OLIVER REED IN HAMMER FILMS 'PARANOIAC' WITH JANETTE SCOTT

<p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6vWBjLr6HLNf3xFljqHl-WVo5Zw5cf3FRQhm-4715QwEeuhE6cmwfQOCRhocb224e2DYp59jAveE9Rbnp2iyTocsSRRSoVYM_xuraQz4KJSPrQ-X2KuHzmxwwOufUeWNitCfBLIIlUArXmK8T729zUE0Xc862abcJcUXOfR5qauu4r7TjSnu-C9bodw/s1932/Screen%20Shot%202023-04-29%20at%207.33.54%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1390" data-original-width="1932" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6vWBjLr6HLNf3xFljqHl-WVo5Zw5cf3FRQhm-4715QwEeuhE6cmwfQOCRhocb224e2DYp59jAveE9Rbnp2iyTocsSRRSoVYM_xuraQz4KJSPrQ-X2KuHzmxwwOufUeWNitCfBLIIlUArXmK8T729zUE0Xc862abcJcUXOfR5qauu4r7TjSnu-C9bodw/w400-h288/Screen%20Shot%202023-04-29%20at%207.33.54%20PM.jpeg" width="400"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Poster for PARANOIAC Year: 1963 Rating: ****</u></td></tr></tbody></table><p>If Terence Fisher was the <i>Universal Classic Monsters </i>version of England's HAMMER FILMS then Freddie Francis was their Hitchcock, and PARANOIAC one of Hammer's best psychological thrillers, providing stock actor Oliver Reed a grand performance, showcasing what would become his two signature traits: moody brooding and overboard intensity: He's the brother of troubled, haunted ingenue Jeanette Scott, set to inherit a bundle (strictly overseen by an aunt and family lawyer), holed up in the family's sea-cliff estate, but not if Reed (with moll Liliane Brousse) can help it...</p><p></p><p></p><p></p><p></p><p></p><p></p><p>And while mostly working alone, he's <i>not</i> alone in agenda: The leading man is a con artist, which we learn soon enough for PARANOIAC to not quite reach Mystery-genre status: But those fifteen minutes when handsome Alexander Davion may or may not be her adored prodigal brother are the most intriguing: After which, coinciding with the kind of quick-split editing wherein everything beforehand meant only how the scene abruptly ends, Reed and his boisterous persona takes over, making this a frantic game of wits using creative camera angles within a shadowy B&W aesthetic that'd perfectly suit Film Noir... and it's only five years shy of being one — for then it'd get a lot more praise and attention beyond the lot of We the faithfully dedicated/eternal Hammerheads.  </p><p><span></span></p>

alexander davion, british new wave, hammer films, horror, janette scott, liliane brousse, oliver reed, sixties, suspense, thriller

OLIVER REED IN HAMMER FILMS 'PARANOIAC' WITH JANETTE SCOTT

Poster for PARANOIAC Year: 1963 Rating: **** If Terence Fisher was the Universal Classic Monsters version of England's HAMMER FILMS then...

ROGER MOORE IN 'THE SAINT' WITH JACKIE COLLINS & BRIAN WESKE

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj89vsyJRIoazWk5tC-5hkoxHjU7FR6LICxEOQpsq6RLeDDyyTl36FlZ0wax9rDaTuUnmILaXz3eki6NXOyNcUpdr-tRBaEiQKOn4seWtva35hz0-4ULmHJqxa2v0wiAip9jd7d3bIVucy_00L4Hjm91SMi6xh_oBF3nwpVWRnzjE1x3NZvUDN2EftE3w/s1883/Screen%20Shot%202022-10-02%20at%2011.05.22%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1136" data-original-width="1883" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj89vsyJRIoazWk5tC-5hkoxHjU7FR6LICxEOQpsq6RLeDDyyTl36FlZ0wax9rDaTuUnmILaXz3eki6NXOyNcUpdr-tRBaEiQKOn4seWtva35hz0-4ULmHJqxa2v0wiAip9jd7d3bIVucy_00L4Hjm91SMi6xh_oBF3nwpVWRnzjE1x3NZvUDN2EftE3w/s16000/Screen%20Shot%202022-10-02%20at%2011.05.22%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Roger Moore is THE SAINT episode STARRING THE SAINT Year: 1963 Rating: ****</u></td></tr></tbody></table><p>In most TV-series about unique human beings there's usually one that tweaks the 4th wall in having the concept of a film studio wanting to make a motion picture about the series itself, which for the viewer isn't a series at all, often feeling intrusive or contrived but THE SAINT season two's STARRING THE SAINT is one of the iconic British show's best episodes, and features two polar opposite bombshells... </p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p>One being Joan's sister, future scandal writer Jackie Collins as a lavish actress and Moore's love interest, and sophisticated secretary Monica Stevenson who... along with has-been actor Alexander Davion seeking the Saint role, troubled director Alfred Burke wanting out of a contract and a frustrated writing team including LOLITA actor Jerry Stovin... continuously weathers her nefarious producer boss, played with sublime menace by Ronald Radd...</p><p><span></span></p>

alexander davion, alfred burke, brian weske, british neo noir, british tv, hollywood satire, jackie collins, jerry stovin, monica stevenson, mystery, roger moore, ronald radd, sixties, the saint

ROGER MOORE IN 'THE SAINT' WITH JACKIE COLLINS & BRIAN WESKE

Roger Moore is THE SAINT episode STARRING THE SAINT Year: 1963 Rating: **** In most TV-series about unique human beings there's usually ...

LANCE COMFORT DIRECTS WILLIAM SYLVESTER IN 'BLIND CORNER'

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVQpI0GP3xuq4UNUZWd3xLDhskYCtKWgPkndGAfsWMPzrt0IMbGimK6k1yo3BChBjFCoCqzPmDMkqwTunXF_k80KqamFZWsWa0OKxPbcQC1HL2BsQpJ41E2GJv7HPPFPmyZrhTE6ew9Cvp/s1600/11111.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="984" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVQpI0GP3xuq4UNUZWd3xLDhskYCtKWgPkndGAfsWMPzrt0IMbGimK6k1yo3BChBjFCoCqzPmDMkqwTunXF_k80KqamFZWsWa0OKxPbcQC1HL2BsQpJ41E2GJv7HPPFPmyZrhTE6ew9Cvp/s1600/11111.jpeg"></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><u>Barbara Shelley (the cheater) and William Sylvester (the cheated) in BLIND CORNER Year: 1964</u></td></tr> </tbody></table> Stanley Kubrick's 2001: A SPACE ODYSSEY is known for its outer space special effects, prehistoric monkeys and a nefarious computer. As for humans there are two British actors (Keir Dullea and Gary Lockwood) and one American as that pair of astronauts' chief. But William Sylvester, though born in Oakland, California, is as much a British actor as they are, trained in RADA and a fixture of England's cinema since after World War II...<br> <br> Though known mostly for the Godzilla/King Kong homage GORGA (that is, before 2001), Sylvester's best performance is the main character from MAN IN THE DARK, actually titled BLIND CORNER, which sounds more like the Noir that it is, one of many low budget 1960's crime flicks from the British New Wave. <br>

alexander davion, barbara shelley, british neo noir, british new wave, elizabeth sheperd, lance comfort, mark eden, perfect murder, sixties, thriller, william sylvester

LANCE COMFORT DIRECTS WILLIAM SYLVESTER IN 'BLIND CORNER'

Barbara Shelley (the cheater) and William Sylvester (the cheated) in BLIND CORNER Year: 1964 Stanley Kubrick's 2001: A SPACE ODYSSEY...