cult film freak: kim novak

Showing posts with label kim novak. Show all posts

Written by James M. Tate / 8/17/2025 / No comments / cop , dorothy malone , e.g. marshall , fifties , film noir or melodrama , fred macmurray , heist , kim novak , paul picerni , paul richards , philip carey , richard quine

FRED MACMURRAY, KIM NOVAK AND PHILIP CAREY IN 'PUSHOVER'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWTKdXFWta62lCmgnuHRfLIygduCmXKLKGcRow_D6MUvQ0m9TtbukxVPMJ40SDfd4CRIjHCe7djf5fuHt2SsSVQAMrUNvKQV_RAfGOp6PYQ4zoCy6cHSGBDBHvYhpcUQNt66c1TJquuezj9ULF6Oh4U8-9E-WzUAWQtB4I8NfwF9sfoZ-Hl_KftqPH0Y_T/s2082/Screen%20Shot%202025-08-18%20at%208.47.23%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1092" data-original-width="2082" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWTKdXFWta62lCmgnuHRfLIygduCmXKLKGcRow_D6MUvQ0m9TtbukxVPMJ40SDfd4CRIjHCe7djf5fuHt2SsSVQAMrUNvKQV_RAfGOp6PYQ4zoCy6cHSGBDBHvYhpcUQNt66c1TJquuezj9ULF6Oh4U8-9E-WzUAWQtB4I8NfwF9sfoZ-Hl_KftqPH0Y_T/s16000/Screen%20Shot%202025-08-18%20at%208.47.23%20PM.png"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Kim Novak in PUSHOVER Year: 1954 Rating: ***1/2</u></td></tr></tbody></table><p>Imagine if Fred MacMurray's crooked insurance agent was able to keep his eye on DOUBLE INDEMNITY partner-in-crime Barbara Stanwyk by becoming a detective to officially watch her apartment, and you have Richard Quine's cop-stakeout/heist-noir PUSHOVER...</p><p></p><p>The title a reference to MacMurray's instant obsession for the prologue bank robber's moll, as anyone would be for a woman so downright gorgeous as Kim Novak who, prior to the game-changing VERTIGO, is unfairly maligned as being a one-dimensional starlet... <br></p><p><span></span></p>

cop, dorothy malone, e.g. marshall, fifties, film noir or melodrama, fred macmurray, heist, kim novak, paul picerni, paul richards, philip carey, richard quine

FRED MACMURRAY, KIM NOVAK AND PHILIP CAREY IN 'PUSHOVER'

Kim Novak in PUSHOVER Year: 1954 Rating: ***1/2 Imagine if Fred MacMurray's crooked insurance agent was able to keep his eye on DOUBLE I...

BRIAN KEITH AND KERWIN MATTHEWS IN '5 AGAINST THE HOUSE'

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm9c7h3NYNx6OF-0JMC-MWDPBa3zRlYI3ofeWCZ35mR4C7F_RXsDgT2h3_0BLSq8eKaMmQ7X09wYiDyCBwGtOVnYvmtygg_L4TpPGa5tB4RvGWExxgXryWeQaJDPXY1SX096c6HnZaTDXJm9zJUU4GIVaPqD9jCYVYyYgAF4GBMZKsmMLpW4ifSIyYpS8d/s1096/Screen%20Shot%202022-07-29%20at%201.06.47%20AM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="601" data-original-width="1096" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm9c7h3NYNx6OF-0JMC-MWDPBa3zRlYI3ofeWCZ35mR4C7F_RXsDgT2h3_0BLSq8eKaMmQ7X09wYiDyCBwGtOVnYvmtygg_L4TpPGa5tB4RvGWExxgXryWeQaJDPXY1SX096c6HnZaTDXJm9zJUU4GIVaPqD9jCYVYyYgAF4GBMZKsmMLpW4ifSIyYpS8d/s16000/Screen%20Shot%202022-07-29%20at%201.06.47%20AM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: 5 AGAINST THE HOUSE Year: 1955 Rating: **</u></td></tr></tbody></table><p>There are more snags in making 5 AGAINST THE HOUSE a decent heist-noir-thriller than the student crooks have robbing a Reno Nevada casino, and, yes, they're all too old for college but this group of Korean War vets are using the GI Bill to get degrees they couldn't while in battle...</p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p>And it's a pretty decent cast including Brian Keith mirroring William Bendix's shell-shocked character from another noir, THE BLUE DAHLIA (albeit a womanizing version, picking up on the pretty likes of older Jean Willes and younger Kathryn Grant)... but HOUSE is no classic...</p><p><span></span></p>

alvy moore, brian keith, ensemble, fifties, film noir or melodrama, gambling, guy madison, heist, jean willes, kathryn grant, kerwin matthews, kim novak

BRIAN KEITH AND KERWIN MATTHEWS IN '5 AGAINST THE HOUSE'

Title: 5 AGAINST THE HOUSE Year: 1955 Rating: ** There are more snags in making 5 AGAINST THE HOUSE a decent heist-noir-thriller than the st...

ELIZABETH TAYLOR AND ROCK HUDSON IN 'THE MIRROR CRACK'D'

<p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE90_RmM97TL6PXg0Gfl2IwoGp5BwLBgeqoWlxbUh8biH4tU_CLoIvEs4yGl-th2PnFGiwv2g1f8LIGVTOQE0gVHv-8jANJoSGscnmzTyxm7hi4-pIVVmmIhDH-NxsnLBJ0HvQliW0daj1SsctRRlycRn2zGb4YmiAoJ3SIZ9UouB6AlLAHoIjnx_Z6JxG/s1415/0.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="684" data-original-width="1415" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE90_RmM97TL6PXg0Gfl2IwoGp5BwLBgeqoWlxbUh8biH4tU_CLoIvEs4yGl-th2PnFGiwv2g1f8LIGVTOQE0gVHv-8jANJoSGscnmzTyxm7hi4-pIVVmmIhDH-NxsnLBJ0HvQliW0daj1SsctRRlycRn2zGb4YmiAoJ3SIZ9UouB6AlLAHoIjnx_Z6JxG/s16000/0.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: THE MIRROR CRACK'D Year: 1980 Director: Guy Hamilton Rating: ***1/2</u></td></tr></tbody></table><p>The most breezily enjoyable of the John Brabourne/Richard Goodwin adaptations of Agatha Christie whodunits, THE MIRROR CRACK'D resembles an upper scale TV-movie more than a lower budgeted big screener, so it looks terrific but without having to prove too much... </p><p></p><p></p><p>And, filmed in England, it's the most British of all the British productions including MURDER ON THE ORIENT EXPRESS and DEATH ON THE NILE before and EVIL UNDER THE SUN after, cases solved by Hercules Poirot while this belongs to Christie's other famous snoop, Miss Marple, here played by Angela Lansbury...</p><p><span></span></p>

agatha christie, british, eighties, elizabeth taylor, ensemble, geraldine chaplin, guy hamilton, hollywood satire, kim novak, maureen bennett, mystery, rock hudson, tony curtis, wendy morgan

ELIZABETH TAYLOR AND ROCK HUDSON IN 'THE MIRROR CRACK'D'

Title: THE MIRROR CRACK'D Year: 1980 Director: Guy Hamilton Rating: ***1/2 The most breezily enjoyable of the John Brabourne/Richard Goo...

WILLIAM HOLDEN & KIM NOVAK STAR IN A CAMPY 'PICNIC'

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<tr><td class="tr-caption" style="font-size: 12.8px;"><div style="text-align: center;">
<u>Year of Release: 1955</u></div>
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"At a PICNIC, everybody disappears." This line from one of the creepiest-of-schlock, unintentionally strange and eerie motion pictures ever, proving that, in many cases, Film Noir or Science-Fiction are the purest, safest forms of cinema when delving into the 1950's...<br>
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<tr><td class="tr-caption" style="text-align: center;"><u>Camp Value: **1/2</u></td></tr>
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Starring William Holden, ten years too old for the part of a grownup-kid-type, about a decade out of college visiting the small town where old pal Cliff Robertson romances local beauty Kim Novak, whose little sister, played by future PSYCH-OUT starlet Susan Strasberg, innocently flirts with Holden's mysterious gentleman nomad who's been around the block more than anyone in the conservative setting: where the titular PICNIC is the centerpiece including Novak being worshiped in a swan boat while the town sings a dirge-paced "Ain't She Sweet" along with a barber shop quartet lined across, before and beyond a storybook bridge...<br>
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<tr><td class="tr-caption" style="font-size: 12.8px; text-align: center;"><u>Regular Movie Score/Value: *1/2</u></td></tr>
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The stagey (clumsily based on a play) dialogue is godawful, including a description of dusk being clouds having one last "scrap" in the sky, or when Holden — after his (as seen in every poster) shirt's torn to partially display his famously muscular SUNSET BLVD bod (itself looking decades younger than his handsomely devilish, timeworn mug) — says, "She saw through me like an X-Ray machine," or, to Novak, about to wait beneath her window till the promise of a technicolor dawn, "You make me feel important... No! You make me feel... Patient!"<br>
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And right beforehand: "I'm getting tired of... just being told I'm... pretty," complains Novak as she's deliberately driven off from the PICNIC by Holden's primal beast, resembling more of an insurance salesman on a lost weekend than an ex-convict back on the run from the law, and this time from  kissing the prettiest girl in town in front of his rich buddy/her pseudo boyfriend, Robertson, whose incessant whine, along with Holden's monotone delivery when he's not feigning drunken youth in an awkward, goofy fashion, makes mincemeat of two otherwise great actors. "Let me go, you bum," Robertson shouts to his rougher/tougher ex-crony: "You no good... hobo!" All to the sound of that decade's type of fiercely melodramatic score locked inside of haunting reverberation. That is, until an occasional waist-up-lustful samba-beat ensues as the dames become sporadically mesmerized by Holden's boisterous yet enigmatic persona like daft, dizzy schoolgirls to a flashing image on a picture show screen. Which could be the intention all along. The characters are both the performers and audience.
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cliff robertson, fifties, kim novak, romance, susan strasberg, william holden

WILLIAM HOLDEN & KIM NOVAK STAR IN A CAMPY 'PICNIC'

Year of Release: 1955 "At a PICNIC, everybody disappears." This line from one of the creepiest-of-schlock, unintentionally s...

WILL SAMPSON DOUBLE CREATURE 'ORCA' & 'WHITE BUFFALO'

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<tr><td class="tr-caption" style="font-size: 12.8px; text-align: center;"><u>Poster for ORCA THE KILLER WHALE</u></td></tr>
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With a brooding soundtrack, composed by genius maestro Ennio Morricone, orchestrating the title killer whale seeking revenge on Richard Harris's Neo-Ahab, Captain Nolan, for killing the whale's pregnant mate, ORCA is more an oceanic Spaghetti Western than an outright "Creature Feature."<br>
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Once narrowed into the hunt, as Harris — like JAWS scene-stealer, Quint, played by Robert Shaw, did with his two-man-crew to the Great White —leads ORCA (the name of Quint's boat, which means "a large toothed whale") out to sea, or vice versa, it's an entertaining adventure. But in order to make the audience forget about the 1975 shark thriller, this campy whale tale throws it right into our face with a menacing Great White's dorsal fin heading towards a young crewman (Robert Carradine) — only to be saved, at the last minute, by the one monstrosity more powerful than even Spielberg's Carcharodon Carcharias...<br>
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<tr><td class="tr-caption" style="text-align: center;"><u>Foreign DVD Artwork beats our own</u></td></tr>
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But it's the horrendously melodramatic revenge aspect, from the whale against the seafaring Captain, that shifts ORCA into camp-howler territory. One scene involving Harris, a hunter combination of Shaw (along with scruffy boat pilot Keenan Wynn) and Roy Scheieder, and an oceanographic Richard Dreyfuss in the exotic French starlet Charlotte Rampling, the whale actually sees (with a knowing, narrowed eye) his foe seconds after <i>actually</i> causing the sea-town, curved along the surrounding shoreline, to explode in massive flames...<br>
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<tr><td class="tr-caption" style="text-align: center;"><u>Will Sampson, Charlotte Rampling and Richard Harris</u></td></tr>
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Here's when our doomed anti-hero is forced seaward, going deeper and deeper into the Killer Whale's territory and, straight from the brawny pages of Herman Melville or even Ernest Hemingway, the macho captain wants the whale dead too — what the giant mammal did to Harris's gorgeous friend (a pre-fame Bo Derek) adds fiery insult to injury.... Making up for overlong bouts of tedious arguments on board, the pivotal, entertaining "body count" occurs in the style of a violent and bloody 1970's horror/exploitation flick, and like JAWS, the suspense is channelled into a steady pulse when the creature, unseen, is anticipated within the dark waters — but not for long...<br>
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<tr><td class="tr-caption" style="text-align: center;"><u>Great White Shark smack-down by ORCA THE KILLER WHALE</u></td></tr>
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During the third act, an iceberg becomes a HIGH NOON main street between man and beast. And, last but not least, along for the ride, to legitimize the picture and fitting within the theme of this double feature review, CUCKOO'S NEST Chief Bromden...<br>
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Will Sampson, taking a break from his role as a tortured Sioux with a WHITE BUFFALO chip on his shoulder, provides a hybrid of Dreyfuss style wisdom and Shaw experience — a moral compass swing vote, dead-set against the stubborn and determined Richard Harris who, the likes of Peter O'Toole, Oliver Reed and other intense British actors, whether in good, bad or downright ugly motion pictures, doesn't hold anything back.<br>
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<tr><td class="tr-caption" style="text-align: center;"><u>Bo Derek in ORCA THE KILLER WHALE</u></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><u>Bo Derek in ORCA THE KILLER WHALE</u></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><u>Bo Derek in ORCA THE KILLER WHALE</u></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><u>Bo Derek in ORCA THE KILLER WHALE</u></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><u>Bo Derek in ORCA THE KILLER WHALE</u></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><u>Charles Bronson ducks for cover in The White Buffalo YEAR: 1976</u></td></tr>
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A Charles Bronson cult film that, without the hilariously dated and 
contrived title creature, is a surprisingly decent Western in its own 
right...<br>
<br>
<div style="text-align: right;">
</div>
Haunted by nightmares of THE WHITE BUFFALO, Bronson, as a retired, 
inconspicuous Wild Bill Hickok, wakes up with guns blazing, all
 his own — first on a train and then inside a gold mining town's hotel 
run by a gracious Kim Novak...<br>
<br>
In-between we learn of the giant beast through the frantic, personal 
rage 
of the most sympathetic character, Will Sampson's Crazy Horse, who must 
go by the name 'Worm' until he avenges his family's death and, by
 the end, a stretch of terrain that resembles a neatly cut, treeless 
landing strip provides a showdown location for the killer Buff's
 three hunters — so let's cover the main JAWS similarities through the 
main characters...<br>