cult film freak: greta blackburn

Showing posts with label greta blackburn. Show all posts

Written by James M. Tate / 7/22/2024 / No comments / annette o'toole , brion james , buddy , cop , david patrick kelly , eddie murphy , eighties , greta blackburn , james remar , nick nolte , sonny landham , walter hill

NICK NOLTE TAKES EDDIE MURPHY FOR WALTER HILL'S '48 HRS.'

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5ev3qTYug4RyfGeI_p3tuCwu-UgXiGQSbBH9gBFyi1_gFTC04yYYazozFX2LX5bYYyFQdhzAQMR_DDVOBs2H6fCO4QF76sQ3NpYJPh3RNVs5eY55aVYJIy5v4BsL9sB7vjxt_UvC9IMq8vVn2YWwnOB70dkoD_MXBS5kkn3K5yMCA18PIeeLR9sIMUufN/s2248/Screen%20Shot%202024-07-22%20at%202.42.43%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1188" data-original-width="2248" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5ev3qTYug4RyfGeI_p3tuCwu-UgXiGQSbBH9gBFyi1_gFTC04yYYazozFX2LX5bYYyFQdhzAQMR_DDVOBs2H6fCO4QF76sQ3NpYJPh3RNVs5eY55aVYJIy5v4BsL9sB7vjxt_UvC9IMq8vVn2YWwnOB70dkoD_MXBS5kkn3K5yMCA18PIeeLR9sIMUufN/s16000/Screen%20Shot%202024-07-22%20at%202.42.43%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Nick Nolte and Eddie Murphy in 48 HRS Year: 1982 Rating: ****1/2</u></td></tr></tbody></table><p>Following <a href="http://www.cultfilmfreaks.com/2021/09/HTIMES.html">HARD TIMES</a>, <a href="http://www.cultfilmfreaks.com/2016/06/DRIVER.html">THE DRIVER</a>, THE WARRIORS, THE LONG RIDERS and <a href="http://www.cultfilmfreaks.com/2014/10/walter-hills-weekend-warriors-trapped.html">SOUTHERN COMFORT</a>, most forget that 48 HRS was the peak of high-octane director Walter Hill's career, especially with the iconic novelty of being SATURDAY NIGHT LIVE breakout Eddie Murphy's first motion picture, more than proving his worth and successfully continuing with <a href="http://www.cultfilmfreaks.com/2023/11/TP.html">TRADING PLACES</a> and <a href="http://www.cultfilmfreaks.com/2024/06/bhc.html">BEVERLY HILLS COP</a>...<br></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p>But the real star is first-billed Nick Notle, whose gruff San Fransisco cop Jack Cates is the kind of flawed/ragged anti-hero that could've led his very own edgy cop thriller, making Murphy's Reggie Hammond... allowed the titular two-days to help find his former prison-breaking partner-in-crime... an essential bonus in what's already a terrific ride: perfectly combining action, drama and comedy...<br></p><p><span></span></p>

annette o'toole, brion james, buddy, cop, david patrick kelly, eddie murphy, eighties, greta blackburn, james remar, nick nolte, sonny landham, walter hill

NICK NOLTE TAKES EDDIE MURPHY FOR WALTER HILL'S '48 HRS.'

Nick Nolte and Eddie Murphy in 48 HRS Year: 1982 Rating: ****1/2 Following HARD TIMES , THE DRIVER , THE WARRIORS, THE LONG RIDERS and SOUTH...

JON-ERIK HEXUM IN THE TV-MOVIE 'MAKING OF A MALE MODEL'

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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6D0MkIxAyzOrLzQkF8cwvI4bHJZu1vW8RTESAeTtlFXaoujenDe0wujM7sgf4BpR8FAPhtA2bpayEKDz8l1U6u4F6ayDWlpd-mGTy5aarYdIK6amSc3oLtbYke1HS0xcydxcR6sjBp5zW/s1600/48275773_618542355241611_1577223939413770240_n.jpeg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="790" data-original-width="758" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6D0MkIxAyzOrLzQkF8cwvI4bHJZu1vW8RTESAeTtlFXaoujenDe0wujM7sgf4BpR8FAPhtA2bpayEKDz8l1U6u4F6ayDWlpd-mGTy5aarYdIK6amSc3oLtbYke1HS0xcydxcR6sjBp5zW/s320/48275773_618542355241611_1577223939413770240_n.jpeg" width="304"></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Year: 1983 Rating: ***1/2</u></td></tr>
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Here's
 proof that the term "Cougar" wasn't invented to mean what it does now, 
back in the 1983 television movie when Joan Collins, famously considered the iconic DYNASTY 
Cougar i.e. seducer of younger men, describes how she sees Jon-Erik 
Hexum's would-be model, who she'd talked into going from a manly Texas rancher to a New York model...<br>
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"A cougar," she cries out in victorious delight, describing what she plans to eventually make of him, "ready to 
pounce!"<br>
<br>
And also dated is when Hexum's Tyler Burnett complains about 
gay hairdressers when Collins, as successful agent Kay Dillon, points out that they
 go with the show-biz territory: one that Hexum is able to 
realistically combat, and with enough reluctance to not seem awkward that 
such a perfect-looking guy wouldn't have considered modelling in the 
first place: and he'd soon meet a cool, unpretentious gay guy that'd become his best friend...<br>
<br>
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<tr><td class="tr-caption" style="text-align: center;"><u>Male Models Jeff Conaway & Jon Erik Hexum</u></td></tr>
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That being the just-left-TAXI Jeff Conaway as a has-been model roommate for 
Shakespearean-delivered advice while hitting auditions and strategic 
disco nightspots. But MAKING fails with another hard if impossible device to
 grasp (or recover from): That Hexum, star of the series VOYAGERS and 
soon cast in COVER-UP before his accidental death, would fall 
so pathetically hard for Joan: The rest of the Movie-of-the-Week melts 
into a sappy Lifestyle Channel romance, in reverse...<br>
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Here
 it's a guy that... despite quickly hitting it off with gorgeous 
girl-next-door Tamara Stafford (the next year's scream queen in THE 
HILLS HAVE EYES PART II) trades sappy, love-crushed seats in a role 
usually written for the ingenue: "Turned around," Joan says, "with an 
accent on you men!" And in that, it would have given the actress an 
interesting performance rather than Joan simply floating down river 
while Hexum, by wielding his laidback, humble persona, keeps from 
drowning in it. <br><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYAIO9VBLJ7tXyXkFVS64SQ5nO1C_T7SSWtOvJQnCEdx7G9eHYQtW8i1kdmaSgxLccBxhXiR-Pwb3AexEQUe4LXe414JZpvcXGeNdVz4kQKGd8W9CHqjsATLvdjX1rk9V3S3eaHrEIUyrh/s948/155466357_1188215024941005_2846640148929094379_n.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="758" data-original-width="948" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYAIO9VBLJ7tXyXkFVS64SQ5nO1C_T7SSWtOvJQnCEdx7G9eHYQtW8i1kdmaSgxLccBxhXiR-Pwb3AexEQUe4LXe414JZpvcXGeNdVz4kQKGd8W9CHqjsATLvdjX1rk9V3S3eaHrEIUyrh/s16000/155466357_1188215024941005_2846640148929094379_n.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Jeff Conaway in The Making of a Male Model</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmTUdv0eYauieIUburOU4T3Saud-xIiaPeerXH4QMDzYIqPOm4ks2sEuaFShFwXCFfJVu-8oFqE8WIe33K4gJm2kDIAr8-O-O6X07pLyq01iOaaTg_nymriF6VS9RBP2IedixbqX2XV3H5/s922/155350226_1188222148273626_5322859524050403744_n.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="776" data-original-width="922" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmTUdv0eYauieIUburOU4T3Saud-xIiaPeerXH4QMDzYIqPOm4ks2sEuaFShFwXCFfJVu-8oFqE8WIe33K4gJm2kDIAr8-O-O6X07pLyq01iOaaTg_nymriF6VS9RBP2IedixbqX2XV3H5/s16000/155350226_1188222148273626_5322859524050403744_n.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Tamara Stafford in THE MAKING OF A MALE MODEL</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZEdUYoQyJBgKGJs_PGL0-69YuqkhpMFYymOXnkG7oQFnc35ZS4taBiwt0Yc3UIpoHbEMvs5N3L7syhCEHA7e3Gz4hCqM0INbVhhFkGyP9iZ0DAhvPnuiDAe9yNeYy1oMYsoWWya4_lElw/s960/154386003_1188539861575188_3031555372309659932_n.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="791" data-original-width="960" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZEdUYoQyJBgKGJs_PGL0-69YuqkhpMFYymOXnkG7oQFnc35ZS4taBiwt0Yc3UIpoHbEMvs5N3L7syhCEHA7e3Gz4hCqM0INbVhhFkGyP9iZ0DAhvPnuiDAe9yNeYy1oMYsoWWya4_lElw/s16000/154386003_1188539861575188_3031555372309659932_n.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Robert Walker Jr. in Making of a Male Model</u><br></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq7W0Y5_Js1JazwqrisA5QXgShFfTL9c_hfS8OIUIiruZ0PN_RYBh0DcDMM5d2b5Ws5gHIIymNe01-4gsMlp9QN66cNq9Yb-YPYn69sXaOGX9HszKjPG3OIdqlxuz4BcXZcLmN9IgMBeUS/s960/154547296_1188539854908522_8640667918437180008_n.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="739" data-original-width="960" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq7W0Y5_Js1JazwqrisA5QXgShFfTL9c_hfS8OIUIiruZ0PN_RYBh0DcDMM5d2b5Ws5gHIIymNe01-4gsMlp9QN66cNq9Yb-YPYn69sXaOGX9HszKjPG3OIdqlxuz4BcXZcLmN9IgMBeUS/s16000/154547296_1188539854908522_8640667918437180008_n.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Jon-Erik Hexum in Making of a Male Model with Greta Blackburn<br></u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOF-w1T4y0k80JsyznYhF-jccRe6uKHmxlaenTqse-4h7SO7KpjiDfqergUSQX-V3PNb5PT2J3DrThzTdPl6m-JU1sj6K1Da1zq_gjdeVjLVbs7n9Mscs3oJwk2_G7TEXMRBPIDqDdN_1Q/s960/155189715_1188539858241855_3059415646265227222_n.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="718" data-original-width="960" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOF-w1T4y0k80JsyznYhF-jccRe6uKHmxlaenTqse-4h7SO7KpjiDfqergUSQX-V3PNb5PT2J3DrThzTdPl6m-JU1sj6K1Da1zq_gjdeVjLVbs7n9Mscs3oJwk2_G7TEXMRBPIDqDdN_1Q/s16000/155189715_1188539858241855_3059415646265227222_n.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Jon-Erik Hexum in Making of a Male Model with Joan Collins<br></u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpg9vKLtzO6PnLp5dWspZ7T4Gwwy5qtWgDPYBgdUcBj6mj6OK7Asd2Y6vEDF9Fkiu5BNPkRqORkyIy17WHy2TF95Wo-iHqL-XmRiGsdvxPzwZOIfkcRD1-NKeh1VAOWOgX5GjPRR8MXKx6/s960/155382924_1188539848241856_7820810654014436939_n.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="693" data-original-width="960" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpg9vKLtzO6PnLp5dWspZ7T4Gwwy5qtWgDPYBgdUcBj6mj6OK7Asd2Y6vEDF9Fkiu5BNPkRqORkyIy17WHy2TF95Wo-iHqL-XmRiGsdvxPzwZOIfkcRD1-NKeh1VAOWOgX5GjPRR8MXKx6/s16000/155382924_1188539848241856_7820810654014436939_n.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Jon-Erik Hexum in Making of a Male Model with Heather McNair<br></u></td></tr></tbody></table><span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEg16TQk0EjgWLytZDy251t9udzj0rqSPQkPtxVc2uDKT8erDokc9gMm0B5jPHvag8zhWbrErUrQZkeni4M2kCT6qFwWSsIS6h5l7uGfEOD0PMkNXyyq3iprdn0rxiUOSVWx2tqt1BkpzX0d1rJA3kgyvS6rwr3z5thsjh4VDh1aMiRMV-v2C83K3gIMTw=s960" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="644" data-original-width="960" src="https://blogger.googleusercontent.com/img/a/AVvXsEg16TQk0EjgWLytZDy251t9udzj0rqSPQkPtxVc2uDKT8erDokc9gMm0B5jPHvag8zhWbrErUrQZkeni4M2kCT6qFwWSsIS6h5l7uGfEOD0PMkNXyyq3iprdn0rxiUOSVWx2tqt1BkpzX0d1rJA3kgyvS6rwr3z5thsjh4VDh1aMiRMV-v2C83K3gIMTw=s16000"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Joan Collins and Jon Erik Hexum in MAKING OF A MALE MODEL</u><br></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiecr4-NjgxmY6v7oxxbOXOVuFaQ7_fLahInIwWujOHvOmsK-yYyb_HJo75WOEyN7pl6lT9mkhYNf4AD9U51-3Y9I2kl5aGfsexOS31fx00x7ptMLrYqqEotCpG49FQhb471DVqz9e0BeOVMAMp4Q-b-C8hPagUVWT_zzyuhcp5gSH223YrhJ8MWDlw0w=s960" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="725" data-original-width="960" src="https://blogger.googleusercontent.com/img/a/AVvXsEiecr4-NjgxmY6v7oxxbOXOVuFaQ7_fLahInIwWujOHvOmsK-yYyb_HJo75WOEyN7pl6lT9mkhYNf4AD9U51-3Y9I2kl5aGfsexOS31fx00x7ptMLrYqqEotCpG49FQhb471DVqz9e0BeOVMAMp4Q-b-C8hPagUVWT_zzyuhcp5gSH223YrhJ8MWDlw0w=s16000"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span><u>Ted McGinley and Jon Erik Hexum in MAKING OF A MALE MODEL</u></span></td></tr></tbody></table><br></span>

eighties, exploitation, greta blackburn, jeff conaway, joan collins, jon erik hexum, robert walker jr., romance, tamara stafford, ted mcginley

JON-ERIK HEXUM IN THE TV-MOVIE 'MAKING OF A MALE MODEL'

Year: 1983 Rating: ***1/2 Here's proof that the term "Cougar" wasn't invented to mean what it does now, back in th...

ORIGINAL 'V' MINISERIES WITH 'V: THE FINAL BATTLE' & TV SHOW

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<tr><td class="tr-caption" style="text-align: center;"><u>Reviews of V: THE ORIGINAL MINISERIES with THE FINAL BATTLE and the TV SERIES 1983-1985</u></td></tr>
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<span face=""verdana" , sans-serif"><u><span style="font-size: large;">V: THE ORIGINAL MINISERIES</span> (1983):</u> About every five years it's time to rediscover the brilliance of a miniseries that, for a number of reasons, has gotten a bad rap as being pure, unapologetic camp: But it's wise not to mistake camp for cult, and to realize that every original vehicle with cheesy followups did begin with something worthy of being followed-up in the first place...</span><br>

denise galik, eighties, faye grant, franchise, greta blackburn, jane badham, june chadwick, marc singer, michael ironside, mickey jones, miniseries, penelope windust, science-fiction

ORIGINAL 'V' MINISERIES WITH 'V: THE FINAL BATTLE' & TV SHOW

Reviews of V: THE ORIGINAL MINISERIES with THE FINAL BATTLE and the TV SERIES 1983-1985 V: THE ORIGINAL MINISERIES (1983): About every...

WRITTEN INTERVIEW WITH ACTRESS GRETA BLACKBURN

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<tr><td class="tr-caption" style="text-align: center;">Interview with actress Greta Blackburn</td></tr>
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Greta Blackburn is tall, blond, gorgeous, and most important of all, a terrific actress. The proof is not only in the pudding, but the ingredients...<br>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDYzqo8ZSN3kvF9TS1EEFJiB3tLOwLi2J8-u2JvzxSsAsaJfil5AYMTNRQOsbWTYwwGRA2BmCDu9USRhmuxp6HEwaVwWzTnUwRoXgCj2vE01eTJJ87b-NE55LJOpD2dVENBKua_MDxwYG2/s1600/22050267_377831929312656_4128004685753283352_n.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="859" data-original-width="454" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDYzqo8ZSN3kvF9TS1EEFJiB3tLOwLi2J8-u2JvzxSsAsaJfil5AYMTNRQOsbWTYwwGRA2BmCDu9USRhmuxp6HEwaVwWzTnUwRoXgCj2vE01eTJJ87b-NE55LJOpD2dVENBKua_MDxwYG2/s320/22050267_377831929312656_4128004685753283352_n.jpg" width="168"></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Greta in V: FINAL BATTLE</u></td></tr>
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Within two key scenes from Walter Hill’s crime classic 48 HRS, centering on a seasoned cop played by Nick Nolte reluctantly teamed with a convict... Eddie Murphy in his first movie role...<br>
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Greta more than holds her own opposite Nolte in one scene, where the real action begins and the story gets underway, starting off with the always-intense James Remar while her character, Lisa, is a hooker brushing her teeth one minute, and the next she has a gun pointed at her head.</div>
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<span data-mce-style="text-decoration: underline;" style="text-decoration: underline;">In 48 HRS, known mostly for being Eddie Murphy's first feature but a very edgy Walter Hill thriller, actually headlined by Nick Nolte: what was it like working on the very intense hotel scene that also included actors Jonathan Banks and Sonny Landham?</span></div>

eighties, graham chapman, greta blackburn, interview, james remar, jonathan banks, nick nolte, sonny landham, steve martin