TED NEELEY AND CARL ANDERSON IN 'JESUS CHRIST SUPERSTAR'

<p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdhUsXrLMnUj1Fr5plaGdclQh_lvJsWPFEp9udEQZ5Aqug1O83HADaznYRq8_scnbokxUIkOE8uLbhh5aWuL5Hq2wx44fiOoRCxQh3xhc292HvfrCZUW-5UdT9uTpildU0OzubgTl1M_Dx96QHWRKxnSsWv86NRY4QlvU_JeERcHF8RPFN65xpC7o3BfdA/s2120/Screen%20Shot%202024-02-14%20at%2010.12.07%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1004" data-original-width="2120" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdhUsXrLMnUj1Fr5plaGdclQh_lvJsWPFEp9udEQZ5Aqug1O83HADaznYRq8_scnbokxUIkOE8uLbhh5aWuL5Hq2wx44fiOoRCxQh3xhc292HvfrCZUW-5UdT9uTpildU0OzubgTl1M_Dx96QHWRKxnSsWv86NRY4QlvU_JeERcHF8RPFN65xpC7o3BfdA/s16000/Screen%20Shot%202024-02-14%20at%2010.12.07%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: JESUS CHRIST SUPERSTAR Year: 1973 Grade: C— </u></td></tr></tbody></table><p>Musical turned Musical/Movie JESUS CHRIST SUPERSTAR is about the man himself, Jesus Christ, and how he has gone the way of basically becoming a sell-out, now known as The King and having so many faceless fans to add to his 12 good friends/disciples...<br /><br />A good enough theme; however, the problem is the movie begins in what should be the second act, initially providing a more naive, non-famous Christ character that this movie's antagonistic anti-hero Judas stands firm with before singing counterpoint lyrics against: basically, his friend's too well-known to be safe around (in hippie parlance, Jesus has become a Scene)...<br /></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjD4YzroLVRis5CGU9PZS4GXJ8HGXdmOz163JOWgvODa1Q9w3noSd4B6Q3BEnhrAUiY16WW5_dQ-oUBYE3Qjy2gvN8ikPNq4j3vL1Lho78dlms2Qz_KJAYLcqarQvDFIIG8X0allTIwo4XixKh35W-Xe_5o_yid2vDa5vt7vzb-cBRJ15Lf_4v2QODeAorN/s1578/Screen%20Shot%202024-02-14%20at%209.40.59%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="682" data-original-width="1578" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjD4YzroLVRis5CGU9PZS4GXJ8HGXdmOz163JOWgvODa1Q9w3noSd4B6Q3BEnhrAUiY16WW5_dQ-oUBYE3Qjy2gvN8ikPNq4j3vL1Lho78dlms2Qz_KJAYLcqarQvDFIIG8X0allTIwo4XixKh35W-Xe_5o_yid2vDa5vt7vzb-cBRJ15Lf_4v2QODeAorN/s16000/Screen%20Shot%202024-02-14%20at%209.40.59%20PM.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Carl Anderson in JESUS CHRIST SUPERSTAR</u></td></tr></tbody></table><p>So the audience never experiences the major difference in the Christ character since it only centers on one, who, played by golden-voiced Ted Neeely, starts out intentionally dull and robotic, and basically continues in this fashion... </p><p></p><p></p><p>But overall, this is Carl Anderson as New Testament Black Panther Judas's ride: with an incredible voice and a powerful presence on screen, his best moment is interjecting into the grooviest song, Yvonne Elliman as Mary Magdalene's Everything's Alright, that, like its own music video, has a beginning, middle and end: Something that the entire movie... with too many unimportant side-characters getting their own overlong songs... completely lacks. </p><p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgA2PoPuYJOa0JfOesP6NZJeL5hT67xQqx5Es08V-0ts5u7P_3RWre8V-9Z4Q6fJ5ENpOxOH0qHMImKxqPPxzI5iYxtyBc4CRD7jx0-rDrsyUN3M9AA5tFHNSTRG99OM26kziO_7zGyAsDaTBSCnOcFuJUWTXI7nw6Du1_JZxqgcCX-DwmGhIQ6Gox5MAR8/s1784/1.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="764" data-original-width="1784" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgA2PoPuYJOa0JfOesP6NZJeL5hT67xQqx5Es08V-0ts5u7P_3RWre8V-9Z4Q6fJ5ENpOxOH0qHMImKxqPPxzI5iYxtyBc4CRD7jx0-rDrsyUN3M9AA5tFHNSTRG99OM26kziO_7zGyAsDaTBSCnOcFuJUWTXI7nw6Du1_JZxqgcCX-DwmGhIQ6Gox5MAR8/s16000/1.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Ted Neeley</u><u> in JESUS CHRIST SUPERSTAR  with Carl Anderson<br /></u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_kV-ze5JWVPGxS-Hy8Brwmme0NBAl2cp8KAYK-QdogK0BIxyVsPPd1wKIQXbOcZAlFCxX2UVAwFQZ0INssgpBMRqYqeiHn_RaxAljtZFKUfRpDq9yZ4sZde1aFv_GZsJEuF_PUoss4hc2JzLfZAkdJIYsROAZU2ag4nqD4oaNlKBiul6h-k4xLp_Na-DR/s1778/Screen%20Shot%202024-02-14%20at%2010.22.12%20PM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="764" data-original-width="1778" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_kV-ze5JWVPGxS-Hy8Brwmme0NBAl2cp8KAYK-QdogK0BIxyVsPPd1wKIQXbOcZAlFCxX2UVAwFQZ0INssgpBMRqYqeiHn_RaxAljtZFKUfRpDq9yZ4sZde1aFv_GZsJEuF_PUoss4hc2JzLfZAkdJIYsROAZU2ag4nqD4oaNlKBiul6h-k4xLp_Na-DR/s16000/Screen%20Shot%202024-02-14%20at%2010.22.12%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Ted Neeley</u><u> in JESUS CHRIST SUPERSTAR  </u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYMjge-3bkMQroqA7-zh_6R49elmRwBI2L3VkZzgnYR3ETdpU8orXFuNXB7T-cg-QxJbUWhK4yW1Jwo1r8GoNwjUmhbapPYCePw0tG_L4QpVBe7KMFz-TjxcMZ_IfhK6Hm1iRVHyFg1YCck9uIBB0t7GXS5IG1ps59F5f7Y3RoYR1vaL2MrilNqv5u9jrO/s1788/Screen%20Shot%202024-02-14%20at%2010.22.21%20PM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="754" data-original-width="1788" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYMjge-3bkMQroqA7-zh_6R49elmRwBI2L3VkZzgnYR3ETdpU8orXFuNXB7T-cg-QxJbUWhK4yW1Jwo1r8GoNwjUmhbapPYCePw0tG_L4QpVBe7KMFz-TjxcMZ_IfhK6Hm1iRVHyFg1YCck9uIBB0t7GXS5IG1ps59F5f7Y3RoYR1vaL2MrilNqv5u9jrO/s16000/Screen%20Shot%202024-02-14%20at%2010.22.21%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Barry Dennen in JESUS CHRIST SUPERSTAR </u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh14zTSOjn-AMMoyGZbP8k6l0vXcAcM73X_Fv_OoBEC8YykCyBwQCZ9YnErd-2FLitn9xtXZPihVEiU15slE5-K1aQmYUWhUODlM8UwoUCIuUQUe7aGyBNaZlpPLriuCmdLSfs9dQ1a27vkIJP5He790QP-ylMlepBeEwuEUX4XBrKKsw9UQyw0SU5knJ8t/s1768/Screen%20Shot%202024-02-14%20at%2010.22.30%20PM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="836" data-original-width="1768" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh14zTSOjn-AMMoyGZbP8k6l0vXcAcM73X_Fv_OoBEC8YykCyBwQCZ9YnErd-2FLitn9xtXZPihVEiU15slE5-K1aQmYUWhUODlM8UwoUCIuUQUe7aGyBNaZlpPLriuCmdLSfs9dQ1a27vkIJP5He790QP-ylMlepBeEwuEUX4XBrKKsw9UQyw0SU5knJ8t/s16000/Screen%20Shot%202024-02-14%20at%2010.22.30%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Carl Anderson as Judas in JESUS CHRIST SUPERSTAR</u><br /></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht5fq8-UaA1AoQj3t4XHpKX5D_QW13CmUibiRdv7SJekCNTXnx322BJ73viuf1T4fcmyOkmanO8fzYfpzLyuSOhvmsjD8yA_rt-xPLSyl277Fd8hfqpS8Wu2mWAtYJ35ziGHaNggU6s7_T5l7at6m4w636p-edHNlBxz_1xu3gJ7tJDv0qRP-zLNbBPQEF/s1778/Screen%20Shot%202024-02-14%20at%2010.22.45%20PM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="756" data-original-width="1778" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht5fq8-UaA1AoQj3t4XHpKX5D_QW13CmUibiRdv7SJekCNTXnx322BJ73viuf1T4fcmyOkmanO8fzYfpzLyuSOhvmsjD8yA_rt-xPLSyl277Fd8hfqpS8Wu2mWAtYJ35ziGHaNggU6s7_T5l7at6m4w636p-edHNlBxz_1xu3gJ7tJDv0qRP-zLNbBPQEF/s16000/Screen%20Shot%202024-02-14%20at%2010.22.45%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Carl Anderson as Judas in JESUS CHRIST SUPERSTAR with Ted Neeley</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOzXgOnJuhcYVTQEwJ6QD6CWPEUJHsm0MFaaJr-OSVTh3hz8POALFWSgXC8eMzUoDbsEIDnHozSfXLYqN3PofroGmU0wTaGhI-URAx1-EHGDIPE2DXh1G3HUaaA-FRbVUQoDl3PmWilTtjGAJzAFpBrvhaEJmb0rzAZcuADDClIUmuGYuu2INR4GUNe7i1/s1770/Screen%20Shot%202024-02-14%20at%2010.22.58%20PM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="756" data-original-width="1770" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOzXgOnJuhcYVTQEwJ6QD6CWPEUJHsm0MFaaJr-OSVTh3hz8POALFWSgXC8eMzUoDbsEIDnHozSfXLYqN3PofroGmU0wTaGhI-URAx1-EHGDIPE2DXh1G3HUaaA-FRbVUQoDl3PmWilTtjGAJzAFpBrvhaEJmb0rzAZcuADDClIUmuGYuu2INR4GUNe7i1/s16000/Screen%20Shot%202024-02-14%20at%2010.22.58%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Carl Anderson as Judas in JESUS CHRIST SUPERSTAR with Ted Neeley<br /></u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJhwm5Y1d6c7PS2pYkIWlmzZYvNyZT1HfD8gTJ8TC1kW8Q9z8vQZpJmn_pSWTi80U3_GB8itSaRKLoPmCyxg0xcRoFibEEo2IvzJdv3Le6yjG8JwpNp2gtohHr93b6Tp_3iUvG5CMDbmEBYYEG-cp27kMM-qO_PhJF69HjOdU-dBjqpd03pJLCNg-obJt6/s1794/Screen%20Shot%202024-02-14%20at%2010.21.24%20PM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="768" data-original-width="1794" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJhwm5Y1d6c7PS2pYkIWlmzZYvNyZT1HfD8gTJ8TC1kW8Q9z8vQZpJmn_pSWTi80U3_GB8itSaRKLoPmCyxg0xcRoFibEEo2IvzJdv3Le6yjG8JwpNp2gtohHr93b6Tp_3iUvG5CMDbmEBYYEG-cp27kMM-qO_PhJF69HjOdU-dBjqpd03pJLCNg-obJt6/s16000/Screen%20Shot%202024-02-14%20at%2010.21.24%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Carl Anderson as Judas in JESUS CHRIST SUPERSTAR</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxhQfmzoMlyAtdtMFiGAvlfkuGrsA07N3Bi01YS1ujOsoiBVrvWTOJN3ZtW5Ek-xsLaowYTZHCJTrfHs_La0FBGQg6bO7nNikh1kKIO3ux6WviaGLHeeeQB8gnd2kanW4VLKa7Y8rsIT1FQAJd8E9HIej9FYY49z-vnNJeH-puFbC2hFKPm4-oTrWraJzK/s1788/Screen%20Shot%202024-02-14%20at%2010.21.35%20PM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="718" data-original-width="1788" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxhQfmzoMlyAtdtMFiGAvlfkuGrsA07N3Bi01YS1ujOsoiBVrvWTOJN3ZtW5Ek-xsLaowYTZHCJTrfHs_La0FBGQg6bO7nNikh1kKIO3ux6WviaGLHeeeQB8gnd2kanW4VLKa7Y8rsIT1FQAJd8E9HIej9FYY49z-vnNJeH-puFbC2hFKPm4-oTrWraJzK/s16000/Screen%20Shot%202024-02-14%20at%2010.21.35%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Carl Anderson as Judas in JESUS CHRIST SUPERSTAR</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilcZolqGBB8j-xA7gyye40osf-ds7ViSMLszwyBJE8ubQbFW6Mw7-XC5wS5EtwZdWbbC_XPoezK9ACSiFNkHtGZKxqDDx9WI6G4DlLdxpLlXrUIwRjVlnCgO9XlB4oDEEENrgE51EubAMxX3VSbCuBvjOosYuJvIBrjmVsvGlsR1jhekyYcNDdhb4Zo7x2/s1786/Screen%20Shot%202024-02-14%20at%2010.21.59%20PM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="744" data-original-width="1786" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilcZolqGBB8j-xA7gyye40osf-ds7ViSMLszwyBJE8ubQbFW6Mw7-XC5wS5EtwZdWbbC_XPoezK9ACSiFNkHtGZKxqDDx9WI6G4DlLdxpLlXrUIwRjVlnCgO9XlB4oDEEENrgE51EubAMxX3VSbCuBvjOosYuJvIBrjmVsvGlsR1jhekyYcNDdhb4Zo7x2/s16000/Screen%20Shot%202024-02-14%20at%2010.21.59%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Carl Anderson as Judas in JESUS CHRIST SUPERSTAR</u></td></tr></tbody></table><br /> </p>

adventure, barry dennen, carl anderson, drama, jesus, musical, religion, seventies, ted neeley

TED NEELEY AND CARL ANDERSON IN 'JESUS CHRIST SUPERSTAR'

Title: JESUS CHRIST SUPERSTAR Year: 1973 Grade: C— Musical turned Musical/Movie JESUS CHRIST SUPERSTAR is about the man himself, Jesus Chri...

PAUL SCOFIELD IN 'A MAN FOR ALL SEASONS' WITH ORSON WELLES

<p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbWmSjpLLarm_Pf75axWeFOeqsu6qAjLh-TrU5vH9VU2HL3rmAVzviYZ_Pnnij7XHGLL5AcYYy_PhGFPZd3amj3icqFdKzwsprK3qSeNqVS8Fbz1eByQ848mAkIjD1e5C1VHjb-gdvYJYoi6D4j1sFEsrpeQcElvy9cMius32CM2C4fSD5rFMplWOVEQ/s1344/Screen%20Shot%202022-11-02%20at%204.37.01%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="783" data-original-width="1344" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbWmSjpLLarm_Pf75axWeFOeqsu6qAjLh-TrU5vH9VU2HL3rmAVzviYZ_Pnnij7XHGLL5AcYYy_PhGFPZd3amj3icqFdKzwsprK3qSeNqVS8Fbz1eByQ848mAkIjD1e5C1VHjb-gdvYJYoi6D4j1sFEsrpeQcElvy9cMius32CM2C4fSD5rFMplWOVEQ/s16000/Screen%20Shot%202022-11-02%20at%204.37.01%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Orson Welles in A MAN FOR ALL SEASONS Year: 19566</u></td></tr></tbody></table><p>Orson Welles, years after CITIZEN KANE, said the hardest role to play was probably that of Joseph Cotten's Jeb Leland, a man so determined, honest, and stubborn, he doesn't have many rooting for him, but instead, the sympathy goes to the flawed leading man... <br> <br> Far from the lead, Welles makes an appearance here as a perplexed Cardinal in the Oscar Winning A MAN FOR ALL SEASONS, kickstarting an accusation that would lead to the death of the titular priest who would not bend for anyone, not even the King of England... the infamous Henry the XIII... who, played by Robert Shaw, has a voracious laugh as rich as fool's gold... <br> </p><p></p><p></p><p></p><p></p><p></p><p></p>

england, john hurt, leo mckern, nigel davenport, orson welles, paul scofield, religion, sixties, susannah york

PAUL SCOFIELD IN 'A MAN FOR ALL SEASONS' WITH ORSON WELLES

Orson Welles in A MAN FOR ALL SEASONS Year: 19566 Orson Welles, years after CITIZEN KANE, said the hardest role to play was probably that ...

ERIC IDLE AND ROBBIE COLTRANE BECOME 'NUNS ON THE RUN'

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC_IZwog_wuyCgsVAobMeg6jCjGrMhXUr2AUEpplBuU6ccEA4TFa5mgmpoNlSdXlaOe0K50_LVCskbr1VA0qQ68Lal3_HyiVIwcsSeeE5jW9JO2jUIYZr75XE0aCluKDFxs5iUF0u4GAl0/s698/Screen+Shot+2021-08-08+at+3.17.49+AM.jpeg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="599" data-original-width="698" height="344" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC_IZwog_wuyCgsVAobMeg6jCjGrMhXUr2AUEpplBuU6ccEA4TFa5mgmpoNlSdXlaOe0K50_LVCskbr1VA0qQ68Lal3_HyiVIwcsSeeE5jW9JO2jUIYZr75XE0aCluKDFxs5iUF0u4GAl0/w400-h344/Screen+Shot+2021-08-08+at+3.17.49+AM.jpeg" width="400"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Year: 1990 Producer: George Harrison Rating: ***1/2</u></td></tr></tbody></table><p>The late dark horse Beatles guitarist George Harrison’s Handmade Films produced a mixed bag of projects: The established cult favorites include MONTY PYTHON’S LIFE OF BRIAN and LIVE AT THE HOLLYWOOD BOWL; Terry Gilliam's dwarf adventure fantasy TIME BANDITS and the underrated Jodie Foster 1950's melodrama FIVE CORNERS while the bad includes the truly horrible/critically demolished SHANGHAI SURPRISE starring Harrison's at-that-time client celebrity couple, Sean Penn and Madonna...<br></p><p></p><p>On the more obscure end there's a forgotten lot including Michael Palin comedies A PRIVATE FUNCTION and THE MISSIONARY... </p><p>And with that list intact, sticking with another Python vet while providing George's tropically-blues solo career ballad <i>Blow Away</i>, NUNS ON THE RUN stars Eric Idle and rotund comic actor Robbie Coltrane, residing somewhere in-between the musician/producer's eclectic cinematic patchwork. Especially thanks to the extremely cute Camille Coduri, who isn't your waify ingenue like most American actresses; she has a great smile, voluptuous curves and big sad pouting eyes, melting Eric Idle’s Brian Hope within moments of meeting at the diner where she’s employed…<br></p><p></p><p></p><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgsfLElaQ7oA04WMF_94fHVmUxW8yjdOzjxwdeCdfugxNwu-c2myLxIlJKNbJ0KxZDkmaYkDXFChx2VUuyf85mWLjDp6RBsYziAQ_NRhvfk6FosuhP_LRb47ET_SQtyaO0s_jV5PQJRId6ZR-Xn2hID4Z_B_Jk1r-Su6OVvHi8FXg0N7AuVX1IcU91l5A=s1028" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1028" data-original-width="788" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEgsfLElaQ7oA04WMF_94fHVmUxW8yjdOzjxwdeCdfugxNwu-c2myLxIlJKNbJ0KxZDkmaYkDXFChx2VUuyf85mWLjDp6RBsYziAQ_NRhvfk6FosuhP_LRb47ET_SQtyaO0s_jV5PQJRId6ZR-Xn2hID4Z_B_Jk1r-Su6OVvHi8FXg0N7AuVX1IcU91l5A=w306-h400" width="306"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Camille Corduri in Nuns on the Run</u></td></tr></tbody></table><p>And that’s saying something since Brian has a lot on his mind, including being constantly lectured by stout buddy/partner Robbie Coltrane as Charlie McManus. Both Charlie and Brian are workaday bank robbers who, after a double-cross plan that Faith overhears, wind up with a cliché briefcase of stolen cash...</p><p>And through creative dutch angles, are sought after by a gang of mobsters that are genuinely serious and lethal throughout the comedy hijinx (pre-Tarantino no less) as the boys hide out and pose as… you guessed it… NUNS! </p><p></p><p>The ON THE RUN part doesn’t entirely fit the storyline since there isn’t far to go, and the entire film takes place in locations along one particular England street: A nice mellow atmosphere that relies on keeping up a suspenseful scam... </p><p></p><p>The draped duo have to keep the other residents, including a bevy of young hot students, into thinking they’re visiting nuns… </p><p>Which is all a WE'RE NO ANGELS inspired prolonged ruse often stretched beyond limit. And they wind up having to trick Camille, as Faith; although without her glasses she can’t see a lick, providing leeway for the boys: The only Monty Python style joke is a reoccurring argument about The Holy Trinity, allowing Idle to take part in clever diatribes concerning the baseline of a religion he just doesn’t get. But of the two, Robbie Coltrane really stands out, keeping his expository faith intact while lusting after the student/girls who look up to him… or rather, her. And the resulting action sequences aren’t too shabby either: Camille becomes the most important cog in a decent comedy vehicle that’s an even better ride the second and third time. </p><p><span></span></p>

british, camille coduri, comedy, crime, cross-dressing, eric idle, george harrison, handmade films, heist, jonathan lynn, nineties, religion, robbie coltrane

ERIC IDLE AND ROBBIE COLTRANE BECOME 'NUNS ON THE RUN'

Year: 1990 Producer: George Harrison Rating: ***1/2 The late dark horse Beatles guitarist George Harrison’s Handmade Films produced a mixed ...

RITA HAYWORTH IS 'MISS SADIE THOMPSON' W/ CHARLES BRONSON

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFD5BktEAxeDUQwVq9yhynsIpVn6fV9fmD-qu_vqwWoiOSjeW0_pNLB9uJFKsnq0ilvq8xYHovFPq3P_5almcqbKUmW06aWqBBH2nUOG-ySchQoD0WI_CxsE7IzwpHXYqiVfXDwg349ncU/s1831/1.jpeg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1312" data-original-width="1831" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFD5BktEAxeDUQwVq9yhynsIpVn6fV9fmD-qu_vqwWoiOSjeW0_pNLB9uJFKsnq0ilvq8xYHovFPq3P_5almcqbKUmW06aWqBBH2nUOG-ySchQoD0WI_CxsE7IzwpHXYqiVfXDwg349ncU/w400-h286/1.jpeg" width="400"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Charles Bronson and Henry Slate Year: 1953 Rates: ***</u>1/2</td></tr></tbody></table><p>This adaptation of Somerset Maugham's sordid tale about an alluring woman who gets progressively judged and berated and then lusted upon by a Christian missionary is less about moral hypocrisy and more about Evolution since, from the moment Rita Hayworth lands on a Samoan island full of Marines, the biggest and toughest jarhead in Aldo Ray has her number, and won't let go... None of his underlings, not even a more muscular Charles Bronson, harmonica-playing Henry Slate or goofball Rudy Bond has a chance... and most of MISS SADIE THOMPSON seems like PR for the noticeably-aged Rita Hayworth to still be a relevant sex symbol... for young male audiences...<br></p><p></p><p>And she <i>does </i>look pretty great despite overacting the 'good time girl' routine, singing her lines while speaking her songs. But that older, experienced countenance neatly blends into a free-spirited yet enigmatic character that bible-belting Jose Ferrer realizes <i>could have</i> been a prostitute, forcing our marooned goddess in bright red (symbolically contrasting with the grainy-dull browns and greens for what was originally 3D) into a sudden guilty change of conscience. And this 11th hour melancholy-Hayworth, although turning in a far more subtle, natural performance, is but a means to an extremely rushed ending: Instead of building a hate/trust/lust relationship between leads Hayworth and Ferrer, the latter gradually frowns then sermonizes and then explodes, leading back to that rushed romance with Ray, an infatuation as equally empty and hollow — but on HER terms. <br></p><p><span></span></p>

aldo ray, charles bronson, drama, fifties, jose ferrer, melodrama, military, religion, rita hayworth, romance, rudy bond

RITA HAYWORTH IS 'MISS SADIE THOMPSON' W/ CHARLES BRONSON

Charles Bronson and Henry Slate Year: 1953 Rates: *** 1/2 This adaptation of Somerset Maugham's sordid tale about an alluring woman who ...

CHARLES BRONSON INVESTIGATES 'MESSENGER OF DEATH'

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUoJDVS5wwOAq6UhdYcUBwk7qcGauYeHoRdcIvLJ6QEruVXdWYgMBgdCX2iGUy_hkFxvFH3Ctj1QQhPvgNiEwtO1u3uA4nexjuWsfwUw80XTKT4RdHFHGUExqiaUcaVUk2-QGMIzmFWQCP/s1600/Screen+Shot+2020-04-26+at+11.35.04+PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="717" data-original-width="1073" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUoJDVS5wwOAq6UhdYcUBwk7qcGauYeHoRdcIvLJ6QEruVXdWYgMBgdCX2iGUy_hkFxvFH3Ctj1QQhPvgNiEwtO1u3uA4nexjuWsfwUw80XTKT4RdHFHGUExqiaUcaVUk2-QGMIzmFWQCP/s1600/Screen+Shot+2020-04-26+at+11.35.04+PM.jpeg"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Blu Ray artwork cover for Cannon Films/Charles Bronson MESSENGER OF DEATH Year: 1988 Rates: ***1/2</u></td></tr> </tbody></table> <div class="separator" style="clear: both; text-align: center;"> </div> The only time famous bullet-blaster Charles Bronson uses a shotgun in MESSENGER OF DEATH is to blow a hole in a casket: The usual killer of bad guys is now killing the corpse... of a preacher... yet there's a twist. And for the most part, like CHINATOWN, the plot involves water in what's more Neo Noir/Thriller than Action...<br> <br> Although there <i>are</i> a few big road-hogging trucks and one big gunfight (that Bronson actually verbally thwarts) pitting three Mormon clans against each other. Which resulted from the ultra-violent prologue where professional assassins slaughter an entire Utah family. So Bronson, playing a famous and intrepid reporter, is on the case.<br>

cannon, charles bronson, eighties, kimberly beck, laurence luckinbill, neo noir, religion, thriller, trish van devere

CHARLES BRONSON INVESTIGATES 'MESSENGER OF DEATH'

Blu Ray artwork cover for Cannon Films/Charles Bronson MESSENGER OF DEATH Year: 1988 Rates: ***1/2 The only time famous bullet-blaster...

JUDGEMENT UPON THE BIBLICAL SATIRE OF 'WHOLLY MOSES!'

<p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgFt-QzxtT7GlkiTI6Ag7tZKj7-QvexLvBSBONEQKv4XOMM4BhHxk7lgzgIJ8unyjJa4oTu0iRJzjG9MwJX20r4-INbL9konEdixASRFU3i3u0ADJQoOhzqFheRDceD_UZcouwpZqY4fBVtXGCgmtOhIsPCffw5rhfF_uDQt0QPpQ4v9ZS0X0mWi_gzY-h/s769/275930%202.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="534" data-original-width="769" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgFt-QzxtT7GlkiTI6Ag7tZKj7-QvexLvBSBONEQKv4XOMM4BhHxk7lgzgIJ8unyjJa4oTu0iRJzjG9MwJX20r4-INbL9konEdixASRFU3i3u0ADJQoOhzqFheRDceD_UZcouwpZqY4fBVtXGCgmtOhIsPCffw5rhfF_uDQt0QPpQ4v9ZS0X0mWi_gzY-h/s16000/275930%202.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: WHOLLY MOSES! Year: 1980 AD Rating: ***</u></td></tr></tbody></table><p>Similar to the following years' Mel Brooks Old Testament spoof, HISTORY OF THE WORLD, Gary Weis's underrated WHOLLY MOSES! has more likable, involving characters led by Dudley Moore as a regular guy on a modern day Israeli tour bus that breaks down long enough for the alternative Biblical backstory to be revealed...<br> <br> He and Laraine Newman (the director's SNL alumni) discover a cave with a lost, unknown scroll, and Moore reads about an orphan who, floating downstream, is pushed aside by <i>the </i>legendary basket-floating infant (much like Graham Chapman's title character in this film's muse/inspiration, MONTY PYTHON'S LIFE OF BRIAN, fatefully born in the manger next-door to Christ)... <br> </p><p></p><p></p>

dudley moore, eighties, james coco, john ritter, laraine newman, parody, paul sand, religion, richard pryor, road movie, satire

JUDGEMENT UPON THE BIBLICAL SATIRE OF 'WHOLLY MOSES!'

Title: WHOLLY MOSES! Year: 1980 AD Rating: *** Similar to the following years' Mel Brooks Old Testament spoof, HISTORY OF THE WORLD, Gar...

CHARACTER-DRIVEN TRINITY OF THE 1972 THRILLER 'CHILD'S PLAY'

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpygxuFXFZOQmVsS0SIA2v3Wci9xCDIUYtoM63X9bNwB_zVJZHKp1jHdlMEHsj_WVJ0E-mfd86hDVgB8D4jsVJrr3kJq3xrWne5KdkClPXlhc-ZYAliJ8YODhSVQgzW1x__uK8ntUThe3H/s1600/1.jpeg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="600" data-original-width="757" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpygxuFXFZOQmVsS0SIA2v3Wci9xCDIUYtoM63X9bNwB_zVJZHKp1jHdlMEHsj_WVJ0E-mfd86hDVgB8D4jsVJrr3kJq3xrWne5KdkClPXlhc-ZYAliJ8YODhSVQgzW1x__uK8ntUThe3H/s400/1.jpeg" width="400" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Beau Bridges faces the boys of Child's Play YEAR: 1972</u></td></tr> </tbody></table> In CHILD'S PLAY, from way back in 1972 and not involving a red-haired serial killer doll named Chucky, the development of the characters drives the suspense, and for today's standards, this could seem like a slow-moving, over-brooding, thrilless arthouse thriller, or a stage play adapted to the big screen. But what's really intriguing are the similarities with THE EXORCIST, which was being filmed when this hit theaters, but the book had been on the stands for several years...<br /> <br /> So for anyone who hasn't seen or doesn't want to see William Friedkin's brilliant and timeless GODFATHER of horror flicks, that opened the door for a number of slowburn Catholic-centered horror-thrillers, there are three particular characters: an old priest, a younger priest, and a possessed young girl. Replace the girl with an entire Catholic School of mostly bullying boys who, as we witness their odd behavior, are in some sort of... spell, or something... adding Mystery to the myriad of genres...<br /> <br /> <div style="text-align: left;"> </div> <div style="text-align: left;"> </div> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4aGXXZmFRzz7Xz_zlK4IuJGQQQC5Ns6bUeirhyphenhyphenIBxPj2QnF_01rpq8DaDEPELLjUnx6keAW_9dfKPa8IZVbYahdQ6a-uAxwRzyp3IG4Y_zEKxje4Th8PD6gVFS1GDa1TbasV_KXujgZ4Q/s1600/58373150_689264531502726_7606556118243868672_n.jpeg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="598" data-original-width="242" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4aGXXZmFRzz7Xz_zlK4IuJGQQQC5Ns6bUeirhyphenhyphenIBxPj2QnF_01rpq8DaDEPELLjUnx6keAW_9dfKPa8IZVbYahdQ6a-uAxwRzyp3IG4Y_zEKxje4Th8PD6gVFS1GDa1TbasV_KXujgZ4Q/s400/58373150_689264531502726_7606556118243868672_n.jpeg" width="161" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Child's Play Rating: ***1/2</u></td></tr> </tbody></table> <div style="text-align: left;"> </div> We learn of everything through token white rabbit Beau Bridges, a former student who had returned as a teacher and greatly admired Robert Preston's vivacious, progressive English teaching priest, Joseph Dobbs, while immensely fearing a bitter old coot – Jerome Malley played by James Mason – who seems to be our primary antagonist, but as "the case" unfolds he could very well be a temperamental red herring...<br /> <br /> Leading to the best scenes involving conversations between Beau's pivotal and, for the most part, eventually ambiguous Paul Reis with the polar opposite instructors while the kids are but a sporadic break that really need no escaping from...<br /> <br /> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgamRlrO4PIlZn2Z2rWw2c6FZwe31Vnfj75ZpkmH6m9cOBFrALDMXHkxriM0P991OPIQ6vhRqEzPaxjMVqAVjUgq0NtyfT8p7peFUQy7vlgBK5x_jdD4Bh-4qYJGFnwaRL8hb_og1q8SCo/s1600/13315623_10209762738287604_8314142365979052978_n.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgamRlrO4PIlZn2Z2rWw2c6FZwe31Vnfj75ZpkmH6m9cOBFrALDMXHkxriM0P991OPIQ6vhRqEzPaxjMVqAVjUgq0NtyfT8p7peFUQy7vlgBK5x_jdD4Bh-4qYJGFnwaRL8hb_og1q8SCo/s400/13315623_10209762738287604_8314142365979052978_n.jpg" width="308" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Child's Play DVD Artwork</u></td></tr> </tbody></table> For CHILD'S PLAY is more of a "Courtroom Drama" without a court and gavel. Bridges proceeds over the "testimonies" of both men although one is sold as being far more likable from the onset; yet this opinion remains more decided by the students than we, the hyper-alert audience, anticipating a twist to occur, especially with a character (Preston) so flawless. Meanwhile, we're (through Bridges) the Jury being swayed, maneuvered from one side to the other: Preston is charming and understandable on a universal level as Mason has a tortuous life that can be pitied, even beyond the death of his mother. And the characters develop from there.<br /> <br /> <div style="text-align: right;"> </div> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiexGVdLEVTxsbZQ_BSoyfsimi2ZVl_5lDzEjJgnFy7QmTHiyMXkQxkQiSsBpiwiR4dzSKaUskf5GI67pde3YPLlQ5ie9MEU_CU3L6zQDM64DlZU4g6QA5Eb6kIqVhaNlLYQmqvd3_Fhb4/s1600/a7a579d80651866692a03da4d66cfb9e.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiexGVdLEVTxsbZQ_BSoyfsimi2ZVl_5lDzEjJgnFy7QmTHiyMXkQxkQiSsBpiwiR4dzSKaUskf5GI67pde3YPLlQ5ie9MEU_CU3L6zQDM64DlZU4g6QA5Eb6kIqVhaNlLYQmqvd3_Fhb4/s400/a7a579d80651866692a03da4d66cfb9e.jpg" width="281" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>If you can't beat it, show it just to kill it</u></td></tr> </tbody></table> Director Sidney Lumet channels his signature New York gritty realism into the Gothic school where statues and cold walls keep that heated far-off reality as distant from the lens as it is the students, inhibiting a power, or perhaps merely channeling a hypnotic strength that needs no real explanations like, say, a ROSEMARY'S BABY. Leading to a conclusion with so much buildup it begs for palpable closure. And yet, CHILD'S PLAY clings to words beyond action and an enigmatic dark aura over nail-biting suspense. In some strange way, there doesn't need to be any end at all. You can hear these two men speaking for days.<br /> <br /> Sure there could have been scarier moments here and there, or even a dugout of fellow priest/teachers introduced to individually buy the farm when they wander off alone through the spooky campus. (Alright, that's very 1980's, but there are pockets of downtime when a few deaths would have livened the picture.) Hell, even THE EXORCIST had palpable "gotcha!" moments: cinematic caffeine never hurts. But CHILD'S PLAY centers more on the dark hypnosis than what derives from it. Adding to one of several films using THREE main male leads to override a more conventional formula, intriguing enough to keep the viewer tuned in even after the purpose becomes all too clear.<br /> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxgaI60pfWZwQ_aFVzYwqOSryk-b3ar2WhteZmIC2-EShA1TqMHXsZd6B3qC4vW6evJ1TtTCAIFSVhjHRnzusSYAOABrkPExJw8mDXm4bYNWheDfFA1bxgdM9pZ7rxy6nyrWeNXJ8uPd7F/s1600/58380939_689252578170588_4107557604924850176_n.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="633" data-original-width="946" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxgaI60pfWZwQ_aFVzYwqOSryk-b3ar2WhteZmIC2-EShA1TqMHXsZd6B3qC4vW6evJ1TtTCAIFSVhjHRnzusSYAOABrkPExJw8mDXm4bYNWheDfFA1bxgdM9pZ7rxy6nyrWeNXJ8uPd7F/s1600/58380939_689252578170588_4107557604924850176_n.jpeg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Beau Bridges and James Mason in CHILD'S PLAY Year: 1972</u></td></tr> </tbody></table> <div class="separator" style="clear: both; text-align: center;"> </div> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE7dnPsm2FLdb_d3htRBJtCpsSTQTfYxA0tOZwSksVoqpOfE8Oq2i5ZZjrg9h8d3hZl_6efq4Zh5CgwR3NMFuQphFhvtZFFmxkf3OSFUjEPicPnJLJkfNBIL1WGAzpU1REqHAXdd7DVV9M/s1600/58373150_689264531502726_7606556118243868672_n.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="617" data-original-width="960" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE7dnPsm2FLdb_d3htRBJtCpsSTQTfYxA0tOZwSksVoqpOfE8Oq2i5ZZjrg9h8d3hZl_6efq4Zh5CgwR3NMFuQphFhvtZFFmxkf3OSFUjEPicPnJLJkfNBIL1WGAzpU1REqHAXdd7DVV9M/s1600/58373150_689264531502726_7606556118243868672_n.jpeg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Beau Bridges, James Mason and Robert Preston in Child's Play</u></td></tr> </tbody></table> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhusiPUC6p58tJxKWFulSyn2n_Tz031WYZs-K3Wk4P5P5PyiGp_-ZmVq8YT5AZ_FaymIFpoNbM_XWkUpzzBgDMj4B0XNPFSep9KfTwC9Bk4gSfBrsLJm3YxyyWzSSCpm9d0Cu30i9b_t0o/s1600/13330914_10209762737607587_3836383268092112766_n.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhusiPUC6p58tJxKWFulSyn2n_Tz031WYZs-K3Wk4P5P5PyiGp_-ZmVq8YT5AZ_FaymIFpoNbM_XWkUpzzBgDMj4B0XNPFSep9KfTwC9Bk4gSfBrsLJm3YxyyWzSSCpm9d0Cu30i9b_t0o/s1600/13330914_10209762737607587_3836383268092112766_n.jpg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Beau Bridges and Robert Preston in Child's Play </u></td></tr> </tbody></table> <div style="text-align: right;"> </div> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLlf_kOhcENwPXMI9vLSI-qS8JGKnuFTXSfZ_O55GvAxY3-D8RgwZ59Ikl4zzZh64xwCHPXsmapKGojk3oUptJVf5gCZ-X1lloGXVTOw4zTb9bVhk5ZYGMUhfZP_UJlcwwCfnmun2VTCNt/s1600/57541755_689269471502232_6271058251123523584_n.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="628" data-original-width="846" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLlf_kOhcENwPXMI9vLSI-qS8JGKnuFTXSfZ_O55GvAxY3-D8RgwZ59Ikl4zzZh64xwCHPXsmapKGojk3oUptJVf5gCZ-X1lloGXVTOw4zTb9bVhk5ZYGMUhfZP_UJlcwwCfnmun2VTCNt/s1600/57541755_689269471502232_6271058251123523584_n.jpeg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>The boys of the music man as Robert Preston faces Beau Bridges in Child's Play</u></td></tr> </tbody></table>

adaptation, beau bridges, gothic, horror, james mason, religion, robert preston, seventies, suspense, thriller

CHARACTER-DRIVEN TRINITY OF THE 1972 THRILLER 'CHILD'S PLAY'

Beau Bridges faces the boys of Child's Play YEAR: 1972 In CHILD'S PLAY, from way back in 1972 and not involving a red-haired ser...