cult film freak: mary kay place

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Written by James M. Tate / 10/09/2022 / No comments / brian doyle murray , chevy chase , comedy , dabney coleman , eighties , fantasy , mary kay place , nell carter , patti d'arbanville , quirky , science-fiction , supernatural

CHEVY CHASE PHYSICALLY SUFFERING THROUGH 'MODERN PROBLEMS'

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGfftIUNH1maJXY0SiM92S5XtQjuqc8AtthCQarIwUvklCSQXOC5_4p5gR9rPQPrAyafvP_xNToAPQGLx_MphWhvLfSA0zX0SgxPL667Ng0i1RlHDJLz_qEsh45fjXEWE7gCRbq64rxMyYbuxErOjAEQkppZKzy38bE4FIULN_C5VjzNEIbtCwtnaqJg/s1378/3%202%202.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="832" data-original-width="1378" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGfftIUNH1maJXY0SiM92S5XtQjuqc8AtthCQarIwUvklCSQXOC5_4p5gR9rPQPrAyafvP_xNToAPQGLx_MphWhvLfSA0zX0SgxPL667Ng0i1RlHDJLz_qEsh45fjXEWE7gCRbq64rxMyYbuxErOjAEQkppZKzy38bE4FIULN_C5VjzNEIbtCwtnaqJg/s16000/3%202%202.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>year: 1981 cast: Chevy Chase, Patty D'Arbinville, Dabney Coleman Rates: ***1/2</u></td></tr></tbody></table><p>Based on the Front Page News of a then-newly-elected President Ronald Regan-era strike, Chevy Chase is a not very contented Air Traffic Controller<i>, </i>and he's having serious troubles and/or, um... well... MODERN PROBLEMS... <br>
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His convertible's been keyed... nothing compared to the nuclear waste spilled from a truck, eventually allowing him to move things at will derived from the frustration of his girlfriend leaving: Herein the orchestrated physical gags are balanced along with Chase's deadpan humor, only more-so than usual: the poor guy's downright depressed...</p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><span></span>

brian doyle murray, chevy chase, comedy, dabney coleman, eighties, fantasy, mary kay place, nell carter, patti d'arbanville, quirky, science-fiction, supernatural

CHEVY CHASE PHYSICALLY SUFFERING THROUGH 'MODERN PROBLEMS'

year: 1981 cast: Chevy Chase, Patty D'Arbinville, Dabney Coleman Rates: ***1/2 Based on the Front Page News of a then-newly-elected Pre...

KURT RUSSELL, MARTIN SHORT & MEADOW SISTO SAIL 'CAPTAIN RON'

adventure, comedy, family, kurt russell, martin short, mary kay place, meadow sisto, nineties, thom eberhardt

KURT RUSSELL, MARTIN SHORT & MEADOW SISTO SAIL 'CAPTAIN RON'

Kurt Russell, Martin Short and the beautiful Meadow Sisto in CAPTAIN RON Year: 1992 Martin Short's greatest role was in THREE AMIGOS...

CRUISING THE PSYCHEDELIC SEQUEL 'MORE AMERICAN GRAFFITI'

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<tr><td class="tr-caption" style="text-align: center;">year: 1979 cast: Paul LeMat, Charles Martin Smith, Candy Clark, Cindy Williams, Bo Hopkins rating: ***</td></tr>
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The George Lucas retro classic AMERICAN GRAFFITI showed seven kids cruising a busy Central California boulevard the night of the last day of high school, 1962, and the sequel spends an entire day and night during New Year’s Eve two years later.  <br />
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Since it’s reported at the end of the original that Paul LeMat’s cool cat John Milner – the hot rod James Dean type with the fastest car in town – was killed by a drunk driver in 1964, the sequel’s starting point has all the main characters except Richard Dreyfuss (now a writer in Canada) meeting at a drag race course to cheer on Milner at the tail end of that fateful year.<br />
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<tr><td class="tr-caption" style="text-align: center;">The gang reuniting in 1964</td></tr>
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Thus we follow the surviving characters in other New Year Eve’s throughout the sixties: Terry Toad Philips in Vietnam, 1965; Debbie in San Francisco, 1966; and Steve and Laurie Henderson in 1967. <br />
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Let's start with the most conventional characters of the original: Steve and Laurie, played by Ron Howard and Cindy Williams, who were both, at that point, known for their roles on HAPPY DAYS and the successful spin off LAVERNE AND SHIRLEY, are still a bickering couple with kids and a hellish relationship going nowhere but down, down, down.<br />
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The unhappily married duo have only wedding rings in common. Laurie wants to work but Steve, an insurance salesman, forces her to stay at home with their bratty kids. This was before Women’s Rights and Laurie wants her independence.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqrN0vbToNQm9v0ADyF1OwAdQJYtDuK7I_tgA9LkeR2ZLHOss5L0YhGK_5CEmVoR5HnSZiQJX88H-GJGVOTsvQA0P1n3Cj2-fXMZDXMxSXF4bH-ZviS-UihFB8ArMYddWchpWdIkYBDsk/s1600/more+american+graffiti+9.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqrN0vbToNQm9v0ADyF1OwAdQJYtDuK7I_tgA9LkeR2ZLHOss5L0YhGK_5CEmVoR5HnSZiQJX88H-GJGVOTsvQA0P1n3Cj2-fXMZDXMxSXF4bH-ZviS-UihFB8ArMYddWchpWdIkYBDsk/s1600/more+american+graffiti+9.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Laurie (Cindy Williams) and Steve (Ron Howard) circa 1967</td></tr>
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Speaking of independence, her little brother is a college hippie radical. The campus is part of a violent protest and he calls Laurie to bring his driver’s license, without which he can’t leave the campus and might be shipped off to war.<br />
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Laurie, like Jane Fonda in COMING HOME, is unrealistically oblivious to the counter-culture peace movement: at one point she even mentions that the kids should back the President.<br />
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<tr><td class="tr-caption" style="text-align: center;">Suburban mom Laurie (Cindy Williams) learns about being a hippie</td></tr>
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It's quickly obvious the entire purpose of this segment is the predictable character arc of both Laurie and Steve (who eventually has to rescue her): the cops are bad and the students are good.<br />
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The only thing truly worthwhile here is the music – the rest is an overly preachy agenda, proving that hippies aren’t very interesting characters: they all look the same, have similar motivations, and don’t stand apart from each other.  <br />
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Actually, <i>one </i>hippie does stand apart...<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8X1VPt9f-i4SWaDs_EWAgL8PUsFSx5bMZ1iekUJr4WiukmQ7sL-evei8JTznUosIto_3QkIhrXH-a4Z4raPyyoTm-abwyvyDvmqBX1SAf7_TO_wuzCqPV8oYOsxyj1WIsF3BRx8ArYSM/s1600/more+american+graffiti+2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8X1VPt9f-i4SWaDs_EWAgL8PUsFSx5bMZ1iekUJr4WiukmQ7sL-evei8JTznUosIto_3QkIhrXH-a4Z4raPyyoTm-abwyvyDvmqBX1SAf7_TO_wuzCqPV8oYOsxyj1WIsF3BRx8ArYSM/s1600/more+american+graffiti+2.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Debbie (Candy Clark) and boyfriend Lance arrested by Bob Falfa (Harrison Ford) circa 1966</td></tr>
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Candy Clark’s 1966 "Winter of Love" segment is bit more entertaining...<br />
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Her jerk musician boyfriend is cheating and the ever-smiling bleach-blonde Debbie accidentally winds up hanging out with a rock band: touring a cowboy bar and other venues throughout a comically hectic day and night.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjY0qCzHYBGH96iUvAMQf5mznu8iDMM-aFtw_65aeTl6xk2il-8q8jpEFvrDk1NBtJAwhkvik8SKdkT41GhlGMqsCX1LfW1j4MCbqVcma1OMy-MViX4PsD1HDw2sAJ1uWtlpj1WQTKjV28/s1600/more+american+graffiti+15.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjY0qCzHYBGH96iUvAMQf5mznu8iDMM-aFtw_65aeTl6xk2il-8q8jpEFvrDk1NBtJAwhkvik8SKdkT41GhlGMqsCX1LfW1j4MCbqVcma1OMy-MViX4PsD1HDw2sAJ1uWtlpj1WQTKjV28/s1600/more+american+graffiti+15.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Split-screen showing Candy Clark and Scott Glenn</td></tr>
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A long-haired Scott Glenn plays the lead guitarist, and Debbie only needs to realize: he’d make a much better boyfriend. There’s some decent action sequences involving the bus crashing into a building, and the music here, like Steve and Laurie's tale, is also of the psychedelic genre.<br />
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Aesthetically, the use of multi-screen (popular in 1960’s films like MEDIUM COOL, THE THOMAS CROWNE AFFAIR and the WOODSTOCK documentary) attempts to dress up a non-story.  <br />
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And Mackenzie Phillips' Carol is all grown up, now named Rainbow and appearing only sporadically: the epitome of a "guest starring" role. <br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlVFSJa0DGblfC2a6BIkeMJ7kb3BHb2PLmqCHl4FMhEwCpi4UPnSktDe_d6uxL9Z4fFa_NLk8WQe_OTBzX0biIYA1Zrh02eVC6tliPomNDkYJa7Ia2iUPrEv9PcjcfhnWu8YsLNMGo3Jw/s1600/more+american+graffiti+11.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlVFSJa0DGblfC2a6BIkeMJ7kb3BHb2PLmqCHl4FMhEwCpi4UPnSktDe_d6uxL9Z4fFa_NLk8WQe_OTBzX0biIYA1Zrh02eVC6tliPomNDkYJa7Ia2iUPrEv9PcjcfhnWu8YsLNMGo3Jw/s1600/more+american+graffiti+11.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Terry The Toad Philips in Vietnam circa 1965</td></tr>
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The best story has Terry "The Toad" Philips in Vietnam. The visual gimmick is seeing everything through what looks to be a grainy 16 millimeter film stock (liken to news reels), with only a box filling the inside of the screen with black surrounding it. <br />
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Toad and the former lead Pharaoh Little Jo, played by Bo Hopkins, hang around the muddy barracks or fly around in Hueys, dodging death at every turn (the film opens with helicopters soaring to the song HEAT WAVE).<br />
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But Toad just wants to go home through being injured and he just can’t catch a break, literally. Think of his character as Jamie Farr's Max Klinger from MASH, only instead of wearing dresses he's trying to hurt his way back home. <br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-LW4m6qCmJTgawSIpwm_8xuseo2uNcqYe63dSEdcYAXD8D5RJ28vuvs8djSDvAPN5HyMmLuk0YYFN673lVeAmL1Vs1xrrmhvc5vLtfnhMJi3sf5tQuxkpf-az4HuPrBMHfurIpDMV49I/s1600/more+american+graffiti+12.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-LW4m6qCmJTgawSIpwm_8xuseo2uNcqYe63dSEdcYAXD8D5RJ28vuvs8djSDvAPN5HyMmLuk0YYFN673lVeAmL1Vs1xrrmhvc5vLtfnhMJi3sf5tQuxkpf-az4HuPrBMHfurIpDMV49I/s1600/more+american+graffiti+12.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Bo Hopkins partners up with Toad in Vietnam</td></tr>
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The copters look cool and are reminiscent of APOCALYPSE NOW, the blockbuster that came out the same year, 1979.  <br />
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Perhaps George Lucas, who executive produced this sequel written and directed by Bill L. Norton (director of GARGOYLES), wanted a piece of what he missed out from the Francis Ford Coppola Vietnam War venture, which he was originally connected with.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgz6tyTKIHqQ2got0XgMjacTFssw-sCZ759Vl-ABWF0Ge0mIEW8QVFrLuUwBScUcAwB5egK7q3LQkO6KPGv24Sgzx5m5aKZBn53Cb1n9wAgl3o-B2qFZ5_mZM4EGGjfn57MpnRyJWzkEns/s1600/more+american+graffiti+23.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgz6tyTKIHqQ2got0XgMjacTFssw-sCZ759Vl-ABWF0Ge0mIEW8QVFrLuUwBScUcAwB5egK7q3LQkO6KPGv24Sgzx5m5aKZBn53Cb1n9wAgl3o-B2qFZ5_mZM4EGGjfn57MpnRyJWzkEns/s1600/more+american+graffiti+23.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Huey Copters skim the river</td></tr>
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The use of Motown hits (circa 1965) works well during the Vietnam story, jovially contrasting with the bloody battles while the cinematography captures the deep dark green colors of 'Nam. The theme song of John Wayne's THE GREEN BERETS also serves as a caustic anthem for the anti-war proceedings. <br />
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This adventurous segment is all about Toad first trying to find a shortcut home and then teaming with a Gung Ho soldier (James Houghton), who eventually realizes war is a living/breathing hell: something Toad knew all along.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH0tTWzNnAbnxJtuAwq5QZg3qbUUz_brN49O6FMUv3GJdqNVIY0hR2RBwDDY7ZW3VVF3PGA2q01Tbv3PaIwhTYbMiUc3pqEpwfljIexFz3U2Asg9IxeW5Td02iZmIz_FL9VxI6tzuo4nQ/s1600/more+american+graffiti+19.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH0tTWzNnAbnxJtuAwq5QZg3qbUUz_brN49O6FMUv3GJdqNVIY0hR2RBwDDY7ZW3VVF3PGA2q01Tbv3PaIwhTYbMiUc3pqEpwfljIexFz3U2Asg9IxeW5Td02iZmIz_FL9VxI6tzuo4nQ/s1600/more+american+graffiti+19.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">John Milner's yellow dragster</td></tr>
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Last but not least is the John Milner drag racing story, taking place on and off the crowded and colorful California race grounds...<br />
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Milner is a good driver but can’t get a sponsor, and has to win a few quick jaunts in order for corporate-backed teams to take interest.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpgi7xXeRQVpCL3dwgrgymrUn-pm7zN6CuJ-HpLYZZD7bhQVj5gvsuuQl2PHNleogb9gSkC199TzjUFNwNUI4Cl3QEjs0a9JrVacC3Z54tQ88CpWq-BW9CDMpYrRz24rIsEWf_K-aGuuc/s1600/anna+bjorn+29.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpgi7xXeRQVpCL3dwgrgymrUn-pm7zN6CuJ-HpLYZZD7bhQVj5gvsuuQl2PHNleogb9gSkC199TzjUFNwNUI4Cl3QEjs0a9JrVacC3Z54tQ88CpWq-BW9CDMpYrRz24rIsEWf_K-aGuuc/s1600/anna+bjorn+29.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">John Milner with dream girl Eva (Anna Bjorn) circa 1964</td></tr>
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Here’s where the best (and really, the only) love story resides. Gorgeous blond model Ana Bjorn plays a naive foreign exchange student named Eva from Sweden… no, Iceland… that hangs around Milner like a lost puppy.<br />
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Eva doesn’t speak a lick of English but they have sparks. Ken Place (the cop in THE BIG CHILL and brother of Mary Kay Place, who has a small part) is a worthy antagonist as Milner’s drag strip rival, filling in the shoes of Harrison Ford’s Bob Falfa (turning up as a cop in the Candy Clark segment).<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTyyJJVr7rE-Csg3Z_7cDcxSe-PgUpCKmG0Gkd9OJukjVIAolUZYcOlO2wz2FWjzQiiHBRqA_1a3lsHKOXAvXMwLNaZx00L0t8DQD4R7ZmeEZdE-jGOCsoMh4k2yPqWwoBW3p28kqSJV4/s1600/more+american+graffiti+13.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTyyJJVr7rE-Csg3Z_7cDcxSe-PgUpCKmG0Gkd9OJukjVIAolUZYcOlO2wz2FWjzQiiHBRqA_1a3lsHKOXAvXMwLNaZx00L0t8DQD4R7ZmeEZdE-jGOCsoMh4k2yPqWwoBW3p28kqSJV4/s1600/more+american+graffiti+13.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The dragsters prepare to race</td></tr>
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The drag strip races aren’t very exciting since the sleek speedsters roll for a total of five seconds before crossing the finish line, lacking the freewheeling spontaneity of the hot rods in the original.<br />
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Plus, Milner doesn't have his entire reputation to lose this time. His character, although very likable, is somewhat pointless throughout, especially since we know his hours are numbered.    <br />
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But this is still the second best story, ending with JM's famous yellow Deuce Coupe cruising down the midnight highway towards a pair of oncoming headlights – his death immanent.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAlq-9A0vytYJXLFF0julAQLGMXHrhuQZZS5VImVRpSDZjYCxGs4Pw1yVLGSRPo5W4qw_HbP3NZEJOM6LA8qjwF9GvD4JqSAyam30ubehnJzxVFmLYOlH7t6ZZ27hpx2KdvlRTfnzBbls/s1600/more+american+graffiti+20.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAlq-9A0vytYJXLFF0julAQLGMXHrhuQZZS5VImVRpSDZjYCxGs4Pw1yVLGSRPo5W4qw_HbP3NZEJOM6LA8qjwF9GvD4JqSAyam30ubehnJzxVFmLYOlH7t6ZZ27hpx2KdvlRTfnzBbls/s1600/more+american+graffiti+20.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">John Milner's Deuce Coupe heads for an implied disaster </td></tr>
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In many ways this is an unnecessary sequel but it’s nice to see the characters together again, even though they’re mostly apart.<br />
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The soundtrack (highlighted by Donovan's "Season of the Witch" followed by Cream, The Grateful Dead, a live appearance by Country Joe and the Fish and concluding with Bob Dylan's "Like A Rolling Stone") stands out more than the actual film, and the acting makes it a more than worthy viewing. <br />
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So while this visual experience is basically an “eight-foot ballerina,” there are times she can actually dance.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq__kpfZPswJygXfen8_2Qk-KjddRKt_-CgPYKYg1pIZStVtlUoP7UEfK5HdRcdvYeDlLqVGSeXrRrhtTw9ufTBgqRLB9wBmjdOo7Cjvvl25UE1NsoyfcScBo0qtILLEAoer8ERA85kjY/s1600/more+american+graffiti+999999.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq__kpfZPswJygXfen8_2Qk-KjddRKt_-CgPYKYg1pIZStVtlUoP7UEfK5HdRcdvYeDlLqVGSeXrRrhtTw9ufTBgqRLB9wBmjdOo7Cjvvl25UE1NsoyfcScBo0qtILLEAoer8ERA85kjY/s1600/more+american+graffiti+999999.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Naomi Judd (far left) sings "Baby Love" with Cindy Williams</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM9fNG7bEzHCxhcAfwRWszcFosAZlIZ-KjCvei3Sj9mjU15W1ERG9If08twjqyioAnliMg55TCMew08jgdqkoSKvgMB9xJzOy00ZGh70WTTdmtwakbMo9lxScqUgwLff8bAg79d5IC92Q/s1600/more+american+graffiti+999.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM9fNG7bEzHCxhcAfwRWszcFosAZlIZ-KjCvei3Sj9mjU15W1ERG9If08twjqyioAnliMg55TCMew08jgdqkoSKvgMB9xJzOy00ZGh70WTTdmtwakbMo9lxScqUgwLff8bAg79d5IC92Q/s1600/more+american+graffiti+999.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Delroy Lindo as an Army Sergeant barking orders at Toad</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjECHugqZHe0p-U2HdQfc0_ImRLbrZAJG8xd0y66qF9KNnoCtZO7hiHteCvHJtTrDr94l-WISt9tMq6FLri-7aazmjzWQPM19HdzDGj7mSQWnyVVHTwmjP1JG2gJzG7MDj6er_oBiTROK0/s1600/more+american+graffiti+99.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjECHugqZHe0p-U2HdQfc0_ImRLbrZAJG8xd0y66qF9KNnoCtZO7hiHteCvHJtTrDr94l-WISt9tMq6FLri-7aazmjzWQPM19HdzDGj7mSQWnyVVHTwmjP1JG2gJzG7MDj6er_oBiTROK0/s1600/more+american+graffiti+99.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mary Kay Place as Eva's friend Teensa</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCEHbZ2K9DyF3yjaD8UwmnmrtuO4jfcpcYFANuoDLZxFPTw3EwWmlNk4Sm3KZVAQJbWbYLcEueBzYKHyvTgKbRsJ4UNqZz_hFBRZreeuCBn4I4EkziISupcUy5PAtEL8tQGdgp141bQ_M/s1600/more+american+graffiti+99999.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCEHbZ2K9DyF3yjaD8UwmnmrtuO4jfcpcYFANuoDLZxFPTw3EwWmlNk4Sm3KZVAQJbWbYLcEueBzYKHyvTgKbRsJ4UNqZz_hFBRZreeuCBn4I4EkziISupcUy5PAtEL8tQGdgp141bQ_M/s1600/more+american+graffiti+99999.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Eva (Anna Bjorn) covers her ears from...</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQFIV3oThHm7IuDtFf-3C85PkzZZ1rNVjVj5DEPFYw1RGsmc15PNjIl2GWOsHzHbvl1F7efGC4vwu2gFj0xizOavPaMcSrb7zSysJ3Aic7eQuhC0lYGO0PS9V6SxueGkymVCujVco1X5A/s1600/more+american+graffiti+9999.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQFIV3oThHm7IuDtFf-3C85PkzZZ1rNVjVj5DEPFYw1RGsmc15PNjIl2GWOsHzHbvl1F7efGC4vwu2gFj0xizOavPaMcSrb7zSysJ3Aic7eQuhC0lYGO0PS9V6SxueGkymVCujVco1X5A/s1600/more+american+graffiti+9999.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The roar of the dragsters warming up</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZ4wGLrGQchZuttF6Fn1aIiPSbn-e085R95kJWYF6InsvK3RQdbg9Er36sy7n6CycXtohvyE11LZ9ljsTGyfDtHpiITxX76IvSCXvxU4jm__LxG31rDm499j6caW5DK-G71h0-PmCNRPY/s1600/more+american+graffiti+4.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZ4wGLrGQchZuttF6Fn1aIiPSbn-e085R95kJWYF6InsvK3RQdbg9Er36sy7n6CycXtohvyE11LZ9ljsTGyfDtHpiITxX76IvSCXvxU4jm__LxG31rDm499j6caW5DK-G71h0-PmCNRPY/s1600/more+american+graffiti+4.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Paul LeMat as John Milner</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH5GmiXMV8m6YzTt4K7K5_iKBtXgJbNjKmBGXfc2Dw0cLasl4dYZG6mw0yVq-VPhBaC8fSDRmrbF8lzOaHjpidU8g-1rWLyrC4pJdMGqXdE0-iE3yScfLMAX3FfkfPMeMwH0ONP7EjV78/s1600/anna+bjorn+6.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhH5GmiXMV8m6YzTt4K7K5_iKBtXgJbNjKmBGXfc2Dw0cLasl4dYZG6mw0yVq-VPhBaC8fSDRmrbF8lzOaHjpidU8g-1rWLyrC4pJdMGqXdE0-iE3yScfLMAX3FfkfPMeMwH0ONP7EjV78/s1600/anna+bjorn+6.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Antagonist driver Ken Place with Anna Bjorn</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgINUsJKVbNhxpZGP65uACQOqtMmzVQhTZbvmQa1y7VMRWT4YSfNmLuf1kvUapIWXaAcBXFqzp61ynzrI6MKNFRotItGgz2HBvf6RnakLlNj06o3J7M2C8tflK6aPvXNAzRLpA0RrrhnC4/s1600/anna+bjorn+25.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgINUsJKVbNhxpZGP65uACQOqtMmzVQhTZbvmQa1y7VMRWT4YSfNmLuf1kvUapIWXaAcBXFqzp61ynzrI6MKNFRotItGgz2HBvf6RnakLlNj06o3J7M2C8tflK6aPvXNAzRLpA0RrrhnC4/s1600/anna+bjorn+25.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Anna Bjorn's Eva watches Milner race </td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4pfdz2X3v8_sudEorERighKLgISltYKTSEfVcBbeRBXBdx2CG1YD1qOdMlKg7S-lWoM4no7IfTce6dVUtoANNdb2maqBixCg7IVZhrAcYVpIyB7LB9xAjNmmN85SzhBoryTCWXhXQS-c/s1600/anna+bjorn+28.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4pfdz2X3v8_sudEorERighKLgISltYKTSEfVcBbeRBXBdx2CG1YD1qOdMlKg7S-lWoM4no7IfTce6dVUtoANNdb2maqBixCg7IVZhrAcYVpIyB7LB9xAjNmmN85SzhBoryTCWXhXQS-c/s1600/anna+bjorn+28.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mary Kay Place with Anna Bjorn</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhszbigUYyHzXtAWLFOHyW5BTWHJaWuhgx0fkvt4Iy2rxXH0hMLwR4jcVyZea2m-gTU1PPHuAD2kXMjFDQXJWxctkTw9v5OksocECdMlTyYMt3clRNQpPqvCbBPyA0CjrLkvKwngWGWH-g/s1600/more+american+graffiti+3.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhszbigUYyHzXtAWLFOHyW5BTWHJaWuhgx0fkvt4Iy2rxXH0hMLwR4jcVyZea2m-gTU1PPHuAD2kXMjFDQXJWxctkTw9v5OksocECdMlTyYMt3clRNQpPqvCbBPyA0CjrLkvKwngWGWH-g/s1600/more+american+graffiti+3.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Apocalypse Now style hueys and a great font for MORE AMERICAN GRAFFITI</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhTZ3jWZbdgAvDpW16_aIIVVTvj2hw03OPwFiOoUrYdnq4YdQZ9EPdXJ-ixHPuhO1CbsLoVR9qbBJztYNnZAlJFLGXyWe6TJaTqBwn1ZxRfVdBUybumdopRG8jIhF3epqyYguK1WjqV5qe/s1600/Screen+Shot+2019-04-20+at+2.53.50+AM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1482" data-original-width="1430" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhTZ3jWZbdgAvDpW16_aIIVVTvj2hw03OPwFiOoUrYdnq4YdQZ9EPdXJ-ixHPuhO1CbsLoVR9qbBJztYNnZAlJFLGXyWe6TJaTqBwn1ZxRfVdBUybumdopRG8jIhF3epqyYguK1WjqV5qe/s1600/Screen+Shot+2019-04-20+at+2.53.50+AM.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>All Region Import Blu Ray signed by Candy Clark, Bo Hopkins and Paul LeMat MORE AMERICAN GRAFFITI</u></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPgC7THVww7_br6ul9LHBqG6Nav5mgvQ8-JMacMvyoE8zPdsmTobZfzwzw1fyeGQbJodtGWNZ9XuLsz3XT_VFDJwOKaoFZjibKXGWed5WvCWN3O7p9LoKJTL-RPLcBcc7y1M85yzbGUw5L/s1600/57465183_688141304948382_4218342807401660416_o.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="618" data-original-width="1291" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPgC7THVww7_br6ul9LHBqG6Nav5mgvQ8-JMacMvyoE8zPdsmTobZfzwzw1fyeGQbJodtGWNZ9XuLsz3XT_VFDJwOKaoFZjibKXGWed5WvCWN3O7p9LoKJTL-RPLcBcc7y1M85yzbGUw5L/s1600/57465183_688141304948382_4218342807401660416_o.jpeg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Monica Tenner as Moonchild in MORE AMERICAN GRAFFITI (if this is her)</u></td></tr>
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