cult film freak: concert

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Written by James M. Tate / 8/27/2025 / No comments / allan arkush , clint howard , comedy , concert , dey young , dick miller , exploitation , high school , joe dante , mary woronov , pj soles , roger corman , seventies , vincent van patten

ROGER CORMAN/THE RAMONES PRESENT 'ROCK N ROLL HIGH SCHOOL'

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrO-0Rj_0x-EM6rtRSacu1pdgSkCOJKXO5RemHOdS2htUCO-aQEg2Dx_ZNStluf9SLxKax2isCI4LQ8cg7PmwHQ0ro6zrswtlnEfer1c08B17Ga6X5y5SLlvL-g2A_Ez_Q27hY7waIddNeNsDVZBBwOGXHiCV3VRPwhsP26V4ZN3puayVkNRimfB0djMdD/s1280/maxresdefault%202.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="720" data-original-width="1280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrO-0Rj_0x-EM6rtRSacu1pdgSkCOJKXO5RemHOdS2htUCO-aQEg2Dx_ZNStluf9SLxKax2isCI4LQ8cg7PmwHQ0ro6zrswtlnEfer1c08B17Ga6X5y5SLlvL-g2A_Ez_Q27hY7waIddNeNsDVZBBwOGXHiCV3VRPwhsP26V4ZN3puayVkNRimfB0djMdD/s16000/maxresdefault%202.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Marla Rosenfield with </u><u>PJ Soles and Chris Somma in Rock N Roll High School Year: 1979 Rates: ****</u></td></tr></tbody></table><p></p><p>Hard Rock Bands like Cheap Trick and Van Halen were originally considered as the muse for the Roger Corman production ROCK N ROLL HIGH SCHOOL, directed by former Fillmore lightshow operator Allan Arkush... </p><p></p><p>And had the scene where a stoned PJ Soles as hyperactive/always-optimistic mega-fan Riff Randall... imagining punk-pioneers The Ramones in her album-adorned bedroom... instead involved randy crooners Robin Zander or David Lee Roth, it would probably be an instant sex scene or all-out attack... <br></p><p><span></span></p>

allan arkush, clint howard, comedy, concert, dey young, dick miller, exploitation, high school, joe dante, mary woronov, pj soles, roger corman, seventies, vincent van patten

ROGER CORMAN/THE RAMONES PRESENT 'ROCK N ROLL HIGH SCHOOL'

Marla Rosenfield with PJ Soles and Chris Somma in Rock N Roll High School Year: 1979 Rates: **** Hard Rock Bands like Cheap Trick and Van Ha...

RIP CHARLIE WATTS DRUMS UP 'LET'S SPEND THE NIGHT TOGETHER'

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7sNryVxsTQg6zvyO4hah7wHAaCI2Q6ibil6VMTRUoDMflgDeKl9E59scwyARD_IHO5182I5XJYCfP1DVfjKw1WPigQA9O9Kwt3RqeDsWO85L-YnyHCyna5aECDsrGgXO_fzIatkrhhBt2/s2257/Screen+Shot+2021-08-24+at+7.38.44+PM+2.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1085" data-original-width="2257" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7sNryVxsTQg6zvyO4hah7wHAaCI2Q6ibil6VMTRUoDMflgDeKl9E59scwyARD_IHO5182I5XJYCfP1DVfjKw1WPigQA9O9Kwt3RqeDsWO85L-YnyHCyna5aECDsrGgXO_fzIatkrhhBt2/s16000/Screen+Shot+2021-08-24+at+7.38.44+PM+2.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Charlie Watts in LET'S SPEND THE NIGHT TOGETHER Year: 1983 Rating: ****</u></td></tr></tbody></table><p>Nearing the end of British Movie Month on Cult Film Freak we say goodbye to one of the all-time great British drummers, Charlie Watts, who, like bassist Bill Wyman, had a style of grooving under their band THE ROLLING STONES so the "weaving guitars" by Keith Richards and Brian Jones then Mick Taylor then Ron Wood could intertwine and Mick Jagger can run the show...</p><p></p><p></p><p>And while not as critically acclaimed as Martin Scorsese's Stones' concert film SHINE A LIGHT where only the band is shown on stage without any point of reference, causing an even more claustrophobic and downright dizzying effect than the fact they're giving all the money to Bill Clinton's mysterious foundation... <br></p><span></span>

concert, eighties, hal ashby, mick jagger, music, rolling stones

RIP CHARLIE WATTS DRUMS UP 'LET'S SPEND THE NIGHT TOGETHER'

Charlie Watts in LET'S SPEND THE NIGHT TOGETHER Year: 1983 Rating: **** Nearing the end of British Movie Month on Cult Film Freak we say...

GRATEFUL DEAD SUNSHINE DAYDREAM SCREENING REVIEW

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<tr><td class="tr-caption" style="text-align: center;">FATHOM EVENTS PRESENTS THE GRATEFUL DEAD SUNSHINE DAYDREAM</td></tr>
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To describe the anticipated euphoria of seeing a Grateful Dead concert on the big screen could be summed up in one word... a word that's already been mentioned. But let’s say the euphoria wore off once the thing started... Or rather, once <i>something else</i>  started that was supposed to be the anticipated jam session promoted by Fathom Events...<br />
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Backing up a bit… Your faithful and usually uptight reviewer had lost his headphones a week earlier and, wanting to hang around the outdoor mall listening to music before the movie began, a headphone purchase was in order – and the pair bought at Barnes and Noble made music sound like tin cans in a blender, which didn’t matter because once inside the theater,The Dead’s jingly-jangly BERTHA was playing with psychedelic colors weaving around on the screen.<br />
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The pre-show was live Dead music and headphones weren’t needed… a futile detour like when Michael J. Fox went through all that trouble to score a keg in TEEN WOLF when there were a million kegs waiting at the party. But soon enough the lights went out and it was time for the concert, and feeling <i>just right</i>  there came the first of several bringdowns.<br />
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<tr><td class="tr-caption" style="text-align: center;">Jerry Garcia and Fender Stratocaster</td></tr>
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Instead of the show they ran a fifteen minute “informmerical” consisting of pointless interviews with really old hippies talking about a bankrupt “Creamery” in Oregon, the reason this benefit concert was being held in the first place, and the annoying documentary, something you'd skip if it were a DVD extra, dragged on with countless talking heads discussing the past and, adding insult to injury, The Dead could be heard jamming only to be constantly interrupted.<br />
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Well like all nightmares this one ended, and the movie, SUNSHINE DAYDREAM, shot in a neat grainy filmstock, thus began. There were a lotta naked people walking around and a “sideplot” about the little outdoor farm/venue (the stage built on the spot) running out of water was, while better than the crap just shown, kinda distracting. But The Dead finally hit the stage with Chuck Berry's PROMISED LAND...<br />
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<tr><td class="tr-caption" style="text-align: center;">Jerry Garcia and Bob Weir jamming</td></tr>
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The highlight was seeing Jerry’s lightning-fast fingers on CHINACAT SUNFLOWER as Bob painted pictures with the intricate rhythm. Leading to the spacey trek of the show, DARK STAR. Jerry and Bob came together perfectly on JACK STRAW, a road-weary anthem reminsicent of a Kerouac adventure and SING ME BACK HOME, the token ballad, was highlighted by a soulful Garcia solo. Also included was a nice Phil Lesh bass solo and providing "peak" moments were Monty Python style cutout animation clips.<br />
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The concert itself was incredible. Too bad most of the audience, or rather, the theater crowd at Bella Terra in Huntington Beach Landmark, Southern California, were talking so damn much you could hear loud whispers and chattering over the music that supposedly never stopped, stopping way too quick for the other punctuating agonies that made this a somewhat unpleasant experience, at least until the DVD comes out and the distractions will be gone...<br />
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concert, drug culture, grateful dead, jerry garcia, ken kesey

GRATEFUL DEAD SUNSHINE DAYDREAM SCREENING REVIEW

FATHOM EVENTS PRESENTS THE GRATEFUL DEAD SUNSHINE DAYDREAM To describe the anticipated euphoria of seeing a Grateful Dead concert on the...

Written by James M. Tate / 5/20/2013 / 3 Comments / concert , gregory hines , jim morrison , music , ray manzarek

DEDICATION TO RAY MANZAREK: ARCHIVE 2009 CONCERT REVIEW

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<tr><td class="tr-caption" style="text-align: center;">REST IN PEACE RAY MANZAREK</td></tr>
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I don't think Jim Morrison, the singer, is overrated. As a lead vocalist, combining blues and rock and something otherwordly, I think he's quite underrated, actually. Same goes with his poetry and lyrics... But as a legendary sex symbol: his shirtless image outshining the other members of THE DOORS on posters, books, posthumous album covers, etc., he's overrated... That is, as a  "sexy rock star" his persona has pretty much taken over...<br />
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Either that Robby Krieger, Ray Manzarek and John Densmore are underrated, not only as musicians in general but as members of this iconic band whose input equalled Morrison, especially guitarist/songwriter Robbie Krieger and the man who really opened the doors of the mind, organ-grinding maestro Ray Manzarek. <br />
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<tr><td class="tr-caption" style="text-align: center;">REVIEW OF THE CONCERT AT THE GROVE IN ANAHEIM CALIFORNIA 2009</td></tr>
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Well I got a chance to see two outta three, Robby and Ray... and now it's confirmed: not only is their part in THE DOORS legacy just as important as Morrison but they can still play... INCREDIBLY. The bassist and drummer were good and the "replacement singer" had a nasally voice and looked more like Horseshack from "Welcome Back Kotter" than The Lizard King, but this was okay (and perhaps intentional)... he wasn't trying to replace Morrison but was simply carrying the vocals so Robby and Ray could do their stuff. </div>
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The peak of the set was Krieger's unbelievable five minute flamenco guitar solo, which then lead to an awesome "Spanish Caravan." Ray took the role as MC, talking between songs (sounding like the plant in the eighties film version of "Little Shop of Horrors") and sometimes even during them; instigating people to get high during "Break On Through" and to revive the Summer of Love in 2010 before "Light My Fire": which, he reminded the audience at least five times, was written entirely by Krieger. </div>
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<tr><td class="tr-caption" style="text-align: center;">Ray Manzarek with Gregory Hines in William Friedkin's DEAL OF THE CENTURY</td></tr>
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Both R's look pretty aged (Ray with spiky gray hair and Robby looking more like "Seafelt" from "One Flew Over The Cuckoo's Nest" than his former "twin," comic Steven Wright) but both still have the same stage presence and haven't slowed down as performers: Ray the concentrative crouching praying mantis over the keys while Robby paints wonderfully weaving pictures with his Gibson SG.</div>
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"When The Music's Over" was a highlight, carrying a ton of lighting bolt/thunder clap intensity; "The Changeling," a romping blues dirge, was a sweet surprise; "The Soft Parade" was perhaps the only "let's head to the bathroom song" (the singer forgetting some of the lyrics); "Back Door Man," "Break On Through," "Waiting for the Sun," "Peace Frog," "Blue Sunday" and "L.A. Woman" were wonderfully tight and vividly amazing; while "Love Me Two Times," "Love Her Madly," "Touch Me" and "Light My Fire" were passable... but still quite a treat. </div>
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Bummer they didn't do "Riders On The Storm" (Ray's pivotal raindrops would have sounded very sweet in a live venue) or "Roadhouse Blues" (both were on the set-list, which was stolen from the stage by a friend of mine SECONDS after the band left the stage)... but overall it was an incredible show.<br />
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<tr><td class="tr-caption" style="text-align: center;">Ray Manzarek being filmed by Jim Morrison</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Great friend Ashley Cordelia and Ray Manzerek</td></tr>
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And now as I write this on the day of the death of Ray Manzarek, four years after writing that review and I remember about twenty years earlier still, in 1987, sitting in the parking lot that was crowded with hippies at Irvine Meadows, California where The Grateful Dead show would happen the following day...<br />
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I was very loaded on the same psychedelic drug that The Doors created their music to...<br />
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And as the organ solo played during the album version of LIGHT MY FIRE some hippie guy, around forty years old and looking like one of Dr. Teeth's backup musicians had he doubled as a stoned librarian, was feeling each note as if it were coming up from the Earth...<br />
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And I too felt that way and sure, alright, maybe it was the drug... but Lawrence Welk wouldn't have hit the spot that night, that minute, that moment, that instant...<br />
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Goodbye Ray, and thanks for the lightning bolts... Although they went too fast for my brain sometimes... Like years before that Dead show when I peaked in my bedroom to the speedy ALIVE SHE CRIED version of LIGHT MY FIRE and I had to turn off the record during Ray's section, lay on my bed, listen to an Eddie Murphy standup cassette tape to come back to Earth... But that was my own fault... You always kept your end of the bargain... I quit that stupid drug in 1990 but your music still (and always) remained... Later Daze!<br />
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<tr><td class="tr-caption" style="text-align: center;">Ray Manzarek and Robbie Krieger</td></tr>
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concert, gregory hines, jim morrison, music, ray manzarek