GENE WILDER & RICHARD PRYOR BREAKOUT IN STIR CRAZY

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd8Vltkk6HficNqXR-ypLj1mONkVFCSA7fK6ZcC-tvFBZiORlarfLJAlTxHKbfHq0K6NX6-OpS_G414fE1z4lij2cO4ez1cxBvgRcpdnGlZTpQfU29SZBuzCLOO1DozyHEmmtD9OXncsQ/s1600/14237730_178641995898318_6563904127618141334_n.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="220" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd8Vltkk6HficNqXR-ypLj1mONkVFCSA7fK6ZcC-tvFBZiORlarfLJAlTxHKbfHq0K6NX6-OpS_G414fE1z4lij2cO4ez1cxBvgRcpdnGlZTpQfU29SZBuzCLOO1DozyHEmmtD9OXncsQ/s400/14237730_178641995898318_6563904127618141334_n.jpg" width="400"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Richard Pryor & Gene Wilder in STIR CRAZYear: 1980</u></td></tr> </tbody></table> The Gene Wilder and Richard Pryor collaboration was supposed to have begun a few years before the Alfred Hitchcock-style train adventure comedy SILVER STREAK, that really only featured Pryor, mostly during the second half. Pryor co-wrote and was a sort of "race relations" consultant for BLAZING SADDLES, but Cleavon Little was cast since studio heads balked at such a risque standup comedian in the lead. It all worked for the best since Little was more clean cut, using a token-black persona as a sublime fit for the parody of Wild West racism – had Pryor been the new Sheriff in Town, it'd seem odd he didn't fly off the handle after one single person throws the "N" word his way. And while his STREAK performance was good, it wasn't something he was "born to play," which would happen a few years later, the black and white duo being of equal importance, and really kickstarting as a team in STIR CRAZY, a prison flick that begins as a (like STREAK) road movie only in a dilapidated van – starting in New York where both affable losers are canned from their already nowhere jobs, headed to California and only able to reach the "Sun Belt" before the inevitable fate occurs...<br>

comedy, eighties, gene wilder, prison, richard pryor, teamup

GENE WILDER & RICHARD PRYOR BREAKOUT IN STIR CRAZY

Richard Pryor & Gene Wilder in STIR CRAZYear: 1980 The Gene Wilder and Richard Pryor collaboration was supposed to have begun a few ...

GOODBYE WILDER GENE: A MEMORIAL FOR GENE WILDER

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDwxbvQuwtAr6F90lfkAWlHfhpsBKL5I1iJh_qNw0J6e9_xQ9kIZeVtIIm9onbi33GTFIN7Q1lm9-sfk_Nm6MFNUv-KabVrj2LEUfIB2DAWjpJgtPMQ9_84y1QP5Nu-SjiEfL7fdJutPk/s1600/gthmb-wonka-gene-wilder-jpg.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDwxbvQuwtAr6F90lfkAWlHfhpsBKL5I1iJh_qNw0J6e9_xQ9kIZeVtIIm9onbi33GTFIN7Q1lm9-sfk_Nm6MFNUv-KabVrj2LEUfIB2DAWjpJgtPMQ9_84y1QP5Nu-SjiEfL7fdJutPk/s400/gthmb-wonka-gene-wilder-jpg.jpg" width="400"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>We Rushed this Rushed Tribute, so FORGIVE any Unedited Mistakes!</u></td></tr> </tbody></table> What was it about Gene Wilder that worked? That really, really worked? To go back to WILLY WONKA AND THE CHOCOLATE FACTORY, the trickster who limped until suddenly being able to roll himself over, hop back up and shake hands, was all part of an unexplainable magic... outside the script and outside the box... that put everyone, young and old, in a spell – and for decades we were completely spellbound...<br> <div> <br></div> <div> It's difficult to fathom that such a good thing couldn't last... longer than the long time it did. After a while, Wilder became like a magic trick everyone just kind of... stopped using. Of course, we all remember the Mel Brooks' double-genre parody of BLAZING SADDLES and YOUNG FRANKENSTEIN: in the first, his character's jail-cell introduction ended a string of laugh-a-minute introductory jokes and is where the story really began, and the latter, co-written by Wilder and Brooks, is his most famous venture. Most also recall STIR CRAZY, with Richard Pryor, where both had an equal share of screen-time following Gene's lead in SILVER STREAK, a train-set homage to Alfred Hitchcock that only sporadically featured the black comedian and both, as a team, collaborated on four films together...<br> <div> </div></div>

gene wilder, tribute

GOODBYE WILDER GENE: A MEMORIAL FOR GENE WILDER

We Rushed this Rushed Tribute, so FORGIVE any Unedited Mistakes! What was it about Gene Wilder that worked? That really, really worked? ...

MEL BROOKS GREATEST IN BLAZING SADDLES

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrkM2_fdmhNPz0T-U88kRDhou__wc9Ni3dUMC9jTTLcqC3NlH5dWwH8rnm_lwZ1v2VfMItrkX56B_NsdhTJfyV77DGw7yH5rPfB84D_gwDSEwG39zoiw80krFnS4FOvdtfDV3bcRcdnm4/s1600/1.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrkM2_fdmhNPz0T-U88kRDhou__wc9Ni3dUMC9jTTLcqC3NlH5dWwH8rnm_lwZ1v2VfMItrkX56B_NsdhTJfyV77DGw7yH5rPfB84D_gwDSEwG39zoiw80krFnS4FOvdtfDV3bcRcdnm4/s400/1.jpg" width="400"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Cleavon Little and Gene Wilder on a Blazing Lobby Card YEAR: 1974</u></td></tr> </tbody></table> The first forty minutes of BLAZING SADDLES is the quickest in cinema history, and by far, the funniest in the Old West, or any Mel Brooks vehicle, including YOUNG FRANKENSTEIN, where that movie's co-writer and title character, Gene Wilder, here playing Jim "The Waco "Kid" who, despite being lost in the bottle, is still the fastest gun around...<br> <br> Soon becoming the sole friend to the new (and first) black Sheriff, Bart, played by the thereafter underused Cleavon Little, and who Richard Pryor, one of several co-writers, was originally cast as, which would've made SADDLES the first of many Pryor/Wilder collaborations, probably winding up more like an edgy Blaxploitation comedy than a zany Brooks vehicle....<br>

cleavon little, david huddleston, gene wilder, mel brooks, parody, richard pryor, robyn hilton, satire, seventies, western

MEL BROOKS GREATEST IN BLAZING SADDLES

Cleavon Little and Gene Wilder on a Blazing Lobby Card YEAR: 1974 The first forty minutes of BLAZING SADDLES is the quickest in cinema h...

GRAIN OF VERUCA SALT: JULIE DAWN COLE 'WONKA' INTERVIEW

<div style="color: #3d596d; font-family: Merriweather, Georgia, 'Times New Roman', Times, serif; font-size: 15px; line-height: 25.5px; margin-bottom: 24px;"> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglQyAav1ijih9qDKD2XBqZhzONY3rNoOzJ_p8x_paSqyUSYaibeNlYZFxRPSGZACzFsMu-eNXaSmd6xAsydduhp5ab2QBwrokKuaS1ponhsU5n0zfP8kFBtRYXBA73Lnr-FeAv_nEsjso/s1600/picture-41.png" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglQyAav1ijih9qDKD2XBqZhzONY3rNoOzJ_p8x_paSqyUSYaibeNlYZFxRPSGZACzFsMu-eNXaSmd6xAsydduhp5ab2QBwrokKuaS1ponhsU5n0zfP8kFBtRYXBA73Lnr-FeAv_nEsjso/s320/picture-41.png" width="284"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Interview with Julie Dawn Cole aka Veruca Salt</td></tr> </tbody></table> “Everyone wants to know where I went,” wrote Julie Dawn Cole about that bad egg chute. “But in reality I landed on some cardboard boxes and mattresses that were there to break my fall.”</div> <div style="color: #3d596d; font-family: Merriweather, Georgia, 'Times New Roman', Times, serif; font-size: 15px; line-height: 25.5px; margin-bottom: 24px;"> Yet in the vivid imagination of an entire generation, who grew up experiencing WILLY WONKA AND THE CHOCOLATE FACTORY in theaters or when it played again and again on television, anything was possible as a group of kids, having won a coveted Golden Ticket...<br> <br> This montage built into the story throughout the suspenseful, entertaining first act... takes a wonderfully bizarre tour into Willy Wonka’s colorful, mysterious and, at times, downright spooky Chocolate Factory, and, according to their individual shortcomings, the kids begin to vanish, one after the other. And of all the young characters on board, Veruca Salt is probably the most deserving of punishment; a spoiled little girl literally wanting it all... And here’s an interview with the actress, Julie Dawn Cole, about working on this timeless 1971 motion picture that several generations were raised on, and are, still. </div>

gene wilder, interview, julie dawn cole, seventies

GRAIN OF VERUCA SALT: JULIE DAWN COLE 'WONKA' INTERVIEW

Interview with Julie Dawn Cole aka Veruca Salt “Everyone wants to know where I went,” wrote Julie Dawn Cole about that bad egg chute. “...

GENE WILDER IS 'THE FRISCO KID' ALONGSIDE HARRISON FORD

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2jTdJ6rPVYSDzaAXqDDZbBqT4_PsGizuttUsbX8EAVT6UDSzgkJzdLOKwV20GVV2FuwWmvpTdyX3TNkOHL2-gOZomrJ72m-EWz01H-iDqOXbAOy6n9YP5vtoU3sQHgHqhMeKlL51Mg01M-UFMWKkjrTewQrbbBx0vFsftvwnV_KBmbPt0ZHt2v3OUsiVF/s1384/Screen%20Shot%202024-03-19%20at%206.06.53%20PM.jpeg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1088" data-original-width="1384" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2jTdJ6rPVYSDzaAXqDDZbBqT4_PsGizuttUsbX8EAVT6UDSzgkJzdLOKwV20GVV2FuwWmvpTdyX3TNkOHL2-gOZomrJ72m-EWz01H-iDqOXbAOy6n9YP5vtoU3sQHgHqhMeKlL51Mg01M-UFMWKkjrTewQrbbBx0vFsftvwnV_KBmbPt0ZHt2v3OUsiVF/w400-h315/Screen%20Shot%202024-03-19%20at%206.06.53%20PM.jpeg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Harrison Ford & Gene Wilder in The Frisco Kid YEAR: 1979</u></td></tr></tbody></table>After STAR WARS, Harrison Ford went from a character-actor to cinema superstar, only his status wasn't fully realized till RAIDERS OF THE LOST ARK as he was usually cast in movies with another big name up front. Sure, even Han Solo was secondary yet he stole the entire movie from just about everyone and everything...<br /> <br /> Fresh from his Solo breakthrough, Ford was billed under Robert Shaw in FORCE 10 FROM NAVARONE, playing a stern, humorless officer without the wit that made him a likable leading man. His first technically starring role was in the dreary war romance HANOVER STREET but Christopher Plummer and especially Leslie Anne-Down was almost as important. And his cameo as “Luke Lucas,” the nervously exposition-spouting Willard helping send Martin Sheen on his mission in APOCALYPSE NOW, aside, he wound up as another second fiddle in THE FRISCO KID starring Gene Wilder as a Polish rabbi…  literally fresh from Poland… traveling across the Wild West to reach his new bride in San Francisco...<br /> <br /> <div style="text-align: left;"> </div> <div style="text-align: left;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div style="text-align: left;"> </div> <div style="text-align: left;"> </div> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUYEx03DPYcuuxNObwBO__6vsSYIMWEq1y0gdIysoW2EZIEY93EapObcum9rEblZYZEuuK6WHn_iETbfr7mkXHSkLI4rH9X-zh_fBf5S8JX-5uBCfFnC4iBGqTWGpXBUbZmFOv3wymcg37/s1600/Screen+Shot+2019-11-16+at+6.49.28+PM.jpeg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="744" data-original-width="598" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUYEx03DPYcuuxNObwBO__6vsSYIMWEq1y0gdIysoW2EZIEY93EapObcum9rEblZYZEuuK6WHn_iETbfr7mkXHSkLI4rH9X-zh_fBf5S8JX-5uBCfFnC4iBGqTWGpXBUbZmFOv3wymcg37/s400/Screen+Shot+2019-11-16+at+6.49.28+PM.jpeg" width="321" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>William Smith in Frisco Kid RATING: ***1/2</u></td></tr> </tbody></table> <div style="text-align: left;"> </div> If you look at the DVD cover you’d think Harrison Ford, who plays scruffy bank robber Tommy, is the centerpiece – Ford’s image takes up most of the artwork leaving a tiny piece for Gene, not only the title character but it’s his journey we follow. But that doesn’t mean the flawed yet resilient Tommy’s role isn’t important and more than sporadic...<br /> <br /> <div style="text-align: right;"> </div> After an entertaining half hour setting things up for Wilder’s naïve Avram, reminiscent of a Mel Brooks comedy where the punchline… in this case a Jew in the Wild West… owns the film's initial structure, KID eventually becomes an adventurous pairing of two polar opposites. (And if you take away a pointless fifteen minutes when our heroes are captured by Indians, it’s a helluva neat ride.)<br /> <br /> Directed by Robert Aldrich, the intense lead villain – played by the always-formidable William Smith – will make you forget this is an intentional comedy. Meanwhile, scenes where Tommy teaches the religiously stubborn Avrim how to survive on newly-acquired existential savvy feels like an actual cowboy picture... Leading to a bloody gunfight followed by the inevitable “do or die” showdown on a dusty main street.<br /> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuqxPN8nD9LbFNlXMhBWThlAp9fUQNhpM0gvAZvxkDb_msUxyenvpvO6msVkEuCedwWa5UeJmFFGxTSdIgZadVy3zJ4DdZ-X1r4lZCADbxeFVR0zDJWAuxCh3iyi44fPW-Bi0ytfaJmyfj/s1600/Screen+Shot+2019-11-16+at+6.45.21+PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="909" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuqxPN8nD9LbFNlXMhBWThlAp9fUQNhpM0gvAZvxkDb_msUxyenvpvO6msVkEuCedwWa5UeJmFFGxTSdIgZadVy3zJ4DdZ-X1r4lZCADbxeFVR0zDJWAuxCh3iyi44fPW-Bi0ytfaJmyfj/s1600/Screen+Shot+2019-11-16+at+6.45.21+PM.png" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Harrison Ford and Gene Wilder in THE FRISCO KID</u></td></tr> </tbody></table> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div style="text-align: left;"> </div> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMi17Q1SsEC-DqWxDG8LVgKkjQQeDVdb0JAIu53qh7XAcHpkcT8wB3zUZ5qXIISwrszdGozm1-d6lr3v9268sOjgP_EhrQEyifBXlGFiTbxNG7KgaLh1xrZKf4DXm66Y-6yWWnhrx8-cr0/s1600/f3.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMi17Q1SsEC-DqWxDG8LVgKkjQQeDVdb0JAIu53qh7XAcHpkcT8wB3zUZ5qXIISwrszdGozm1-d6lr3v9268sOjgP_EhrQEyifBXlGFiTbxNG7KgaLh1xrZKf4DXm66Y-6yWWnhrx8-cr0/s1600/f3.jpg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Harrison Ford is who he learned from </u></td></tr> </tbody></table> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8aykbN_-dV36tK2n8pFOE4IJwwRjgdgtUXq2tedh4a0mCnWFXL_FtLu3sY0rT8hwp33ILEU_j1aOO6xZ6SUThJOVpx9YiFtcF50Nvf8xp-QBe7Ej8eMw1wJaoT9uUA0jbsNDpy_TspsrN/s1600/f5.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8aykbN_-dV36tK2n8pFOE4IJwwRjgdgtUXq2tedh4a0mCnWFXL_FtLu3sY0rT8hwp33ILEU_j1aOO6xZ6SUThJOVpx9YiFtcF50Nvf8xp-QBe7Ej8eMw1wJaoT9uUA0jbsNDpy_TspsrN/s1600/f5.jpg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Pouting beauty Penny Peyser's bride-to-be is the reason for the entire trip</u></td></tr> </tbody></table> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcuvA8NewG2Uz2f_p_G1yk6RZKadvZakmvqqKj1To0QOHTlGsUIYxlmZk4vZ2orNApoxfRTYDZUQ6oyIQBE3qmFFnrAVTzRxyAdFbuT5tVmVc2Y2z-nVvi1wU23RFPB3Tju0yJ3dSMhNQ8/s1600/75210146_831839740578537_5056876923599192064_n.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="636" data-original-width="960" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcuvA8NewG2Uz2f_p_G1yk6RZKadvZakmvqqKj1To0QOHTlGsUIYxlmZk4vZ2orNApoxfRTYDZUQ6oyIQBE3qmFFnrAVTzRxyAdFbuT5tVmVc2Y2z-nVvi1wU23RFPB3Tju0yJ3dSMhNQ8/s1600/75210146_831839740578537_5056876923599192064_n.jpeg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Penny Peyser on the left is the reason for the trip for THE FRISCO KID</u></td></tr> </tbody></table> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZgpc-n8htnZVInb7vsdGRklYzqs360MtaK1Oga-KLy_bQDKTCBfP7Mig4zbDX6IGtM2jSP6yCX-dbbtKEzYSoKctmGZQklBTODimNBtkPTDiVM5H6FtsfgmdyE_6YxQ4vSArF0CNAmL1E/s1600/f1.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZgpc-n8htnZVInb7vsdGRklYzqs360MtaK1Oga-KLy_bQDKTCBfP7Mig4zbDX6IGtM2jSP6yCX-dbbtKEzYSoKctmGZQklBTODimNBtkPTDiVM5H6FtsfgmdyE_6YxQ4vSArF0CNAmL1E/s1600/f1.jpg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Gene Wilder's Avram learns how to fire a gun</u></td></tr> </tbody></table> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim24_UVGnokFktGTV46F4kyMlKt7ORsgW70Ei6fCm8LDc7hCyV_LKWu2sOBdF7MaTG3MVxhsXKTzOpcHlvfkReG3inoSv4r-6h9jP4ZPnNgQ-vF-2YTlEI-M0tKh-3uFASQhEkBJzGaY34/s1600/76601259_831889820573529_7920431361867907072_n.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="671" data-original-width="960" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim24_UVGnokFktGTV46F4kyMlKt7ORsgW70Ei6fCm8LDc7hCyV_LKWu2sOBdF7MaTG3MVxhsXKTzOpcHlvfkReG3inoSv4r-6h9jP4ZPnNgQ-vF-2YTlEI-M0tKh-3uFASQhEkBJzGaY34/s1600/76601259_831889820573529_7920431361867907072_n.jpeg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Gene Wilder and Harrison Ford in THE FRISCO KID</u></td></tr> </tbody></table>

action, adventure, gene wilder, harrison ford, leslie, penny peyser, road movie, seventies, western, william smith

GENE WILDER IS 'THE FRISCO KID' ALONGSIDE HARRISON FORD

Harrison Ford & Gene Wilder in The Frisco Kid YEAR: 1979 After STAR WARS, Harrison Ford went from a character-actor to cinema superstar...