cult film freak: jill st. john

Showing posts with label jill st. john. Show all posts

Written by James M. Tate / 3/18/2024 / No comments / anjanette comer , drama , golf , guy stockwell , howard st. john , james farentino , jill st. john , mike kellin , robert wagner , sport

ROBERT WAGNER IN THE OBSCURE GOLF PRO CURIO 'BANNING'

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmyTGELiBS2F6ba2pS3dnU4zWVFPf26G63I7b7knyuF4ToYvmv5GxLJJDJQa1KdhSTcvww0x8Ywt6Bfht8QMs-LRhYLUytv1wRQiMnySbSrTsXjx8zo49ogmcCHQik1ZkuGdy68oTW1DMswu41Bo5bkYOELdQu9740poDfntU7BM258bFmex1zH4Jh5HtR/s2280/Z.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1310" data-original-width="2280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmyTGELiBS2F6ba2pS3dnU4zWVFPf26G63I7b7knyuF4ToYvmv5GxLJJDJQa1KdhSTcvww0x8Ywt6Bfht8QMs-LRhYLUytv1wRQiMnySbSrTsXjx8zo49ogmcCHQik1ZkuGdy68oTW1DMswu41Bo5bkYOELdQu9740poDfntU7BM258bFmex1zH4Jh5HtR/s16000/Z.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Robert Wagner and Mike Kellin from BANNING Year: 1967 Rating: ****</u></td></tr></tbody></table><p>The extremely elusive and rare BANNING is a 1967 film about former golf pro Robert Wagner as the title character... coolly rolling into an exclusive Arizona golf course like an enigmatic rider from a spaghetti western... </p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p>Full of secrets and suave blackmailing that it takes half the movie to figure out, mostly through exposition from characters ranging from Guy Stockwell as the crooked son-in-law (married to Susan Clark) of super-rich Howard St. John, who practically owns the joint while Jill St. John is a rich fatale type with her hooks in Banning... but his own vulnerable heart's aimed at the golf course's seemingly chaste working-girl Anjanette Comer...</p><p><span></span></p>

anjanette comer, drama, golf, guy stockwell, howard st. john, james farentino, jill st. john, mike kellin, robert wagner, sport

ROBERT WAGNER IN THE OBSCURE GOLF PRO CURIO 'BANNING'

Robert Wagner and Mike Kellin from BANNING Year: 1967 Rating: **** The extremely elusive and rare BANNING is a 1967 film about former golf p...

DOUGLAS HICKOX SHOOTING OLIVER REED FOR 'SITTING TARGET'

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british new wave, douglas hickox, edward woodward, exploitation, frank finley, freddie jones, ian mcshane, jailbreak, jill st. john, jill townsend, oliver reed, revenge, robert beatty, seventies, tony beckley

DOUGLAS HICKOX SHOOTING OLIVER REED FOR 'SITTING TARGET'

Oliver Reed in SITTING TARGET Year: 1972 Rating: ****1/2 When long-time locked-up convict Oliver Reed breaks out of prison to kill wife Jill...

FRANK SINATRA WITH RICHARD CONTE & SUE LYON IN 'TONY ROME'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLOywmxjrBeKdPn4Ckt2WYd9tNI2H2YHD-4V8TRMIwRr5s18So2jYfOaaCQi4aUsXbOHYg8f60FyuMYCqJFIMPgDLHBi-d_YK6L1UVcMsKG3wqcooOltH2-6eRlDemaOT9IRFADIIw79yNCg9rhJk2NbfV5NkXpbAyQjP429eT1t99anBFM6GzRh1lSdnv/s1626/Screen%20Shot%202025-11-15%20at%204.24.04%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="864" data-original-width="1626" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLOywmxjrBeKdPn4Ckt2WYd9tNI2H2YHD-4V8TRMIwRr5s18So2jYfOaaCQi4aUsXbOHYg8f60FyuMYCqJFIMPgDLHBi-d_YK6L1UVcMsKG3wqcooOltH2-6eRlDemaOT9IRFADIIw79yNCg9rhJk2NbfV5NkXpbAyQjP429eT1t99anBFM6GzRh1lSdnv/s16000/Screen%20Shot%202025-11-15%20at%204.24.04%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Frank Sinatra with Richard Conte in TONY ROME Year: 1967 Rating: ***1/2</u></td></tr></tbody></table><p>Frank Sinatra's daughter Nancy's bouncy title song for TONY ROME misleadingly promises a character causing mothers to lock up their daughters — when in fact the only dame in danger is heart of gold "slut" Jill St. John, one of the most contrived femme fatale types in the history of Film Noir, or in this case, Neo Noir cinema...<br>
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Seeming like a sexy daydreamed wraith created solely to share parenthetical scenes with — and pretending to be only somewhat interested in when she's really wildly crazy about — our smug anti-hero private dick, whose gambling addiction is as idle and secondhand as the gumshoe plot with its mazy ups-and-downs while prominently featuring the gorgeous Miami, Florida in its groovy 1960's heyday...<br>
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frank sinatra, gumshoe, jeffrey lynn, jill st. john, neo noir, private eye, richard conte, sixties, sue lyon, thriller, tiffany bolling, tony rome

FRANK SINATRA WITH RICHARD CONTE & SUE LYON IN 'TONY ROME'

Frank Sinatra with Richard Conte in TONY ROME Year: 1967 Rating: ***1/2 Frank Sinatra's daughter Nancy's bouncy title song for TONY...

SEAN CONNERY BOND SIX 'DIAMONDS ARE FOREVER' FOR SID HAIG

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<tr><td class="tr-caption" style="text-align: center;"><u>Marc Lawrence and Sid Haig bring in the dead for Bond YEAR: 1971</u></td></tr>
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Far from top shelf Sean Connery/James Bond, it's definitely the weirdest: a comeback after one-timer George Lazenby's ON OUR MAJESTY'S SECRET SERVICE and an intentional first of two comeback/farewells (NEVER SAY NEVER AGAIN later on) for the man still considered the best 007 ever. Only here he seems older than his next replacement, Roger Moore, two years his senior. And he's going through the motions but it's a pretty good time, for a while...<br />
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Bond finales can often drag during the inevitable point of no return, facing off at the main villain's lair where a big bombastic fight ensues and the mysteries have all been revealed. In this case it's old reliable cat-lapped Bloefeld (forever dated by Austin Powers). But the best scenes had occurred during the initial climb with various near-death situations ranging from an edgy elevator fight to a romp throughout Las Vegas in its sparse, seedy, early-1970's heyday...<br />
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<tr><td class="tr-caption" style="text-align: center;"><u>Michael Valente, Sean Connery, Sid Haig and Marc Lawrence</u></td></tr>
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And the reason for this DIAMONDS ARE FOREVER review is character-actor Sid Haig's recent death. Here he's one of three thugs along with classic heavy Marc Lawrence, who'd return as another goon in the intro of Moore's second venture, THE MAN WITH THE GOLDEN GUN... <br />
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As an employee of a mob funeral outfit, Haig uses a deliberate old school New York gangster voice, saying "Brudda" for "Brother" on the drive to their mortuary where a fan-favorite sequence has Bond almost incinerated in a casket. But what really makes DIAMONDS shine are the lovely Bond girls. The first is Jill St. John, perfectly aged so not to be obnoxiously young, and yet she's one of the cutest/sexiest dames in the franchise. She tags along with Bond like a kissing cousin rather than the dame he yearns to inevitably shag (which he does of course): that's usually left to the secondary Bond girl earlier on...<br />
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<tr><td class="tr-caption" style="text-align: center;"><u>Sean Connery and the lightning hardhat men SCORE: ***1/2</u></td></tr>
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Enter hot, lusty and busty Lana Wood as Plenty O'Toole, who does very little except getting thrown out a Vegas hotel window, safely into the swimming pool, and a little later found cemented under the pool of Jill St. John, whose more respectfully named Tiffany Case winds up predictably kidnapped. But by this time the game's basically over despite thirty minutes left on the clock. And while Connery sleepwalks through this affable, dapper ride, he's more laidback than lazy...<br />
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The latter goes to a pair of bizarre assassins that... while taking part in a genuinely vicious string of murders connected to diamonds stolen from an African mine... are perhaps the lamest killers in Bond cinema history. Joker-faced Bruce Glover would have fared better alone; his character's real life musician "life partner" Putter Smith resembles a sleepy, bald-headed sheepdog whose acting is so atrocious, even his walk is deliberate and awkward. But no matter who surrounds him, it's cool seeing Sean Connery's Bond in the 1970's. And perhaps he's really not trying because he simply didn't need to.<br />
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<tr><td class="tr-caption" style="text-align: center;"><u>Sig Haig as Slumber Inc Attendant/Assassin in Diamonds are Forever</u></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><u>Sig Haig, Lana Wood and Marc Lawrence in Diamonds are Forever</u></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><u>A lovely Jill St. John sees a dead Bond girl in her pool in Diamonds are Forever</u></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><u>Sean Connery and Jill St. John in DIAMONDS ARE FOREVER</u></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><u>Mr. Liberace's body was quickly returned to the morgue for...</u></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><u>Bruce Glover and Putter Smith make deadly gay henchmen in Diamonds are Forever</u></td></tr>
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