leo gordon, neville brand, prison, robert osterloh

NEVILLE BRAND AND ROBERT OSTERLOH 'RIOT IN CELL BLOCK 11'

Title: RIOT IN CELL BLOCK 11 Director: Don Siegel Producer: Walter Wanger Year: 1954 Rating: **** One of those 1950's Film Noirs that st...

DARREN MCGAVIN COPPING OUT 'THE CASE AGAINST BROOKLYN'

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhU_k2VkEdHRK9qAFrq69GS7dp_DjBQcqOM4S54KqI_2at_2rDvwfpWc2qm9P9dRTJvb4L9-zKYJT6qYfFuoIXTVzXuZXi1I1hv-gaHqt8M7gOgfzO9BBnPwAEJrTW6Bps8GdObTVUd0Lpa/s1794/Screen+Shot+2021-09-05+at+2.00.37+PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1278" data-original-width="1794" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhU_k2VkEdHRK9qAFrq69GS7dp_DjBQcqOM4S54KqI_2at_2rDvwfpWc2qm9P9dRTJvb4L9-zKYJT6qYfFuoIXTVzXuZXi1I1hv-gaHqt8M7gOgfzO9BBnPwAEJrTW6Bps8GdObTVUd0Lpa/s16000/Screen+Shot+2021-09-05+at+2.00.37+PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Margaret Hayes & Darren McGavin THE CASE AGAINST BROOKLYN Year: 1958 Rates: ***1/2</u></td></tr></tbody></table><p>"Maybe he's queer for widows who run garages" says a drunk and jilted Margaret Hayes to square-jawed (surreptitious to her) villain Warren Stevens, and she's talking about an undercover cop she'd uncovered in married Darren McGavin, having feigned a bachelor salesman type and whose best scenes are what led to up the poor dame being so ticked-off...<br></p><p></p><p></p><p></p><p></p><p></p><p>And she has other problems, much deeper... Her husband, owing a bundle to bookies in which Stevens was the thuggiest, fatally crashed his truck, purposefully looking like a Double Indemnity accident and leaving her to "run" the garage near a tavern where she's a wishbone between both good and bad guy... albeit both are manipulating liars... <br></p><p><span></span></p>

action, booth colman, brian g. hutton, cop, darren mcgavin, film noir or melodrama, margaret hayes, peggy mccay, robert osterloh, warren stevens

DARREN MCGAVIN COPPING OUT 'THE CASE AGAINST BROOKLYN'

Margaret Hayes & Darren McGavin THE CASE AGAINST BROOKLYN Year: 1958 Rates: ***1/2 "Maybe he's queer for widows who run garages...

JOHN BROMFIELD & CAROL SHANNON & JOI LANSING IN 'HOT CARS'

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<tr><td class="tr-caption" style="text-align: center;"><u>Joi Lansing & Carol Shannon YEAR: 1956</u></td></tr>
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A hybrid of lounge lizard and game show jazz plays during the opening credits where a quiet Los Angeles main street's lined with outlet stores across from a used car lot, and John Bromfield's Nick Dunn is so damn honest, he ironically passes the acid test for crooks: That is, the main (though polite, classy and unassuming) heavy, rolling stolen vehicles through his own larger lot, sees that Nick is the man to trust...<br />
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<tr><td class="tr-caption" style="text-align: center;"><u>Joi Lansing as Karen Winter</u></td></tr>
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Not trusted to be dishonest but to remain faithful and, like any Film Noir outing, it takes something desperate and personal for a good man to cross the line...<br />
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In this case, his child needing surgery causes Nick do what Joi Lansing and her incredible body couldn't initially persuade. And by the time our husband/dad's up to his neck in those titular HOT CARS, delivered to the illegal, seemingly untouchable nighttime operation where Nick is stuck as middleman, he's the sole target of a determined, stubborn and almost unstoppable police investigator, with no way out... Or is there? And does freedom have a price? And who's gonna pay? <br />
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The best scenes occur <i>before</i> he gets hounded and <i>right after</i> he's on board the seemingly perfect, well-paying gig as the fitfully cool, underrated movie and TV actor John Bromfield, with all the ingredients of a casual b-actor, nails the put-upon working man persona, with class to boot: A nice fit for caustic, melodramatic lines like: "That's the problem with dopes like us," to his incredibly-trusting wife, without sounding corny, or cliché: "Too much month at the end of our money."<br />
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<tr><td class="tr-caption" style="text-align: center;"><u>Bel Air Productions Presents HOT CARS Rates: ****1/2</u></td></tr>
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In cult movie retrospect, Bromfield played the flirtatious scuba diver (targeting pretty Lori Nelson who prefers humble John Agar) in REVENGE OF THE CREATURE. Though he wasn't able to "reign in heaven" as a leading man in mainstream features, he's a sublime b-leading man and does a particularly fine job here, looking handsome and boxy-muscular under well-suited work clothes... <br />
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Set in the cut-and-dry mid-1950's, the bare-boned, industrial locations, shot in fitfully sparse B&W, lends to the purgatory aesthetic as our sexy and manipulative, full-breasted "femme fatale" in Joi Lansing lights up every room. Meanwhile, her boss, Ralph Clayton as Mr. Markel... with Mark Dana's tall, square-jawed and very lethal Smiley Ward at his beckon call... make for a solid if subtle, professionally villainous trio... <br />
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<tr><td class="tr-caption" style="text-align: center;"><u>John Bromfield as Nick Dunn in Hot Cars</u></td></tr>
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Within Bel-Air Productions' Film Noir template, using more plot-points and character motivations than cinematography and lighting, instead of being an otherwise kindhearted anti-hero, Nick's a solid clean slate, working for the wrong side while that extremely pestering cop (Dabbs Greer) is the main "antagonist" albeit in protagonist's clothes: most of the second act suspense occurs between these two proverbial "good guys," one masked with an effective, royal flush poker face...<br />
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And after a slight twist, there's an intense HOUSE OF BAMBOO style action climax with Nick and an armed Smiley battling-it-out on a fast-moving, rickety rollercoaster (in Ocean Park Pier, Santa Monica). Meanwhile, an 11th hour stampede of cops move in on "poor little me" Joi Lansing and her gentleman boss, who can't flirt <i>or</i> pay their way out of how these kind of movies all wind down and end up: Learning that harsh, inevitable lesson that crime doesn't pay... at least, not for very long.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVWbEm9YKRpDxCLZvPZ-zSMo98JbdbXsgnrHjydh0Wbw8sUMyeWT16rthFvTZRTUbyFN6jYegr_DNvcE4H3FXp-maiIA9gEroJgMbi1gr-aVnlLXzz2PPJefEjBAY6VP1FYUVVBg37ZLsV/s1600/Screen+Shot+2020-06-12+at+7.46.54+PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1220" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVWbEm9YKRpDxCLZvPZ-zSMo98JbdbXsgnrHjydh0Wbw8sUMyeWT16rthFvTZRTUbyFN6jYegr_DNvcE4H3FXp-maiIA9gEroJgMbi1gr-aVnlLXzz2PPJefEjBAY6VP1FYUVVBg37ZLsV/s1600/Screen+Shot+2020-06-12+at+7.46.54+PM.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>You do plan on having CARS on this review of HOT CARS don't you</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7AyOiBoqKGlPqnMx0GyKEB3Ji5MvvkcBxI8wIvQnCFBhG9sN6uDLT-ObMjAZj7er1H8Pw27c8Z0Qe_R6kiTq5KWwJNwGjNakkeKY0RnI-mAt-LgwIXiGmFPqSKOtu4Zhp1ht5n3bgg5xN/s1600/Screen+Shot+2018-12-30+at+11.45.30+PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="759" data-original-width="1223" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7AyOiBoqKGlPqnMx0GyKEB3Ji5MvvkcBxI8wIvQnCFBhG9sN6uDLT-ObMjAZj7er1H8Pw27c8Z0Qe_R6kiTq5KWwJNwGjNakkeKY0RnI-mAt-LgwIXiGmFPqSKOtu4Zhp1ht5n3bgg5xN/s1600/Screen+Shot+2018-12-30+at+11.45.30+PM.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Jacks at the Beach, Santa Monica, Southern California inside and out</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio1cN-LxtrTu5DjPLHyWNc2qGx6h-dMDzmJC52kaI1oM9gZNUrIdZdJ5rIATOq-HiRpSArucf6V_eEWR2037MozlFMRpgCwJCUEQ-CvRiPVWQ9JsCzebG0vP1RS3zrCu2x-JC69W6Z1xoE/s1600/Screen+Shot+2018-12-18+at+2.26.32+AM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1091" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio1cN-LxtrTu5DjPLHyWNc2qGx6h-dMDzmJC52kaI1oM9gZNUrIdZdJ5rIATOq-HiRpSArucf6V_eEWR2037MozlFMRpgCwJCUEQ-CvRiPVWQ9JsCzebG0vP1RS3zrCu2x-JC69W6Z1xoE/s1600/Screen+Shot+2018-12-18+at+2.26.32+AM.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Mark Dana and John Bromfield in HOT CARS</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLCukoeLBNJAKYHxmiBXDUfdC1EexJ7Ydt3jKxTwDBzqPEiGM1_GG-mQJo4MjGkw5Wj4ZmB9Eoc9c-vQMbuKDNQpfma1rmDDoLwZ06UsGzKVEKIM0cqWC-zLSDVaeRwT16dfso4QQgkgrj/s1600/1.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1022" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLCukoeLBNJAKYHxmiBXDUfdC1EexJ7Ydt3jKxTwDBzqPEiGM1_GG-mQJo4MjGkw5Wj4ZmB9Eoc9c-vQMbuKDNQpfma1rmDDoLwZ06UsGzKVEKIM0cqWC-zLSDVaeRwT16dfso4QQgkgrj/s1600/1.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>John Bromfield w/ his first boss played by Robert Osterloh: Cagney's partner in WHITE HEAT</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitoeuS-4oXGi1a9_rjZYn_SsINbO_VRaz4Z_jptGDnAFewpduWH_x2bka55-KAMLnxXeAd7YHVHA09yHbL5ec6P62naU1R91s1S_TtliKfcNZGM-6LDOul3_Xz-Ig-eF5WM-XwcaJnTNne/s1600/2.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1285" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitoeuS-4oXGi1a9_rjZYn_SsINbO_VRaz4Z_jptGDnAFewpduWH_x2bka55-KAMLnxXeAd7YHVHA09yHbL5ec6P62naU1R91s1S_TtliKfcNZGM-6LDOul3_Xz-Ig-eF5WM-XwcaJnTNne/s1600/2.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>John Bromfield and Joi Lansing in HOT CARS</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjesbU_f2N4pRKGaKFTGx_tDN856CdD_VXVNxamnOfp97mgwbozTz008rJVgAwzBQ-KLiR-T-GCnP3h3EJlCwonGkQBRhxBMhBJVF88sDOpS-jlE5R-pgFbuZlMddiszfZgfJaNPcdpS6Ff/s1600/3.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1230" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjesbU_f2N4pRKGaKFTGx_tDN856CdD_VXVNxamnOfp97mgwbozTz008rJVgAwzBQ-KLiR-T-GCnP3h3EJlCwonGkQBRhxBMhBJVF88sDOpS-jlE5R-pgFbuZlMddiszfZgfJaNPcdpS6Ff/s1600/3.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>John Bromfield and some HOT CARS in HOT CARS</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYR9rxrn3pQiyzSovphGdeZG55lRM1bBFAj200mzzwn5o4KHeyX-8EjW0LvFC0ashaNxcDCjO64o2JkiQ_8-FO_59bNlx-wBC4AFnfFV0Y_Co_LQsxLv1Cra1EvJsOxwmFJ0jWI6coddwC/s1600/4.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1109" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYR9rxrn3pQiyzSovphGdeZG55lRM1bBFAj200mzzwn5o4KHeyX-8EjW0LvFC0ashaNxcDCjO64o2JkiQ_8-FO_59bNlx-wBC4AFnfFV0Y_Co_LQsxLv1Cra1EvJsOxwmFJ0jWI6coddwC/s1600/4.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>John Bromfield and Joi Lansing in HOT CARS</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEq7NXALMupUYc2lX3iehdjBvY1qgm6Lmv4sYK-rnduWBuW5qariV9-waQYgdddDup6jNHb-ZC3QutN8G2XIL3yjRR1dJNoqYN9_KDfmxgIVKKCK2FYtQHdvczN1vPulnTgSVerfrk8cdb/s1600/5.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1188" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEq7NXALMupUYc2lX3iehdjBvY1qgm6Lmv4sYK-rnduWBuW5qariV9-waQYgdddDup6jNHb-ZC3QutN8G2XIL3yjRR1dJNoqYN9_KDfmxgIVKKCK2FYtQHdvczN1vPulnTgSVerfrk8cdb/s1600/5.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Classy head villain Ralph Clanton with employee Nick Dunn (John Bromfield) HOT CARS</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2U3N-0l8Nd2j0XjmyZ3Avo43zIfRJZrMq7htyMVi7qE1m4f25piKrOr0f4CWX1c9RshmKANH7ylsXUpvwXERK6HnxfXDyEnhaSXaHlTbq3cLdLZLk906vHpuGCnytix7roy7idKR18maW/s1600/6.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1167" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2U3N-0l8Nd2j0XjmyZ3Avo43zIfRJZrMq7htyMVi7qE1m4f25piKrOr0f4CWX1c9RshmKANH7ylsXUpvwXERK6HnxfXDyEnhaSXaHlTbq3cLdLZLk906vHpuGCnytix7roy7idKR18maW/s1600/6.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Joi's the bad girl and Carol Shannon is the good girl aka John Bromfield's perfect wife</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1jL2rslHI_spUCEblvKcAtJq0nU5slsGnjvmn_kLp9U6TYpnlGENMTdG2qSH1HBt9olPKH4MYAT-c-75ONXeO5jJ-JkgyGTRoNhZrJMSDZdTLpPJTr64qKn8-XFbDJgxOgLYOEnRmbK1T/s1600/8.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1154" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1jL2rslHI_spUCEblvKcAtJq0nU5slsGnjvmn_kLp9U6TYpnlGENMTdG2qSH1HBt9olPKH4MYAT-c-75ONXeO5jJ-JkgyGTRoNhZrJMSDZdTLpPJTr64qKn8-XFbDJgxOgLYOEnRmbK1T/s1600/8.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Gunsmoke and Little House actor Dabbs Greer plays cop to John Bromfield HOT CARS</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9qcN-CqIl5XtjepTntVKsv17XWzy4OAj3AH12V-fvQIju9NWHM1-crZ4G0vvGkVjOqNN4QwdPu9jw4YHtdUEKHqaFiK2_STXBDd7uj3yneTwAoMdpBHKuaSOF3geS_97BoO5qpbyeADDX/s1600/12.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1186" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9qcN-CqIl5XtjepTntVKsv17XWzy4OAj3AH12V-fvQIju9NWHM1-crZ4G0vvGkVjOqNN4QwdPu9jw4YHtdUEKHqaFiK2_STXBDd7uj3yneTwAoMdpBHKuaSOF3geS_97BoO5qpbyeADDX/s1600/12.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>B-Movie actor John Bromfield winds up with C-movie actor Mark Dana as Smiley Ward</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7337D5625Dr0SY8e60Nc22PYYpmR1qX2hn7Uju-XWBk8HOHTVayCZ4Z-lPDeRr4NZqQ-B55V1ingxdFEVOhsj8E7atr1XPCTXp6-9AcsUYEQTU9vTpM9r4wDs3gYNOqx4tK_7wtO29NY/s1600/hotcars2.png" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7337D5625Dr0SY8e60Nc22PYYpmR1qX2hn7Uju-XWBk8HOHTVayCZ4Z-lPDeRr4NZqQ-B55V1ingxdFEVOhsj8E7atr1XPCTXp6-9AcsUYEQTU9vTpM9r4wDs3gYNOqx4tK_7wtO29NY/s1600/hotcars2.png" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Pay to play Joi Lansing lays in bed and dreams of fur coats in HOT CARS</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwdvkBICr4QAgRQ_8dB6CTWg_HPN3smgtj4cdcCar-YC0L7-_ZvgwzozyniuXE0XDkIzQ5fjapGZl3O0SRbVMYG5a8IdAJzUcZnwdHTMVUXImcvi_lI5gHTrhQ8Po40OEYyqEAP1OwIZxY/s1600/Screen+Shot+2018-12-18+at+2.27.37+AM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1079" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwdvkBICr4QAgRQ_8dB6CTWg_HPN3smgtj4cdcCar-YC0L7-_ZvgwzozyniuXE0XDkIzQ5fjapGZl3O0SRbVMYG5a8IdAJzUcZnwdHTMVUXImcvi_lI5gHTrhQ8Po40OEYyqEAP1OwIZxY/s1600/Screen+Shot+2018-12-18+at+2.27.37+AM.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Bel-Air Productions includes producer Howard W. Koch</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQbPE9J53AEuQvN3rtZ78-U86jti_jwvG_pP1wfYYRt_bGTxNl7Naz1e1phUzxymDM0EW66WmDpdq5U1JfPnHAQ6lQDrKWydDCShVkLU8X-xMRw_kAe60n1J_naHOUsxoN1gye6i2fJpJT/s1600/2.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1332" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQbPE9J53AEuQvN3rtZ78-U86jti_jwvG_pP1wfYYRt_bGTxNl7Naz1e1phUzxymDM0EW66WmDpdq5U1JfPnHAQ6lQDrKWydDCShVkLU8X-xMRw_kAe60n1J_naHOUsxoN1gye6i2fJpJT/s1600/2.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Marilee Earle in HOT CARS in an establishing shot that was never completed </u></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhimjRdecgtSDKuk9zv4cxSOyJ0cAG5_WkM4D45-utjKCzGegOY9TkWdf61fCwSBTB_KIY_dczuVbFGiBDvpnbyWtHMmURTjC5LJWYdJUSNXi8-xtdAyTKl4NYO-P0Jj5nBAO5tTBAxFeSQ/s1600/52762317_1090970087772801_2271302152074821632_n.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="834" data-original-width="960" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhimjRdecgtSDKuk9zv4cxSOyJ0cAG5_WkM4D45-utjKCzGegOY9TkWdf61fCwSBTB_KIY_dczuVbFGiBDvpnbyWtHMmURTjC5LJWYdJUSNXi8-xtdAyTKl4NYO-P0Jj5nBAO5tTBAxFeSQ/s1600/52762317_1090970087772801_2271302152074821632_n.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>And here's a shot of Marilee Earle in her co-starring role in <span style="font-size: small;">THE FEARMAKERS</span> w/ Dana Andrews</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhK4PUwl01aofIzdQXWDJKsOABO9NKtfTFYr6Ngvo7TB5h0pQX4E3gU76z-jIxV7UCpapaBTOXraYTrmyfv_jbC1vSfPMLifSyYqjijDxDLUox5aQ8LV9UWp2h1ALAhAfD7OCQ31lOGHULG/s1600/103688084_3235393669838224_3301050272542351997_o.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1236" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhK4PUwl01aofIzdQXWDJKsOABO9NKtfTFYr6Ngvo7TB5h0pQX4E3gU76z-jIxV7UCpapaBTOXraYTrmyfv_jbC1vSfPMLifSyYqjijDxDLUox5aQ8LV9UWp2h1ALAhAfD7OCQ31lOGHULG/s1600/103688084_3235393669838224_3301050272542351997_o.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Poster for HOT CARS starring Joi Lansing on the front with John Bromfield</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX-v4MWJ_v41Mcs7bywgivVL63BOGChVvWIuczjjBugVdR3O7Zf22zirBKnLH-h6-JldIGq6UMhXr2Qc_C5auvlx2O9BJOxOju07aeI6xkxZsfqwTr7ZH8JJ_96LyiXjOoiIpqkw9XN_-X/s1600/Screen+Shot+2020-06-12+at+7.45.58+PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1131" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX-v4MWJ_v41Mcs7bywgivVL63BOGChVvWIuczjjBugVdR3O7Zf22zirBKnLH-h6-JldIGq6UMhXr2Qc_C5auvlx2O9BJOxOju07aeI6xkxZsfqwTr7ZH8JJ_96LyiXjOoiIpqkw9XN_-X/s1600/Screen+Shot+2020-06-12+at+7.45.58+PM.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Robert Osterloh as the jerk boss Big John in HOT CARS</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOOJEm9qaQKb7Whvhk5hnZmBXy2RyJayHzejQbgY7PQ_EPT2LmmGfq5ue7he3u5jHtYDIx8wLcSBJrFTlhBFYwt7Fq2bpYn0HxGLIiK4otGpTi9yciOSQNvV5ZeUg5BvR2drj6rgoraXh0/s1600/Screen+Shot+2020-06-12+at+7.47.07+PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1198" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOOJEm9qaQKb7Whvhk5hnZmBXy2RyJayHzejQbgY7PQ_EPT2LmmGfq5ue7he3u5jHtYDIx8wLcSBJrFTlhBFYwt7Fq2bpYn0HxGLIiK4otGpTi9yciOSQNvV5ZeUg5BvR2drj6rgoraXh0/s1600/Screen+Shot+2020-06-12+at+7.47.07+PM.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Cool b-movie actors Mark Dana and John Bromfield in HOT CARS</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSMlqh3wRb6T0RAv9uhIXsAS7evSkgKCyVLJDvNnjpTfVptOtbNFzP_JPBBbGagI8RpvymsnVECKwgB0Swyl6p9EMjQoNwrwqWC7OyPqjBzIlgdb0tHuGYmrwCIusqm5cBmVaE-4VhRILH/s1600/Screen+Shot+2020-06-12+at+7.48.28+PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1185" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSMlqh3wRb6T0RAv9uhIXsAS7evSkgKCyVLJDvNnjpTfVptOtbNFzP_JPBBbGagI8RpvymsnVECKwgB0Swyl6p9EMjQoNwrwqWC7OyPqjBzIlgdb0tHuGYmrwCIusqm5cBmVaE-4VhRILH/s1600/Screen+Shot+2020-06-12+at+7.48.28+PM.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Like Sam Fuller's House of Bamboo ending in HOT CARS with John Bromfield & Mark Dana</u></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDFu0vs1lXPXwMjtVa6STeGhfyeUXQWIvSOeDqqdjOcr9PH1Ojzu2jUoDIOanpEwJ6VGyKDEOiswWzhCD-Iy-uH6oVegStDihe0Xe5Raw7w3h4OXyjo-KxSNdmMgX4Gb0GZtHBDR6V-Pj-/s1600/Screen+Shot+2020-06-22+at+1.05.33+PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1185" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDFu0vs1lXPXwMjtVa6STeGhfyeUXQWIvSOeDqqdjOcr9PH1Ojzu2jUoDIOanpEwJ6VGyKDEOiswWzhCD-Iy-uH6oVegStDihe0Xe5Raw7w3h4OXyjo-KxSNdmMgX4Gb0GZtHBDR6V-Pj-/s16000/Screen+Shot+2020-06-22+at+1.05.33+PM.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>John Bromfield and Ralph Clanton in HOT CARS</u></td></tr></tbody></table><p>
</p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYRBBenIHPlw1zicMt6bRR6hIMzJFEY5MGLWStmEXJhMKZYDla8hw6-5PQlN7tWkErzATuTA8mrFLtDVEPDlg5CEb5VHn_ZT7y00abuQ2uLG88zeSKxggFXQ1Ryz48Vi1rebsRdRLtWAoFlq6-q7BpGH4IZI9KyzSw522vC0diTSkdDLEOp0G-fsOP-JYu/s2008/1.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1478" data-original-width="2008" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYRBBenIHPlw1zicMt6bRR6hIMzJFEY5MGLWStmEXJhMKZYDla8hw6-5PQlN7tWkErzATuTA8mrFLtDVEPDlg5CEb5VHn_ZT7y00abuQ2uLG88zeSKxggFXQ1Ryz48Vi1rebsRdRLtWAoFlq6-q7BpGH4IZI9KyzSw522vC0diTSkdDLEOp0G-fsOP-JYu/s16000/1.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Mark Dana in HOT CARS</u><br /></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjf8jxygsB4Q_VhroBoY6MB3JRf_YYL0EJg6vVjsjA-3_3-xG_HZKReIZW0hCMC2CjeVHVCUP0HxBtLkpjarotnckymD9kc6j0nPI1n3oRpos2a55xARCKmunrPzXOL9mADnUR8f6Vq3Y6jzGLMlwY2jsFcxlC8cUtrB5uKwNmceXcEaXkgbWluvvwGIeEq/s1454/2.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1092" data-original-width="1454" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjf8jxygsB4Q_VhroBoY6MB3JRf_YYL0EJg6vVjsjA-3_3-xG_HZKReIZW0hCMC2CjeVHVCUP0HxBtLkpjarotnckymD9kc6j0nPI1n3oRpos2a55xARCKmunrPzXOL9mADnUR8f6Vq3Y6jzGLMlwY2jsFcxlC8cUtrB5uKwNmceXcEaXkgbWluvvwGIeEq/s16000/2.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Mark Dana on THE FBI: The Gopher</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwdHixqhZFn2AisTvbdTlGruDnqIKZ5V3NcsBLBso96Ro4UEHYKJkRBCoAVCLPllWvi9g4Obh02lxaHfCR4nM-5FDQOPVKKy5yuZB9wZ06TrbE5V-kev8xXsR0L_8Bdy5apKsR5PJHGeMRDuPuegnP31LBpXlQidJx0MPOWy0A5s0g5Z5Bjo-o1Yj9erzC/s1474/Screen%20Shot%202025-12-08%20at%2012.10.13%20PM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1022" data-original-width="1474" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwdHixqhZFn2AisTvbdTlGruDnqIKZ5V3NcsBLBso96Ro4UEHYKJkRBCoAVCLPllWvi9g4Obh02lxaHfCR4nM-5FDQOPVKKy5yuZB9wZ06TrbE5V-kev8xXsR0L_8Bdy5apKsR5PJHGeMRDuPuegnP31LBpXlQidJx0MPOWy0A5s0g5Z5Bjo-o1Yj9erzC/s16000/Screen%20Shot%202025-12-08%20at%2012.10.13%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Mark Dana in HOT CARS with John Bromfield</u></td></tr></tbody></table><br />