cult film freak: antonio fargas

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Written by James M. Tate / 6/13/2023 / No comments / action , antonio fargas , christopher connelly , eighties , exploitation , italian import , janet agren , john steiner , mobster , neo noir , nina soldano , sal borgese , shark , stelvio cipriani , thriller , tonino ricci

TREAT WILLIAMS IN THE ITALIAN IMPORT 'NIGHT OF THE SHARKS'

<p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjloxEGwCbjmTpaQflBUfY14etbMfG5UnmugkIC61_syzNALPuLbyDOmyd5Us3oRGCyJzWe1Pq_8LuuUw2oLkFJYLRwUlSbgLBI4jiydlhCMSOYFupTAukaQ29P_gZg5SRa9AO5V8o-WWI7HqJgS8sjKZdeu4ni1KFI08leP93QurxMTceXnNQemzfnGA/s2525/Screen%20Shot%202023-06-13%20at%202.32.13%20AM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1296" data-original-width="2525" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjloxEGwCbjmTpaQflBUfY14etbMfG5UnmugkIC61_syzNALPuLbyDOmyd5Us3oRGCyJzWe1Pq_8LuuUw2oLkFJYLRwUlSbgLBI4jiydlhCMSOYFupTAukaQ29P_gZg5SRa9AO5V8o-WWI7HqJgS8sjKZdeu4ni1KFI08leP93QurxMTceXnNQemzfnGA/s16000/Screen%20Shot%202023-06-13%20at%202.32.13%20AM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Treat Williams and Janet Agren in NIGHT OF THE SHARKS Year: 1988 Rating: ***</u></td></tr></tbody></table><p>Extremely low-budget imported Italian exploitation involving one of the most familiar potboiler plot-lines: a careless, flaky sibling (in this case younger brother) and their inevitable, semi-deserved death from being involved with the seedy crime world to begin with  — thus dragging their family into a proverbial whirlwind... <br></p><p></p><p></p><p></p><p></p><p>Herein a vengeful, tropical-shark-hunting older bro Treat Williams (with sidekick Antonio Fargas, priest Christopher Connelly and love-interest Janet Agren), whose balmy turf is encroached by killers... either the dorsal-finned kind (the deadliest shark actually plays intentionally goading mind-games) or those wearing cheap hoodlum suits... providing danger from the blood-soaked ocean into a machine-gunned jungle...</p><p><span></span></p>

action, antonio fargas, christopher connelly, eighties, exploitation, italian import, janet agren, john steiner, mobster, neo noir, nina soldano, sal borgese, shark, stelvio cipriani, thriller, tonino ricci

TREAT WILLIAMS IN THE ITALIAN IMPORT 'NIGHT OF THE SHARKS'

Treat Williams and Janet Agren in NIGHT OF THE SHARKS Year: 1988 Rating: *** Extremely low-budget imported Italian exploitation involving on...

JAMES CAAN STARRING IN 'THE GAMBLER' WITH PAUL SORVINO

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9XtHd_YJiVE7ZDGLPJ34u6UY-S-v7tmOqPnplCr-WkHDniE6Psfo_DXLrJVwHIPtSvxDWpj0IUQLSZEQteBHHIEiD5UlgjXdsLvtreAR9qW9GivCfjzeiel9QDXzl1R6z2AKayn2YpR4J5AqxzYMwLDj2xqxE0KwOYI597-rcXebuzBPQaIezYrW88g/s1456/Screen+Shot+2020-05-10+at+4.58.11+AM%203.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="780" data-original-width="1456" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9XtHd_YJiVE7ZDGLPJ34u6UY-S-v7tmOqPnplCr-WkHDniE6Psfo_DXLrJVwHIPtSvxDWpj0IUQLSZEQteBHHIEiD5UlgjXdsLvtreAR9qW9GivCfjzeiel9QDXzl1R6z2AKayn2YpR4J5AqxzYMwLDj2xqxE0KwOYI597-rcXebuzBPQaIezYrW88g/s16000/Screen+Shot+2020-05-10+at+4.58.11+AM%203.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>James Caan starring as  Axel Freed in James Tolback's THE GAMBLER Year: 1974 Rating: ***</u></td></tr></tbody></table>In pop culture, before you had to "know when to walk away, know when to run," THE 
GAMBLER was synonymous with a Fyodor Dostoevsky novel and transcended 
into this 1970’s film written by James Toback, directed by 
Karel Reisz and starring James Caan as university professor Axel 
Freed, who hardly ever has enough money left to count... <br>
<br>
But Axel's real story isn’t his job, but his 
vice, practically a religion — that of balls-out and brainless gambling: An addiction making him the user/loser of other people’s
 money, including his own mother (more like a flirtatious step-sister). But, while it’s great seeing Caan facing the dark side of human nature, 
there’s a lot to be desired when, for instance, he gets in over his 
head… and then some... <br>

antonio fargas, burt young, carmine caridi, college, drama, gambling, james caan, paul sorvino, seventies, thriller, vic tayback

JAMES CAAN STARRING IN 'THE GAMBLER' WITH PAUL SORVINO

James Caan starring as Axel Freed in James Tolback's THE GAMBLER Year: 1974 Rating: *** In pop culture, before you had to "know w...

ROBERT BLAKE AND ELLIOTT GOULD 'BUSTING' CORNELIA SHARPE

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxQD5ACmox62F6PitaAl_LCpZxdARpOx5MQEBX_p4aDXZI5estulv1LxaoCguX5CiM0ZFCIo_yEpTx9OLIUicKVwsEBlzrzWTxxI0wI9nSGAba5I7hxj7V97IG1Xc3KhjxjfQYjS4UCUPFXxD-i9E40DUx6clpDEcIb0c5q6iDYEQ-sfp8f_PlzBNW9g/s1714/Screen%20Shot%202023-03-12%20at%205.55.37%20AM.jpeg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1329" data-original-width="1714" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxQD5ACmox62F6PitaAl_LCpZxdARpOx5MQEBX_p4aDXZI5estulv1LxaoCguX5CiM0ZFCIo_yEpTx9OLIUicKVwsEBlzrzWTxxI0wI9nSGAba5I7hxj7V97IG1Xc3KhjxjfQYjS4UCUPFXxD-i9E40DUx6clpDEcIb0c5q6iDYEQ-sfp8f_PlzBNW9g/w400-h310/Screen%20Shot%202023-03-12%20at%205.55.37%20AM.jpeg" width="400"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Cornelia Sharpe in BUSTING Year: 1974 Rating: ****</u></td></tr></tbody></table>Starring Elliott Gould and Robert
 Blake as determined vice  cops BUSTING hookers, making a scene in a sex shop and, as the curtain opens, dogging a
high price call  girl: Enter the insanely gorgeous Cornelia Sharpe, who the year before played cop Al Pacino's girlfriend in SERPICO...<br>
<br>
Liken to a mazy Film Noir, the proverbial shoes stick on her, and eventually stumble upon a monopolizing, untouchable mega-pimp 
played by underrated  Allen Garfield backed by henchman Sid Haig who, it 
turns out, doesn't  have much to do since his boss owns the courts <i>and</i> 
the cops (Sid stated in our podcast interview that the script was being rewritten the entire time, but on the Blu Ray commentary, a much too soft-spoken Peter Hymans seemed to feel all went pretty smoothly and, other than a lot of deliberate improvising by Gould and especially Blake, production flowed according to his own script: the only trouble he had was with the Gay Community after the release).<br>
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action, allen garfield, antonio fargas, buddy, cop, cornelia sharpe, crime, elliott gould, exploitation, michael lerner, peter hyams, richard x. slattery, robert blake, seventies, sid haig, vice, william sylvester

ROBERT BLAKE AND ELLIOTT GOULD 'BUSTING' CORNELIA SHARPE

Cornelia Sharpe in BUSTING Year: 1974 Rating: **** Starring Elliott Gould and Robert Blake as determined vice cops BUSTING hookers, makin...

GOTTA BRAND NEW BAGFUL OF BLAXPLOITATION

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd_J_dBVvZ6-vaU-zRdzqPJgDz_MbOy8mFU6Jwams5GX-Tu0-o61pDQQl-Iz9RgnDGSz5fIlx3PiC_pkh0XnD1nkKTnGsuQ17WgFK1Xlv42wYoqenvmKEE8nKksEbKg18Zv4R3UAhDX52B/s1600/a.png" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="742" data-original-width="626" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd_J_dBVvZ6-vaU-zRdzqPJgDz_MbOy8mFU6Jwams5GX-Tu0-o61pDQQl-Iz9RgnDGSz5fIlx3PiC_pkh0XnD1nkKTnGsuQ17WgFK1Xlv42wYoqenvmKEE8nKksEbKg18Zv4R3UAhDX52B/s320/a.png" width="269" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><b>Year: 1973</b></td></tr>
</tbody></table>
<b>BLACK CAESAR: </b>Begins much like GOODFELLAS would years later: showing a shoeshine errand boy working for the mob... Then as Tommy Gibbs 
grows up, becoming Fred Williamson, his rep excels from hit man 
to head honcho in flowing style and motion, thanks to writer/director 
Larry Cohen who, as usual, needs little money for big effect.<br />
<br />
But it's 
halfway through, after a relative's sudden death, that the film snags 
with melodramatic repose, somewhat reviving itself when Gibbs, wounded, 
goes after his lifelong enemy: not an easy task for our surprisingly vulnerable hero played by Williamson, whose performance excels his usual tough guy womanizing bravado, especially during an 
intense reunion with his estranged father. And last but not least, James Brown's soulful 
soundtrack is like a character in itself.<br />
<br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVvJi4MplbGrbg0e6FCXA68TyDgVbM9JiRFV5SqpIzUL4HNRKT05nBFRYJEG5oaCCAtFXaIqj3R7i1ZxPJRWGlROOWqcoG8mi_muPzdoZsv9EUx64kgsuD7RnzcUdMtLL9t0-lJ5hsmyM/s1600/Picture+1.png" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVvJi4MplbGrbg0e6FCXA68TyDgVbM9JiRFV5SqpIzUL4HNRKT05nBFRYJEG5oaCCAtFXaIqj3R7i1ZxPJRWGlROOWqcoG8mi_muPzdoZsv9EUx64kgsuD7RnzcUdMtLL9t0-lJ5hsmyM/s1600/Picture+1.png" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">1974 ***</td></tr>
</tbody></table>
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<b>WILLIE DYNAMITE:</b> Beyond the funky storytelling theme song, filling us in on the pimp who 
has everything: girls, money, fancy clothes, a great ride, and lots of 
bread... there's a deep film about real people: one a pimp named Willie 
Dynamite, the other a social worker, and former prostitute, Cora (the late Diana Sands), trying
 to save Willie's main girl.<br />
<br />
It's not until the very end that Cora's 
stubborn drive and ultimate goal, which felt melodramatic and overdone 
during most of the picture, becomes completely clear. Although it's a bit confusing as to why everyone else, including cops and 
fellow pimps, strive so hard for Willie's downfall. Ironically enough, with a movie with such a gloriously vivid title, it's this man's possible redemption that matters more than those shiny threads. <br />
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<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_146cgsICe3NFkW0YCKhpYVO_iSvDMXvpg2TYoKx4RyD6hknCNS5ND53jqcL18NjATyfqFvf1P2DzpZrKJSqdxUdtD7zc9H1A4K2zQlRHj88tIsD1K1tjRMhT_IkBE85JvVUWntjDAgI/s1600/Picture+2.png" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_146cgsICe3NFkW0YCKhpYVO_iSvDMXvpg2TYoKx4RyD6hknCNS5ND53jqcL18NjATyfqFvf1P2DzpZrKJSqdxUdtD7zc9H1A4K2zQlRHj88tIsD1K1tjRMhT_IkBE85JvVUWntjDAgI/s1600/Picture+2.png" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">1975 **1/2</td></tr>
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<b>BUCKTOWN:</b> Fred Williamson visits a small town to bury his brother and sell off his
 dive bar. Turns out brother didn't die naturally, and Bucktown's run by
 a gaggle of racist white cops... are there any other kind in Blaxploitation!<br />
<br />
Williamson calls in his best friend, 
city thug Thalmus Rasulala, and along with three goons (including Carl 
Weathers and Roger E. Mosely) they save the town... only to take it over, making things even
 worse (call this the black VIGILANTE FORCE). And so now Williamson, along with sexy Pam Grier, have a big fight on 
their hands: and it's a personal battle in this semi solid fare with bouts of good action, but can be frustratingly 
sluggish when the bullets aren't flying.<br />
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<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnDprROZXJkmFgjqfbF8gATTEfwcyNeOrdnWzqIdCUAeb4929CoSJr_mU9QQn651c1R0hfWuU53SwuglhB6D3T2r17H5s5PevkSeVNIeexjOWGzrT0zKv0e8uJRzC8aaSk_XH5v2jd8kE/s1600/Picture+1.png" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnDprROZXJkmFgjqfbF8gATTEfwcyNeOrdnWzqIdCUAeb4929CoSJr_mU9QQn651c1R0hfWuU53SwuglhB6D3T2r17H5s5PevkSeVNIeexjOWGzrT0zKv0e8uJRzC8aaSk_XH5v2jd8kE/s1600/Picture+1.png" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">1983 ***</td></tr>
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<b>THE BIG SCORE:</b> Not to be confused with SHAFT'S BIG SCORE, this Afro Noir is a crime drama with a deliberately slow pace: 
thus when the action happens, it matters.<br />
<br />
Fred Williamson writes, directs and
 stars as an undercover cop framed for stealing heist money and even his
 fellow officers (John Saxon, Richard Roundtree) question his innocence. So he goes about proving himself, infiltrating the mob run by Joe 
Spinell and psychotic henchman Bruce Glover, in this mellow vehicle that 
builds suspense nicely, never going overboard except a few occasions 
when thugs get <i>literally</i> blown to bits. But that's always welcome... and reminds us of the 70's blaxploitation genre that this BIG SCORE attempts to reignite.<br />
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<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipq6CCcW2JQL6XgEw4Vmcm88d_xmZND0Ki22JlMS9714MpBRTdWCZ5WH0Fuf5TQSo5GETv7EC1pqDXFWpCER7FD-ih-vLdhdFBgT1yqgJge0YdPVVeTLNEz3wmpd9n_QhmIOdCKqJThtE/s1600/Picture+5.png" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipq6CCcW2JQL6XgEw4Vmcm88d_xmZND0Ki22JlMS9714MpBRTdWCZ5WH0Fuf5TQSo5GETv7EC1pqDXFWpCER7FD-ih-vLdhdFBgT1yqgJge0YdPVVeTLNEz3wmpd9n_QhmIOdCKqJThtE/s1600/Picture+5.png" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">1974 ***1/2</td></tr>
</tbody></table>
<b>BLACK SAMSON:</b> The ghetto's answer to Bufford Pussar, the lawman from the WALKING TALL films, this isn't an actual sheriff 
but a fictional bar owner fitfully named Samson, played by mellow giant Rockne Tarkington.<br />
<br />
Big Sam owns a lion and wields a big stick while running his tavern and also the entire
 block/neighborhood that he won't give up to vicious mobster William Smith, whose scene-stealing and downright 
unrelenting performance elevates this already near-excellent blaxploitation 
to even greater heights: leading to a giant vs giant battle on a 
boulevard that's eventually demolished to Biblical proportions.<br />
<br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdA0DC-EMoXKwCPzpq4unTCEF4dOP5p1WHl5anmuDTxC8A6dsvLBHiqA3oiZsJZP2RCtoXlrDGq9FdB6leHP3RojufhVdAoBjQdNJu17UInzqCAC67HqCzsoJzS8tN_gv7v4NIEi6KzYk/s1600/Picture+2.png" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdA0DC-EMoXKwCPzpq4unTCEF4dOP5p1WHl5anmuDTxC8A6dsvLBHiqA3oiZsJZP2RCtoXlrDGq9FdB6leHP3RojufhVdAoBjQdNJu17UInzqCAC67HqCzsoJzS8tN_gv7v4NIEi6KzYk/s1600/Picture+2.png" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">1982 ***</td></tr>
</tbody></table>
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<b>THE NEW BARBARIANS:</b> In a post-apocalyptic 2019, the world's a desert with plastic 
steel-feigning armored cars and motorcycles driven by nomads known as 
"Templars," hunting down the few survivors with laser guns or blades 
extended from vehicles BEN HUR style.<br />
<br />
Calling this a bad movie is 
pointless, and it's a futuristic exploitation with one blaxploitation element, mentioned soon: BARBARIANS is<span style="font-style: italic;"> very </span>low-budget
 and the acting isn't great, but director Enzio G. Castellari keeps the 
action rolling from start to finish. Giancarlo Prete makes for a good 
Mad Maxian hero, keeping a solid scowl and swatting baddies like bugs. 
Throw in... <i>drum roll please...</i> Fred Williamson as a bow-wielding maverick keeping Prete alive 
from the sidelines, a tough and sexy damsel, two bickering villains, and
 the promise of a lost civilization: and this Z-movie will hold your 
interest... and then some.<br />
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<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP_-XIkzNap7LK5OTlHNFQ1ZYy5213cdhXU_4mDpV4fP1GqFR0MnUainWv6wpMgL7z7ZuEwwDbtg3V42xb3heR5J23iQqdiL2zhQGRt40IPLQFtrUSOzmXSqU5LZUsT4-K23BSKIEcfY0/s1600/Picture+17.png" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP_-XIkzNap7LK5OTlHNFQ1ZYy5213cdhXU_4mDpV4fP1GqFR0MnUainWv6wpMgL7z7ZuEwwDbtg3V42xb3heR5J23iQqdiL2zhQGRt40IPLQFtrUSOzmXSqU5LZUsT4-K23BSKIEcfY0/s1600/Picture+17.png" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">1973 **1/2</td></tr>
</tbody></table>
<b>CLEOPATRA JONES:</b> With limitless villainous potential, the always-watchable and interesting Shelley Winters, as a lesbian mobster bitch chewing scenery while chewing out her minions, isn't on screen enough: making the plight of 
Cleopatra Jones, a tall, black, badass and beautiful Special Agent, a bit 
too breezy.<br />
<br />
Although there's decent action, including a fantastic car 
chase in a sewer wash/ditch, one of the first of its kind, and topnotch talent like Bernie Casey, Antonio Fargas,
 Michael Warren and Cult Film Freak favorite heavy Paul Koslo, our slender heroine needs more "flesh": perhaps a
 backstory on how she became what the baddies fear, giving the audience 
something <i>deeper </i>to root for.<br />
<br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM14JhjJ1aLIpnpetvKAFcQv8URH8zkf0E3ufufdBRJSPPVLnAQQdHBIztIcBBsH8_WyNZNOLgRR74qH2RWoQ1BwYXD8j0DIfLc-zF92hTgfzKD4JQTVz_lCrZOuusUsi6lPgR5SqnQic/s1600/Picture+2.png" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM14JhjJ1aLIpnpetvKAFcQv8URH8zkf0E3ufufdBRJSPPVLnAQQdHBIztIcBBsH8_WyNZNOLgRR74qH2RWoQ1BwYXD8j0DIfLc-zF92hTgfzKD4JQTVz_lCrZOuusUsi6lPgR5SqnQic/s200/Picture+2.png" width="142" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">1974 rating: ***</td></tr>
</tbody></table>
<b>FOXY BROWN:</b> While there are some classic lines, one spoken by Foxy Brown's 
trouble-making brother played by Antonio Fargas: "That's my sister, 
baby, and she's a whole lotta woman." Or Pam Grier, about to take on a 
rival, claiming, "I've got my blackbelt in barstools", this is a somewhat sub-par collaboration of writer/director Jack Hill and leading lady Pam Grier, dwelling too much on Foxy's frustration and
 not enough kickass action.<br />
<br />
The villains seem out of a 
daytime soap, while our heroine's reason for payback... her boyfriend, 
who just got a miraculously banal face-altering surgery you only see in movies, 
is killed by a lethal syndicate... doesn't equal the far superior COFFY,
 which made better use of Pam Grier, Sid Haig, and everything else the 
blaxploitation genre depends on: including pushers, hookers, bad 
whities, and sweet revenge.<br />
<br />
Yet despite the flaws, blaxploitation auteur Jack Hill seems cozy in his low budget element, 
remaining more on cruise control than overdrive. The opening credits 
alone, turning a strutting infrared silhouette of Grier into a female 
James Bond type, is worth the watch. Just don't take any of it 
seriously, or expect the second half to equal the buildup.<br />
<br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkO7D2Wg59cM99LZeHDY23IhHkI_yQFXD-S44X5hnSmoQ6eQkzsbHV9pBvr-GkFunoLbHJP6ZutUl-afZJ_a-J9Xw581AoKxTXyy9DzTmuKh4KB3V2iylQCDqfFBz97EDBziDyFF6k_J8/s1600/Picture+1.png" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkO7D2Wg59cM99LZeHDY23IhHkI_yQFXD-S44X5hnSmoQ6eQkzsbHV9pBvr-GkFunoLbHJP6ZutUl-afZJ_a-J9Xw581AoKxTXyy9DzTmuKh4KB3V2iylQCDqfFBz97EDBziDyFF6k_J8/s200/Picture+1.png" width="145" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">year: 1973 rating: ****</td></tr>
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<b>COFFY: </b>Ah yes, the crowning achievement of revenge-driven blaxploitation has Pam Grier 
taking out anyone involved in drug dealing after her younger sister's 
hospitalized for "bad heroin." This provides a platform where 
everything's possible, giving our sexy heroine free reign to seek and 
destroy.<br />
<br />
Sid Haig adds vitality as a tough hit man who 
meets his match with Grier, who's just as vulnerable as lethal, 
especially since her dream man, a climbing politician, might not be 
what, and who, he seems. While the usual blaxploitation 
elements, including battling naked chicks and pimp's bright clothing, are 
used within the story, never seeming campy or gratuitous. And the soundtrack's filler-funk
 is incredible, so much that Quentin Tarantino "borrowed" it for his own
 masterpiece starring Pam Grier and featuring Sid Haig... JACKIE BROWN!<br />
<br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU4HfDK9fsy5-3FRate2_2ACLpH9OnZ48wv62rZTJSEPGT1dhXHidMkoYLmPwIEvjFS8DE_LXoTSCGj25QuANjPYXFnPm0nW-DuJdjtusgDV0H7zrxgeEmoi98EusguTD0Hvk1X7dns1A/s1600/savage_sisters_poster_02.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU4HfDK9fsy5-3FRate2_2ACLpH9OnZ48wv62rZTJSEPGT1dhXHidMkoYLmPwIEvjFS8DE_LXoTSCGj25QuANjPYXFnPm0nW-DuJdjtusgDV0H7zrxgeEmoi98EusguTD0Hvk1X7dns1A/s200/savage_sisters_poster_02.jpg" width="178" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">year: 1974 rating: *1/2</td></tr>
</tbody></table>
<b>SAVAGE SISTERS:</b> Most low-budget exploitation films shot in the 
Philippines aren't perfect, but are still entertaining. This one, 
despite Gloria Hendry's cool performance as a tough army sergeant 
teamed-up with two white revolutionary babes trying to overthrow a 
villainous dictator, is, alas... pointless fodder.<br />
<br />
The pacing's 
slow and there's too much banter about what's about to happen, and 
little actually does. The editing seems victim of the same machetes used
 by the bag guys: Speaking of which, even BIG BIRD CAGE alumni Sid Haig 
and Vic Diaz, as goofy yet treacherous banditos, can't revive this 
ninety-minute slug trail, but both try really hard and are fun to watch 
nonetheless: especially if a plot doesn't matter and 
scantily clad gorgeous chicks with guns is what you're looking for... 
SAVAGE SISTERS will do. Just turn off the sound and open your eyes wide!<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh51r7Hul4NgFGKWUp8Em7hOldkDkfojSdA9OAjpwwD7WLu-SIAROrau1APZqlxmo1SKIbBXJ8r2qXl7JlMk3fUEoH_xHGW3clasFZHFPElSAghUlH5BwH2ixWADjDgEAIP_vCo5YqTzY/s1600/Isaac+Hayes+-+Three+Tough+Guys+(1974).jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh51r7Hul4NgFGKWUp8Em7hOldkDkfojSdA9OAjpwwD7WLu-SIAROrau1APZqlxmo1SKIbBXJ8r2qXl7JlMk3fUEoH_xHGW3clasFZHFPElSAghUlH5BwH2ixWADjDgEAIP_vCo5YqTzY/s1600/Isaac+Hayes+-+Three+Tough+Guys+(1974).jpg" width="189" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">1974 rating: ***1/2</td></tr>
</tbody></table>
<b>THREE TOUGH GUYS:</b> The actual title is  TOUGH GUYS and was then changed to THREE TOUGH 
GUYS after Fred  Williamson, who plays a small but important role as the
 villain, gained  popularity and the title song mentions TWO TOUGH GUYS,
 being that the  film centers mainly on imported Italian star Lino 
Ventura as a renegade,  revenge-seeking, ten-speed riding priest who 
teams with rogue cop Isaac  Hayes.<br />
<div>
<br />
The strange pair hop from arcade to bar to empty warehouse  beating up baddies or getting beat up, kidnapped, or both. Lightweight
  find-the-killer plot blends neatly with sporadic, swift-paced action  
occurring between unimportant bouts of dubbed, but somewhat involving,  
dialogue. And fans of Hayes the composer: if you want 
some superb instrumental music, check out Isaac's DOUBLE FEATURE: TRUCK 
TURNER AND THREE TOUGH GUYS, both albums  full of 
soulful/jazzy/funky/rocking orchestrations far superior than the  
generic versions often used within either vehicle. </div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5__Sv9kcJn0RpWnbSYdyyY_OEgSVqErXi6J1uIWS9Da0R17SEocKxnHOs_cN-Yl_iVK80HVxnbMaZxF3nDiSZjkxrmRZUkJYXMl5De4UtJt5nlMtLr3KKdIzjhyLoSv3-R9mLAe_1umw/s1600/Black+Belt+Jones+-+Jim+Kelly-+Gloria+Hendry.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5__Sv9kcJn0RpWnbSYdyyY_OEgSVqErXi6J1uIWS9Da0R17SEocKxnHOs_cN-Yl_iVK80HVxnbMaZxF3nDiSZjkxrmRZUkJYXMl5De4UtJt5nlMtLr3KKdIzjhyLoSv3-R9mLAe_1umw/s1600/Black+Belt+Jones+-+Jim+Kelly-+Gloria+Hendry.png" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://www.cultfilmfreaks.com/2013/07/jim-kelly.html">CLICK THIS LINK FOR ANOTHER BIG BAGFUL OF JIM KELLY BLAXPLOITATION</a></td></tr>
</tbody></table>
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antonio fargas, bagful, blaxploitation, eighties, fred williamson, gloria hendry, jack hill, larry cohen, pam grier, seventies, sid haig, william smith

GOTTA BRAND NEW BAGFUL OF BLAXPLOITATION

Year: 1973 BLACK CAESAR: Begins much like GOODFELLAS would years later: showing a shoeshine errand boy working for the mob... Then as To...

Written by James M. Tate / 8/29/2012 / No comments / action , antonio fargas , blaxploitation , chicks with guns , jack hill , juanita brown , pam grier , revenge , seventies , sid haig , terry carter

FOXY BROWN HAS RELOCATED MUTHA

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<tr><td class="tr-caption" style="text-align: center;"><a href="http://www.cultfilmfreaks.com/2014/11/gotta-brand-new-bagful-of-archive.html">FOXY BROWN HAS A NEW HOME SO CLICK THIS LINK AND CHECK HER OUT</a></td></tr>
</tbody></table>
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action, antonio fargas, blaxploitation, chicks with guns, jack hill, juanita brown, pam grier, revenge, seventies, sid haig, terry carter

FOXY BROWN HAS RELOCATED MUTHA

FOXY BROWN HAS A NEW HOME SO CLICK THIS LINK AND CHECK HER OUT Listen to internet radio with cultfilmfreak on Blog Talk Radio ...

Written by James M. Tate / 2/01/2010 / No comments / antonio fargas , robyn hilton , TV

ROBYN HILTON FROM BLAZING SADDLES ON STARSKY & HUTCH

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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheu-cRu1IGDCgprU_I7treLgFVdxEKNDi8dhPPKzzJuGBfnGpskmwxjBdiKDakR8mqxlAi3UGMh0ceYZ01ggxZe1sG5qjktyCS6HCL0g5Lg624NIlcwZacKrg1mpzu8usH9lcngQtyNh9H/s1600/Picture+1.png" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheu-cRu1IGDCgprU_I7treLgFVdxEKNDi8dhPPKzzJuGBfnGpskmwxjBdiKDakR8mqxlAi3UGMh0ceYZ01ggxZe1sG5qjktyCS6HCL0g5Lg624NIlcwZacKrg1mpzu8usH9lcngQtyNh9H/s1600/Picture+1.png" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Robyn Hilton on STARSKY AND HUTCH</td></tr>
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Model/Actress ROBYN HILTON played Mel Brook's secretary in BLAZING SADDLES and turns up in an episode of STARSKY AND HUTCH (directed by BLAZING SADDLES alumni JACK STARRETT) titled HUGGY BEAR AND THE TURKEY, which was an attempt to spinoff Huggy Bear's Antonio Fargas onto his own crime-solving series.<br />
<br />
Huggy Bear is partnered with a white private eye named The Turkey, and they go from location from location gathering clues, including a doctor's office where the gorgeous Hilton is a sexy nurse.<br />
<br />
The premise and pilot failed, and perhaps that's good because no one wanted to see Fargas leave STARSKY AND HUTCH. Antonio Fargas himself even admits (in my interview) it was a blessing in disguise since he loved working with David Soul and Paul Michael Glaser.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEjrZiG3crYLu_SaFifm2E6TTOnVdX9qQwmbLnrbrmPc5SrWtTUSTyByL6-lwLHeJ0Z0-mZe_UNvYD0c-aqUuay49_tWsDNF8HffkMsNwNcGO9BmCYAYzcMJOCvVJaxkLXysK-fETzh2Dt/s1600/Picture+1.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEjrZiG3crYLu_SaFifm2E6TTOnVdX9qQwmbLnrbrmPc5SrWtTUSTyByL6-lwLHeJ0Z0-mZe_UNvYD0c-aqUuay49_tWsDNF8HffkMsNwNcGO9BmCYAYzcMJOCvVJaxkLXysK-fETzh2Dt/s1600/Picture+1.png" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Huggy & Turkey's Fargas with Dale Robinette (listen to my Antonio Fargas Interview below</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkqpR3OS42YsYAn2xYLOtTQK0nW_uA2b0ddgDqVMf0id7PagfsiF6xTD9fMaKZYoIminStphzZC6cORa5TkFJGSfuo0ZLHHhT9OwGIdpbMBLEpLIhmd4Ys8QgLSXs6Npf2DOtky-lBphek/s1600/1.png" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkqpR3OS42YsYAn2xYLOtTQK0nW_uA2b0ddgDqVMf0id7PagfsiF6xTD9fMaKZYoIminStphzZC6cORa5TkFJGSfuo0ZLHHhT9OwGIdpbMBLEpLIhmd4Ys8QgLSXs6Npf2DOtky-lBphek/s1600/1.png" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The sexy Robyn Hilton in HUGGY BEAR AND THE TURKEY</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQAwifBqQ7Bvq6mwuCbJLHMlBHCZ4zZQ3gMzN3PvzwkSudAloF3dJ5jYiInnkoLlHpHeP3D4E9iwkV0hSE5G5Oc2cEyFrnGzEoB91YrSWKJt5MJT2-5N_bzsKscYSYz7vNv3q20Qgg9gni/s1600/2.png" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQAwifBqQ7Bvq6mwuCbJLHMlBHCZ4zZQ3gMzN3PvzwkSudAloF3dJ5jYiInnkoLlHpHeP3D4E9iwkV0hSE5G5Oc2cEyFrnGzEoB91YrSWKJt5MJT2-5N_bzsKscYSYz7vNv3q20Qgg9gni/s1600/2.png" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Robyn Hilton sexily guest stars on STARSKEY AND HUTCH</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi009qOpN5wYeeJA2TrU-RhfGbCOnXATj-g8bcFMO7W8WMEqUd02hd8C2MRe81CJsC7dZRwtneskyv1ZOo4oQfbVc9TxGPxt-Sg2fWVtdDEkF5XaAYXagTt_TbGTr_s3g_8Qn7CFIU99Bs8/s1600/3.png" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi009qOpN5wYeeJA2TrU-RhfGbCOnXATj-g8bcFMO7W8WMEqUd02hd8C2MRe81CJsC7dZRwtneskyv1ZOo4oQfbVc9TxGPxt-Sg2fWVtdDEkF5XaAYXagTt_TbGTr_s3g_8Qn7CFIU99Bs8/s1600/3.png" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Add captionThe last shot of Robyn Hilton before she exits the office...</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiptw7-0iRzh2uxb1J2Kn38_HZ-q3xHY7SdCrvVKvXaSWk4VvU8N7c04b6EXrQnx4Dx953XYKBw1BnJE792ZC0h4UYAR1z3cq-utibS6cpsHUGG4HQ02C7p5wwnTEyqCWS35pqvmbciPpUr/s1600/4.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="413" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiptw7-0iRzh2uxb1J2Kn38_HZ-q3xHY7SdCrvVKvXaSWk4VvU8N7c04b6EXrQnx4Dx953XYKBw1BnJE792ZC0h4UYAR1z3cq-utibS6cpsHUGG4HQ02C7p5wwnTEyqCWS35pqvmbciPpUr/s640/4.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Robyn Hilton with Mel Brooks in BLAZING SADDLES</td></tr>
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antonio fargas, robyn hilton, TV