cult film freak: judy brown

Showing posts with label judy brown. Show all posts

Written by James M. Tate / 11/22/2024 / No comments / adventure , george memmoli , irene tsu , jim kelly , judy brown , karate , sequel , seventies

JIM KELLY RETURNS AS BLACK BELT JONES HANDLING 'HOT POTATO'

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFOo3P4kD0zLsFcS_14SE_EiMg0NLjntFbPombb7LyWacnMBJfYXIUOkGZ0Ehc14O2ps3tv9RnUw6W06nELykxRQs8vrDQiNEx67B6H0TB9vWBirSVlMoU80RCWE8KQnRIOjLyU_6K5mywhebNctfu0SWkD__dy6mK-yzdz4U5v7OdHBFzeJ-5Bjw-xfp4/s1214/Screen%20Shot%202024-11-22%20at%208.08.23%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="667" data-original-width="1214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFOo3P4kD0zLsFcS_14SE_EiMg0NLjntFbPombb7LyWacnMBJfYXIUOkGZ0Ehc14O2ps3tv9RnUw6W06nELykxRQs8vrDQiNEx67B6H0TB9vWBirSVlMoU80RCWE8KQnRIOjLyU_6K5mywhebNctfu0SWkD__dy6mK-yzdz4U5v7OdHBFzeJ-5Bjw-xfp4/s16000/Screen%20Shot%202024-11-22%20at%208.08.23%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: HOT POTATO Year: 1976 Rating: ***</u></td></tr></tbody></table><p>No one could fathom why the urban blaxploitation BLACK BELT JONES would have a pulpy-adventure sequel set in the Thailand jungle, so it's often regarded as basically, not a sequel: but it <i>definitely is</i> given that ENTER THE DRAGON icon Jim Kelly's name is, once again, Jones, and the original film's writer is now both writer and director...</p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p>The plot has Judy Brown as a politician's daughter being kidnapped, and Kelly and his cohorts traipse through the bulwark-laden jungles to bring her safely home... the first problem being that Jim's got too many sidekicks...</p><p><span></span></p>

adventure, george memmoli, irene tsu, jim kelly, judy brown, karate, sequel, seventies

JIM KELLY RETURNS AS BLACK BELT JONES HANDLING 'HOT POTATO'

Title: HOT POTATO Year: 1976 Rating: *** No one could fathom why the urban blaxploitation BLACK BELT JONES would have a pulpy-adventure sequ...

JIM BROWN IN 'SLAUGHTER'S BIG RIP-OFF' WITH DON STROUD

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi-i3dRbNxcUF-ZTi42guPNaIaN4DCs_kD8GNNRhRqjIovsWxLMpBj6S57oU9jHVfpK3IINkWLuoIStwWAhO-Y6JqmFoZKqgKuuw9uRQEM3HXz9xW16p6cWiRkGGLzy_C9kVQnHEqFxkc6-GDcbGmi-2di3Rf1hG1OLTu4sUz8XcoVP6roa7NumsQ-9g/s1516/0.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="652" data-original-width="1516" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi-i3dRbNxcUF-ZTi42guPNaIaN4DCs_kD8GNNRhRqjIovsWxLMpBj6S57oU9jHVfpK3IINkWLuoIStwWAhO-Y6JqmFoZKqgKuuw9uRQEM3HXz9xW16p6cWiRkGGLzy_C9kVQnHEqFxkc6-GDcbGmi-2di3Rf1hG1OLTu4sUz8XcoVP6roa7NumsQ-9g/s16000/0.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Jim Brown in SLAUGHTER'S BIG RIP-OFF Year: 1973 Rating: ****1/2</u></td></tr></tbody></table><p>SLAUGHTER'S BIG RIP OFF directed by crime-cinema veteran Gordon Douglas is a sequel not only better than the original, SLAUGHTER, it stands completely alone, the only plot being Jim Brown's former Green Beret character avenging the deaths of a few friends at an outside party-picnic prologue by a retro biplane's machine gun...</p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p>His initial search is for the pilot, played by biker-flick actor Adam Roarke for about five minutes in a mansion poolside of bigwig mobster Ed McMahon — actually pretty good here — hiring another much meaner and far more lethal thug Don Stroud to kill the first killer, making for possibly the best blaxploitation heavy ever...</p><p><span></span></p>

action, art metrano, blaxploitation, body count, dick anthony williams, don stroud, ed mcmahon, exploitation, gordon douglas, hit-man, jim brown, judy brown, lisa farringer, revenge, seventies, thriller

JIM BROWN IN 'SLAUGHTER'S BIG RIP-OFF' WITH DON STROUD

Jim Brown in SLAUGHTER'S BIG RIP-OFF Year: 1973 Rating: ****1/2 SLAUGHTER'S BIG RIP OFF directed by crime-cinema veteran Gordon Doug...

CULT STARLET JUDY BROWN PLAYS 'A WOMAN FOR ALL MEN'

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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN-nG3P2jFDvAf_dVBNkchCfO3V467bZpvtopZ5bTyakADe2uloKNy62_bwcWMyvmoRTJ9Czk7HYw1AwICx5R0ZooBzkMqfTUnLsMa7KCGDZp-53c5hmmlA6qmZk1Dvssq-FzUKW4TAsAi/s1600/0.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1119" data-original-width="1600" height="278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN-nG3P2jFDvAf_dVBNkchCfO3V467bZpvtopZ5bTyakADe2uloKNy62_bwcWMyvmoRTJ9Czk7HYw1AwICx5R0ZooBzkMqfTUnLsMa7KCGDZp-53c5hmmlA6qmZk1Dvssq-FzUKW4TAsAi/s400/0.jpg" width="400"></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Year of Release is the Nineteen-Seventies by proof of the telephone</u></td></tr>
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The fact a sexpot from Roger Corman women-in-prison flicks (directed by Jack Hill)  could hold more power and importance over Andy Robinson and Keenan Wynn is proof that the seventies were far from over... In fact, racy drive-in vehicles from the infamously dirty decade were going through an awkward and contrived mid-life crisis...<br>
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That same summer, 1975, a giant shark named JAWS was devouring audiences in record-breaking numbers. Because of this "bigger boat," it was up to smaller theaters to suit those embarrassed to frequent porno houses: Sitting on the fence were a pileup of R-Rated wannabe X's, and most were pretty bad: Enter Judith Brown, star of THE BIG DOLL HOUSE and WOMEN IN CAGES when she was billed as Judy (whose name seemed to change with a haircut), playing the title character with a title that's exploitation enough: A WOMAN FOR ALL MEN...<br>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilKCspbFRRZ8Lv0nAKASORNyzprUuwV-IZVquAk3jLLQOgIaDFIac9N0ikG6x1yBfB1Ve0KlbXe_ASAmv9n1Y-LrDvDWPCrG_Mntm0b8YwGhWeNumER64USsD_lA_6vrOg2uxwfLoCXuAp/s1600/77.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="935" data-original-width="494" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilKCspbFRRZ8Lv0nAKASORNyzprUuwV-IZVquAk3jLLQOgIaDFIac9N0ikG6x1yBfB1Ve0KlbXe_ASAmv9n1Y-LrDvDWPCrG_Mntm0b8YwGhWeNumER64USsD_lA_6vrOg2uxwfLoCXuAp/s400/77.jpg" width="211"></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>ExploitaScore: ***1/2</u></td></tr>
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The basic though tangled plot has the usual grouchy millionaire marrying a young beauty. In this case the rich dick is Kennan Wynn, who owns a construction company where his two sons, played by "The Scorpio Killer" Robinson and blue-eyed oddball Peter INGLORIOUS BASTARDS Hooten, work hard outdoors without cozy office jobs, providing enough frustration in what's already predictably forced into the overall Film Noir template...<br>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjRpXEfh9e-7De5QJ3DlLLzXX7DggC6jfYv_nvpfjpLbotWagBErHoNOWvoXcifMxpUYKivLrCy5FoK10SSv6iXvqhoemzVbjF4QRrgDrCAdXDeiIet2paIZvstQrEKQ1fccl_NfMXFumI/s1600/8.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1178" data-original-width="725" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjRpXEfh9e-7De5QJ3DlLLzXX7DggC6jfYv_nvpfjpLbotWagBErHoNOWvoXcifMxpUYKivLrCy5FoK10SSv6iXvqhoemzVbjF4QRrgDrCAdXDeiIet2paIZvstQrEKQ1fccl_NfMXFumI/s400/8.jpg" width="245"></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Judith or Judy Brown</u></td></tr>
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Soon enough, oldest son and dad's trophy wife hook up and, like TAROT starring Sue Lyon and Gloria Graham a few years earlier, it's the heart-of-gold housekeeper (a respectfully aged Lois Hall) who begins figuring things out: along with dad's only-daughter played by Patty Bodeen, a blue-eyed, round-faced, pouting beauty who should have been in a lot more of these kitschy thrillers... Her melodramatic gusto really fits when needed: And with more dialogue than action, anything spontaneous is welcome to wake things up: Especially since Brown, usually the "straight woman" of Corman films, has to remain firm and one-dimensional in the lead role.<br>
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The suspense builds nicely but it's almost too late once the viewer gets lethargically captured. Then again, random twists and turns occur too soon for the essential "boiling point" to amount to anything beyond a reason for square-jawed Brown to shed her clothes (in an ongoing homemade film within this film). And yet, with recognizable actors Don Porter as Wynn's lawyer and Alex Rocco as the inevitable snoopy cop, this WOMAN is better than one might think. Perhaps those who had served in classic crime heaven (the likes of THE GODFATHER, THE MECHANIC and CHARLEY VARRICK) lacked the usual guilt while reigning in this sizzling perdition of super-low-budget fare.<br>

andy robinson, exploitation, judy brown, keenan wynn, neo noir, peter hooten

CULT STARLET JUDY BROWN PLAYS 'A WOMAN FOR ALL MEN'

Year of Release is the Nineteen-Seventies by proof of the telephone The fact a sexpot from Roger Corman women-in-prison flicks (directed...

ROGER CORMAN W/ PAM GRIER PRISON EXPLOITATION THREESOME

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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX3AwIKYkNRxMGKzJTa1H341459rh7SpwUHJgRIxaXIpAULHv5DjToukO9s1K3-NYrdYyUwPmfWEE7BWxtXgJrySM52MiBBPgAHrDD9oDowcaADS4HNeW1_Qqoz3roiRu-DcvXBWSd0xxl/s1600/Screen+Shot+2019-05-26+at+6.43.26+PM.jpeg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1291" data-original-width="1348" height="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX3AwIKYkNRxMGKzJTa1H341459rh7SpwUHJgRIxaXIpAULHv5DjToukO9s1K3-NYrdYyUwPmfWEE7BWxtXgJrySM52MiBBPgAHrDD9oDowcaADS4HNeW1_Qqoz3roiRu-DcvXBWSd0xxl/s320/Screen+Shot+2019-05-26+at+6.43.26+PM.jpeg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Pam Grier & Judy Brown 1971 ***1/2<br /></u></td></tr>
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<u>BIG DOLL HOUSE:</u> This is the first Roger Corman produced/Jack Hill written/directed women-in-prison venture shot in the Philippines, and it's pretty good: But beware to all Pam Grier fanatics, she's not
 the main star... yet as a bully rogue within a cramped cell of sexy 
vixens including Judy Brown (the new girl), Roberta Collins (the tough 
girl), Pat Woodell (the resilient girl) and Brooke Mills (the addict), she holds her own just fine...<br />
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It's
 survival of the fittest: including mud wrestling, shower massages, 
torture racks, and chicks wielding big machine guns...<br />
<br />
Hill's SPIDER BABY and PIT STUFF actor Sid Haig, as a 
con-man who ultimately helps the girls plan their escape, adds to a 
somewhat bizarre canvas that, at times, is a little too weird for its 
own good yet remains an exploitation classic: All
 about those gorgeous sweaty babes and their eclectic personalities 
clashing inside, and then fighting outside, the hot caged hell they 
eventually must escape from.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNTO2xlGZAUC8ttjP-Mok63a63jO1efRTVo5cQHOfiv66jI-r8toExMQJNFgPDh9UDReNa6M1KkGKeinZ01VOGf2ICTGTgXfWWlVxT7xozYhQmzM94OXzmkeaKYoTYCzgupZ5-oHIzHG8/s1600/2womenincages.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNTO2xlGZAUC8ttjP-Mok63a63jO1efRTVo5cQHOfiv66jI-r8toExMQJNFgPDh9UDReNa6M1KkGKeinZ01VOGf2ICTGTgXfWWlVxT7xozYhQmzM94OXzmkeaKYoTYCzgupZ5-oHIzHG8/s320/2womenincages.jpg" width="228" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">1971 ***1/2</td></tr>
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<u>WOMEN IN CAGES:</u> Not directed by Jack Hill but once again produced by Roger Corman and starring Judy Brown, Roberta Collins and Pam Grier returning from the BIG DOLL 
HOUSE to an even more gritty, cut-throat and slickly energetic 
women-in-prison flick...<br />
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Shedding random subplots of the 
wonderfully weird Jack Hill original which, though groundbreaking, is 
sometimes hindered by offbeat, semi-comedic, peripheral distractions: this <i>really feels</i> like the dangerous Philippines locale...<br />
<br />
Where crooked yet vulnerable redhead Jennifer 
Gan, set up by her mobster boyfriend and thrown into a cutthroat 
Philippians prison, is up against the other sexy convicts, one hired to 
kill her...<br />
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But her main rival is Pam Grier, brilliantly cast as the 
sadistic head guard and given more free reign here while Roberta Collins is the addled heroin addict, Sofia Moran the bully-lesbian convict, Vic Diaz in place of Sid Haig and Judy 
Brown, the passive newbie in DOLL HOUSE, plays the experienced leader in this sparse, severe exploitation vehicle where gorgeous 
girls are locked up, and must fight to get out alive, period. <br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnnAYq7rCnZj9nu6ys5v8pk0VnUkJWThFN63VDpSM5Ft-Z49sk_oZ51jCQpNx0zlotL5I5hUp8JIX-fvJmBuWbaNu8Euch3WwTL3AB4ezLhnYIasZYhti5_M3pLiF1rIKv3yRKU5Dngn8/s1600/3bigbirdcage.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnnAYq7rCnZj9nu6ys5v8pk0VnUkJWThFN63VDpSM5Ft-Z49sk_oZ51jCQpNx0zlotL5I5hUp8JIX-fvJmBuWbaNu8Euch3WwTL3AB4ezLhnYIasZYhti5_M3pLiF1rIKv3yRKU5Dngn8/s320/3bigbirdcage.jpg" width="225" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">1973 ***1/2</td></tr>
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<u>THE BIG BIRD CAGE:</u> Jack Hill, who began the exploitation women-in-prison double-feature with BIG DOLL HOUSE, after many other directors jumped 
on the band wagon, made a comedy-adventure using stock actors Pam Grier 
and Sig Haig as revolutionaries actually <i>breaking into</i> a work camp: to flee 
female convicts (led by Anitra Ford and Roberta Collins) for their cause...<br />
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The prison itself 
consists of a few huts and one giant outdoor bamboo sugar mill, which includes a human-powered slave wheel. This 
contraption, designed by Jack Hill's father, is primal and, in its own 
right, formidable. And two leads are terrific, both 
together and apart; especially Haig, hilariously feigning gay to 
"seduce" a chunky guard (Vic Diaz) while the exterior locations are amazing...<br />
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Especially the rice paddies built within hillsides (and the mountains 
where the cast had to hike to their daily shoots). Meanwhile, the women in the prison itself are an eclectic lot of beautiful vixens, 
providing the essential though somewhat superfluous base on this unique take on the genre, 
distinguishing THE BIG BIRD CAGE from any other women in prison flick, 
most likely Jack Hill's intention.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeruU-x1CnkYtAIo4hQc68kzwxXD4krpFilhPMA9HRi-7ZRr-wzsaPexIZ27UoLW2XzIAYciBmfeVQO-2dt4bOESqfDn9zGVGmxQll07QR7BvFZ-IMIeWKeKd1uOSbJEmWsHC57u1qqkPR/s1600/fugitive_rage_1996.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" style="margin-left: auto; margin-right: auto;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5637218997972100290" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeruU-x1CnkYtAIo4hQc68kzwxXD4krpFilhPMA9HRi-7ZRr-wzsaPexIZ27UoLW2XzIAYciBmfeVQO-2dt4bOESqfDn9zGVGmxQll07QR7BvFZ-IMIeWKeKd1uOSbJEmWsHC57u1qqkPR/s200/fugitive_rage_1996.jpg" style="float: right; height: 220px; margin: 0px 0px 10px 10px; width: 141px;" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">1997 **1/2</td></tr>
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<u>FUGITIVE RAGE:</u> Having absolutely <i>nothing</i> to do with the above Roger Cormen women
 in prison flicks, we'll throw this in for bad 
measure: And if corny dialogue were cheese, this straight-to-video doozy
 is a mouse with stomach cancer. But it's still fun watching tough girl 
Wendy Schumacher kick tons of ass.<br />
<br />
Put in stir for 
shooting a mob boss in a courtroom, but not killing him. Right off the 
bat, she has a kung fu battle with Calista Carradine (David's daughter, 
witnessed by other inmates including personal friend and KILLING OF A 
CHINESE BOOKIE dancer Donna Gordon). She's then sent to a
 suburban safe house, where she bonds, then has sex with, a fed who 
looks straight out of central casting. While the hammy main villain, recooping
 from the gun shot, awaits closure in his mansion along with the only 
known actor, Ross Hagan as his bodyguard who, it turns out, is more in 
charge than anyone realized. This leads to a nifty shootout as our 
heroine, rescuing her kidnapped prison friend, takes down everyone in 
her path: Dumb fun, and lots of both.<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAVJF8TdFRmzBvE6luF2YGbhy2u0PzzoA1wFxpQO0KqHOyO4GMByxzLW_Uh-VHxC6qVX6EbIUGqhi0SO0_GIpRP-iFWp2WM1h0XAkPiabC-xSTIvi20FBrakNbe1r8WqQKuiBitelpELer/s1600/Screen+Shot+2019-05-26+at+6.38.46+PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="911" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAVJF8TdFRmzBvE6luF2YGbhy2u0PzzoA1wFxpQO0KqHOyO4GMByxzLW_Uh-VHxC6qVX6EbIUGqhi0SO0_GIpRP-iFWp2WM1h0XAkPiabC-xSTIvi20FBrakNbe1r8WqQKuiBitelpELer/s16000/Screen+Shot+2019-05-26+at+6.38.46+PM.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Pam Grier and Judy Brown warm up to the right in Big Doll House with Pat Woodell and Brooke Mills</u></td></tr></tbody></table>
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</div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjE3JfqZR-hrCitYdqlwYkz4XjnIn57xjlMsZZP6InXl3U7plMwC9t6cMN5pPYHf-hyUGMB8uZm6z6XkRWSS3SmrqlL0ZwwncNwj3mdcVbSHccMPZUhBixfxAvkM-RFmy00kTVr9kHtUoibKT_GSqe0jtRULW1DmktxMYZocO2iVxZZFRmQrXnezzcQROth/s1214/Screen%20Shot%202025-02-17%20at%201.45.19%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="670" data-original-width="1214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjE3JfqZR-hrCitYdqlwYkz4XjnIn57xjlMsZZP6InXl3U7plMwC9t6cMN5pPYHf-hyUGMB8uZm6z6XkRWSS3SmrqlL0ZwwncNwj3mdcVbSHccMPZUhBixfxAvkM-RFmy00kTVr9kHtUoibKT_GSqe0jtRULW1DmktxMYZocO2iVxZZFRmQrXnezzcQROth/s16000/Screen%20Shot%202025-02-17%20at%201.45.19%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Pam Grier from WOMEN IN CAGES</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNNNcn7XLWlJY1_5rviv-xLLX18uNJdMNaxLTxufs92T0iU_4N0nLmRjH4fGEhA2lIEgxXAjkwluyJkYQnqmFMUojWkQ40FSELHAZjJD54K7IPyZwTNcWl_pAeSZTpKyEDveKHQZ4EtnIK-odhzTnfmixNbmnySt7yp3kNZd-NE326t0WKVLZfsa2h5QuT/s1198/Screen%20Shot%202025-02-17%20at%201.45.07%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="678" data-original-width="1198" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNNNcn7XLWlJY1_5rviv-xLLX18uNJdMNaxLTxufs92T0iU_4N0nLmRjH4fGEhA2lIEgxXAjkwluyJkYQnqmFMUojWkQ40FSELHAZjJD54K7IPyZwTNcWl_pAeSZTpKyEDveKHQZ4EtnIK-odhzTnfmixNbmnySt7yp3kNZd-NE326t0WKVLZfsa2h5QuT/s16000/Screen%20Shot%202025-02-17%20at%201.45.07%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Sofia Moran from WOMEN IN CAGES</u><br /></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivnJWluqOR_CO81vjaGNbH45jSpzxIBCMt5AWoF-8Nrrr9PiD7GDzWc9D3IL5zGfR9jhaxg4-ynYsgVo42l-JyvlkyzucmveFbg9rUr_A6lo1dc6u8ajsW695zOXS5AFFAQ7WcvR53qkfdJugLJzmfyFKoc1uqb_xMNRzxArHuiFpSYIWmxCMSrGXdTO4I/s1276/Screen%20Shot%202025-02-17%20at%201.44.54%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="714" data-original-width="1276" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivnJWluqOR_CO81vjaGNbH45jSpzxIBCMt5AWoF-8Nrrr9PiD7GDzWc9D3IL5zGfR9jhaxg4-ynYsgVo42l-JyvlkyzucmveFbg9rUr_A6lo1dc6u8ajsW695zOXS5AFFAQ7WcvR53qkfdJugLJzmfyFKoc1uqb_xMNRzxArHuiFpSYIWmxCMSrGXdTO4I/s16000/Screen%20Shot%202025-02-17%20at%201.44.54%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Jennifer Gan and Judy Brown from WOMEN IN CAGES</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-edlRhiWFlsrmbRmcd0MDpe_iMoXyEonPzRXavW-62zFJCTD7_AJ_3A9deRFQoOT48RzuPmGAu5XQKIiYKKrtYGhv30WVwU8wgNYW1a68cC0DXR6KAmnb6pflHzXpQXdZoMTEXxahWhvqG4YWLxXBVPYjofdlJrDpKGfccnTLkN9sbNNq3JG8snHgyTmo/s1216/Screen%20Shot%202025-02-17%20at%201.44.34%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="680" data-original-width="1216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-edlRhiWFlsrmbRmcd0MDpe_iMoXyEonPzRXavW-62zFJCTD7_AJ_3A9deRFQoOT48RzuPmGAu5XQKIiYKKrtYGhv30WVwU8wgNYW1a68cC0DXR6KAmnb6pflHzXpQXdZoMTEXxahWhvqG4YWLxXBVPYjofdlJrDpKGfccnTLkN9sbNNq3JG8snHgyTmo/s16000/Screen%20Shot%202025-02-17%20at%201.44.34%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Roberta Collins and Judy Brown from WOMEN IN CAGES</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdSN7FZaL4eilVcU11GAr03Yd0Rj5DH1Zs1HTwRBNlcdCPxIAlrODQ-iHIQZQ4T2SWgRu3nAaw8mo9X6uLEFXivfkLiyG169HqrCKJI8wwz2ODBxg6j2S5eih0vFJNxkIjWN0VktkyHNnDIMM4z8Jc7e5yNMCyYOLU_IwzWVTUjiZnoQMAGGBj7fZxLlgP/s1206/Screen%20Shot%202025-02-17%20at%201.44.15%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="660" data-original-width="1206" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdSN7FZaL4eilVcU11GAr03Yd0Rj5DH1Zs1HTwRBNlcdCPxIAlrODQ-iHIQZQ4T2SWgRu3nAaw8mo9X6uLEFXivfkLiyG169HqrCKJI8wwz2ODBxg6j2S5eih0vFJNxkIjWN0VktkyHNnDIMM4z8Jc7e5yNMCyYOLU_IwzWVTUjiZnoQMAGGBj7fZxLlgP/s16000/Screen%20Shot%202025-02-17%20at%201.44.15%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Roberta Collins from WOMEN IN CAGES</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpNhB7dsWGRTx4eG7uYlej-7-aUziEeUmRScjvx_g8C-unWXfch-689Lh_sRmlv-XYxF_uNlPiuqwP0ASqV7-7HYSANb2DkAV-FWm1rmXJkQ5ry8SLZf69WS-nvHJjPF-XIEJvY22N_mb5ydmLpkiYnMLJVLqUBJQZ37T8afL2hUHXj7U3RX1NRi2MjZ_y/s1222/Screen%20Shot%202025-02-17%20at%201.44.00%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="654" data-original-width="1222" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpNhB7dsWGRTx4eG7uYlej-7-aUziEeUmRScjvx_g8C-unWXfch-689Lh_sRmlv-XYxF_uNlPiuqwP0ASqV7-7HYSANb2DkAV-FWm1rmXJkQ5ry8SLZf69WS-nvHJjPF-XIEJvY22N_mb5ydmLpkiYnMLJVLqUBJQZ37T8afL2hUHXj7U3RX1NRi2MjZ_y/s16000/Screen%20Shot%202025-02-17%20at%201.44.00%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Roberta Collins and Judy Brown from WOMEN IN CAGES</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBm8I7uABuRuW7E-IDxMq05Ng0QE3EkIB5W7Y9pPjFA15hRnH5ViJ34xuAl8tQ6YF3K4QM-bWUEM_LP5VsHPvPRrxQQJ_05ay6C95yh1D2nzYjU46hJ9ybcWfzMpHrAqM_Iq7v0rhYx2z1iqRt4x82bjuelaF4ndWFCp8PjDy6gSRdebxunNw7VpHQv4SE/s1150/Screen%20Shot%202025-02-17%20at%201.49.15%20PM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="682" data-original-width="1150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBm8I7uABuRuW7E-IDxMq05Ng0QE3EkIB5W7Y9pPjFA15hRnH5ViJ34xuAl8tQ6YF3K4QM-bWUEM_LP5VsHPvPRrxQQJ_05ay6C95yh1D2nzYjU46hJ9ybcWfzMpHrAqM_Iq7v0rhYx2z1iqRt4x82bjuelaF4ndWFCp8PjDy6gSRdebxunNw7VpHQv4SE/s16000/Screen%20Shot%202025-02-17%20at%201.49.15%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Roberta Collins from WOMEN IN CAGES</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhteSycG5bqFdKrEG26buKNDpoH1US2qZ4OE9FerlCs60LEP9rwGF8nV2bM8zX4Hp_jKYWmfIZLp0OrB546wp4_m6pfPUfFWH8A0eNLtM8m5CcB3_RyRZ4rXMxiBoqlFTHnsBX035tU16GB3HIspwmd2haR8NY3yNIwLPUNZvsj0Bw0tWfVYD9a-8pe1RJO/s1962/Screen%20Shot%202025-02-17%20at%201.59.32%20PM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1420" data-original-width="1962" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhteSycG5bqFdKrEG26buKNDpoH1US2qZ4OE9FerlCs60LEP9rwGF8nV2bM8zX4Hp_jKYWmfIZLp0OrB546wp4_m6pfPUfFWH8A0eNLtM8m5CcB3_RyRZ4rXMxiBoqlFTHnsBX035tU16GB3HIspwmd2haR8NY3yNIwLPUNZvsj0Bw0tWfVYD9a-8pe1RJO/s16000/Screen%20Shot%202025-02-17%20at%201.59.32%20PM.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Judy Brown in THE BIG DOLL HOUSE<br /></u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc9oUkMeQ1DlO1GvhiAsqONSRaHxHZgYWMQ7bMoaJrJRocHmq8Z874TZo6Gjz6-9aYMB2zj1hOqM8R5L8VID9ozriG1ES3Uea81PsZzb1qJe3S65a8kNDYG39JFMc2_OVIgxx2gNfhmjE3H1WR-xFcfTmeBLPPegn3FmHhVmFNhCPF6sYTSH0S29eMiT5j/s2012/Screen%20Shot%202025-02-17%20at%201.59.52%20PM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1412" data-original-width="2012" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc9oUkMeQ1DlO1GvhiAsqONSRaHxHZgYWMQ7bMoaJrJRocHmq8Z874TZo6Gjz6-9aYMB2zj1hOqM8R5L8VID9ozriG1ES3Uea81PsZzb1qJe3S65a8kNDYG39JFMc2_OVIgxx2gNfhmjE3H1WR-xFcfTmeBLPPegn3FmHhVmFNhCPF6sYTSH0S29eMiT5j/s16000/Screen%20Shot%202025-02-17%20at%201.59.52%20PM.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Roberta Collins in THE BIG DOLL HOUSE</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyG9Ckrt84kbXdPHXM0XNWNAdw6Z7olgoIdfQECnBv5NcBdJtCeHAXkPrjB5s7waSb6SwNCyMzM4dNAeuSzMp5YymZRjT9sQ_oE_MUD3kO3UK3O1y-yCQEcj6K2fz_6SeJhRB1JxoUdTrlGvh0zWThVaWYtmxjnMD06CqIGxa6NvkAfPQmI_CqVK92q8ve/s1978/Screen%20Shot%202025-02-17%20at%202.00.10%20PM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1368" data-original-width="1978" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyG9Ckrt84kbXdPHXM0XNWNAdw6Z7olgoIdfQECnBv5NcBdJtCeHAXkPrjB5s7waSb6SwNCyMzM4dNAeuSzMp5YymZRjT9sQ_oE_MUD3kO3UK3O1y-yCQEcj6K2fz_6SeJhRB1JxoUdTrlGvh0zWThVaWYtmxjnMD06CqIGxa6NvkAfPQmI_CqVK92q8ve/s16000/Screen%20Shot%202025-02-17%20at%202.00.10%20PM.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Judy Brown in THE BIG DOLL HOUSE</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZBA_T33DuNGQg3MHwELk5eeWkW8KPNcbbGWSiyGg24Z1PyMdBsrYl2E4zbd_VVZ7_MgHJ03c1QOoWluHGD1gstpK6aur0mz0MPzdC4h-2rxRzNm43EJRaqS4ilDgIPw3LYvVatQPZSfu2E5CYDY5XJN_zMlASqE0Mhu6tYmDu8uMUQSZf_tB4a2O0Wq5Z/s1956/Screen%20Shot%202025-02-17%20at%202.00.26%20PM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1276" data-original-width="1956" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZBA_T33DuNGQg3MHwELk5eeWkW8KPNcbbGWSiyGg24Z1PyMdBsrYl2E4zbd_VVZ7_MgHJ03c1QOoWluHGD1gstpK6aur0mz0MPzdC4h-2rxRzNm43EJRaqS4ilDgIPw3LYvVatQPZSfu2E5CYDY5XJN_zMlASqE0Mhu6tYmDu8uMUQSZf_tB4a2O0Wq5Z/s16000/Screen%20Shot%202025-02-17%20at%202.00.26%20PM.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Pam Grier and Sid Haig in THE BIG DOLL HOUSE</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvF-hwMJ7c9a7Tdh7l8BzKqBrP_oa6q8ntqsMsmUgp000BjovotKlc2i311lbrPz43p2ynB_Z4bsOO2vvJARAtxb-Otsna_i9u_89Dz1sySJ6abLCONnxPpKC9wu8piqfwNwZDKEn-PMwBarXGJQRMiTvo0RKNE6eNWsFjbyStJ2FB8QnUYP3Y4z2Y_h1J/s2224/Screen%20Shot%202025-02-17%20at%202.00.56%20PM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1270" data-original-width="2224" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvF-hwMJ7c9a7Tdh7l8BzKqBrP_oa6q8ntqsMsmUgp000BjovotKlc2i311lbrPz43p2ynB_Z4bsOO2vvJARAtxb-Otsna_i9u_89Dz1sySJ6abLCONnxPpKC9wu8piqfwNwZDKEn-PMwBarXGJQRMiTvo0RKNE6eNWsFjbyStJ2FB8QnUYP3Y4z2Y_h1J/s16000/Screen%20Shot%202025-02-17%20at%202.00.56%20PM.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Sid Haig in THE BIG BIRD CAGE<br /></u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizDdp1Hm0nVkULxasJqgairuZ3W3yegnEJwDHwzeyu8xDRBnxbQ_n1Z2jRBPqSLQZzHn788hV4ceCA2o-oHi_qYR4OyR8-Ax5UN0bLfGRFnu0XZhoPvDCm6n1NJdo79iCD-LAzo08kcrv3Tj5ULM3X6HX-YHPpfNOAyVCGZVsND2hapWUFF3UHZuU2EUZN/s2240/Screen%20Shot%202025-02-17%20at%202.01.23%20PM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1252" data-original-width="2240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizDdp1Hm0nVkULxasJqgairuZ3W3yegnEJwDHwzeyu8xDRBnxbQ_n1Z2jRBPqSLQZzHn788hV4ceCA2o-oHi_qYR4OyR8-Ax5UN0bLfGRFnu0XZhoPvDCm6n1NJdo79iCD-LAzo08kcrv3Tj5ULM3X6HX-YHPpfNOAyVCGZVsND2hapWUFF3UHZuU2EUZN/s16000/Screen%20Shot%202025-02-17%20at%202.01.23%20PM.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Roberta Collins in THE BIG BIRD CAGE</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgA6fBzBur9cULAt1PTBUPkUgoG2nBjM0w3kCfiFgdT2gco_0yNXlL2PZXOahn91zycmAx-zQVwy7U3slN_kNe5es9R9o-OgHLWbyJ97b4y2yvXlNQYZ3vi4v4AE_4CE7tanQFFgROQn69CcoiDxpoGgEQgJGKm5G_MmCv0GQsU-UQKAoEKQ8LffFyZ2RYB/s2242/Screen%20Shot%202025-02-17%20at%202.01.31%20PM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1250" data-original-width="2242" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgA6fBzBur9cULAt1PTBUPkUgoG2nBjM0w3kCfiFgdT2gco_0yNXlL2PZXOahn91zycmAx-zQVwy7U3slN_kNe5es9R9o-OgHLWbyJ97b4y2yvXlNQYZ3vi4v4AE_4CE7tanQFFgROQn69CcoiDxpoGgEQgJGKm5G_MmCv0GQsU-UQKAoEKQ8LffFyZ2RYB/s16000/Screen%20Shot%202025-02-17%20at%202.01.31%20PM.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Anitra Ford in THE BIG BIRD CAGE</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS73makzPKnS28NQpQbgi0XOSMF0RVxppynYyXyz4OZBEK3pohab5lF5rx54fc0lvYGDhzdIr48_uk7P9Cb6Az4T-SqYLXYTl_-Avgh9dl866VNY4eRWK6H_Nn-SUDcyyOKMA46kXVMAdMr-uuADwqpRqMTBdd6G_Mvh-VoICBTa5DxVLvhZoXNGA6FU8a/s2254/Screen%20Shot%202025-02-17%20at%202.01.46%20PM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1248" data-original-width="2254" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS73makzPKnS28NQpQbgi0XOSMF0RVxppynYyXyz4OZBEK3pohab5lF5rx54fc0lvYGDhzdIr48_uk7P9Cb6Az4T-SqYLXYTl_-Avgh9dl866VNY4eRWK6H_Nn-SUDcyyOKMA46kXVMAdMr-uuADwqpRqMTBdd6G_Mvh-VoICBTa5DxVLvhZoXNGA6FU8a/s16000/Screen%20Shot%202025-02-17%20at%202.01.46%20PM.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Roberta Collins in THE BIG BIRD CAGE</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwrEbramIOx-XP8VKsVgX73c21ih_aYvoXVdQ6Rs6TnPszKoXY_X_8_eLMM2qb6yPgR3vR1zk_CNNh91qfeEqimXOnUs_IRf4sX0IrwAJrCP3J6evylfdkvgnvykeKIAijzNoq79d5eJRTI4JzLaqcWYJAqsv7Wwoa2KS3xj5L4nUYuRh5bgWwHflbRqDC/s2182/Screen%20Shot%202025-02-17%20at%202.03.00%20PM.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1224" data-original-width="2182" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwrEbramIOx-XP8VKsVgX73c21ih_aYvoXVdQ6Rs6TnPszKoXY_X_8_eLMM2qb6yPgR3vR1zk_CNNh91qfeEqimXOnUs_IRf4sX0IrwAJrCP3J6evylfdkvgnvykeKIAijzNoq79d5eJRTI4JzLaqcWYJAqsv7Wwoa2KS3xj5L4nUYuRh5bgWwHflbRqDC/s16000/Screen%20Shot%202025-02-17%20at%202.03.00%20PM.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Pam Grier in THE BIG BIRD CAGE</u></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2TENrP1CZ610BbEcHNY1RNILDUyddXLARAWjcjY0lN_5VlrRdy5UBW2ObttTnDtiTx2x4RVP77lj8ypqK5Ro3DcUtP2aakKRmR_Q5HY1NOpXCKRp_Y6aQuVwnlCgt1Ul7jyoMpa2o7Rw5JDQIhno5PjuO85g6bCdN_ptHQZeJMJaLLcEaArBaO6Db7B3s/s1590/Screen%20Shot%202025-02-17%20at%202.06.33%20PM.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="892" data-original-width="1590" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2TENrP1CZ610BbEcHNY1RNILDUyddXLARAWjcjY0lN_5VlrRdy5UBW2ObttTnDtiTx2x4RVP77lj8ypqK5Ro3DcUtP2aakKRmR_Q5HY1NOpXCKRp_Y6aQuVwnlCgt1Ul7jyoMpa2o7Rw5JDQIhno5PjuO85g6bCdN_ptHQZeJMJaLLcEaArBaO6Db7B3s/s16000/Screen%20Shot%202025-02-17%20at%202.06.33%20PM.png" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Sid Haig and Vic Diaz in THE BIG BIRD CAGE</u></td></tr></tbody></table><br />

action, anitra ford, blaxploitation, brooke mills, exploitation, jack hill, jennifer gan, judy brown, pam grier, pat woodell, roberta collins, roger corman, seventies, vic diaz, women in prison

ROGER CORMAN W/ PAM GRIER PRISON EXPLOITATION THREESOME

Pam Grier & Judy Brown 1971 ***1/2 BIG DOLL HOUSE: This is the first Roger Corman produced/Jack Hill written/directed women-in-pris...

Written by James M. Tate / 8/27/2013 / No comments / chicks with guns , exploitation , interview , judy brown , roger corman , seventies , women in prison

JUDY BROWN REVISITS THE BIG DOLL HOUSE

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</div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQPj4jEf2MulmQq4EOlqWtQ_0DI99KyW3ikyGD5c-Ycg_2z1rPabyBbdcWHcRxweMCtf9TLtC7o5rlHLFZtRa7w9NAM4xn00vRXTMiJ3ffegQWB-_Wis4GMYZBXBBeYTaptTfGt29UvR81TgxXxYPYwgoa-TYWbh-NE16VIt2d-3DL3ta9w2qy1YiQhkf8/s854/title06_214645950.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="480" data-original-width="854" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQPj4jEf2MulmQq4EOlqWtQ_0DI99KyW3ikyGD5c-Ycg_2z1rPabyBbdcWHcRxweMCtf9TLtC7o5rlHLFZtRa7w9NAM4xn00vRXTMiJ3ffegQWB-_Wis4GMYZBXBBeYTaptTfGt29UvR81TgxXxYPYwgoa-TYWbh-NE16VIt2d-3DL3ta9w2qy1YiQhkf8/s16000/title06_214645950.jpeg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>JUDY BROWN INTERVIEW ON JACK HILL'S BIG DOLL HOUSE</u></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;">
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<i>The lovely and talented JUDY BROWN, who began her career as a singer and then went on to television and film, is one of the three beautiful actresses that, along with Pam Grier and Roberta Collins, appeared in Roger Corman’s groundbreaking women-in-prison films THE BIG DOLL HOUSE followed by WOMEN IN CAGES...</i><br />
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<tr><td class="tr-caption" style="text-align: center;">Judy getting checked</td></tr>
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<span style="background-color: white;"><span style="font-weight: bold;">Your first Roger Corman produced prison flick was the iconic BIG DOLL HOUSE directed by Jack Hill…</span></span><br />
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I  met Jack, I believe, when we got to the Philippines… He was just great.  And we had a terrific cast, and we were all new to this, and it was the  early parts of all of our careers...<br />
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We were in the Philippines, blazing  the trail for Roger Corman, basically. We did two, back to back… THE BIG DOLL HOUSE and then he kept some of us on… and we did WOMEN IN CAGES.<br />
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<tr><td class="tr-caption" style="text-align: center;">Cool Poster Art</td></tr>
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<span style="background-color: white;"><span style="font-weight: bold;">In  a film like this, your intensity level is always high, and for your  character, anything could happen at any time… How did you get motivated  for this kind of performance?</span></span><br />
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It was during martial law, with Marcos… And so anything <span style="font-style: italic;">could</span>  happen at any time, and we were all aware of it… And it did when  Roberta [Collins] and I were almost kidnapped in the jungle by a group  of mountain men there, for real… That was an interesting experience.  We were swimming in a swimming hole, way up in the jungle and the rest  of the cast and crew were filming just over a hillside… And before we  knew it a whole bunch of what they called in those days, “mountain men," jumped into the water. We  didn’t even know they were around… They had been, I guess, spying on  us… And had we not started screaming… They were coming very close and  literally tried to take us away. And a couple of the crew, from over the  hill, just happened to hear us… Because we were sort of screaming and  they came and got us out of there… And the mountain men ran away. And  those kind of things, you know… We were very naïve to all of that… And  not after that, mind you.<br />
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chicks with guns, exploitation, interview, judy brown, roger corman, seventies, women in prison

JUDY BROWN REVISITS THE BIG DOLL HOUSE

JUDY BROWN INTERVIEW ON JACK HILL'S BIG DOLL HOUSE The lovely and talented JUDY BROWN, who began her career as a singer and then ...

Written by James M. Tate / 5/17/2012 / No comments / debra winger , donna summer , ensemble , jeff goldblum , judy brown , ray vitte , seventies

THANK GOD IT'S FRIDAY

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<tr><td class="tr-caption" style="text-align: center;">year: 1978 cast: Donna Summer, Jeff Goldblum, Debra Winger, Ray Vitte, Valerie Landsburg rating: ***</td></tr>
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God knows they just don’t make 'em like this anymore. Even Rock N' Rollers might enjoy this character-driven ensemble about a night at a plush two-story Discothèque owned by Jeff Goldblum. With all the elements of a disaster film without the disaster (Disco Inferno aside) we’re introduced to each character before they wind up at the location where most of our time's spent.<br />
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Of the important players, Debra Winger and a friend are looking for their Mr. Rights – but in the era of slick seer-sucker womanizers, it might be difficult. Geeks John Friedrich and Paul Jabara desire their own perfect women, and you can rest assure these two humble cliques will eventually connect...<br />
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Mews Small is a punked-out free spirit while blue-eyed beauty Andrea Howard plays a curious suburban wife forcing her uptight husband to peek into wonderland, where she’s seduced by Goldblum who hired DJ Ray Vitte in a centralized glass booth overlooking the dance floor while starlet underdog (and recently departed) Donna Summer tries to get her record played.<br />
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Lightweight suspense is provided as ANIMAL HOUSE crooner DeWayne Jessie travels across town to pick up instruments for The Commodores, who may or may not show up. Meanwhile, one girl... Valerie Landsburg as Frannie, the buried lead... really wants (and deserves) to win the dance contest finale, and everyone’s having a good old time despite random obstacles, from bullies to bitches to broken dreams, that keeps this an ever-enjoyable romp of a bygone era.

debra winger, donna summer, ensemble, jeff goldblum, judy brown, ray vitte, seventies